About this Session
HAPPY BIRTHDAY (to us)! Wow, where has that time gone?! We’re now the big T-W-O, and we’re proud as punch to have made it this far as a cohesive ensemble of merry mad people. As with our birthday last year, we’re planning to celebrate, and celebrate hard. In fact bigger and bolder than last year! Come along for lots of birthday fun – it’s Broadway Sessions as you know it, but with a side of cake. What more could you want?
This Session includes a performance by the cast of Les Misérables and Seussical Jr.
Alisa has been performing in musicals in Adelaide for over 10 years. Alisa's favourite roles include Gary Coleman in Avenue Q (MBM, 2011), Reno in Dusty (The Met, 2011) and Enid in Legally Blonde the Musical (Hills, 2014). Most recently Alisa performed in Violet (Davine Interventionz) for the Adelaide Fringe. Currently Alisa is rehearsing for Aida with the Hills Musical Company. Alisa has trained in jazz, tap, contemporary and hip hop dance and has vocal tuition with Kirsty Roberts.
Andrew James Crispe
Andrew is an established freelance performer and vocal coach who has performed professionally in and around Adelaide. He has been a member of the State Opera of SA’s Chorus since 2009. Andrew‘s first foray into the world of Music Theatre was in 2000, when he was encouraged to audition for the Gilbert & Sullivan Society’s back-to-back production of HMS Pinafore and Trial By Jury, and since then he has not looked back!
Andrew won his first leading role in 2006, and has gone on to play a large number of leading and supporting roles throughout Adelaide’s community theatre. Andrew has been nominated for Best Male Performance by the Critics Circle Awards for his role as Don Lockwood in Singin’ In The Rain, and by the Adelaide Theatre Guide for the same role, as well as his portrayal of The Beast in Disney's Beauty And The Beast. For one of his most recent productions Andrew won the TASA Best Male Performance Award for his portrayal of Edward Bloom in BIG FISH – a show which also won the TASA MusiCal Award. Andrew co-wrote and performed in the sold-out season of Villain-Ville: A Musical Exploration of Villainy and Evil in the 2015 Fringe Festival. His most recent appearances this year include a return to the role of Curly McLain (for the third time) in an outdoor production of Oklahoma (On A Farm) with Emma Knights Productions, The Preacher in Davine Interventionz production of Violet, a return to the role of the Major General in Emma Knights Productions’ fourth season of Pirates On The Popeye, and lastly as Pontius Pilate in Jesus Christ Superstar.
Andrew played the role of Marius in both seasons of Les Misérables with the Gilbert & Sullivan’s Society in 2008 and 2009, and he is overjoyed to be coming back for yet another season with them only this time as the infamous Javert – a role he has coveted since he was little!
Ariana has been singing for as long as she can remember and, at just fourteen years old, she has become quite a passionate young performer. Her love for theatre started when she was in her early years of school and began to see the musicals that came around to Adelaide. From there, she joined her school choir which she participated in for five years, leading her to performing as a soloist on the Festival Theatre stage. She then went on to pursue dance and acting with Star Academy and acting coach, Peta Shannon. Currently, Ariana partakes in Adelaide Theatre Academy where she performs in various musicals and concerts with their Performance Troupe. In the future, Ariana hopes to pursue a career in music or musical theatre.
Buddy is a high school drama teacher who loves to perform. He has worked with a number of amateur theatre companies in Adelaide and has played many over-the-top characters (whilst breaking many bones in the process).
Carly started choral singing at a young age in the Adelaide Girls Choir. She performed with "Voiceworks Adelaide" during her tertiary studies and more recently has sung in the Adelaide Symphony Chorale. Her love of singing initially stemmed from performing with choirs, whilst her passion for performing in musicals started in 2005, when she was part of the MS Society's production of Les Misérables.
Since then, Carly has performed in Gilbert and Sullivan's productions of Les Misérables, Jesus Christ Superstar and Oliver. She has also performed in Davine Productions' Violet, It's Only Life, Beautiful The Carole King Musical, Summer of 69 and A New Brain.
