It’s a Whole New World for Broadway Sessions – that’s right, this month we’re inviting you to Be Our Guest while we make Disney Part of Your World with a Session dedicated to just that. Disney. Now, I Won’t Say (I’m In Love), but we think this one will really Go The Distance and complete the Circle of Life of Broadway Sessions themes. This theme is a Just Around the Riverbend from what we’d normally do, as many Disney movies aren’t technically musical theatre, but for the First Time in Forever, we thought it was time to Let It Go and get a bit Out There, and with a Smile and a Song, Listen With Your Heart.
There are plenty of both well-known and unknown Disney songs that can take you from Zero to Hero: don’t just sit in the audience thinking I Wan’na Be Like You, but register your suggestions and help turn the Poor Unfortunate Souls in the audience into true Disney addicts too. Trust us… Mother Knows Best.
Performances tonight will also include an appearance from the cast of Segue Productions newest show, so make sure you don’t miss this!
Your Session Host
Millicent Sarre is a singer-songwriter, musical theatre performer, cabaret artist, singing teacher, and all-round vocal nerd. Having studied music and theatre at Graceland University in the United States, she can now be found on the Adelaide musical theatre scene, having worked with Irregular Productions, Hills Musical Company, The Gemini Collective, Segue Productions and many more. Her favourite roles to date include Veronica Sawyer in Heathers (Segue 2019), Wendla Bergmann in Spring Awakening (Hills Musical Company 2017 – ATG Award for Best Musical), Ivy in Ivy + Bean: The Musical (The Gemini Collective 2018 – Australian Premiere), Sally Brown in You’re a Good Man, Charlie Brown (HMC 2015) and Audrey in Little Shop of Horrors (Graceland University 2013).
In June 2019 she debuted her self-devised and self-produced cabaret show Friendly Feminism for the Mild Mannered in a sell-out season in the Adelaide Cabaret Fringe Festival. She is currently Artist in Residence at Slingsby Theatre Company where she is writing her next show.
Mim is a singing and performing arts teacher at Theatre Bugs and Adelaide Theatre Academy, and has musically directed their productions of Little Shop of Horrors (2018), Xanadu Jr (2018) and Porridge (for ‘Something on Saturday’ at the Dunstan Playhouse, 2019), and co-musically directed 13 The Musical (2019).
Alisa has been performing in musicals in Adelaide for over 10 years. Alisa's favourite roles include Gary Coleman in Avenue Q (MBM, 2011), Reno in Dusty (The Met, 2011) and Enid in Legally Blonde the Musical (Hills, 2014). Most recently Alisa performed in Violet (Davine Interventionz) for the Adelaide Fringe. Currently Alisa is rehearsing for Aida with the Hills Musical Company. Alisa has trained in jazz, tap, contemporary and hip hop dance and has vocal tuition with Kirsty Roberts.
Ben has been performing in theatre since 2011 when he stumbled upon auditions for The Crucible, staged by Gin and Vodka Productions. Since then he has appeared in various silent musicals (also called stage plays) and dipped his toes into the swim-spa of musical theatre properly in 2014 when he auditioned for Marie Clark Musical Theatre's production of Young Frankenstein, appearing in the ensemble.
He has appeared in various silent musicals and musicals over the years, most notably Jamie in The Last Five Years for Segue Productions and Patsy in the award winning Monty Python’s Spamalot for Marie Clark Musical Theatre. He directed the award winning Jekyll & Hyde The Musical for Marie Clark Musical Theatre in 2017.
Ben is looking forward to returning to the stage during the 2020 Adelaide Fringe in Forbidden Broadway with Marie Clark Musical Theatre.
Buddy is a high school drama teacher who loves to perform. He has worked with a number of amateur theatre companies in Adelaide and has played many over-the-top characters (whilst breaking many bones in the process).
Cailene Kilcoyne came to Adelaide from San Diego, California. She has performed regionally around the States as well as internationally on a cruise ship. She is super excited to announce that she will be playing the role of "Marcy" in Emma Knights upcoming production of I Love You Because, which will be her Australian debut!
