About this Session
The end of January means the end of holidays for many. What better way to jump start your real year than by being part of the first Broadway Sessions for 2019?
This month is performer’s choice, which means you can submit any song from a musical, or by a recognised musical theatre writer (as long as it’s written in the musical theatre style!) in your registration. Register today to be part of the fun!
This month’s Session includes a performance by the cast of Davine Productions’ Adelaide Fringe Musical, Judge Jackie.
David Gauci (he/him)
David Gauci, proudly from Adelaide’s western suburbs, wouldn’t stop singing from an early age – so much so that the Sisters of St Joseph at primary school wished he’d just shut up and do maths.
At Woodville High, teachers and parents suggested – after David showed interest in acting or journalism – a career in accounting. He did study accountancy but also theology and music (Elder Conservatorium). David was introduced to opera and classical singing but went down the dark path of corporate functions, cabaret and music theatre. He worked in piano bars for 20 years in Adelaide, Darwin, Melbourne, Sydney and Townsville.
David wrote cabaret shows New York According to Bernstein, The Sinatra Show and The Broadway Show, performed with co-writer and accompanist Matthew Carey in Adelaide, Sydney, Melbourne, Townsville and Darwin.
He performed at the inaugural Adelaide Cabaret Festival and again in 2016 when he returned with the award-winning It was Worth the Weight. David also wrote and performed in The Big Book of Broadway, Cole’s Girls, Leading Men I’ll Never Play and Wireless.
He was equal winner in the 2015 Australian Cabaret Competition Adelaide final and most recently performed in the Australian Touring production of Hairspray as understudy to the role of Edna Turnblad – adding to professional stage roles in Adelaide, Melbourne and Sydney
David’s also appeared in TV commercials and films, e.g. The Brush Off, directed by Sam Neill.
This led to forming his own Davine Interventionz Productions in 2013 with a string of shows he’s produced, directed and/or designed to glowing reviews and a welter of awards. And David’s still singing!
Aimee is an avid music lover . She currently attends Tutti Arts and participates in their music program three days a week. Aimee loves performing and will take each opportunity to do so, participating in the performing arts group, singing with the Tutti Choir and Poco Choir, and is also a member of the worlds first all girl disability music group The Sisters of Invention. The Sisters of Invention, have seen Aimee perform at numerous events such as The Special Olympics Closing Ceremony, Womad and The Fringe Festival. Aimee and her music group The Sisters of Invention just released their second album.
Alex is fairly new to the musical theatre scene, realising her passion a few years ago when she played grass in her high school's production of The Lion King. Ever since then she has started auditioning for out of school shows, most recently being cast in the internationally acclaimed #Nofilter show that will be performing a season during the Adelaide Fringe Festival 2019. She hopes to continue her passion for music by studying classical voice at the Conservatorium of Music. Her dream role would be playing a pie on the shelf in the musical Waitress. That, or a pigeon in Mary Poppins.
Anastasia has been singing and dancing from a young age and was thrilled to discover at the end of primary school that the two could be combined! She has taken part in various school musicals and been involved in Pelican Productions since 2010. Anastasia is now studying Education at Flinders University, where she helped set up Flinders Uni Performing Arts Society to meet more theatre-minded people; FUPAS also recently produced their first play to great success. In her free time, Anastasia enjoys singing with Young Adelaide Voices and jamming out with her friends.
Brianna is a 19-year-old musical theatre student. She has been studying music for eight years and has a passion for the Disneyland theatre. Her mentor is her singing teacher, Cindy Macdonald and her inspirations are Elaine Paige and Michael Crawford. Her list of favourite musicals consist of The Phantom of The Opera, Wicked, CATS and Frozen. Brianna would love to pursue her passion by being a performing Disney princess on Disney cruise ships.
Casmira Lorien (she/her)
Casmira is an experienced performer and teacher with a great passion for storytelling. Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards, as well as the TASA for Best Musical) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Professionally, Casmira has acted and provided voices for several short films and children’s productions. She also spent many years directing and music directing musicals for Adelaide Theatre Academy, including Snow White and Alice in Wonderland for the Festival Centre’s ‘Something on Saturday’ program. Her fondest memories are working with Peter Combe in directing and choreographing his Adelaide Fringe shows from 2013-2015.
