As Broadway Sessions is for performers and audiences of all ages, each month we strive to keep our content family friendly.
This month we turn off the censoring machine. Think The Wild Party, Jerry Springer the Opera, Silence! The Musical, The Book of Mormon, and Avenue Q. It’s Broadway Sessions Gone Wild (Parts 2, 5 and 7)!
While we have rated it MA15+ (or close enough to Adults Only), please be aware that some material may offend the faint of heart. Children under the age of 15 should be with a (slightly) more mature adult, please!
Your Session Host
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Aimee is an avid music lover. She currently attends Tutti Arts and participates in their music program 3 days a week. Aimee loves performing and will take each opportunity to do so, participating in the performing arts group No Strings Attached, sings with the Tutti Choir and Poco Choir, and is also a member of the worlds first all girl disability music group The Sisters of Invention. The Sisters of Invention, have seen Aimee perform at numerous events such as The Special Olympics Closing Ceremony, Womad, Aimee has had the pleasure of travelling around the world for her musical endeavours and spent two months overseas performing in the role of Isabelle in both Northern Lights, Southern Cross and Between the Worlds.
Aled has been performing in community theatre productions since 2013, predominantly musical productions but with the occasional dip into less musical waters. Some of his production highlights include playing Inspector Kemp in Marie Clark's 2014 production of Young Frankenstein, Alonzo/The Great Rumpus Cat in The Met's 2015 production of Cats, Joe Vegas in Marie Clark's 2015 production of Fame, Sir Bors/Dancing Nun/Ensemble in Marie Clark's 2018 production of Spamalot, and William in Galleon Theatre's 2018 production of How the Other Half Loves. Outside of theatrical endeavours, Aled has completed Certificates II, III and IV in Music at TAFE SA and a BA in Music at Tabor College and is the current president of The Little Para Singers community choir, which he has been in since 2011.
Alisa has been performing in musicals in Adelaide for over 10 years. Alisa's favourite roles include Gary Coleman in Avenue Q (MBM, 2011), Reno in Dusty (The Met, 2011) and Enid in Legally Blonde the Musical (Hills, 2014). Most recently Alisa performed in Violet (Davine Interventionz) for the Adelaide Fringe. Currently Alisa is rehearsing for Aida with the Hills Musical Company. Alisa has trained in jazz, tap, contemporary and hip hop dance and has vocal tuition with Kirsty Roberts.
Buddy is a high school drama teacher who loves to perform. He has worked with a number of amateur theatre companies in Adelaide and has played many over-the-top characters (whilst breaking many bones in the process).
Carly started choral singing at a young age in the Adelaide Girls Choir. She performed with "Voiceworks Adelaide" during her tertiary studies and more recently has sung in the Adelaide Symphony Chorale. Her love of singing initially stemmed from performing with choirs, whilst her passion for performing in musicals started in 2005, when she was part of the MS Society's production of Les Misérables.
Since then, Carly has performed in Glibert and Sullivan's productions of Les Misérables, Jesus Christ Superstar and Oliver. She has performed with Davine Interventionz in the 2017 production of Violet and the 2018 Adelaide Fringe Season of It's Only Life.
Carly is a High School Music Teacher by trade and is currently the arts coordinator of Gleeson College. Her favourite part of her job is allowing her students to have the experience of performing in musicals. Some of her students from Gleeson are still heavily involved in the Adelaide Music theatre scene and some have sung in past Broadway Sessions here. She loves the thought that her past students are continuing on with their love of music and musicals.
Casmira Hambledon loves stories, diverse and supportive communities, wigs, glitter, and belting as a way to deal with having too many emotions. Luckily she found theatre. Highlights have included directing and choreographing for Peter Combe’s Adelaide Fringe Shows 2013-2015, performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for ‘Best Female Performance 2017’) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: ‘Best Female Performance 2018’). Recently she has performed in Edges with Irregular Productions, 'Shelby' in Steel Magnolias with IpSkip, 'The Lady of the Lake' in Spamalot with Marie Clark, and the ‘Sour Kangaroo’ in Seussical with Northern Light. Casmira is very excited to play nine characters in Judge Jackie: Disorder in the Court with Davine Productions again for the Adelaide Fringe Festival in 2019.
Growing up performing in the Scouts’ Gang Show: Comedy Capers, David developed a love for musical theatre from a young age. Trained at the Centre for the Performing Arts; David has enjoyed performing Shakespeare with the State Theatre, Lightning Strike and Chopt Logic Theatre Companies and has toured in the past with Splash Theatre Company. Turning from professional acting to focus his energy on his family and work for the Anglican Church as a priest, David chooses to do shows that he loves.
