About this Session
October's Session is time for another performer's choice night. We love these nights as we often get to discover new songs. Come and spend an evening with us, filled with new songs and old favourites.
This Session will include a performance by cast members of The Hills Musical Company's upcoming staging of Avenue Q.
Mark Oates (he/him)
Mark is an award winning South Australian performer whose credits include the Adelaide and Brisbane Festivals, State Opera South Australia, SINGular Productions, Co Opera, Various People, Aerial Artists Australia, and MOatesArt Productions.
In 2022 Mark was nominated for an Adelaide Critic's Circle Award for his body of work. He premiered the dual roles of Ian Duncan and Don Dunstan in Neil Armfield's Ruby Award-winning Watershed: The Death Of Dr Duncan for the Adelaide Festival – while for State Opera South Australia he performed Lt Tom in Voss and Gastone in La Traviata, as well as embarking on a national tour of Love Burns, completing the first orchestration workshop of When The Rain Stops Falling and appearing in Bright Lights, Big Dreams.
Previous Adelaide Festival appearances are Mozart Requiem (2020), Bernstein Mass – featured Street Singer (2012) and Le Grande Macabre - Ruffiak (2010).
In State Opera of South Australia's 2023 season Mark will be appearing as the Defendant in Trial by Jury and in Pirates of Penzance and HMS Pinafore, as well as hosting the Tra La La Bar for the Gilbert and Sullivan Festival, with further exciting projects to be announced. In 2021, Mark appeared as Beadle Bamford in Sweeney Todd and Jack in Love Burns, and opened the year in Carousel. Further highlights with the company include Njegus in The Merry Widow, Arjuna in Satyagraha, John Styx in Orpheus in the Underworld, The Cantor in Maria de Buenos Aires (co production with Leigh Warren Dancers – Adelaide Festival Centre Playhouse and Brisbane Festival). Mark is a proud and long-standing State Opera South Australia artist, both as a chorister and a principal performer.
Well known and regarded on the concert stage, Mark also mentors Class of Cabaret for the Adelaide Cabaret Festival, works extensively with Primary Schools Music Festival and regularly tours with Aerial Artists Australia in Le Aerial, including Perth Fringeworld, Adelaide Fringe, Auckland Fringe, Sydney Opera House, Melbourne Arts Centre and Port Douglas. Mark is Associate Producer and regular host of Broadway Sessions, Adelaide's long running monthly music theatre focussed, curated open mic night.
Alisa has been performing in musicals in Adelaide for over 10 years. Alisa's favourite roles include Gary Coleman in Avenue Q (MBM, 2011), Reno in Dusty (The Met, 2011) and Enid in Legally Blonde the Musical (Hills, 2014). Most recently Alisa performed in Violet (Davine Interventionz) for the Adelaide Fringe. Currently Alisa is rehearsing for Aida with the Hills Musical Company. Alisa has trained in jazz, tap, contemporary and hip hop dance and has vocal tuition with Kirsty Roberts.
Ashleigh started dancing at 3 years of age, and her love of the stage only grew from there. Her very first musical was La Cage Aux Folles (OPUS), followed by playing Mayzie La Bird in Seussical (Tatachilla Lutheran College). She has been blessed to be able to be in the ensemble for many bucket list shows, including Dirty Rotten Scoundrels (OPUS), Legally Blonde (Hills Musical Company), Jekyll & Hyde (MCMT), Les Misérables (G&S) and Spamalot (MCMT).
She has also been lucky enough to choreograph Annie Jnr (Investigator College) and High School Musical (Stayg25). She is also very excited for her next choreography adventure with Segue Productions’ next show, Heathers the Musical. It has been a challenge and a privilege to play Elena in the upcoming 2018 production of If/Then (Segue Productions).
Ben works as an artist and graphic designer. Ben began singing at a young age in the NSW state choir before moving to South Australia where he has continued as a professional soloist and as an ensemble singer, most notably with the Festival Statesmen Chorus. He has extensive national touring experience, having performed in the Festival of Voices in 2014, and as part of the headline acts of multiple national music festivals including the Pemulwuy Male Voices festival and the Australian National Choral Association’s Choralfest. Ben has worked as a professional musical theatre soloist including a touring production of the musical Counting Bars.
