Broadway Sessions On Tour: Balaklava

20 Sunday August 2017
When: 4:00pm Where: Balaklava Town Hall Tickets: $15

About this Session

Broadway Sessions is going ‘On Tour’ and heading up to Balaklava.

Balaklava Community Arts issued the call for us to bring our show to their community, and who were we to say no?! Located approximately 90km north of the centre of Adelaide, Balaklava is well known for its interest and support in the arts, and hosts one of South Australia’s most popular eisteddfods in early August each year.

Join us on Sunday 20th August as we take Broadway Sessions to Balaklava. Why not make a day of it and visit the beautiful Clare Valley (and its wineries!), only a further 40 minutes north, and catch the show on the way home? This Session will take place in the afternoon (4pm, doors at 3:30pm), rather than at our usual 6:30pm start time, just to allow any Adelaide visitors or performers time to get home on a Sunday night.

Registrations are open to locals of the area, of course, as well as our regular Adelaide performers. This will be just like any other Broadway Sessions event, simply in a new and fun venue. Come along and enjoy Broadway Sessions On Tour!

Session Setlist

Act 1
You're Welcome (Moana) – David MacGillivray
Home (Beauty And The Beast) – Alex Chapman
Ireland (Legally Blonde) – Kaitlyn McKenzie
Gaston (Beauty And The Beast) – Buddy Dawson
Sweet Dreams (It's Only Life) – Lisa Shetler
Send In The Clowns (A Little Night Music) – Bronwyn Langman
Let It Sing (Violet) – Mark Oates
I'm Not Afraid Of Anything (Songs For A New World) – Natalie Lambert
Beautiful City (Godspell) – Lindsay Prodea
Act 2
You'll Be Back (Hamilton) – Scott Lorien
With You (Ghost) – Phoebe Giles
Losing My Mind (Follies) – Wendy Rayner
All I Know (Matilda) – Buddy Dawson
Defying Gravity (Wicked) – Emily Smith
Notice Me Horton (Seussical) – Casey Lawrie
Bring Him Home (Les Miserables)* – Mark Oates
As Long As He Needs Me (Oliver) – Sophie Brown
Hard To Be The Bard (Something Rotten) – David MacGillivray
Waving Through A Window (Dear Evan Hansen) – Lindsay Prodea
* promoting an upcoming show

Session Hosts

Lindsay Prodea (he/him)

Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.

Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.

Mark Oates (he/him)

Mark is an award winning South Australian performer whose credits include the Adelaide and Brisbane Festivals, State Opera South Australia, SINGular Productions, Co Opera, Various People, Aerial Artists Australia, and MOatesArt Productions.

In 2022 Mark was nominated for an Adelaide Critic's Circle Award for his body of work. He premiered the dual roles of Ian Duncan and Don Dunstan in Neil Armfield's Ruby Award-winning Watershed: The Death Of Dr Duncan for the Adelaide Festival – while for State Opera South Australia he performed Lt Tom in Voss and Gastone in La Traviata, as well as embarking on a national tour of Love Burns, completing the first orchestration workshop of When The Rain Stops Falling and appearing in Bright Lights, Big Dreams.

Previous Adelaide Festival appearances are Mozart Requiem (2020), Bernstein Mass – featured Street Singer (2012) and Le Grande Macabre - Ruffiak (2010).

In State Opera of South Australia's 2023 season Mark will be appearing as the Defendant in Trial by Jury and in Pirates of Penzance and HMS Pinafore, as well as hosting the Tra La La Bar for the Gilbert and Sullivan Festival, with further exciting projects to be announced. In 2021, Mark appeared as Beadle Bamford in Sweeney Todd and Jack in Love Burns, and opened the year in Carousel. Further highlights with the company include Njegus in The Merry Widow, Arjuna in Satyagraha, John Styx in Orpheus in the Underworld, The Cantor in Maria de Buenos Aires (co production with Leigh Warren Dancers – Adelaide Festival Centre Playhouse and Brisbane Festival). Mark is a proud and long-standing State Opera South Australia artist, both as a chorister and a principal performer.

Well known and regarded on the concert stage, Mark also mentors Class of Cabaret for the Adelaide Cabaret Festival, works extensively with Primary Schools Music Festival and regularly tours with Aerial Artists Australia in Le Aerial, including Perth Fringeworld, Adelaide Fringe, Auckland Fringe, Sydney Opera House, Melbourne Arts Centre and Port Douglas. Mark is Associate Producer and regular host of Broadway Sessions, Adelaide's long running monthly music theatre focussed, curated open mic night.

Session Performers

Alex Chapman

Alex has loved the theatre since a young age seeing her first show of Me and My Girl. After seeing multiple musicals including her favourites Phantom of the Opera and Beauty and the Beast, Alex enrolled with singing lessons with Joan Leslie in the Adelaide Hills. Mostly for a bit of fun she continued for a few years before a long 10 year break before auditioning for Balaklava Community Arts' production of Beauty and the Beast and being able to perform her dream role of Belle in 2014. This is inspired her to take up singing again and is always looking for new opportunities to gain experience and have some fun. Alex has recently performed in the ensemble with the G&S Society in their 2018 production of The Phantom of the Opera.

