About this Session
New Year’s Eve Eve was one of our favourite nights last year, so join us this December as we do it all again.
Celebrate the end of 2018 (ok, it’s a day early but who cares when you’re with your friends!?) with us as we keep the music going and the drinks* flowing – at least until we run out of material. Party hats are optional but encouraged.
Performers can sing anything they like, as long as it fits the Broadway Sessions criteria – a song from a musical or by an established music theatre composer.
*Broadway Sessions regrets to inform you we are unable to cover the bar tab for the night. However, feel free to buy a drink for any of the Broadway Sessions team!
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Mark is a respected opera, cabaret and concert singer, with a passion for music theatre. He has toured South Australia with State Opera, SINGular productions and the Adelaide Art Orchestra. Mark produced and performed in his own sell out swing show – Mark Oates and the Daniel Brunner Pretty Big Band – for the 2009 and 2011 Adelaide Fringe Festivals. For the Adelaide Festival, Mark sung the roles of Ruffiak in Ligeti’s Le Grande Macabre and Street Singer in Leonard Bernstein’s Mass.
For State Opera SA, Mark premiered the role of “the Cantor” in Astor Piazzolla’s Maria de Buenos Aires, a co-production with Leigh Warren and Dancers which was reprised for the 2011 Brisbane Festival. He also performed Joe in The Station (Howard Blake), and John Styx in Orpheus in the Underworld (Offenbach). Last year Mark performed in the world premiere of the full Philip Glass trilogy for State Opera SA, including the role of Arjuna in Satyagraha. In the two weeks prior to the opening night of Broadway Sessions, Mark will be part of the State Opera SA chorus in Faust and the Verdi Requiem before travelling to Canberra for two concerts with the Canberra Symphony Orchestra.
Mark has also worked with many Adelaide based musical theatre companies. He was an Oscart and Curtain Call winner and Critic’s Circle nominee for his portrayal of Jean Valjean in The G&S Society’s Les Misérables. For The G&S Society Mark has also played the Baker in Into the Woods and the Pirate King in The Pirates of Penzance. He premiered Horton the Elephant in the award winning Seussical the Musical and portrayed Utterson in Jekyll and Hyde for The Hills Musical Company. Other roles include Jesus in Jesus Christ Superstar for Northern Light Theatre Company, Archibald Craven in The Secret Garden for both The Therry Dramatic Society and The G&S Society, Enoch Snow in Carousel for Swell Productions/MS Society and was part of the original cast of It’s A Dad thing for SINGular productions. Mark has also played “man” in several productions, including Songs for a New World and I Love you, You’re Perfect, Now Change!
Alisa has been performing in musicals in Adelaide for over 10 years. Alisa's favourite roles include Gary Coleman in Avenue Q (MBM, 2011), Reno in Dusty (The Met, 2011) and Enid in Legally Blonde the Musical (Hills, 2014). Most recently Alisa performed in Violet (Davine Interventionz) for the Adelaide Fringe. Currently Alisa is rehearsing for Aida with the Hills Musical Company. Alisa has trained in jazz, tap, contemporary and hip hop dance and has vocal tuition with Kirsty Roberts.
Amy Neumann returns for her Broadway Sessions swan song before returning to her home in America in August. She recently closed a successful run as Olive in The Odd Couple – Female Version for Blackwood Players. Before moving to Australia, Amy worked across the US as a performer and director. She has appeared at the Kennedy Center, Ford's Theatre, Syracuse Stage, Round House Theatre, and the American Century Theatre, as well touring the US and Canada in both The Adventures of Tom Sawyer (Becky Thatcher) and Annie (July). Favorite roles include Alice Nutting/Edwin Drood in The Mystery of Edwin Drood, the Baker's Wife in Into the Woods, and Cecily in The Importance of Being Earnest.
Amy spent 17 years as a company member of Now This, Washinton DC's only totally improvised musical comedy troupe. She currently teaches for ArtStream, Inc., where she specializes in teaching actors with disabilities. Ms. Neumann holds a BFA in acting from Syracuse University and a Masters of Social Work from the Catholic University of America. Her favorite role is being wife to Jonathan and mum to Micah, 7, and Becca, 5.