Cory Ferguson (she/they)
Cory has always been passionate about the arts, dancing and singing from the age of 5. Some of their stage highlights include Jenny Lind in Barnum (2019, March Productions), Cosette in Les Miserables (2020, Now Productions) and Teen Fiona in Shrek The Musical (2022, Hills Musical Company). After falling in love with theatre, they branched out into working backstage and behind the scenes with companies such as Pelican Productions, Northern Lights Theatre Company, Broadway Sessions, and most recently Davine Productions sell out seasons of Beautiful. These backstage experiences led Cory to study sound production, and then a degree in Film and TV at MAPS film school in 2019. Cory currently works as a barista, and is moving to Melbourne in April.
Danielle Greaves (she/her)
Danielle started performing at age 5 within her school and also in the Australian Girls Choir. She landed her first lead role in a musical at age 6 starring as Henny Penny in the year 1 & 2 production of The Sky is Falling, where she was seen pulling actors into their correct spots and mouthing everyone's lines. Nothing much has changed... You may have seen Danielle recently, since returning to theatre after havinga child, in Northern Lights Les Misérables playing a crazy lady of the night who quite partial to a porcelan doll, asleep throughout G&S's Into the Woods as Sleeping Beauty, or in Northern Lights Catch Me If You Can in the Ensemble. You will next be able to see her belting out some pop bangers as a Diva in G&S's Priscilla, Queen of the Desert in September 2023.
Duncan has been working semi- professionally in theatre and performance since graduating high school in 2014. Soon after, he began his tertiary studies at the University of New England studying a Bachelor of Theatre and Performance. In 2018 he received a Diploma in Arts and in 2019 Duncan was accepted into the Bachelor of Music Theatre program through the Elder Conservatorium at The University of Adelaide, where he played the role of Moritz in the inaugural production of Spring Awakening in the same year.
In addition, he has performed for Little Fish Entertainment in Spring Awakening (2020), and Chicago (2018).
Dylan Rufus (He/him)
24-year-old Dylan Rufus has been part of the South Australian theatre community since 2011, assuming various roles onstage, offstage, and within production teams. Dylan’s onstage work has seen him in productions of Grease, West Side Story, Oklahoma, Jesus Christ Superstar, Sweeney Todd, and Spring Awakening, amongst other plays and pantomimes. Previous personal standout roles include Orin Scrivello D.D.S. in Little Shop of Horrors (2018, Adelaide Theatre Academy), Principal Gowan/Veronica’s Dad/Kurt’s Dad in Heathers (2019, Segue Productions), and John Hinkley, Jr. in Assassins (2019, Hills Musical Company). Lately, Dylan has been contributing to the musician side of musical theatre, playing guitar for Beautiful: The Carole King Musical (2020/2021, Davine Productions) and Mamma Mia! (2021, Northern Light Theatre Company).
Outside of theatre, Dylan has recently completed his Bachelor of Arts (Hons.) in English (University of Adelaide), as well as a Masters in Teaching (Secondary) (University of South Australia).
Fiona has an Honours degree in performance from Flinders University Drama Centre. She has appeared on television and on stage both professionally, here and interstate and as part of the Adelaide Amateur Theatre community. She has worked in several aspects of theatre from performer to choreographer to director. Maureen from RENT is a dream role in a show she has loved since she was 14 and received the original Broadway album and was privileged enough to see the original Australian production.
At 23, Georgia is still exploring Adelaide's theatre community with wide eyes. With a later start than some, Georgia began performing with Pelican Productions at 14, and continued to do so for six years. Her most recent feat with the company was in 2017 in Bring it On: The Musical, where she played the part of Bridget, earning her a nomination for best youth perfomer.
Georgia has spread her love of the performing arts overseas, by working as a drama instructor in a summer camp in Arizona. She has just completed her Bachelor of International Tourism at Flinders University and most recently starred in the MET's production of High Society as the precocious Dinah Lord. Up next, Georgia will be performing in Davine Productions Beautiful: The Carole King Musical in the 2020 Adelaide Fringe Festival.
Gil is a former member of the Elder Conservatorium Chorale and the Adelaide Symphony Chorus.
Gil has sung as part of the chorus in numerous concerts with the Adelaide Symphony Chorus and the Adelaide Symphony Orchestra in The Lord of the Rings - The Fellowship of the Ring and Andrea Bocelli Concert both at the Entertainment Centre Arena and in Ennio Morricone Live at the Elder Park. He also sang in the chorus in Leonard Bernstein’s Mass, Beethoven’s Symphony No. 9, Britten's War Requiem and Last Night of the Proms with the Adelaide Symphony Orchestra and Adelaide Symphony Chorus, all at the Adelaide Festival Theatre.