Cara, 17, graduated from King's Baptist Grammar School in 2016 and is excited to gain experience performing in Adelaide. Cara saw her first professional musical when she was just 5 and, like all of us, fell in love with the stage! Since, she has seized any opportunity to learn and grow as a performer. She began performing in school choirs, bands and in the ensemble for many youth shows including The Wizard of Oz, Beauty and the Beast, My Son Pinocchio, High School Musical (KBGS).
Her first experience as a lead role was playing Mrs Meers in Thoroughly Modern Millie, and she loved it! From there she played many other characters, her favourite roles were the Baker's Wife in Into the Woods and Tracy Turnblad in Hairspray! Cara was very honoured to have received the Performing Arts award at KBGS for her dedication to the arts in from 2014-2016.
Most recently, Cara performed in the ensemble for Fiddler on the Roof with Therry Dramatic Society, and is currently in rehearsals for their Jane Eyre. Cara loves coming to Broadway Sessions and is looking forward to performing again!
Carlia has had a strong passion for music for as long as she can remember and has continued her musical journey that transformed her into a dedicated and heartfelt performer. Her love for music started in her early years of school, having the privilege of seeing a diverse range of concerts and musicals that came to Australia and New York. She performed in her school choir from the age of seven to twelve, developing her confidence and maturity on stage, thus leading her to perform as a soloist for TB Arts Performing Arts Academy.
From the age of fourteen, Carlia then commenced her passion of dance and continued developing her singing with Star Academy before joining TB Arts Performing Arts Academy. Presently, Carlia is continuing her journey with TB Arts where she performs in various concerts with the Senior Dance group as well as Private Singing. Pursuing a career that involves performance is something Carlia hopes for in the future, entertaining and motivating others to follow their dreams.
Carly started choral singing at a young age in the Adelaide Girls Choir. She performed with "Voiceworks Adelaide" during her tertiary studies and more recently has sung in the Adelaide Symphony Chorale. Her love of singing initially stemmed from performing with choirs, whilst her passion for performing in musicals started in 2005, when she was part of the MS Society's production of Les Misérables.
Since then, Carly has performed in Glibert and Sullivan's productions of Les Misérables, Jesus Christ Superstar and Oliver. She has performed with Davine Interventionz in the 2017 production of Violet and the 2018 Adelaide Fringe Season of It's Only Life.
Carly is a High School Music Teacher by trade and is currently the arts coordinator of Gleeson College. Her favourite part of her job is allowing her students to have the experience of performing in musicals. Some of her students from Gleeson are still heavily involved in the Adelaide Music theatre scene and some have sung in past Broadway Sessions here. She loves the thought that her past students are continuing on with their love of music and musicals.
Casmira Hambledon loves stories, diverse and supportive communities, wigs, glitter, and belting as a way of dealing with too many emotions. Luckily, she found theatre!
Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Casmira’s professional credits include performing in The Teddy Bears Picnic for The Garden of Unearthly Delights, directing and performing in several children’s theatre productions for the Something On Saturday Program with Adelaide Festival Centre, and providing the voice for ‘Poppy Platypus’ in Lupa Entertainment’s popular app for children: Hip Hop Kangaroo and Friends.
Chloe is currently studying a Bachelor of Secondary Education at Flinders and a Certificate in Makeup at Media Makeup. She has enjoyed performing in many musical theatre shows over the years, including The Little Mermaid, Hairspray, Thoroughly Modern Millie and is currently currently rehearsing for G&S's Les Misérables.
Growing up performing in the Scouts’ Gang Show: Comedy Capers, David developed a love for musical theatre from a young age. Trained at the Centre for the Performing Arts; David has enjoyed performing Shakespeare with the State Theatre, Lightning Strike and Chopt Logic Theatre Companies and has toured in the past with Splash Theatre Company. Turning from professional acting to focus his energy on his family and work for the Anglican Church as a priest, David chooses to do shows that he loves.