Andrew recently played Baron Mirko Zeta the State Opera of SA’s production of The Merry Widow. Other roles with that company include Ulrich Eisslinger (Die Meistersinger von Nürnberg), Frank/Dr. Blind (Die Fledermaus), Ping (Turandot), Dancairo (Carmen), Silvio (Pagliacci), First Soldier (Salome), Horemhab (Akhnaten) and Kallenbach (Satyagraha). He has toured Australia with Co-Opera, singing Figaro (The Barber of Seville), Escamillo (Carmen), Falke and Dr. Blind (Die Fledermaus), Silvio and Tonio (Pagliacci), Guglielmo (Cosi fan Tutte), Giuseppe (The Gondoliers) and The Pirate King (The Pirates of Penzance). Andrew also performed the role of Don Jose in Carmen for Elephant in the Room and Opera New England.
In the last five Adelaide Fringes, Andrew directed sold-out seasons of The Pirates of Penzance on the Popeye, also playing the role of the Pirate King. He played Ali Hakim in Oklahoma on a Farm. Andrew is a graduate of the Elder Conservatorium and undertook post-graduate studies at the Luxembourg Conservatoire de Musique. In January he will play Captain Von Trapp in The Sound of Music for Emma Knights Productions and in February 2019 he will sing Cavaradossi in Tosca in the Adelaide Fringe Festival.
Anjana is a recent Year 12 graduate with a love for everything music. Anjana has performed in numerous showcases from 5 years of age, performing Les Miserablés' Castle on a Cloud and Aladdin's A Whole New World at her first concerts. Having sparked her passion for musical theatre in 2014, Anjana starred as the Narrator in her school's production of Joseph and the Amazing Technicolour Dreamcoat. In the next year, Anjana not only viewed The Lion King in Melbourne, but she was Rafiki in The Lion King, for which Buyi Zama (role of Rafiki in Australian cast) provided priceless advice to Anjana after her dogged persistence to meet her at the backstage door!
In addition, Anjana is the lead singer in her school's first student-led Funk Band, who perform arrangements and choreography of artists for example, Aretha Franklin, Stevie Wonder and Earth, Wind and Fire. Anjana's major solo performance of I Was Here from The Colour Purple at her school’s Cabaret night was one to remember. She hopes to pursue more music theatre and songwriting in the upcoming year.
Inkie Elliott-Potter (They/them, she/her)
Inkie has worked in musical theatre for many years as a hobby, starting in Stagecoach in England and performed in many Adelaide Hills-based productions through Inkpot Arts Inc. Recently they performed as part of the chorus in Adelaide Youth Theatre's production of Les Misérables.
Carly started choral singing at a young age in the Adelaide Girls Choir. She performed with "Voiceworks Adelaide" during her tertiary studies and more recently has sung in the Adelaide Symphony Chorale. Her love of singing initially stemmed from performing with choirs, whilst her passion for performing in musicals started in 2005, when she was part of the MS Society's production of Les Misérables.
Since then, Carly has performed in Glibert and Sullivan's productions of Les Misérables, Jesus Christ Superstar and Oliver. She has also performed in Davine Productions' Violet, It's Only Life and Beautiful, The Carole King Musical.
Carly is a High School Music Teacher by trade and is currently the arts coordinator of Gleeson College. Her favourite part of her job is allowing her students to have the experience of performing in musicals. Some of her students from Gleeson are still heavily involved in the Adelaide Music theatre scene and some have sung in past Broadway Sessions here. She loves the thought that her past students are continuing on with their love of music and musicals.
Cooper, 17, loves all aspects of performing. He made his professional debut in 2016 in The Sound of Music. Cooper joined Pelican Productions in 2016 - his highlights include playing Orpheus (Hadestown), Moonface Martin (Anything Goes) and going full drag in Priscilla Queen of the Desert.
Cooper is a Drama and Music student at Brighton Secondary School and is part of the 2022 Class of Caberet program.
Cooper receives his vocal coaching from the fabulous Carolyn Ferrie and dances at Barbara Jayne Dance Centre.
When he isn’t singing or dancing you might find Cooper busking at Glenelg.