He has performed in various community theatres in Adelaide such as Miss Saigon (Marie Clark), Kiss of the Spider Woman (The Sterling Community Theatre), The Phantom of the Opera (Matt Byrne Media) as part of the ensemble. He played the back-to-back role of Pontius Pilate in The Way of the Cross Musical (Angelico Christian Theatrical Society Inc.) in 2013 and 2014 productions. He had a fabulous time being one of the Angels with the recent production of G&S' Kinky Boots in 2019.
Gil is a member of Four Seasonings, a quartet which performs in various venues and performed in various fund-raising concerts and private functions.
Hayley is 19 and has been passionate about theatre since joining Adelaide Theatre Academy (formerly Theatre Bugs) in 2007. In 2017 she was in their elite Showstoppers class after six years of their previous top class, Performance Troupe. She performed with Peter Combe for 6 years, joining him on his Australian Tour, soloing, and assisting in choreography. She was in the Festival of Music’s Performance Troupe, soloing in 2011 and 2012. She was in Fagin’s Gang in Gilbert and Sullivan’s Oliver productions in both 2013 and 2014, and sung in the Australian Youth Ballet’s production of Nutcracker in 2015.
Hayley was in Adelaide Youth Theatre’s Hairspray in 2014 and was a Boylan Sister in Annie in 2015. In 2017 she was a featured soloist for Shane Davidson’s Wicked. Her highlights for Adelaide Theatre Academy include soloing in annual Cabarets, the Mirror in Snow White, Tweedle Dum in Alice in Wonderland, Mrs Mayor in Seussical, and Corey Senior in Back to the ’80s. In high school, she danced in the Special Interest Dance Program for 3 years and gained top marks in her drama class in The Black Raven Inn. She has taken vocal lessons for 10 years, the last six being with Randall Boscoe.
As well as performing, Hayley has also stage managed three productions and designed the lighting, visuals, and sound for many other school and charity productions. After a year hiatus to focus on studying Cognitive Neuroscience at UniSA, Hayley is eager to return to the stage at Broadway Sessions.
Hilary Bruer is an Adelaide violinist, singer, teacher, and disco tragic. She loves Broadway Sessions, ABBA, and cares for two beautiful, although batty, elderly cats.
Jemma Allen (She/her)
Jemma is chuffed that Broadway Sessions is finally back!! She is here for a good time and can't wait to jam with the band and see all of her lovely theatre friends again!! Yay!!!
Joshua Angeles is a 22 year old singer/performer with a passion for musical theatre and storytelling. He has been singing for as long as he can remember, starting at a very young age singing in church. Performances he is most recently known for include In The Heights (Pelican Productions) as Usnavi and Latin Choreographer, Les Misérables (G&S) as Marius, Godspell (Lydian/Irregular Productions) as Judas, and Judge Jackie (Davine Productions) as Duane.
Outside of theatre, Josh is a Systems Engineer working for an Electrical/Energy company. He is also Salsa performer/instructor. In his spare time, he loves playing guitar, songwriting and spending time with family and friends.
Music has always been a big part of Kat's life. After joined Young Adelaide Voices at the age 7, she found a love for performance and has since been an active member of YAV. Through the organisation, Kat has performed with the ASO, in the Adelaide Festival and has toured Europe.
Upon discovering a passion for musical theatre she has performed in high school musicals, in the ensemble in Lion King Jr and as Nibs in Peter Pan Jr. While she hopes to study cuisine, Kat aspires to continue musical theatre performance and take any opportunity she can.
Kurt debuted in the Adelaide musical theatre scene in 2017, where he played in the ensemble and Cesar Rodriguez in Saturday Night Fever with MBM, Hugo Peabody in Bye Bye Birdie with the Met, as well as ensemble and the Pied Piper in Shrek the Musical with AYT in January of 2018. Taking a small hiatus after Shrek to work on his newly developing singing and acting skills, as well as continuing work on his dance training of many years, Kurt has made a return to the theatre scene – playing the role of Scott Hastings in MBM's Strictly Ballroom in 2019.