Blake has been performing in the South Australian musical theatre scene since his debut in Therry society's production of Big Fish in 2016. Since then he has worked with HMC on the two productions and three State Opera of South Australia and Elder Conservatorium collaborations being Die Fledermaus, Don Pasquale and Dido and Aeneas. In 2020 Blake took part in Shane Warne the Musical, presented by Segue Productions at the Adelaide Fringe Festival. Recently Blake performed as Cinderella's Prince and the Wolf in Into the Woods.
Blake has just completed his debut cabaret season in the 2021 Adelaide Fringe Festival with great success.
Casmira Lorien (she/her)
Casmira is an experienced performer and teacher with a great passion for storytelling. Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards, as well as the TASA for Best Musical) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Professionally, Casmira has acted and provided voices for several short films and children’s productions. She also spent many years directing and music directing musicals for Adelaide Theatre Academy, including Snow White and Alice in Wonderland for the Festival Centre’s ‘Something on Saturday’ program. Her fondest memories are working with Peter Combe in directing and choreographing his Adelaide Fringe shows from 2013-2015.
Danielle Greaves (she/her)
Danielle started performing at age 5 within her school and also in the Australian Girls Choir. She landed her first lead role in a musical at age 6 starring as Henny Penny in the year 1 & 2 production of The Sky is Falling, where she was seen pulling actors into their correct spots and mouthing everyone's lines. Nothing much has changed... You may have seen Danielle recently, since returning to theatre after havinga child, in Northern Lights Les Misérables playing a crazy lady of the night who quite partial to a porcelan doll, asleep throughout G&S's Into the Woods as Sleeping Beauty, or in Northern Lights Catch Me If You Can in the Ensemble. You will next be able to see her belting out some pop bangers as a Diva in G&S's Priscilla, Queen of the Desert in September 2023.
When David is not performing in local musical theatre and cabaret, you can catch him busking at Adelaide's beaches and surrounding suburbs with his ukulele, performing puppets for children, and enjoying singalongs at old folks homes. His recent credits include playing Peter Allen in the Met's Boy from Oz, Princeton in Matt Byrne Media's Avenue Q. as well as leads in Dirty Rotten Scoundrels for Opus, Little Shop of Horrors for Northern Light Theatre Company, and the local cabaret showcases Sing on Through Tomorrow and Homemade Fusion.
David recently played the role of Denny Doherty in the Davine Interventionz sell out season production of Flowerchildren – The Mamas and Papas Story after performing in Davine's 2013 production of Altar Boyz.
Eloise Quinn-Valentine loves to tell stories on stage, and has performed in a variety of musicals, plays, cabarets, and choirs from a young age. Recent highlights include Othello and Seagull (Independent Theatre, 2022), The Hello Girls (Therry Theatre, 2021), Beautiful: The Carole King Musical (Davine Productions, 2020), Jerusalem (University of Adelaide Theatre Guild, 2019), It’s Only Life (Davine Productions, 2018), Violet: a musical (Davine Productions, 2017), and The Crucible (Royal Holloway University of London Drama Society, 2017). Eloise works and volunteers as an educator across a variety of disciplines and contexts, and particularly loves teaching others about faith, storytelling, compassion, and justice.
12 year old Emma Good has had a busy 2021 doing shows with Peter Combe at the Adelaide Fringe Festival, Marion Cultural Centre and Capri Theatre as well as various performances with the South Australian Public Primary Schools (SAPPS) Choir. She is excited to be playing Maddison in School of Rock with Pelican Productions in August and Gertie Blossom in Dr Dolittle Jr with Adelaide Theatre Academy in October.
Eve has loved performing from a young age. She has developed her passion for music and theatre as a company member of Pelican Productions, her most recent role being ‘Eva’ in the Bring it On return season in 2018. Much of Eve’s childhood was spent training as a gymnast and acrobat, beginning training at age 5 with GymJets. In 2013 she was the International Development Program State gymnastics champion on beam, vault, bars and all round champion.