Diana Divine is a woman of wit, wonder and otherworldly charm. Bursting onto the Adelaide cabaret and burlesque scene after a life-long love affair with the stage, Diana enthrals all with her powerful stage presence and knack for comedy. Diana is the producer, creator, and official Fearless Leader of The Justass League, an Adelaide burlesque group nominated for "Best Troupe" at the 2018 Busties (Aus burlesque awards), and the self-appointed “human equivalent to finger guns”. As a delightful dame with chronic pain, Diana was thrilled to have her disability and chronic illness cabaret, Singin in the Pain receive a weekly “Best Cabaret” award at the 2019 Adelaide Fringe Festival in its debut season.
Having started her performance journey in school musicals and choirs, she has gone on to test her silky vocals in burlesque and cabaret productions across South Australia, Queensland, and Victoria. Returning to her roots with her new knowledge in tow, Diana is ready to show Broadway sessions what she's made of.
Eloise Quinn-Valentine has performed in musicals, plays, in choirs and at events around Adelaide and abroad from a young age, with companies such as Davine Productions, University of Adelaide Theatre Guild, Independent Theatre, Therry Theatre, Adelaide Conservatorium Chorale, and Young Adelaide Voices.
Recent(ish) highlights include playing Louise LeBreton in The Hello Girls (Therry Theatre), Vivie Warren in Mrs Warren's Profession (Independent Theatre), Phaedra in Jerusalem (University of Adelaide Theatre Guild), Young Violet in Violet: A Musical (Davine Productions), and 'Woman 2' in Its Only Life (Davine Productions, ft. John Bucchino).
Eloise loves to hear, read, and tell stories on stage and on the page, having completed Honours in English Literature at Flinders University and, most recently, a Masters of Theology (Theology in History) at the University of Edinburgh.
Emilene has always loved singing from an early age. She found her love for music theatre when at the age of 11 she was cast as Ida in her primary school musical Honk! Jr. Since then Emilene began vocal tuition with Rosanne Hosking who has helped her further develop a wide range of vocal skills. Emilene was part of the G&S Society of South Australia’s 2013 and 2014 productions of Oliver! as a member of Fagin’s Gang. As a student at Concordia College she had lead roles in their productions of The Sound of Music (2014), Godspell (2015) and most notably played Tracy in their production of Hairspray (2016). Emilene played the role of Anne Egerman in the G&S Society of South Australia’s production of A Little Night Music (2018) and most recently she played the role of Bridget in Pelican Productions' production of Bring It On (2018). Emilene also enjoyed doing Pelican Productions Music Theatre Camps between the years of 2015-2018.
Emilene has taken a short break from performing due to university commitments but is excited to begin performing again when possible. She is grateful for opportunities like Broadway sessions where she gets a chance to perform!
Fiona has an Honours degree in performance from Flinders University Drama Centre. She has appeared on television and on stage both professionally, here and interstate and as part of the Adelaide Amateur Theatre community. She has worked in several aspects of theatre from performer to choreographer to director. Maureen from RENT is a dream role in a show she has loved since she was 14 and received the original Broadway album and was privileged enough to see the original Australian production.
Gemma has been performing in musicals since she was very young. Despite being busy with university, she tries to keep up this passion as much as she can. Some of her recent shows have been If/Then (Segue Productions), Little Shop of Horrors (Adelaide Theatre Academy) and Singin' In The Rain Jr (Adelaide Theatre Academy).
In 2019, Jared has performed as Chris Scott in the METS production of Miss Saigon, Frederic in Therry's Pirates of Penzance, and in the Chorus for State Opera of South Australia's Carmen. In 2018, Jared performed as Raoul in the Gilbert & Sullivan Society's Phantom of the Opera; Buddy in the Hills Musical Company's Sideshow; and with John Bucchino in Davine Interventionz's It's Only Life. Jared became a member of the State Opera Chorus in 2018, which saw him perform in The Merry Widow and Die Meistersinger Von Nurnberg.
Jared began performing in Adelaide musicals in 2008 in the Met's Shout and the Gilbert & Sullivan Society's HMS Pinafore. Since then he has performed in multiple musicals including Therry's Fiddler on the Roof; G&S' Les Misérables, Pirates of Penzance, Mikado, Orpheus in the Underworld, Yeoman of the Guard, and The Gondoliers; Met's My Fair Lady, Brigadoon, CATS, The King & I; and Little Miss World Media's Ordinary Days. He trained at the Elder Conservatorium under Robert Dawe and Patrick Power.