Mim Sarre (she/her)
Millicent Sarre (Mim) is a cabaret artist, singer-songwriter, vocal coach, and musical theatre performer, brought up and working on Kaurna Land. She has toured her original cabaret works Australia-wide; her most recent show Millicent Sarre is Opinionated won ‘Best Cabaret’ of the Adelaide Fringe 2023, and the album of the original songs from the show was released in February 2023. Previous musical theatre roles include Mrs Lovett in Sweeney Todd (ECMT, dir. James Millar), Hildy in On the Town (ECMT, dir. Erin James), Rona Lisa Peretti in The 25th Annual Putnam County Spelling Bee (ECMT, dir. Joseph Simons), and Ivy in the Australian premiere of Ivy + Bean: The Musical (The Gemini Collective, dir. Sarah Williams). Mim will graduate with a Bachelor of Music Theatre from the Elder Conservatorium in 2023.
Nikki Long (she/her)
Nikki is an Adelaide raised performer. Last year she graduated from the Bachelor of Music Theatre degree at Elder Conservatorium Music Theatre. Before ECMT she completed her Certificate IV in Dance at Australian Company of Performing Arts. In 2019 she played Heather Chandler in Segue Productions Heathers. In 2021 she made her Adelaide Fringe Festival debut in Friendly Feminism for The Mild Mannered and was also part of the choir in Chess: The Musical (dir. Tyran Parke). Nikki appeared in the second year production of Urinetown (dir. George Torbay) as Mrs Millennium. She was also the Josephine “Old Ma” Strong and Soupy Sue cover, and performed as Josephine “Old Ma” Strong for two performances. While at ECMT she performed in the third year production of In Pieces (dir. George Torbay). Nikki performed in the ensemble of ECMT’s third year production of Les Miserables (dir. Erin James) and she performed as Kate/Ensemble in the graduation production of Legally Blonde (dir. Nikki Snelson) Nikki has just finished a tour with Echelon Productions performing Way Too Cool for children’s book week in schools and will be moving to Sydney in January.
Rachel Bruerville is a composer, arranger, cellist, singer, and writer, who is very proud to call Adelaide her home, and will not be moving away anytime soon! She has a cat named Larry, and when she’s not in a rehearsal, you might find her hanging out in the Hufflepuff common room. Rachel’s main performing activity is in her role as a core alto member of the Adelaide Chamber Singers, as well as playing the cello in various situations, including in Adelaide theatre pits.
Career highlights include being commissioned by The Hush Foundation for the 2018 album 'Collective Wisdom', writing music to reduce stress in children's hospital environments; a nomination for 'Vocal/Choral Work of the Year' in the APRA AMCOS / Australian Music Centre 2019 Art Music Awards for her piece In Due Season, commissioned by the Adelaide Chamber Singers; and singing solo with the Adelaide Symphony Orchestra and Paul Rissmann, Festival of Learning 2017-18, as well as being contracted for the same in 2020!
Riki De Jesus
Riki started singing in the choir back in the Philippines and London. When he moved to Adelaide in 2012, with the encouragement of his friends (The Four Seasonings), he was able to perform in different musical productions including, The Phantom of the Opera, The Cross, The Addams Family, Mary Poppins and in June and July at the Arts and Shedley theatres, Strictly Ballroom under the direction of Matt Byrne.
Music has always been part of Ron’s life. As part of Novo Concertante Manila, an international award-winning chamber choir in the Philippines, Ron travelled to Europe and Asia performing a wide range of A Cappella music of various genres in competitions and concerts. Since moving to Adelaide in 2010, he found his passion for music theatre in both amateur and professional productions. Ron has done shows including Miss Saigon (MCMT 2011 & MMTC 2019), Bernstein Mass & Ennio Morriconne Live (ASO 2012), Forbidden Broadway (MCMT 2012), The Cross (ACTS 2013 & 2014), Chorus for Andrea Bocelli (ASO 2014), Rent (MCMT 2016), Godspell (IP & LP 2018).
Ron had a fabulous time with G&S' Kinky Boots in his first lead role as Lola in September 2019. Weeks after KB, Ron is covered up from head to toe as Sr Mary Amnesia in MBM’s production of Nunsense A-Men! Ron secretly wishes that like Hamilton, more shows and production outfits will now start to be inclusive and recognise talent over race and culture, to play roles not usually given to people of colour. In February 2016, Ron first took part in Broadway Sessions and is again thrilled to take part in this month's session.