Her first film experience was an extra in the gymnastics movie Raising the Bar in 2015. Eve’s most memorable achievement was winning silver and two bronze medals in Melbourne at the National Acrobatic Gymnastics Championships in 2015. Eve currently trains as an aerial artist at Aerial Artists Adelaide. Eve’s favourite roles have been Eva in Bring it On in both 2017 and 2018, Miss Hannigan in Annie in 2018, and Gertrude McFuzz in Seussical in 2017. Eve loves having Rosie Hosking as her inspirational vocal teacher and enjoys classes in all dance styles at Accent on Dance. Earlier in 2018 Eve had the incredible experience of performing in New York, on a Carnival cruise and in Disney with Pelican Productions and Itheatrics.
Grace Mackenzie (She/Her)
Grace is now a post-graduate medicine student and still passionate about performing and honing in on her musical theatre vocal skills. She loves being apart of the Broadway sessions stage and has performed in past Productions as Penny in Hairspray and Gertrude McFuzz in Seussical.
Jake Fielke is a 17-year-old student from the Adelaide Hills with a passion for music. In the future, Jake plans to release his first single and EP by the start of 2019 under his artist name Phari. Since Year 5 Jake has had a burning desire to explore as many of the different directions that Music has to offer throughout his lifetime, including heaps (and heaps) of musical theatre. If you see him and want to talk to him about your interests in music or anything else then feel free to! Jake loves to talk about other people's passions and goals just as much as he wants to share his own.
Jemma Allen (She/her)
Jemma is chuffed that Broadway Sessions is finally back!! She is here for a good time and can't wait to jam with the band and see all of her lovely theatre friends again!! Yay!!!
Jeri Williams (she/her)
Originally from the US, Jeri Williams immigrated to Adelaide in 2011. She’s a born performer, growing up singing in choirs, glee club, a pop/R&B girl group, and musical theatre. She got her start in theatre performing in the ensemble of How To Succeed in Business Without Really Trying at age 16. After school, Jeri got a job singing in an acapella group at a theme park in Florida, which led to being cast as Wendy Darling by Disney Cruise Line. Jeri spent her early 20s working and performing on various cruise ships with her husband.
Since making Adelaide her home, Jeri has delved into the local theatre scene on a few occasions, being cast in leading roles in NLTC’s Into The Woods (2012) as the Baker’s Wife; G&SSA’s Guys & Dolls (2015) as Adelaide and NLTC's Mack and Mabel (2016) as Mabel.
When life gets too busy for a full show schedule, Jeri enjoys singing with the Civic Park Carols Choir and joining in for a sing at Broadway Sessions as often as possible.
Having been singing since the age of 5, Jordan has been involved in music for almost his entire life. He has been involved in many choirs, musicals and other music events throughout his time at school, such as the Generations in Jazz festival, playing Kurt in The Sound of Music, and Jesus in Godspell. Now at University, Jordan seeks to involve himself further in the music scene in Adelaide.
Kate Hodges (She/Her)
Kate is an established performer and a regular with NLTC having played roles such as Liesl in The Sound of Music, The title role in Cinderella, Belle in Beauty and the Beast, Truly Scrumptious in Chitty Chitty Bang Bang and most recently Fantine in this year's production of Les Miserables to name a few. Kate loves the Adelaide theatre community and has performed with a number of other companies across SA including MBM, The MET, Marie Clarke, Therry, The Hills Musical Theatre Company and G&S Society. Highlights for Kate include playing the puppet Kate Monster for The Hills Musical Theatre Company's production of Avenue Q in 2018 and the roller-skating Goddess Kira/Clio in Davine Interventionz' production of Xanadu in 2014.
Kate was first nominated for an Adelaide Theatre Guide Awards for "Best Female Performance" at 15 for her role as Dorothy in the Wizard of Oz with NLTC. Ten years later Kate was nominated again and won ATG's "Best Female Performance" for her role in or Kira/Clio in Xanadu. In the real world Kate is a Speech Pathologist, Voice Therapist, Vocal Coach and Mum to two young children.