Jen has been in a few theatre shows, her last gig in the ensemble of Dusty the Musical. Her fave music is soul, funk and jazz. Jen is usually an active audience appreciation member at Broadway Sessions but occasionally gets up in front of the mic!
Jessica Wolfendale (she/her)
Jess has been involved in Adelaide's theatre scene since 2015, having met her best friend and husband through the school musical and never turning back! Working as a Stage and Production Manager for live performance and film, she still loves to perform – though it's mostly in the car on the way to and from rehearsals.
Having been singing since the age of 5, Jordan has been involved in music for almost his entire life. He has been involved in many choirs, musicals and other music events throughout his time at school, such as the Generations in Jazz festival, playing Kurt in The Sound of Music, and Jesus in Godspell. Now at University, Jordan seeks to involve himself further in the music scene in Adelaide.
In a previous life, Kerrie fronted a pub rock band and also performed in a Roy Orbison tribute show. She treaded the floorboards in Catchy Title's production of RENT, as an ensemble member and Mark's mother, and was a Ronette in Northern Light's Leader of the Pack. As much as she enjoys her day job and family, Kerrie doesn't get much chance to perform these days. She is thrilled to take to the Broadway Sessions stage.
Kristin Stefanoff (she/her)
Kristin has over ten years experience as a musical theatre performer in Adelaide. Favourite roles include: Muriel (Dirty Rotten Scoundrels - Hills Musical Company 2022); Laura (High Fidelity - Hills Musical Company 2021); Vivienne (Legally Blonde - The MET 2021); Simone (Shane Warne The Musical - Segue Productions 2020); Elizabeth (If/Then - Segue Productions 2018); Cathy (The Last Five Years - Segue Productions 2017); Clara (The Light In The Piazza - Davine Productions 2016); Inga (Young Frankenstein - Marie Clark Musical Theatre 2014); Smitty (How To Succeed In Business Without Really Trying - Marie Clark Musical Theatre 2013); and Ensemble/Lady of The Lake Understudy (Spamalot - Marie Clark Musical Theatre 2018).
Kristin holds a Bachelor of Music Education from the Elder Conservatorium, majoring in Classical Piano, and has extensive accompanying and pit experience. Music Direction credits include: Heathers: The Musical (Segue Productions 2019); Calamity Jane (Marie Clark Musical Theatre 2014); Poor Expectations (Investigator College 2014); Mulan Jr (Investigator College 2013); and Honk! (Investigator College 2011).
Kristin studies voice with Sarah Jane Whiteley Voice Studio, and teaches piano, voice and violin.
Megan is a graduate of the Music Theatre program at the University of Ballarat and has been performing in theatre and cabaret in Adelaide and beyond for over fifteen years, including a two-year stint in the U.K., where she performed her show The Girl Who Won't Grow Up and premiered a new, as yet untitled piece, at the Pheasantry in London.
She has written and produced several cabarets and concerts, and produced the South Australian and amateur premiere of Matthew Robinson's Sing on Through Tomorrow in 2014. Favourite roles in amateur theatre have included Laurey in Oklahoma!, Phoebe in The Yeomen of the Guard, and Eliza Doolittle in My Fair Lady.
In 2018 Megan premiered a new cabaret at the Adelaide Fringe Festival, climbed Rocky Mountains once more as a part of The Pirates of Penzance (on the Popeye!), directed the Australian Premiere of Buffy Kills Edward, a Musical Parody, and is playing Petra in A Little Night Music for the G&S Society and Carrie in Rules for Living with the Adelaide Repertory. And that's only the stuff that's confirmed!
Michelle Simper is living, working, running, yoga-ing and only just recently, singing in Sydney. She took some time since moving there and her sister's death to want to sing a note. However, small steps is sometimes enough. She is now backing up a lovely lady at the Castle Hill RSL and song writing again. Michelle has surveyed the Sydney theatre scene, which is extensive and extremely talented. The Adelaide amateur theatre regulars know her from coming back to theatre at 30 having been a dancer and acting in Sydney back then. She worked with Shane Davidson and G&S Society of SA for many years, enjoying the participation elements of performing – so ensemble roles where ever possible. Michelle updated her dance and acting training in the 90's by doing Vocal jazz in 2002 and ballroom/latin dancing levels. She has resumed piano lessons which he pianist & composer father is delighted about.