Carly is a High School Music Teacher by trade and is currently the arts coordinator of Gleeson College. Her favourite part of her job is allowing her students to have the experience of performing in musicals. Some of her students from Gleeson are still heavily involved in the Adelaide music theatre scene and some have sung in Broadway Sessions here. She loves the thought that her past students are continuing on with their love of music and musicals.
Casmira Lorien (she/her)
Casmira is an experienced performer and teacher with a great passion for storytelling. Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards, as well as the TASA for Best Musical) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Professionally, Casmira has acted and provided voices for several short films and children’s productions. She also spent many years directing and music directing musicals for Adelaide Theatre Academy, including Snow White and Alice in Wonderland for the Festival Centre’s ‘Something on Saturday’ program. Her fondest memories are working with Peter Combe in directing and choreographing his Adelaide Fringe shows from 2013-2015.
Chloe is currently studying a Bachelor of Secondary Education at Flinders and a Certificate in Makeup at Media Makeup. She has enjoyed performing in many musical theatre shows over the years, including The Little Mermaid, Hairspray, Thoroughly Modern Millie and is currently currently rehearsing for G&S's Les Misérables.
Dharini Rajaramanan (she/her)
Dharini Rajaramanan developed her passion for performing and musical theatre at a young age which grew stronger after showcasing in a number of school productions and performing in various vocal ensemble groups. Since completing school Dharini worked as a studio assistant at the Studio and Star Factory, a world class vocal coaching and artist development studio and has appeared in a few community theatre productions. In 2016, she performed in Marie Clark Musical Theatre’s production of Rent, where she understudied the role of Mimi and performed in the ensemble. Dharini also appeared in a musical theatre showcase at the University of Birmingham as a lead soloist. Dharini played the character Pat in the Gilbert and Sullivan Society’s production of Kinky Boots in 2019 and most recently appeared as Lucinda in the Gilbert and Sullivan Society’s production of Into the Woods in 2022. After spending the last few years focusing on her career in Clinical Psychology, Dharini is very excited to be back on stage. Dharini is excited to perform in the 2023 Adelaide Fringe production of Bimbo and is honoured to be a part of a show that challenges harmful stereotypes.
Fahad has been performing for 24 years in concerts, and musical theatre and drama productions. His most recent theatre production was an original Australian musical called Pricecheck, where he played the a cooky supermarket worker who had a fetish for fruit and vegetables. Prior to that he was in a production of You're a Good Man Charlie Brown musically directed by Peter Johns, where he played the role of Snoopy. Amongst some of Fahad's favourites roles in theatre are Tobias in Sweeny Todd and Dr Aziz in a Passage to India. Later in 2017 he will be performing in the Red Phoenix political drama Two Hands at the Holden Street Theatre.
Fahad is also a singer of Indian and Pakistani music, and has been performing in this style since the age of 15. He has travelled to India and undertaken vocal training in semi-classical Hindustani music. He has given a number of concerts, and in 2014 performed as part of Floating Melodies for the world renowned Ozasia festival on the Popeye boat, where he was accompanied by his band.
Fahad most recently was involved in the production of Violet, where he played the role of Flick for the Davine Interventionz production staged during the 2017 Adelaide Fringe Festival.
Harry Nguyen is usually known as the ‘Krispy Kreme’ guy, mainly because he brings donuts to any shows that he is apart of. Falling in love with theatre from his first show in 2013 (High School Musical, AYT), Harry has immersed himself in shows including Hairspray (AYT), Fame (Marie Clark), Into the Woods (AYT), Rent (Marie Clark), and Thoroughly Modern Millie (G&S). Harry is currently working towards getting into theatre schools, but in the meantime you can catch him working at Krispy Kreme and giving free glazed donuts to anyone he knows.