At 15 years old, Sammi is a Year 9 Student who attends Cedar College. Her love of the stage started at age 3. Since then she has been involved in numerous singing showcases and musical theatre performances. Between 2013 and 2017 Sammi has appeared in many Adelaide Youth Theatre productions including Mrs Darling in Peter Pan Jr, The Narrator in Aladdin Jr, Tallulah’s Girl in Bugsy Malone, Homer Zuckerman in Charlotte’s Web and ensemble in both Annie and The Wizard Of Oz.
In 2017 Sammi attended the Junior Theatre Celebration in Newcastle as part of the Adelaide Youth Theatre Team. In 2016/17 Sammi was part of the Australian Youth Performing Arts Team. They travelled to the USA to perform at Disneyworld in Florida and Universal Studios as part of the Macy’s Day Parade. She also attended various music theatre workshops with leading Broadway stars in New York.
Earlier this year as part of the 2018 Adelaide Fringe Festival, Sammi performed in Promise Adelaide's The Diva Series and Musical Moments, as well as Adelaide Voice Crew's Michael Jackson: The Mirror, which all received great reviews. In 2018 Sammi debuted in Shane Davidson Presents' Beauty And The Beast as Mrs Potts.
During 2017 and 2018 Sammi has been a student at The Studio And Star Factory. During this time she has been involved in the Balaklava Eisteddfod placing in the top 3 in all of her entries. She has also finished writing 7 original songs and has recorded 2 of them. She is currently working on producing her own music. In July 2018 Sammi was selected by Jemma Rix herself, and was awarded the Studio And Star Factory, Jemma Rix Scholarship. Sammi is looking forward to being a part of Broadway Sessions.
Sarah Jane Whiteley
Sarah is a highly trained professional vocalist and musician. She holds a Bachelor of Music and a Masters in Teaching. She is both a practitioner and a fan of the Estill Voice Model and Kodaly pedagogical approach. She founded the Sarah Jane Voice Studio in 2015 and coaches voice users of all ages and abilities.
Sarah performs in both private and corporate settings around Adelaide as well as musical theatre. Theatre and cabaret credits include Rent (MCMT), Evita (The Met), Sugar (The Met), Smokey Joes Café (Hills), The Channel 9 Easter Special, The Blues Brothers (Ad Fringe), 25th Annual Putnam County Spelling Bee (Music Director; MCMT), Sex and the Musical (Ad. Fringe, EK Pro), Heathers the Musical (Segue Pro), Shane Warne the Musical (Segue Pro) and her own show depicting the life of the irreplaceable Bette Midler; From A Distance, the Glory of Bette (Ad Fringe).
She is also a lover of scrapbooking and is obsessed with curious minds magazines!
Suan’s theatre credits in Adelaide include: The King And I as Kralahome for the Metropolitan Musical Theatre Company (2017), The Phantom of the Opera in the Ensemble for Matt Byrne Media (2013), The Cross (2014), Kiss of the Spider Woman as Marcos for the Hills Musical Theatre Company (2012), Miss Saigon in the Ensemble for Marie Clark Musical Theatre (2011).
In Perth, he has performed at the His Majesty Theatre, in principal roles: A Date with Spring 我與春天有個約會in Cantonese (2011), and Butterfly Lovers 梁山伯與祝英台 in Mandarin (2008).
In Malaysia/Singapore/China, the recent shows include: XuanZang: Journey to the West at the Istana Budaya (2012), and A Tribute to YaoMin with Han Production (2014). Earlier performances in principal roles, as soloist or chorus were with the Selangor Philharmonic Choir, the Music Theatre, the Dama Orchestra, Five Arts, and the Kuala Lumpur Chinese Opera Club (1970 – 2010). The shows include: A Slice of Saturday Night, The Fantasticks, Reunion, Refuge Images, Yap Ah Loy, The Splendour of Tai Hei, The Sound of Music, Porgy And Bess, Lady White, Spring Kisses Lover’s Tears, Flower Drum Song, The King And I, South Pacific, and Macbeth.