Noah was with Ink Pot Circus for 2 years and was their stilt walker, and since he has played a variety of roles from a Who in Whoville in Dr Seuss's Seussical in the recent production with Northern Light Theatre Company, to Mr Bennet in Pride and Prejudice with Hills Youth Theatre. Noah also regularly performs with Young Adelaide Voices and has been a member of their choir since 2016.
Oliver Lawes is 13 years old and has been studying singing since the age of 8. He has performed with the Adelaide Youth Theatre for the past 4 years in shows such as Bugsy Malone, Peter Pan, Shrek and Madagascar. He has performed as a member of the Australian Youth Performing Arts Team in the USA in 2017 and 2019. This year he has sung in Musical Moments with Promise Adelaide at the 2019 Adelaide Fringe Festival, he has played the role of General Tom Thumb in March Productions' Barnum and Simple Simon in Porridge with Theatrebugs. He is soon to perform as Gavroche in Les Misérables, Richie in 13 and the Park Keeper in Mary Poppins. He will be taking part in Pelican Productions Music Theatre Camp early in 2020.
Rebecca comes from a rich musical heritage and has been performing for most of her life. Versatile in her style she enjoys performing in all musical genres which has led to her performing as a soloist with many different groups and for varying audiences. She has been a leading soloist with Adelaide’s Soul Factor Gospel Choir for the past 16 years, performs regularly with her Sisters, The Raymond Sisters and for five years was the vocal soloist with the Melbourne Staff Band with whom she toured Australia, Korea and the UK where she had the privilege of singing in the Royal Albert Hall, London.
Rebecca performs corporately as a Singer and Actor. Appearing as a soloist at varying events in Adelaide and Nationally and in Theatre. Memorable roles include the role of Violet Hilton in SideShow (2018) and Aida in Aida (2017) with Hills Musical Company, Sandra Bloom in Big Fish with Therry Dramatic Society (2016), Laurey in Oklahoma! The immersive farm experience with Emma Knights Productions (2016 & 2017), and Cosette in Les Misérables with the G&S Society (2008 & 2009).
When not performing Rebecca teaches singing, has her own Mary Kay Cosmetic business and is a makeup artist. She also teaches Skincare & Self Esteem classes in schools and groups in the community.
Music has always been part of Ron’s life. As part of Novo Concertante Manila, an international award-winning chamber choir in the Philippines, Ron travelled to Europe and Asia performing a wide range of A Cappella music of various genres in competitions and concerts. Since moving to Adelaide in 2010, he found his passion for music theatre in both amateur and professional productions. Ron has done shows including Miss Saigon (MCMT 2011 & MMTC 2019), Bernstein Mass & Ennio Morriconne Live (ASO 2012), Forbidden Broadway (MCMT 2012), The Cross (ACTS 2013 & 2014), Chorus for Andrea Bocelli (ASO 2014), Rent (MCMT 2016), Godspell (IP & LP 2018).
Ron had a fabulous time with G&S' Kinky Boots in his first lead role as Lola in September 2019. Weeks after KB, Ron is covered up from head to toe as Sr Mary Amnesia in MBM’s production of Nunsense A-Men! Ron secretly wishes that like Hamilton, more shows and production outfits will now start to be inclusive and recognise talent over race and culture, to play roles not usually given to people of colour. In February 2016, Ron first took part in Broadway Sessions and is again thrilled to take part in this month's session.
Sarah Jane Whiteley
Sarah is a highly trained professional vocalist and musician. She holds a Bachelor of Music and a Masters in Teaching. She is both a practitioner and a fan of the Estill Voice Model and Kodaly pedagogical approach. She founded the Sarah Jane Voice Studio in 2015 and coaches voice users of all ages and abilities.