It was in Marie Clark's production of Paris in the titular role that David hit the Adelaide scene in musical theatre. David has since performed with with Marie Clark Musical Theatre in Miss Saigon (John) and as Carl Hanratty in the 2016 production of Catch Me if You Can. He has worked with Northern Light Theatre Company as Frederick in Pirates of Penzance and Seymour in Little Shop of Horrors. David also performed at the Adelaide Fringe 2015 with Lazy Saturday Productions' Australian premiere of Darkle. 2017 is a big year of theatre for David starting with Pale Ale Tales, a new work by local writer, Jason Hendy in the 2017 Fringe, Jekyll and Hyde with Marie Clark and finishing with Les Misérables as Enjolras with G&S Society.
David is thankful to his wife for her love and support, and for letting him play.
22-year-old Dylan Rufus has been in the South Australian theatre community since 2011; assuming many roles: including audio-visual design and technician, stagehand and stage manager, musician and musical director, actor, writer and composer—with his recently contribution in the University of South Australia’s self-written production of Behind Closed Doors in 2018. Dylan’s onstage work has seen him in musicals such as Grease, West Side Story, Oklahoma, Jesus Christ Superstar, Sweeney Todd, and Spring Awakening, amongst other plays and pantomimes.
2018 saw Dylan as Orin Scrivello D.D.S. in Little Shop of Horrors (Adelaide Theatre Academy), Giles/Angel/Dr Cullen in Emma Wiley’s Buffy Kills Edward (Emma Knights Productions), and the Newcomer in Avenue Q (Hills Musical Company). Dylan’s recently portrayed Principal Gowan/Veronica’s Dad/Kurt’s Dad in Segue Productions’ Heathers: The Musical and will be playing John Hinkley, Jr. in Hills Musical Company’s Assassins in November.
Outside of the theatre, Dylan is completing his MMET Master of Teaching in Secondary Education through the University of South Australia, and the Associate Performers Diploma in Pianoforte through Australia and New Zealand Cultural Arts (ANZCA).
Eloise Quinn-Valentine is known in the Adelaide musical theatre community by a number of names including 'Eloise QV', and the more enigmatic 'Boise Q'. Eloise has performed in musicals, plays, in choirs and at events around Adelaide with companies such as Davine Productions, Adelaide Conservatorium Chorale, University of Adelaide Theatre Guild, Independent Theatre, Therry Dramatic Society and Young Adelaide Voices. She also took up the opportunity to perform the role of Betty in The Crucible while on exchange at Royal Holloway, University of London in 2017.
Recent highlights include playing Vivie Warren in Mrs Warren's Profession (Independent Theatre), Phaedra in Jerusalem (University of Adelaide Theatre Guild), Sister Sophia in an immersive production of The Sound of Music (Emma Knights Productions), Young Violet in Violet: a musical (Davine Productions), and in It’s Only Life (Davine Productions, ft. John Bucchino).
As well as loving to tell stories on stage, Eloise recently completed her Honours in English Literature at Flinders University.
Born into a family with a background in the performing arts, Emma has been immersed in the world of theatre ever since she can remember. Her introduction to Adelaide amateur theatre came when she joined the ensemble of G&S’s Oliver! in both 2013 and 2014, and was involved in the society’s production of Thoroughly Modern Millie in 2016. In 2017, Emma fulfilled her lifelong dream to perform the role of Cosette in Les Misérables, also with G&S, and in 2019 joined the cast of Therry's The Pirates of Penzance as Edith. She is a regular performer at Broadway Sessions. After completing high school in 2015, Emma is currently undertaking a Bachelor of Arts at Adelaide University.
Georgia Slater has never strayed from her artistic passions. It has been all she has ever wanted to do, and knows confidently that she'll always continue to do this in future. Currently in year 12, she is studying music, drama and art. She enjoys singing opera, jazz, classical, and (her personal favourite) musical theatre. Georgia is currently rehearsing for the role of Ariel in her school's musical, as well as taking on the role of Musical Director. She also enjoys playing the piano, the guitar, and writing her own music.
In the future, Georgia knows she will be happy so long as she continues in her artistic pursuits. Her dream role is Fantine from her most adored musical, Les Misérables.