Jared is currently rehearsing the role of The Baker in G&S’s production of Into The Woods. Prior to that his he performed the role of Che in G&S’s Evita (2021), which won him an award nomination for Best Male in a Musical in the Theatre Association of SA’s 2020-21 Theatri-CAL Awards. Also in 2021, Jared played the role of Lt Wessen in Therry’s The Hello Girls (nominated as Best Musical in the same honours). His list of on-stage appearances since 2009 is extensive with roles with G&S, Therry Theatre, The Hills Musical Company, The Met and Davine Productions. Notable roles include Gilbert Chilvers in Betty Blue Eyes, Raoul in Phantom of the Opera, Chris Scott in Miss Saigon, Motel in Fiddler on the Roof, Frederic in Pirates of Penzance, Munkonstrap in CATS, Freddy in My Fair Lady, and Man One in John Bucchino’s It’s Only Life. Professionally, Jared has performed as part of the chorus in State Opera of South Australia’s productions of Madame Butterfly, The Merry Widow, and Carmen.
Jasmin has been performing her whole life beginning in the Australian Youth Choir. Her first role in a musical was as Mrs Potts in Beauty and the Beast JR in 2016. She loves to perform and has a lot to offer on stage. Her dream role is Elphaba in Wicked.
Jennifer is a passionate creative writer and frequently blogs through her website, The Serenade Files. Born in Manila, Philippines, she has lived in Australia since the age of 4 and grew up in Sydney, NSW. Jennifer studied music and drama from the age of 12, and dance from the age of 9.
While growing up in Sydney, Jennifer performed as a featured vocalist for Wayne Cornell’s Back to the Tivoli shows, and toured the country extensively as a singer for The Von Trapp Family (2004 – 2006), a corporate comedy show band. A highlight was sharing the stage with Human Nature during a corporate function in Tasmania. She was a cabaret performer for Skeed Entertainment and Australian Network Entertainment agencies. Jennifer has been a support act vocalist and dancer for many Filipino recording artists touring in Australia including: Gary Valenciano, Vina Morales, RJ Rosales, Kuh Ledesma, and Martin Nievera, and has made TV guest appearances on Channel 9 and GMA7 (Philippines).
Jennifer has worked as a producer and performer in the Adelaide and Sydney Fringe Festivals (2012 – 2014). She has performed in several professional and amateur musical productions including her professional debut as Kim in the Australian Tour of Miss Saigon (2007 – 2008). Other theatre credits include Mimi Marquez in RENT (MCMT), Mary Magdalene in The Cross (ACTS), and Linda Low in Flower Drum Song (AHA). Jennifer has also featured in the ensemble for Carmen (Alexander productions) and Jekyll and Hyde (MCMT). She composes for voice, piano, and guitar and has two commercial releases: Keys to a woman’s heart (2012), and the EP, Jennifer Trijo (2008).
She is a scholarship recipient and graduate of Martin College and has completed a Diploma of Business (Management), as well as a Bachelor of Music/Bachelor of Education through the University of NSW. Jennifer is currently studying a Graduate Certificate of Education (Catholic Education) through the University of South Australia. She lives and works in Adelaide as a Coordinator of Music and Performance at Mercedes College. Jennifer will be playing the role of Eponine in G&S' production of Les Misérables – book your tickets now! For more information, subscribe to jennifertrijo.com.
Jeri Williams (she/her)
Originally from the US, Jeri Williams immigrated to Adelaide in 2011. She’s a born performer, growing up singing in choirs, glee club, a pop/R&B girl group, and musical theatre. She got her start in theatre performing in the ensemble of How To Succeed in Business Without Really Trying at age 16. After school, Jeri got a job singing in an acapella group at a theme park in Florida, which led to being cast as Wendy Darling by Disney Cruise Line. Jeri spent her early 20s working and performing on various cruise ships with her husband.
Since making Adelaide her home, Jeri has delved into the local theatre scene on a few occasions, being cast in leading roles in NLTC’s Into The Woods (2012) as the Baker’s Wife; G&SSA’s Guys & Dolls (2015) as Adelaide and NLTC's Mack and Mabel (2016) as Mabel.
When life gets too busy for a full show schedule, Jeri enjoys singing with the Civic Park Carols Choir and joining in for a sing at Broadway Sessions as often as possible.