Sarah performs in both private and corporate settings around Adelaide as well as musical theatre. Theatre and cabaret credits include Rent (MCMT), Evita (The Met), Sugar (The Met), Smokey Joes Café (Hills), The Channel 9 Easter Special, The Blues Brothers (Ad Fringe), 25th Annual Putnam County Spelling Bee (Music Director; MCMT), Sex and the Musical (Ad. Fringe, EK Pro), Heathers the Musical (Segue Pro), Shane Warne the Musical (Segue Pro) and her own show depicting the life of the irreplaceable Bette Midler; From A Distance, the Glory of Bette (Ad Fringe).
She is also a lover of scrapbooking and is obsessed with curious minds magazines!
Serena began performing with the Adelaide Youth Theatre in 2011 and since, has played many roles for the youth theatre such as Tracy in Hairspray, Mrs Potts in Beauty and the Beast, The Baker’s Wife in Into the Woods, Dragon in Shrek the Musical and most recently as Elphaba in their production of Wicked. Serena has also performed in many shows for Emma Knights Productions, including as Ado Annie in Oklahoma: On a Farm!, Buffy in Buffy Kills Edward and as New York Woman in I Love You Because.
Recently, Serena performed the role of Christine in The Phantom of the Opera for the G&S Society of SA, and has played Elphaba in Wicked and Mabel in The Pirates of Penzance. Serena has also performed many roles professionally for companies such as The Entertainment Store and Heaps Good Productions, most recently in the successful season of Snowmageddon at the South Australian Maritime Museum. In addition to musical theatre, Serena performs regularly with The Three Little Sisters, an Andrews Sisters tribute show, and performs in and directs The Honey-Bees, a 60s-tribute show.
Simon Barnett (He/him)
Simon first developed a taste for performing through high school drama and Scout theatre, but left that passion dormant for many years before rediscovering it in the ensemble of HMC's Sideshow (2018). Since that, he has had parts in may plays and musicals including Kurt in Heathers (Segue 2019), Charlie Marlow in She Stoops to Conquer (Blue Sky Theatre, 2020), Rapunzel's Prince in Into the Woods (Elephant in the Room Productions, 2020), Alfie in One Man, Two Guvnors (Blue Sky Theatre, 2021) and most recently Warner in Legally Blonde (The Met, 2021). When he's not performing, Simon is a wannabe economist who has just completed his masters.
Tom’s professional acting career began in 2008 when cast in Glendyn Ivin's feature film, Last Ride opposite Hugo Weaving. In 2009 Tom was honoured with an AFI nomination for Best Young Actor for his performance in the film. Tom went on to play the pivotal role of Young Fish in Screentime’s adaptation of Tim Winton’s best selling novel Cloudstreet.
Tom’s other feature film credits to date are Matching Jack, The Tree, Daniel, Deadline Gallipoli and Boys in the Trees.
Tom has performed in multiple shows across Adelaide, both professional and amateur. In 2008 and 2009 He played Gavroche in the Gilbert and Sullivan Society production, Les Misérables. He has also been apart of many of Scotch College's musicals, including Pirates of Penzance, West Side Story, Les Misérables and Jesus Christ Superstar.
Tom is currently studying a Bachelor of Fine Arts – Acting at the National Institute of Dramatic Arts.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max has been playing percussion for 15 years, and has been involved in numerous music performance groups throughout that time. Attending Marryatville High School 2006-2010, and being a part of the Raiders Drum Corps since 2007, he learned performance etiquette pretty quickly, and grew comfortable performing in front of people. Max participated in the Big Band program at high school, and as such was able to attend Generations in Jazz multiple times. His drumkit playing further improved after high school where, during his studies for his Bachelor of Music (Percussion), he was a part of the Jazz SA Youth Superbands. While studying his Bachelors, Max competed in and won First Place in the 2011 MSO Snare Competition.
Musical theatre has been part of his life since 2009, and as luck would have it, Max has been working with Peter Johns since his very first show! Productions Max has been involved in include: Sweeney Todd, Fame, Spamalot, Beauty and the Beast, Oliver!, Annie, The Full Monty, You're a Good Man Charlie Brown, Violet, Wicked, Bring It On!, Edges, Beautiful, Mamma Mia, and Les Miserables.
Outside of music, Max has developed a passion for gridiron, and plays for the Port Adelaide Spartans. He is also a personal trainer, and his love for craft beers is pretty strong!