Kristin Stefanoff (she/her)
Kristin is a music teacher, musician, and performer based in the Adelaide Hills. Favourite musical theatre roles include: Muriel (Dirty Rotten Scoundrels - Hills Musical Company 2022); Laura (High Fidelity - Hills Musical Company 2021); Vivienne (Legally Blonde - The MET 2021); Simone (Shane Warne The Musical - Segue Productions 2020); Elizabeth (If/Then - Segue Productions 2018); Cathy (The Last Five Years - Segue Productions 2017); Clara (The Light In The Piazza - Davine Productions 2016); Inga (Young Frankenstein - Marie Clark Musical Theatre 2014); Smitty (How To Succeed In Business Without Really Trying - Marie Clark Musical Theatre 2013); and Ensemble/Lady of The Lake Understudy (Spamalot - Marie Clark Musical Theatre 2018). Kristin will be playing Ms Gardner/Female Authority Voice in Carrie The Musical with Hills Musical Company in November 2023.
Kristin holds a Bachelor of Music Education from the Elder Conservatorium, majoring in Classical Piano, and has extensive accompanying and pit experience. Music Direction credits include: Heathers: The Musical (Segue Productions 2019); Calamity Jane (Marie Clark Musical Theatre 2014); Poor Expectations (Investigator College 2014); Mulan Jr (Investigator College 2013); and Honk! (Investigator College 2011).
Kristin teaches piano, voice, violin and music theory, and loves seeing students grow in confidence as they develop their skills in music.
Megan is an exchange student from Minneapolis Minnesota in the United States. She has been singing in choirs since she was four years old and started acting when she was 14. She has been in many shows with leading roles her favorites being White Christmas, Seussical, Guys and Dolls, and Grease. She is known as a spotlight kid at the Hennepin Theatre in Minneapolis and continues her acting journey at Uni. She loves to be on stage and hopefully she touches at least one person while she's there.
Michael Bates began his music career from a young age, training as an orchestral percussionist and performing with Adelaide’s premier youth orchestras. His vocal career began with the lead role in a school musical. His first amateur theatre role was in Bye Bye Birdie (2002). In October of 2008, Michael won the World Karaoke Championships in Lahti, Finland, resulting in his debut single Tell Me being released on iTunes and appearing on Australia's top rating breakfast shows Sunrise (Ch7) and The Morning Show (Ch7).
Michael has since been cast in the South Australian Premier Production of Avenue Q (2011) playing a Bad Idea Bear and went on to join the cast of Dusty in 2011.
Away from the stage Michael has fronted many local jazz bands as well as the South Australian Navy and Army Bands. In July of 2013 Michael played The Phantom in MBM’s Production of The Phantom of The Opera to rave reviews, earning himself an ATG Best Male Performance nomination. He premiered his debut solo cabaret show Out Here On My Own in a sold out 2014 season and in 2015 he was a featured performer at The Shedley Theatre’s 50th Anniversary Concert.
January 2016 saw Michael play Jud Fry in the award nominated production of Oklahoma! on a Farm. In July of 2016 Michael played Fiyero in the MBM SA Premiere Production of Wicked followed by the role of Hollywood Director Mack Sennet in NLTC's Mack and Mabel in October of the same year. Michael is thrilled to be moving back to Avenue Q and playing Princeton. This is his debut with The Hills Musical Company and has so far loved every minute.
Nikki Long (she/her)
Nikki is an Adelaide raised performer. Last year she graduated from the Bachelor of Music Theatre degree at Elder Conservatorium Music Theatre. Before ECMT she completed her Certificate IV in Dance at Australian Company of Performing Arts. In 2019 she played Heather Chandler in Segue Productions Heathers. In 2021 she made her Adelaide Fringe Festival debut in Friendly Feminism for The Mild Mannered and was also part of the choir in Chess: The Musical (dir. Tyran Parke). Nikki appeared in the second year production of Urinetown (dir. George Torbay) as Mrs Millennium. She was also the Josephine “Old Ma” Strong and Soupy Sue cover, and performed as Josephine “Old Ma” Strong for two performances. While at ECMT she performed in the third year production of In Pieces (dir. George Torbay). Nikki performed in the ensemble of ECMT’s third year production of Les Miserables (dir. Erin James) and she performed as Kate/Ensemble in the graduation production of Legally Blonde (dir. Nikki Snelson) Nikki has just finished a tour with Echelon Productions performing Way Too Cool for children’s book week in schools and will be moving to Sydney in January.