It was in Marie Clark's production of Paris in the titular role that David hit the Adelaide scene in musical theatre. David has since performed with with Marie Clark Musical Theatre in Miss Saigon (John) and as Carl Hanratty in the 2016 production of Catch Me if You Can. He has worked with Northern Light Theatre Company as Frederick in Pirates of Penzance and Seymour in Little Shop of Horrors. David also performed at the Adelaide Fringe 2015 with Lazy Saturday Productions' Australian premiere of Darkle. 2017 is a big year of theatre for David starting with Pale Ale Tales, a new work by local writer, Jason Hendy in the 2017 Fringe, Jekyll and Hyde with Marie Clark and finishing with Les Misérables as Enjolras with G&S Society.
David is thankful to his wife for her love and support, and for letting him play.
21-year-old Dylan Rufus has been in the South Australian theatre community since 2011. He has assumed many roles in the theatre: audio-visual design and technician, stagehand and stage manager, musician and musical director, actor, writer and composer—his recently showcased work in the University of South Australia’s self-written production of Behind Closed Doors. Dylan’s onstage work has seen him in musicals such as Grease, West Side Story, Jesus Christ Superstar, Sweeney Todd: The Demon Barber of Fleet Street, and Spring Awakening; and offstage work in productions of A Midsummer Night’s Dream, Antigone, The Caucasian Chalk Circle, and Beauty and the Beast.
2018 has seen Dylan in the Adelaide Fringe: portraying Orin Scrivello D.D.S. in Adelaide Theatre Academy’s Little Shop of Horrors, Newcomer in Hills Musical Company's Avenue Q, and was part of the original cast of Emma Knights' Production Buffy Kills Edward playing Giles/Angel/Dr Cullen, which was featured in the Melbourne Fringe in September; and also playing Slim/Cord Elam in Emma Knights’ Oklahoma!.
Outside of the theatre, Dylan has completed an MBAA Bachelor of Arts, through the University of South Australia, and an Associate Performer Diploma in Guitar, through Australia and New Zealand Cultural Arts Ltd (ANZCA), and will continue to study a Postgraduate Master in Teaching (Secondary) through UniSA, and both an Associate Performer Diploma in Pianoforte and an Associate Teacher Diploma through ANZCA.
Karen is no stranger to the stage in Adelaide. She has worked with various theatre companies over the last 10 years. Some of the highlights including, Oliver!, Into the Woods, Beauty and the Beast, Avenue Q and Spamalot. More recently Karen has taken time out from theatre to look after her ever growing family, but she is always very pleased to be able to take the stage at Broadway Sessions.
Katie has played such roles in Adelaide as Little Buttercup in HMS Pinafore, Lady Thiang in The King & I, Antonia in Man of La Mancha as well as Footnote in Pratchett Pieces for the Adelaide Fringe Festival. After moving to Melbourne in 2005 she played The Narrator in Joseph & The Amazing Technicolor Dreamcoat, Lt. Janice Fury in M*A*S*H, Pamela Lukowski in The Full Monty and received Lyrebird Award nominations for playing Sister Amnesia in Nunsense & Nunsense 2. She also played one of her dream roles, The Witch in Into The Woods as well as the wonderful Eulalie Mackecknie Shinn in The Music Man. Since moving back to Adelaide in 2015, Katie has portrayed Margaret Johnson in The Light In The Piazza for the 2016 Adelaide Fringe Festival and Jen in John & Jen. In 2018 she has had the opportunity to worth with composer John Bucchino on his show It’s Only Life for the 2018 Adelaide Fringe Festival, and to be a part of the small ensemble cast of Godspell.
Katie has Musically Directed The Outsiders, All The New Stuff, Kids On Broadway, Monty Python’s Spamalot, Godspell, Little Shop Of Horrors, A Funny Thing Happened On The Way To The Forum, The Wedding Singer, Seussical The Musical, The Wizard Of Oz and, most recently Annie. She also had the opportunity to co-direct for the first time with Avenue Q in 2014.
Kirsty has only recently moved to Adelaide and is finding her way through the Adelaide theatre scene, but before the move she was involved in local Theatre productions of Little Shop of Horrors, Grease and School of Rock. Kirsty is currently singing with High Spirits Harmony, a womens a capella group, before this whilst still in Mount Gambier, she spent years involved in community choirs and competed in Generations in Jazz.
Megan is a graduate of the Music Theatre program at the University of Ballarat and has been performing in theatre and cabaret in Adelaide and beyond for over fifteen years, including a two-year stint in the U.K., where she performed her show The Girl Who Won't Grow Up and premiered a new, as yet untitled piece, at the Pheasantry in London.
She has written and produced several cabarets and concerts, and produced the South Australian and amateur premiere of Matthew Robinson's Sing on Through Tomorrow in 2014. Favourite roles in amateur theatre have included Laurey in Oklahoma!, Phoebe in The Yeomen of the Guard, and Eliza Doolittle in My Fair Lady.