Jerome is a 2019 graduate from Patrick School of the Arts from Melbourne, under the mentorship of Andrew Hallsworth. Upon graduating, he worked with Dean Bryant and Matthew Frank on their new musical cast recording of My Brilliant Career, now available on Spotify, Apple Music and iTunes. He is also a top 30 Semi-Finalist of the AOC Initiative. Jerome is a proud BIPOC performer, represented by Hansen Management.
Lindsay Prodea (he/him)
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Mark Oates (he/him)
Mark is an award winning South Australian performer whose credits include the Adelaide and Brisbane Festivals, State Opera South Australia, SINGular Productions, Co Opera, Various People, Aerial Artists Australia, and MOatesArt Productions.
In 2022 Mark was nominated for an Adelaide Critic's Circle Award for his body of work. He premiered the dual roles of Ian Duncan and Don Dunstan in Neil Armfield's Ruby Award-winning Watershed: The Death Of Dr Duncan for the Adelaide Festival – while for State Opera South Australia he performed Lt Tom in Voss and Gastone in La Traviata, as well as embarking on a national tour of Love Burns, completing the first orchestration workshop of When The Rain Stops Falling and appearing in Bright Lights, Big Dreams.
Previous Adelaide Festival appearances are Mozart Requiem (2020), Bernstein Mass – featured Street Singer (2012) and Le Grande Macabre - Ruffiak (2010).
In State Opera of South Australia's 2023 season Mark will be appearing as the Defendant in Trial by Jury and in Pirates of Penzance and HMS Pinafore, as well as hosting the Tra La La Bar for the Gilbert and Sullivan Festival, with further exciting projects to be announced. In 2021, Mark appeared as Beadle Bamford in Sweeney Todd and Jack in Love Burns, and opened the year in Carousel. Further highlights with the company include Njegus in The Merry Widow, Arjuna in Satyagraha, John Styx in Orpheus in the Underworld, The Cantor in Maria de Buenos Aires (co production with Leigh Warren Dancers – Adelaide Festival Centre Playhouse and Brisbane Festival). Mark is a proud and long-standing State Opera South Australia artist, both as a chorister and a principal performer.
Well known and regarded on the concert stage, Mark also mentors Class of Cabaret for the Adelaide Cabaret Festival, works extensively with Primary Schools Music Festival and regularly tours with Aerial Artists Australia in Le Aerial, including Perth Fringeworld, Adelaide Fringe, Auckland Fringe, Sydney Opera House, Melbourne Arts Centre and Port Douglas. Mark is Associate Producer and regular host of Broadway Sessions, Adelaide's long running monthly music theatre focussed, curated open mic night.
Maya’s love of musical theatre began at an early age, with her journey in performance beginning with Pelican Productions. Since then, Maya’s theatre credits include The Gilbert & Sullivan Society’s Thoroughly Modern Millie (2016) and Les Misérables (2017), Lydian Productions and Irregular Productions’ Godspell (2018) as the ‘By My Side’ soloist, Marie Clark Musical Theatre’s Anything Goes (2019) as Hope Harcourt, Segue Productions’ Heathers (2019) as Heather McNamara, and most recently Davine Productions' Beautiful: The Carole King Musical as Cynthia Weil (2020). Maya is a primary school Dance/Drama teacher, and she finds so much joy in being able to share her love of musical theatre with her students.
Megan is a graduate of the Music Theatre program at the University of Ballarat and has been performing in theatre and cabaret in Adelaide and beyond for over fifteen years, including a two-year stint in the U.K., where she performed her show The Girl Who Won't Grow Up and premiered a new, as yet untitled piece, at the Pheasantry in London.
She has written and produced several cabarets and concerts, and produced the South Australian and amateur premiere of Matthew Robinson's Sing on Through Tomorrow in 2014. Favourite roles in amateur theatre have included Laurey in Oklahoma!, Phoebe in The Yeomen of the Guard, and Eliza Doolittle in My Fair Lady.