Omkar Nagesh has always been passionate about singing and performing on stage. He has enjoyed working with various amateur theatre companies in Adelaide over the past 10 years. Omkar is performing as Barry in the upcoming production of High Fidelity with The Hills Musical Company in opening in November. Omkar was nominated for Adelaide Theatre Guide Curtain Call Awards for Best Male Performance in both his performances as The Engineer in Miss Saigon (The Met 2019, MCMT 2011). Other favourite roles include Leo Bloom in The Producers (HMC 2015), Lumiere in Beauty and the Beast (Northern Light 2011), Jack Worthing in The Importance of Being Earnest (AUFC 2011), Historian/Prince Herbert/Minstrel/et al. in Spamalot (Northern Light 2010), Growltiger in Cats (The Met 2009), and Jake in the South Australian Premiere of Sideshow (HMC 2018).
Patrick is an amateur theatre hybrid with credits in both musical and straight play theatre, some of these include: the G&S Society’s Guys and Dolls (2015), Therry Dramatic Society’s Fiddler on the Roof (2017), the Adelaide Repertory Theatre's critically acclaimed Our Boys (2017) and more recently, Independent Theatre's The Maltese Falcon. In May 2019, Patrick packed his belongings and moved across to Melbourne to complete a Bachelor of Applied Business (Entertainment Management). In his spare time, Patrick is an avid and somewhat pretentious film connoisseur - enjoying the vast offerings of foreign language, old-Hollywood and trashy rom-com cinema.
Ruby Pinkerton (she/her)
Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Recently, Ruby played Rose in Dogfight with St Jude’s Players, Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots and was the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. She also performed as Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Beautiful: The Carole King Musical witih Davine Productions, Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society, and in 2023 Kiss Me Kate with Hills Musical Company.
At 15 years old, Sammi is a Year 9 Student who attends Cedar College. Her love of the stage started at age 3. Since then she has been involved in numerous singing showcases and musical theatre performances. Between 2013 and 2017 Sammi has appeared in many Adelaide Youth Theatre productions including Mrs Darling in Peter Pan Jr, The Narrator in Aladdin Jr, Tallulah’s Girl in Bugsy Malone, Homer Zuckerman in Charlotte’s Web and ensemble in both Annie and The Wizard Of Oz.
In 2017 Sammi attended the Junior Theatre Celebration in Newcastle as part of the Adelaide Youth Theatre Team. In 2016/17 Sammi was part of the Australian Youth Performing Arts Team. They travelled to the USA to perform at Disneyworld in Florida and Universal Studios as part of the Macy’s Day Parade. She also attended various music theatre workshops with leading Broadway stars in New York.
Earlier this year as part of the 2018 Adelaide Fringe Festival, Sammi performed in Promise Adelaide's The Diva Series and Musical Moments, as well as Adelaide Voice Crew's Michael Jackson: The Mirror, which all received great reviews. In 2018 Sammi debuted in Shane Davidson Presents' Beauty And The Beast as Mrs Potts.
During 2017 and 2018 Sammi has been a student at The Studio And Star Factory. During this time she has been involved in the Balaklava Eisteddfod placing in the top 3 in all of her entries. She has also finished writing 7 original songs and has recorded 2 of them. She is currently working on producing her own music. In July 2018 Sammi was selected by Jemma Rix herself, and was awarded the Studio And Star Factory, Jemma Rix Scholarship. Sammi is looking forward to being a part of Broadway Sessions.