Bronwyn Langman

Bronwyn has only recently come to musical theatre as a vocalist, backstage for Cats with The Met in 2015, and in the Chorus of Fiddler on the Roof with Therry this year. In the eighties she played her French Horn in the orchestra pit for a few G&S productions with Marie Clarke – but that was before marriage and children changed everything. There have, however, been a few vocal highlights along the way, such as performing solo (and with her husband) at the reception of the Olympic Flame at Colley Reserve in 2000. Bronwyn enjoys performing swing and broadway material, along with her family, in retirement villages around Adelaide and singing at church.

Buddy Dawson

Buddy is a high school drama teacher who loves to perform. He has worked with a number of amateur theatre companies in Adelaide and has played many over-the-top characters (whilst breaking many bones in the process).

Casey Lawrie

Casey grew a passion and love for music at a young age, and as a vocalist she began competing in the local Balaklava Eisteddfod when she was just 10 years old. She took part in the vocal, musical theatre and contemporary vocal sections and thoroughly enjoyed each opportunity to perform and develop her skills. Casey also loved taking part in the Balaklava Community Art Productions, including playing Judah in Joseph and the Amazing Technicolour Dreamcoat and Lisa, a Pirate and an Indian in Peter Pan.

While attending Horizon Christian School Casey took part in many stage productions including Little Woman, The Letter, Pollyanna and The Wind in the Willows. Casey is currently in her second year of studying music at Tabor College, majoring in voice within a range of styles including Musical Theatre, Folk, and Contemporary.

David MacGillivray

Growing up performing in the Scouts’ Gang Show: Comedy Capers, David developed a love for musical theatre from a young age. Trained at the Centre for the Performing Arts; David has enjoyed performing Shakespeare with the State Theatre, Lightning Strike and Chopt Logic Theatre Companies and has toured in the past with Splash Theatre Company. Turning from professional acting to focus his energy on his family and work for the Anglican Church as a priest, David chooses to do shows that he loves.

It was in Marie Clark's production of Paris in the titular role that David hit the Adelaide scene in musical theatre. David has since performed with Marie Clark Musical Theatre in Miss Saigon (John) and as Carl Hanratty in the 2016 production of Catch Me if You Can. He has worked with Northern Light Theatre Company as Frederick in Pirates of Penzance and Seymour in Little Shop of Horrors. David also performed at the Adelaide Fringe Festival in 2015 with Lazy Saturday Productions' Australian premiere of Darkle. 2017 was a big year of theatre for David starting with Pale Ale Tales, a new work by local writer, Jason Hendy in the 2017 Adelaide Fringe, Jekyll and Hyde with Marie Clark and finishing with Les Misérables as Enjolras with G&S Society. Most recently David performed with the Hills Musical Company in Assassins as John Wilkes Booth.

David is thankful to his wife for her love and support, and for letting him play.

Emily Smith (She/her)

Emily lives in rural South Australia and loves to perform. Roles she has played have been Glinda (The Wizard of Oz), Vi (Footloose), Witch (Into the Woods), Reno (Anything Goes), Crystal (Little Shop of Horrors). Emily has also served as co-director (Into the Woods), Music Director (Little Shop of Horrors, Mamma Mia) and Costume Designer (Footloose, Shrek). Emily has had a brief break from the stage while she studies to become a teacher.

While being a parent and university student in a rural town, Emily continues to persue her love of performing. She has performed in a number of shows and has also served as a production team member. Her favourite roles have been Vi in Footloose and Reno in Anything Goes.

Kaitlyn McKenzie

Kaitlyn played her dream role of Christine Dae in Phantom of The Opera at just 16 years old. She also travelled around Europe for her final year of high school singing as the lead soprano and soloist, and on her travels through Italy she performed in the Vatican. Recently, Kaitlyn has spent her year traveling around Australia working with Opera Australia and has been focusing on her theatre management. She loves having the chance to perform when she can.

Lisa Shetler

Many of Lisa's happiest childhood memories are from the wings and stairwells of the Shedley Theatre, where she has been performing since she was two. As a child, she performed in Northern Light Theater Company’s (NLTC) productions of Annie, Carousel, The King & I and Bugsy Malone, whilst also dancing with Total Image Dance Company. She grew into playing lead roles in her high school’s musicals including: Rosie in Bye Bye Birdie, Sarah Brown in Guys and Dolls and Katisha in the Hot Mikado. After a decade long hiatus from the stage, to gain her qualifications as a psychologist and start her career, she re-joined NLTC for their 2016 production of Cinderella and loved playing Mae in their 2017 production of Pajama Game. She is thrilled to be a part of the Adelaide theater community again.