Isabelle's love of performing began when she was 8 and her school produced their first ever junior primary musical. Since then she hasn't looked back and has starred in a number of productions with her theatre school, Creative Academy of Performing Arts (CAPA). This year she performed with Pelican Productions for the first time in their Spotlight show and was lucky enough to win the roles of Matilda and Simba. Later this year she will star as Zazu in her schools production of Disney Jr: The Lion King.
James Nicholson relocated to Adelaide in 2010 from his hometown of Mildura. James has been performing in various concerts and musical theatre productions since the age of 9 with highlights including a choral performance in Opera by the Loch and playing Randolph MacAfee (Bye Bye Birdie), Angel (RENT), and Tony (West Side Story). James also achieved several first places, prizes and honourable mentions in voice at Eisteddfods. Since moving to Adelaide, James has completed a music degree at Elder Conservatorium as well as performing in the ensemble of Dirty Rotten Scoundrels for Opus Performing Arts and as Hero in A Funny Thing Happened on the Way to the Forum, Albert Lennox in Secret Garden, and knife grinder in Oliver, with the G&S Society. James played ‘Tony’ in Maria Callas Masterclass and ‘Box’ in Cox and Box for Elder Hall Lunch time concerts, sang in the Chorus of Otello for the State Opera. And most recently played 'Nanki poo' in Co Operas Mikado. James ultimately wishes to pursue an international career in opera and musical theatre.
Jennifer is a passionate creative writer and frequently blogs through her website, The Serenade Files. Born in Manila, Philippines, she has lived in Australia since the age of 4 and grew up in Sydney, NSW. Jennifer studied music and drama from the age of 12, and dance from the age of 9.
While growing up in Sydney, Jennifer performed as a featured vocalist for Wayne Cornell’s Back to the Tivoli shows, and toured the country extensively as a singer for The Von Trapp Family (2004 – 2006), a corporate comedy show band. A highlight was sharing the stage with Human Nature during a corporate function in Tasmania. She was a cabaret performer for Skeed Entertainment and Australian Network Entertainment agencies. Jennifer has been a support act vocalist and dancer for many Filipino recording artists touring in Australia including: Gary Valenciano, Vina Morales, RJ Rosales, Kuh Ledesma, and Martin Nievera, and has made TV guest appearances on Channel 9 and GMA7 (Philippines).
Jennifer has worked as a producer and performer in the Adelaide and Sydney Fringe Festivals (2012 – 2014). She has performed in several professional and amateur musical productions including her professional debut as Kim in the Australian Tour of Miss Saigon (2007 – 2008). Other theatre credits include Mimi Marquez in RENT (MCMT), Mary Magdalene in The Cross (ACTS), and Linda Low in Flower Drum Song (AHA). Jennifer has also featured in the ensemble for Carmen (Alexander productions) and Jekyll and Hyde (MCMT). She composes for voice, piano, and guitar and has two commercial releases: Keys to a woman’s heart (2012), and the EP, Jennifer Trijo (2008).
She is a scholarship recipient and graduate of Martin College and has completed a Diploma of Business (Management), as well as a Bachelor of Music/Bachelor of Education through the University of NSW. Jennifer is currently studying a Graduate Certificate of Education (Catholic Education) through the University of South Australia. She lives and works in Adelaide as a Coordinator of Music and Performance at Mercedes College. Jennifer will be playing the role of Eponine in G&S' production of Les Misérables – book your tickets now! For more information, subscribe to jennifertrijo.com.
Jeri Williams is originally from the United States, and has been a performer all her life - singing in choirs, churches, glee club and even a pop/R&B girl group. Her first performance in a musical was as a secretary in How To Succeed In Business Without Really Trying at age 16, and she never stopped. Jeri’s first paid gig was a singer in an acapella group at Busch Gardens theme park in Florida. A year or two later she was hired by Disney Cruise Lines, as a performer and “Friends with Wendy Darling”. She met her Aussie husband on board that ship and spent the next six years performing in Dance Parties, Parades & Specialty Performances with Holland America and Royal Caribbean.