In 2018 Megan premiered a new cabaret at the Adelaide Fringe Festival, climbed Rocky Mountains once more as a part of The Pirates of Penzance (on the Popeye!), directed the Australian Premiere of Buffy Kills Edward, a Musical Parody, and is playing Petra in A Little Night Music for the G&S Society and Carrie in Rules for Living with the Adelaide Repertory. And that's only the stuff that's confirmed!
Miriam has worked with many Adelaide theatre companies over the last 15 years. While primarily performing in plays, she has also been feeding her love of singing under the tuition of David Gauci. In 2015, she appeared as the balladeer Balthasar in the University of Adelaide Theatre Guild production of Much Ado About Nothing - singing on stage for the first time in nearly a decade. While she claims ignorance when it comes to a lot of musical theatre, she's also very ready to become obsessed by a song, composer, or show, that captures her interest.
Mitchell first began performing at age 7 in choirs and school productions, before working extensively with youth theatre companies Pelican Productions and Swell Productions. Mitchell performed professionally as a child with Windmill Theatre Company. Mitchell has recently performed leading roles in Spring Awakening (Hills Musical Company - ATG Best Male Performance nom.), Violet (Davine Interventionz) and Thoroughly Modern Millie (G&S Society), and has been featured in She Loves Me (Therry), FAME (Marie Clark), and Oklahoma! (Emma Knights Productions). He has also appeared in song cycles 35mm: A Musical Exhibition (Emma Knights Productions) and Edges (Irregular Productions).
Outside of performing, Mitchell has recently completed his Bachelor of Podiatry (Honours) at UniSA and works as a performing arts teacher with Theatre Bugs and Adelaide Theatre Academy. In 2018 Mitchell made his directorial debut with Adelaide Theatre Academy's acclaimed production of Xanadu Jr.
Having started piano lessons at the age of 5, Nha-Uyen has been a musician and a performer since a young age. Upon discovering musical theatre, she joined her school's Musical Theatre Club, which she stayed in throughout her high school years. During this time, Nha-Uyen played Kate from Legally Blonde in her school's musical revue and had the opportunity to direct The Lion King Jr in her senior year. She also featured in the mass ensemble of Harvest Rain's Grease Arena Spectacular in 2017.
Although she is now studying optometry at Flinders University, Nha-Uyen aspires to one day fulfil her dreams of being a musical theatre performer and continues to work on her craft as much as she can!
Nicole is no stranger to the stage, performing since she was 6. Her passion began in Singapore; as President and Production Manager in the Drama Club, lead roles in her school's productions and involvement in the Literature Festival and Singapore Youth Festival. Moving to Australia, her love for musical theatre and dancing grew with ensemble roles, lead roles and as Choreographer for Seussical and The Lion King Jr. Aside from her active roles as main cast and Stage Manager in her high school Drama productions, she joined Harvest Rain's Adelaide arena tours for Hairspray and Grease. Nicole is thrilled to perform at Broadway Sessions!
Robert made his Adelaide theatre debut in 2011, as the brain-damaged Michal in The Pillowman, which earned him an Adelaide Critics Circle nomination for Emerging Artist of the Year. Since then he hasn't stopped gallivanting from stage to stage and has continued to grow as an actor. Favourite roles include Caligula with Red Phoenix, Elephant Man with The Adelaide Repetory Theatre and Jesus in South Coast Choral and Arts Society’s production of Jesus Christ Superstar. Robert’s passion for theatre has also lead him to direct Pippin in 2016 and he hopes to direct again soon.
Theatre aside, some of Robert's favourite things are food, wine and his two British Bulldogs, Howard and Holly.
Music has always been part of Ron’s life. As part of Novo Concertante Manila, an international award-winning chamber choir in the Philippines, Ron travelled to Europe and Asia performing a wide range of acapella music of various genres. He has also participated in competitions and concerts to international audiences. Ron continues to explore music as a chorus member of The Elder Conservatorium Chorale. He has found a new passion for musical theatre in both amateur and professional productions. Since moving to Australia in 2010, Ron has done Miss Saigon (MCMT 2011), Bernstein Mass (ASO 2012), Ennio Morriconne Live (ASO 2012), Kiss of the Spider Woman (HMC 2012), Forbidden Broadway (MCMT 2012), Phantom of the Opera (MBM 2013), The Cross (ACTS 2013 & 2014), part of the chorus for Andrea Bocelli (ASO 2014) and Rent (MCMT 2016). Ron recently played a part in the exciting production of the 2012 Broadway Revival Version of Godspell which opened in May 2018. Ron secretly wishes that like Hamilton, more and more shows and production outfits will now allow everyone and recognise talent over race and culture, to play roles not usually given to people of colour. In February 2016, Ron first took part in Broadway Sessions and is again thrilled to take part in this month's session.