In 2018 Megan premiered a new cabaret at the Adelaide Fringe Festival, climbed Rocky Mountains once more as a part of The Pirates of Penzance (on the Popeye!), directed the Australian Premiere of Buffy Kills Edward, a Musical Parody, and is playing Petra in A Little Night Music for the G&S Society and Carrie in Rules for Living with the Adelaide Repertory. And that's only the stuff that's confirmed!
Michelle has been involved with the performing arts since the age of eight. Some of her favourite shows and roles include Rosie in Mamma Mia!, a Laker Girl in Spamalot, Ellie Greenwich in Leader of the Pack and Lina Lamont in Singin’ in the Rain with NLTC, a rebel in Urinetown, Kate/Chutney in Legally Blonde with the Hills Musical Company, Little Red in Into the Woods, Urleen in Footloose, Marcy Park in The 25th Annual Putnam County Spelling Bee and Tracy Turnblad in Hairspray with Matt Byrne Media, and an Alabama Lamb in Big Fish, and Helen in The Hello Girls with Therry. Michelle has taught Musical Theatre for years and directs youth musicals for companies across Adelaide. Currently she is rehearsal with the Hills Musical Company for their production of Urinetown and feels very lucky to be a part of such an amazing cast and team!
Mim Sarre (she/her)
Millicent Sarre (Mim) is a cabaret artist, singer-songwriter, vocal coach, and musical theatre performer, brought up and working on Kaurna Land. She has toured her original cabaret works Australia-wide; her most recent show Millicent Sarre is Opinionated won ‘Best Cabaret’ of the Adelaide Fringe 2023, and the album of the original songs from the show was released in February 2023. Previous musical theatre roles include Mrs Lovett in Sweeney Todd (ECMT, dir. James Millar), Hildy in On the Town (ECMT, dir. Erin James), Rona Lisa Peretti in The 25th Annual Putnam County Spelling Bee (ECMT, dir. Joseph Simons), and Ivy in the Australian premiere of Ivy + Bean: The Musical (The Gemini Collective, dir. Sarah Williams). Mim will graduate with a Bachelor of Music Theatre from the Elder Conservatorium in 2023.
Ray is originally from Sydney and since moving to Adelaide a few years ago he has performed in CATS (The Met), Guys and Dolls (G&S) and most recently Big Fish (Therry). In Sydney he performed in a variety of musicals such as Oklahoma – Will Parker (Manly Musical Society), Dusty Springfield – Rodney (Chatswood Musical Society), Jekyll & Hyde – Archibald Proops (Berowra Musical Society) and many more.
Rebecca comes from a rich musical heritage and has been performing for most of her life. Versatile in her style she enjoys performing in all musical genres which has led to her performing as a soloist with many different groups and for varying audiences. She has been a leading soloist with Adelaide’s Soul Factor Gospel Choir for the past 16 years, performs regularly with her Sisters, The Raymond Sisters and for five years was the vocal soloist with the Melbourne Staff Band with whom she toured Australia, Korea and the UK where she had the privilege of singing in the Royal Albert Hall, London.
Rebecca performs corporately as a Singer and Actor. Appearing as a soloist at varying events in Adelaide and Nationally and in Theatre. Memorable roles include the role of Violet Hilton in SideShow (2018) and Aida in Aida (2017) with Hills Musical Company, Sandra Bloom in Big Fish with Therry Dramatic Society (2016), Laurey in Oklahoma! The immersive farm experience with Emma Knights Productions (2016 & 2017), and Cosette in Les Misérables with the G&S Society (2008 & 2009).
When not performing Rebecca teaches singing, has her own Mary Kay Cosmetic business and is a makeup artist. She also teaches Skincare & Self Esteem classes in schools and groups in the community.
Roxie began singing at age seven, performing in numerous concerts with Voicestyle Studios. Since 2006, she has embarked on solo performances, performing at such venues as: The Intercontinental Hotel, The Governor Hindmarsh and Adelaide Festival Centre.