Jeri settled here in Adelaide in 2011 and has been privileged to have performed in a few shows - NLTC’s Into The Woods (2012) as the Baker’s Wife; G&SSA’s Guys & Dolls (2015) as Adelaide and NLTC's Mack and Mabel (2016) as Mabel.
Jeri is a full time working mum, so finding time for shows is impossiblethese days. But she’s so thankful for Broadway Sessions to give a busy mum like her a chance to return to the stage, at least for one night every now and then.
Karen is no stranger to the stage in Adelaide. She has worked with various theatre companies over the last 10 years. Some of the highlights including, Oliver!, Into the Woods, Beauty and the Beast, Avenue Q and Spamalot. Although Karen hasn’t been on stage in a show since 2014 (because she has been living the Mum life), she really enjoys being able to still perform at Broadway Sessions as often as possible.
Kristin has always lived and breathed music, but it wasn't until 2009 that she discovered musical theatre. After accompanying her first show she thought, "Hey, this looks like fun!" and auditioned for the next show that came around. The rest, as they say, is history. She has accompanied and music directed, but she truly feels alive on the stage. Favourite roles include Smitty in How To Succeed in Business Without Really Trying (Marie Clark Musical Theatre 2013), Inga in Young Frankenstein (Marie Clark Musical Theatre 2014), Clara in The Light In The Piazza (Davine Interventionz 2016), and Cathy in The Last Five Years (Segue Productions 2017). She was recently in the ensemble of Spamalot (MCMT) and played Elizabeth/Liz/Beth in If/Then in September (Segue Productions).
Kristin is excited to be music directing again, with Heathers for Segue Productions in September 2019. Kristin is also a founding member of the new Adelaide based theatre company Segue Productions. When she's not at rehearsals or the theatre, she teaches voice and piano, and often dances around the house with her awesome preschooler (usually to the Frozen soundtrack...).
Lisa has been singing since a very young age and has been receiving singing tuition since the age of 14 – most recently with David Gauci. Lisa has also been a vocal coach & singing teacher for almost 9 years and became involved in Adelaide community theatre around this time. Since then Lisa has gone on to be involved in many shows – some of her favourite roles include Ellie Greenwich in Leader of the Pack (NLTC, 2011), Mrs Potts in Disney's Beauty & the Beast (2011), Motormouth Maybelle in Hairspray (MBM 2012) and most recently Mama Cass Elliott in the South Australian premiere of Flower Children (Davine Interventionz, 2015).
Lisa has also had the opportunity to be involved with performing in the Adelaide Fringe Festival (Michelle & the Gentleman's Club, 2013 & Flower Children, 2015) & several workshops & masterclasses during the Adelaide Cabaret Festival (with Jason Robert Brown, Adam Guettel, Matthew Robinson & Scott Evan Davis). She was also recently in New York this year in July and was lucky enough to have a one on one class with Adam Guettel (lyrical writter for Light in the Piazza). By night she is a performer but by day works as a midwife at the Women's & Children's Hospital, where the song of choice is 'Happy Birthday' for all the new babies she gets to welcome into the world!
Lucy Russell Byrne
Music theatre highlights for Lucy Russell Byrne have included Gabriella in the SA premiere of High School Musical (Creative Souls) and the title role in Gigi (Therry Dramatic Society). Other credits include Joanie in The Full Monty, soloist in Smokey Joe’s Café (Hills Musical Company), and ensemble in Jesus Christ Superstar and The Mikado (G&S Society of SA). Lucy also wrote, produced and performed her one-woman cabaret, Sister Mary Lucy, a show exploring her misguided infatuation with nuns, for the 2012/2013 Adelaide Fringe and Adelaide Cabaret Fringe festivals.
Mark is a respected opera, cabaret and concert singer, with a passion for music theatre. He has toured South Australia with State Opera, SINGular productions and the Adelaide Art Orchestra. Mark produced and performed in his own sell out swing show – Mark Oates and the Daniel Brunner Pretty Big Band – for the 2009 and 2011 Adelaide Fringe Festivals. For the Adelaide Festival, Mark sung the roles of Ruffiak in Ligeti’s Le Grande Macabre and Street Singer in Leonard Bernstein’s Mass.