Simon Barnett (he/him)
Simon has been a regular on Adelaide amateur stages since appearing in the ensemble of HMC's Sideshow (2018), appearing in both plays and musicals. Highlights include Kurt in Heathers (Segue Productions, 2019), Charlie Marlow in She Stoops to Conquer (Blue Sky Theatre, 2020), Warner in Legally Blonde (The Met, 2021) and Boland in Dogfight (St Judes Players, 2022). Simon will next be appearing as Tommy in Carrie with HMC. Simon tries to balance theatre with his other hobbies of cycling and running, usually without success.
Warren Logan is a Music Theatre graduate of the University of Ballarat Arts Academy. Highlights from drama school include Oklahoma! (Jud Fry), Rhinoceros (Jean), and his self-devised cabaret Fat Boys Don't Cry performed at Melbourne's renowned cabaret venue, The Butterfly Club. Since graduating, Warren has acted in music videos for Australian artists Something for Kate, Simon Imrei and Michael Waugh. Other stage highlights include A Streetcar Named Desire (Stanley Kowalski), When the Rain Stops Falling (Gabriel Law/Andrew Price), The Glass Menagerie (The Gentleman Caller), The Plow and the Stars (The Covey), The Shape of Things (Adam Sorenson), The Producers (Franz Liebkind) and Footloose (Willard Hewitt) - the latter two performances earning him Music Theatre Guild of Victoria and Lyrebird award nominations.
As a newcomer to Adelaide, Warren made his South Australian theatre debut in 2018 performing the role of Jud Fry in Oklahoma! On a Farm for Emma Knights Productions. He also recently performed the role of Nicky in Hills Musical Company's award winning production of Avenue Q.
Warren is the Artistic Director of Not The Worst Productions.
Zak is currently in his third year at the Victorian College of the Arts studying a Bachelor of Fine Arts (Music Theatre). He has been passionate about theatre for as long as he can remember, undertaking both on and offstage roles for a variety of productions. He has completed a Certificate IV in Commercial Dance at Gravity Dance, specialising in tap, hip hop, jazz, contemporary, ballroom and ballet.
Zak’s choreography credits include Singin’ in the Rain JR (2017, TB Arts, Fringe Festival), A Peter Combe Extravaganza! (2017, Something on Saturday) and A Night on Broadway (2014, Glenunga High School). Zak made his professional debut with State Opera of South Australia’s production of Hansel and Gretel. Since then, he has played many memorable roles such as Boq in Wicked the Musical (2016, Matt Byrne Media), Mary Sunshine in Chicago (2017, Emma Knights Productions), The Tinman in The Wiz (2013, GIHS), Danny in Grease (2014, GIHS), Bert in Mary Poppins (2014, GIHS) and also appeared as a featured dancer in Thoroughly Modern Millie (2016, G&S Society of SA).
An avid performer, he has entertained at many events around Adelaide, such as the Adelaide Fringe Festival, the Royal Adelaide Show and Adelaide's Clipsal 500, as well as at private functions, weddings and parties. Zak also works as an entertainer for Nickelodeon and Showtime Attractions and has performed in many children’s shows with them.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max Ziliotto has been performing since 2004, from concert bands, drumline and big band, to orchestral works and musical theatre. Prior to his acceptance as a Casual Percussionist with the Adelaide Symphony Orchestra, he completed his Bachelor of Music in 2013 at the University of Adelaide’s Elder Conservatorium of Music under the tutelage of Amanda Grigg.
Born in Adelaide, Max began his musical journey under the guidance of Peter Matzick. Attending Marryatville High School, Max gained a wealth of performance opportunities including the Generations in Jazz festival in Mount Gambier. During his Undergraduate studies, Max won first place in the Melbourne Symphony Orchestra Snare Drum Award in 2011.
Max has been performing with the Elder Conservatorium's Music Theatre students' productions since 2021, most notably playing the drum score for Legally Blonde, directed by Broadway's Nikki Snelson in 2022.
Max was also an active member of the Raiders Drum Corps from 2006-2019, performing numerous times in the city's Christmas Pageant, and on stage with them at Australian Ultimate Drummers Weekend in Melbourne 2015. He has tutored at South Australian Music Camp multiple times, and has been in the house band of Broadway Sessions since its inception in 2015.