Natalie Lambert

Singing and dancing from the age of 5, Natalie had her musical theatre debut late in life playing Cinderella in the University of Adelaide's production of Into The Woods. Igniting her passion for the art, she went onto gaining lead roles in A Funny thing Happened on The Way to The Forum, The Mikado and The Magic Flute. After graduating from her Classical Voice degree she continued to perform as a soloist and chorus member in The Sound of Music and Guys and Dolls and is currently working on Les Misérables with the Gilbert and Sullivan society. Natalie is a senior school music teacher, loves her job and feels so blessed that she can do what she loves everyday.

Phoebe Giles

Phoebe has spent the last 13 years singing in front of an audience. She began acting in year 7 after she starred in a class movie which was a parody of Days of Our Lives. She has taken on multiple roles but considers her favourite role to be Goldilocks in Charmed. Currently, she is an Out of School Hours Teacher and loves getting the students involved with music. You can often find (or hear) Phoebe singing everywhere she goes.

Scott Lorien (he/him)

Scott has always had a love of the theatre, but his real obsession began in high school, with performances as the Foreman, Pimp and a Student in Les Misérables, Priam in Paris and Action in West Side Story. Since completing high school he performed non-stop for a number of years, starting with Gerald Bolingbroke in Me and My Girl, an Apostle in Jesus Christ Superstar and Ugly in Honk! (Marie Clark Musical Theatre). After playing Cornelius Hackl in Hello, Dolly! and Asher and the Butler in Joseph and the Amazing Technicolor Dreamcoat (Metropolitan Musical Theatre Company of SA), Scott joined Northern Light Theatre Company’s production of Disney’s Beauty and the Beast as Monsieur D’Arque to round out 2011. The following year started with an incredible experience: Scott won the role of Henry in Six Foot Something’s pro-am Production of Next to Normal. After a mild performance hiatus in more recent times, Scott starred as Hunter in Irregular Productions sell out 2015 Adelaide Fringe season of [title of show].

If there’s one thing he regrets, it’s not starting singing and performing (publicly of course) at an earlier age. Off-stage (but in the theatre) Scott enjoys both sound and lighting design, and the challenges each of these areas brings to his knowledge of design in the digital world. Broadway Sessions is certainly the start of a new chapter, bringing together many ongoing stories and plot lines, but allowing the love of theatre (musical theatre in particular) to continue in new and exciting ways.

When not strutting his stuff on stage, or manically helping out backstage or in the roof of a theatre, Scott is a web designer & developer, creating sites like this one! You can see more of his work at

Sophie Brown

Sophie has been taking singing lessons since she was seven and performed in her first community theatre productions since the age of 8. She was bitten by the bug, and countless musicals and plays followed in quick succession. Some highlights include playing Nancy in Oliver!, Annie Golden in The Leader of the Pack, as well as Saskia in Stalled, a play devised by her and some school friends. Now she is embarking on a new chapter in musical theatre, having moved to Sydney to study music theatre at the Sydney Conservatorium of Music. As well as an obvious obsession with performing in Musical Theatre, Sophie enjoys playing piano, classical singing, as well as composing.

Wendy Rayner

Following training in classical voice at Elder Conservatorium, and many years as a soloist at weddings, parties and (almost) anything, Wendy’s involvement in theatre has seen her embrace a wide variety of character roles over the past 25 years. These have ranged from haughty Sister Berthe in The Sound of Music, fragile Old Sally in Oliver! and the delightfully dithery Mrs Tottendale in The Drowsy Chaperone ... to memorable characters created for the busy ensembles of The Goodbye Girl and Big Fish. She has appeared as Ruth in The Pirates of Penzance several times, and can't seem to stop performing in Les Misérables.

Wendy has appeared with Emma Knights Productions as Ruth in Pirates of Penzance (Adelaide Fringe Festival), Aunt Eller in Oklahoma! On A Farm, Mrs Rachel Lynde in Anne of Green Gables and Sister Berthe/Frau Schmidt in The Sound of Music.

Session Band

Peter Johns (Piano/Musical Director)

Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.

He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.

Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).

Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.

Louis Cann (Bass)

Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.

Max Ziliotto (Drums/Percussion)

Max Ziliotto has been performing since 2004, from concert bands, drumline and big band, to orchestral works and musical theatre. Prior to his acceptance as a Casual Percussionist with the Adelaide Symphony Orchestra, he completed his Bachelor of Music in 2013 at the University of Adelaide’s Elder Conservatorium of Music under the tutelage of Amanda Grigg.

Born in Adelaide, Max began his musical journey under the guidance of Peter Matzick. Attending Marryatville High School, Max gained a wealth of performance opportunities including the Generations in Jazz festival in Mount Gambier. During his Undergraduate studies, Max won first place in the Melbourne Symphony Orchestra Snare Drum Award in 2011.

Max has been performing with the Elder Conservatorium's Music Theatre students' productions since 2021, most notably playing the drum score for Legally Blonde, directed by Broadway's Nikki Snelson in 2022.

Max was also an active member of the Raiders Drum Corps from 2006-2019, performing numerous times in the city's Christmas Pageant, and on stage with them at Australian Ultimate Drummers Weekend in Melbourne 2015. He has tutored at South Australian Music Camp multiple times, and has been in the house band of Broadway Sessions since its inception in 2015.