Scott has always had a love of the theatre, but his real obsession began in high school, with performances as the Foreman, Pimp and a Student in Les Misérables, Priam in Paris and Action in West Side Story. Since completing high school he performed non-stop for a number of years, starting with Gerald Bolingbroke in Me and My Girl, an Apostle in Jesus Christ Superstar and Ugly in Honk! (Marie Clark Musical Theatre). After playing Cornelius Hackl in Hello, Dolly! and Asher and the Butler in Joseph and the Amazing Technicolor Dreamcoat (Metropolitan Musical Theatre Company of SA), Scott joined Northern Light Theatre Company’s production of Disney’s Beauty and the Beast as Monsieur D’Arque to round out 2011. The following year started with an incredible experience: Scott won the role of Henry in Six Foot Something’s pro-am Production of Next to Normal. After a mild performance hiatus in more recent times, Scott starred as Hunter in Irregular Productions sell out 2015 Adelaide Fringe season of [title of show].
If there’s one thing he regrets, it’s not starting singing and performing (publicly of course) at an earlier age. Off-stage (but in the theatre) Scott enjoys both sound and lighting design, and the challenges each of these areas brings to his knowledge of design in the digital world. Broadway Sessions is certainly the start of a new chapter, bringing together many ongoing stories and plot lines, but allowing the love of theatre (musical theatre in particular) to continue in new and exciting ways.
When not strutting his stuff on stage, or manically helping out backstage or in the roof of a theatre, Scott is a web designer & developer, creating sites like this one! You can see more of his work at www.scottreynolds.com.au.
Tielah is a full-time History student at the University of Adelaide who is working towards a Post-Grad degree and also pursues her passion for performing in whatever time she can scrape together. Her deep-rooted passion for musical theatre has lead to roles through many youth theatre productions, and a few South Coast Choral and Arts Society shows. She was head of the ensemble in SCCAS's production of Sweeney Todd and also played the role of Madame Fogg: the keeper of the asylum. Her most recent role was in SCCAS's production of Cinderella and the Pirates playing Captain Blackbeard (written by director Jonathan Ogilvie).
Warren Logan is a Music Theatre graduate of the University of Ballarat Arts Academy. Highlights from drama school include Oklahoma! (Jud Fry), Rhinoceros (Jean), and his self-devised cabaret Fat Boys Don't Cry performed at Melbourne's renowned cabaret venue, The Butterfly Club. Since graduating, Warren has acted in music videos for Australian artists Something for Kate, Simon Imrei and Michael Waugh. Other stage highlights include A Streetcar Named Desire (Stanley Kowalski), When the Rain Stops Falling (Gabriel Law/Andrew Price), The Glass Menagerie (The Gentleman Caller), The Plow and the Stars (The Covey), The Shape of Things (Adam Sorenson), The Producers (Franz Liebkind) and Footloose (Willard Hewitt) - the latter two performances earning him Music Theatre Guild of Victoria and Lyrebird award nominations.
As a newcomer to Adelaide, Warren recently made his South Australian theatre debut performing in Oklahoma! on a Farm (Jud Fry). He looks forward to performing the role of Nicky in HMC's upcoming production of Avenue Q.
Warren is the Artistic Director of Not The Worst Productions.
As a child, you could always find William screaming into his SingStar microphone and dancing to High School Musical. These habits evolved into Williams love for singing and dancing. William was very slow to get into the musical theatre world, only finding his love for musicals when he was 16 when his best friend Arianne showed him a little musical called The Book of Mormon.
William has only been involved in one musical so far: Marie Clarke Musical Theatre's production of Jekyll and Hyde. William portrayed several important characters including "Angry Man 1", "Rich Man" and "Scared Man #2".
Zachary is 18 years old and is aiming to become an entertainer in the arts of acting and singing. He has been performing in shows since the age of eight with his earliest memory of performing being with Di Mason’s theatre troupe, Stars on Stage as Humpty Dumpty in Surprising Old King Cole.
Zachary has performed in other shows such as Grease Jr. (2017), Footloose Jr. (2017) and Seussical Jr. (2018) with the Parks Youth Theatre and got cast as the same role of The Grinch in Northern Light Theatre Company’s production of Seussical (2018) a few months after completing the show with the Parks. Whilst rehearsing with Northern Light, Zachary got cast in a short film called Plastic Aeroplane (2018) created by students of Flinders University.
Most recently, Zachary has been cast as the pompous and manipulative Professor Callahan in the Parks Youth Theatre's April school holiday production of Legally Blonde Jr and he will also be performing later this year as a part of the mass ensemble for the 2019 Adelaide Arena Spectacular of The Wizard of Oz at the Adelaide Entertainment Centre.