Since his debut in 2012, Steven has been involved in a number of Adelaide amateur musical theatre shows both on and offstage. These include ensemble roles in Dusty (NLTC, 2019), If/Then (Segue Productions, 2018), Spamalot (Marie Clark Musical Theatre, 2018), Bye Bye Birdie (The Met, 2017), Fiddler on the Roof (Therry, 2017), Thoroughly Modern Millie (G&S, 2016), Mary Poppins (MBM, 2015), Legally Blonde (Hills Musical Company, 2014), Xanadu (Davine Interventions, 2014), Eurobeat (NLTC, 2013) and Copacabana (The Met, 2012), the role of Ralph Malph in Happy Days (NLTC, 2015), as well as crewing for MBM in Phantom of the Opera (2013) and Hairspray (2012). In 2016, he performed in the ensemble of MBM's SA amateur premiere of Wicked, and was thankful to understudy the role of Fiyero. Steven also has regularly performed in the community choir for the Tea Tree Gully Council's Carols in the Park since 2013.
Singing and dancing is a passion for Steve that stems back over 20 years; involvement with Adelaide Festival Choir (1996), competitive gymnastics (1994-1997), becoming a Zumba Instructor (2011-2014), and various singing and dancing lessons have contributed to his love of this outlet.
Steve is currently receiving vocal tuition from David Gauci, and is looking forward to being in Davine Productions’ 2020 Adelaide Fringe Festival show, Beautiful: The Carole King Musical.
Tielah-Jade Cannon (She/her)
Tielah is a full-time History Honours student at the University of Adelaide who is working towards a Post-Grad degree and also pursues her passion for performing to keep her sane. Her deep-rooted passion for musical theatre has led to roles through many youth theatre productions, and several shows in more recent years. Tielah has featured as an ensemble member for shows such as Sweeney Todd, Cinderella and the Pirates (both 2017, South Coast Coral and Arts Society) and most recently, Assassins (2019, Hills Musical Company). She is currently in rehearsals for High Fidelity with Hills Musical company. Tielah is also involved in many different areas of Hills Musical Company, serving on the committee since 2019 and acting as Front of House Manager on multiple occasions.
Zak is currently in his third year at the Victorian College of the Arts studying a Bachelor of Fine Arts (Music Theatre). He has been passionate about theatre for as long as he can remember, undertaking both on and offstage roles for a variety of productions. He has completed a Certificate IV in Commercial Dance at Gravity Dance, specialising in tap, hip hop, jazz, contemporary, ballroom and ballet.
Zak’s choreography credits include Singin’ in the Rain JR (2017, TB Arts, Fringe Festival), A Peter Combe Extravaganza! (2017, Something on Saturday) and A Night on Broadway (2014, Glenunga High School). Zak made his professional debut with State Opera of South Australia’s production of Hansel and Gretel. Since then, he has played many memorable roles such as Boq in Wicked the Musical (2016, Matt Byrne Media), Mary Sunshine in Chicago (2017, Emma Knights Productions), The Tinman in The Wiz (2013, GIHS), Danny in Grease (2014, GIHS), Bert in Mary Poppins (2014, GIHS) and also appeared as a featured dancer in Thoroughly Modern Millie (2016, G&S Society of SA).
An avid performer, he has entertained at many events around Adelaide, such as the Adelaide Fringe Festival, the Royal Adelaide Show and Adelaide's Clipsal 500, as well as at private functions, weddings and parties. Zak also works as an entertainer for Nickelodeon and Showtime Attractions and has performed in many children’s shows with them.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max Ziliotto has been performing since 2004, from concert bands, drumline and big band, to orchestral works and musical theatre. Prior to his acceptance as a Casual Percussionist with the Adelaide Symphony Orchestra, he completed his Bachelor of Music in 2013 at the University of Adelaide’s Elder Conservatorium of Music under the tutelage of Amanda Grigg.
Born in Adelaide, Max began his musical journey under the guidance of Peter Matzick. Attending Marryatville High School, Max gained a wealth of performance opportunities including the Generations in Jazz festival in Mount Gambier. During his Undergraduate studies, Max won first place in the Melbourne Symphony Orchestra Snare Drum Award in 2011.
Max has been performing with the Elder Conservatorium's Music Theatre students' productions since 2021, most notably playing the drum score for Legally Blonde, directed by Broadway's Nikki Snelson in 2022.
Max was also an active member of the Raiders Drum Corps from 2006-2019, performing numerous times in the city's Christmas Pageant, and on stage with them at Australian Ultimate Drummers Weekend in Melbourne 2015. He has tutored at South Australian Music Camp multiple times, and has been in the house band of Broadway Sessions since its inception in 2015.