Some of her theatre credits include: The Sour Kangaroo (Seussical – Shane Davidson Presents), Brenda (Hairspray – Matt Byrne Media), Erato (Xanadu – Davine Interventionz), Flight by Night Addams (The Addams Family – Matt Byrne Media), Hot Box Dancer (Guys and Dolls – G&S Society) and ensemble for Catch Me If You Can with Marie Clark Theatre Company.
Roxie is also a graduate of AC Arts, where she studied a Diploma of Costume for Performance.
Ruby Pinkerton (she/her)
Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Recently, Ruby played Rose in Dogfight with St Jude’s Players, Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots and was the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. She also performed as Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Beautiful: The Carole King Musical witih Davine Productions, Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society, and in 2023 Kiss Me Kate with Hills Musical Company.
Sarah Jane Whiteley
Sarah is a highly trained professional vocalist and musician. She holds a Bachelor of Music and a Masters in Teaching. She is both a practitioner and a fan of the Estill Voice Model and Kodaly pedagogical approach. She founded the Sarah Jane Voice Studio in 2015 and coaches voice users of all ages and abilities.
Sarah performs in both private and corporate settings around Adelaide as well as musical theatre. Theatre and cabaret credits include Rent (MCMT), Evita (The Met), Sugar (The Met), Smokey Joes Café (Hills), The Channel 9 Easter Special, The Blues Brothers (Ad Fringe), 25th Annual Putnam County Spelling Bee (Music Director; MCMT), Sex and the Musical (Ad. Fringe, EK Pro), Heathers the Musical (Segue Pro), Shane Warne the Musical (Segue Pro) and her own show depicting the life of the irreplaceable Bette Midler; From A Distance, the Glory of Bette (Ad Fringe).
She is also a lover of scrapbooking and is obsessed with curious minds magazines!
At 23, Scarlett has been passionate about performing since she was young. She began dancing at Barbara Jayne Dance Centre when she was 3 years old where she developed her singing and dancing skills for 13 years and has now begun focusing on her passion for musical theatre. Scarlett graduated Concordia College in 2017 as the Dux of Solo Vocal Performance where she was and will continue to be taught by her singing teacher Rosie Hosking.
With 18 years of combined performing experience, Scarlett's love for the stage has never ceased, with her previous roles including Amber Von Tussle in Hairspray, and Campbell Davis in Pelican Production's production of Bring It On the Musical's first season and its 2018 return season - for which she received a TASA nomination for 'Best Youth Female Actor'. Her most recent musical accreditation included a performance season of Godspell with Lydian Productions and Irregular Productions. In addition to this, she was also selected to perform as a featured soloist at the nationally televised 2018 Elder Park Carols By Candlelight. Her professional accolades in Adelaide have also included working with Ding Productions and Shane International each year for varying statewide productions. She has also been contracted with Royal Caribbean International (Miami) as a featured lead vocalist since January 2019 and has recently returned from a 10 month LA season with them. She’s set to resume her overseas work with them for another year, beginning in October 2022.
Scott Lorien (he/him)
Scott has always had a love of the theatre, but his real obsession began in high school, with performances as the Foreman, Pimp and a Student in Les Misérables, Priam in Paris and Action in West Side Story. Since completing high school he performed non-stop for a number of years, starting with Gerald Bolingbroke in Me and My Girl, an Apostle in Jesus Christ Superstar and Ugly in Honk! (Marie Clark Musical Theatre). After playing Cornelius Hackl in Hello, Dolly! and Asher and the Butler in Joseph and the Amazing Technicolor Dreamcoat (Metropolitan Musical Theatre Company of SA), Scott joined Northern Light Theatre Company’s production of Disney’s Beauty and the Beast as Monsieur D’Arque to round out 2011. The following year started with an incredible experience: Scott won the role of Henry in Six Foot Something’s pro-am Production of Next to Normal. After a mild performance hiatus in more recent times, Scott starred as Hunter in Irregular Productions sell out 2015 Adelaide Fringe season of [title of show].
If there’s one thing he regrets, it’s not starting singing and performing (publicly of course) at an earlier age. Off-stage (but in the theatre) Scott enjoys both sound and lighting design, and the challenges each of these areas brings to his knowledge of design in the digital world. Broadway Sessions is certainly the start of a new chapter, bringing together many ongoing stories and plot lines, but allowing the love of theatre (musical theatre in particular) to continue in new and exciting ways.
When not strutting his stuff on stage, or manically helping out backstage or in the roof of a theatre, Scott is a web designer & developer, creating sites like this one! You can see more of his work at www.scottreynolds.com.au.
Serena began performing with the Adelaide Youth Theatre in 2011 and since, has played many roles for the youth theatre such as Tracy in Hairspray, Mrs Potts in Beauty and the Beast, The Baker’s Wife in Into the Woods, Dragon in Shrek the Musical and most recently as Elphaba in their production of Wicked. Serena has also performed in many shows for Emma Knights Productions, including as Ado Annie in Oklahoma: On a Farm!, Buffy in Buffy Kills Edward and as New York Woman in I Love You Because.
Recently, Serena performed the role of Christine in The Phantom of the Opera for the G&S Society of SA, and has played Elphaba in Wicked and Mabel in The Pirates of Penzance. Serena has also performed many roles professionally for companies such as The Entertainment Store and Heaps Good Productions, most recently in the successful season of Snowmageddon at the South Australian Maritime Museum. In addition to musical theatre, Serena performs regularly with The Three Little Sisters, an Andrews Sisters tribute show, and performs in and directs The Honey-Bees, a 60s-tribute show.
Tegan Gully-Crispe (She/Her)
Tegan has appeared in amateur and professional shows since the age of nine, her favourite roles include Lois/Bianca in Kiss Me Kate (MCMT- 2006 and Co Opera SA - 2007), Ariel in Footloose (Matt Byrne Media – 2006), Lucy T Slut in Avenue Q (Matt Byrne Media – 2011), Rizzo in Grease (The Met – 2013), Calamity Jane in Calamity Jane (MCMT- 2014), Elle Woods in Legally Blonde (Hills Musical Company – 2014) and Julia in The Wedding Singer (MCMT- 2015).
For five years Tegan worked at the Night Train as a lead performer in their Adult, Kids and touring show, The Rockaholics, and has been the lead singer for Adelaide corporate and Party Band Jungle Jooce for the past 16 years. She also co-wrote, choreographed and performed in the sold out season of Villain-Ville: A Musical Exploration of Villainy and Evil in the 2015 Adelaide Fringe Festival.
More recently Tegan played Princess Fiona in AYT's Shrek, Tracy Samantha Lord in the METs High Society, Mayzie La Bird in NLTC’s Seussical in 2018 and Eva Peron in G&S' production of Evita in 2021. In April this year, Tegan will be playing Holly in Northern Light Theatre CO’s production of The Wedding Singer.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max Ziliotto has been performing since 2004, from concert bands, drumline and big band, to orchestral works and musical theatre. Prior to his acceptance as a Casual Percussionist with the Adelaide Symphony Orchestra, he completed his Bachelor of Music in 2013 at the University of Adelaide’s Elder Conservatorium of Music under the tutelage of Amanda Grigg.
Born in Adelaide, Max began his musical journey under the guidance of Peter Matzick. Attending Marryatville High School, Max gained a wealth of performance opportunities including the Generations in Jazz festival in Mount Gambier. During his Undergraduate studies, Max won first place in the Melbourne Symphony Orchestra Snare Drum Award in 2011.
Max has been performing with the Elder Conservatorium's Music Theatre students' productions since 2021, most notably playing the drum score for Legally Blonde, directed by Broadway's Nikki Snelson in 2022.
Max was also an active member of the Raiders Drum Corps from 2006-2019, performing numerous times in the city's Christmas Pageant, and on stage with them at Australian Ultimate Drummers Weekend in Melbourne 2015. He has tutored at South Australian Music Camp multiple times, and has been in the house band of Broadway Sessions since its inception in 2015.