For State Opera SA, Mark premiered the role of “the Cantor” in Astor Piazzolla’s Maria de Buenos Aires, a co-production with Leigh Warren and Dancers which was reprised for the 2011 Brisbane Festival. He also performed Joe in The Station (Howard Blake), and John Styx in Orpheus in the Underworld (Offenbach). Last year Mark performed in the world premiere of the full Philip Glass trilogy for State Opera SA, including the role of Arjuna in Satyagraha. In the two weeks prior to the opening night of Broadway Sessions, Mark will be part of the State Opera SA chorus in Faust and the Verdi Requiem before travelling to Canberra for two concerts with the Canberra Symphony Orchestra.
Mark has also worked with many Adelaide based musical theatre companies. He was an Oscart and Curtain Call winner and Critic’s Circle nominee for his portrayal of Jean Valjean in The G&S Society’s Les Misérables. For The G&S Society Mark has also played the Baker in Into the Woods and the Pirate King in The Pirates of Penzance. He premiered Horton the Elephant in the award winning Seussical the Musical and portrayed Utterson in Jekyll and Hyde for The Hills Musical Company. Other roles include Jesus in Jesus Christ Superstar for Northern Light Theatre Company, Archibald Craven in The Secret Garden for both The Therry Dramatic Society and The G&S Society, Enoch Snow in Carousel for Swell Productions/MS Society and was part of the original cast of It’s A Dad thing for SINGular productions. Mark has also played “man” in several productions, including Songs for a New World and I Love you, You’re Perfect, Now Change!
Maya’s love of all things musical theatre began at an early age. Her journey in performance began with Pelican Productions, where she participated in numerous Music Theatre Camps, as well as productions of Grease and The Little Mermaid Jr. After taking a short break to complete her university studies, Maya has since appeared in the Gilbert & Sullivan Society’s production of Thoroughly Modern Millie in 2016, and their 2017 sell-out production of Les Misérables. Maya then performed in Lydian Productions and Irregular Production's Godspell in May 2018 as the "By My Side" soloist, and Marie Clark's Anything Goes as Hope Harcourt in May 2019. She most recently appeared in Segue Productions' Heathers as Heather McNamara.
Maya is a primary school Dance/Drama teacher, which she immensely enjoys – especially when she is able to share her love of performing arts with her students.
Megan is a graduate of the Music Theatre program at the University of Ballarat and has been performing in theatre and cabaret in Adelaide and beyond for over fifteen years, including a two-year stint in the U.K., where she performed her show The Girl Who Won't Grow Up and premiered a new, as yet untitled piece, at the Pheasantry in London.
She has written and produced several cabarets and concerts, and produced the South Australian and amateur premiere of Matthew Robinson's Sing on Through Tomorrow in 2014. Favourite roles in amateur theatre have included Laurey in Oklahoma!, Phoebe in The Yeomen of the Guard, and Eliza Doolittle in My Fair Lady.
In 2018 Megan premiered a new cabaret at the Adelaide Fringe Festival, climbed Rocky Mountains once more as a part of The Pirates of Penzance (on the Popeye!), directed the Australian Premiere of Buffy Kills Edward, a Musical Parody, and is playing Petra in A Little Night Music for the G&S Society and Carrie in Rules for Living with the Adelaide Repertory. And that's only the stuff that's confirmed!
Mitchell first began performing at age 7 in choirs and school productions, before working extensively with youth theatre companies Pelican Productions and Swell Productions. Mitchell performed professionally as a child with Windmill Theatre Company. Mitchell has recently performed leading roles in Spring Awakening (Hills Musical Company - ATG Best Male Performance nom.), Violet (Davine Interventionz) and Thoroughly Modern Millie (G&S Society), and has been featured in She Loves Me (Therry), FAME (Marie Clark), and Oklahoma! (Emma Knights Productions). He has also appeared in song cycles 35mm: A Musical Exhibition (Emma Knights Productions) and Edges (Irregular Productions).
Outside of performing, Mitchell has recently completed his Bachelor of Podiatry (Honours) at UniSA and works as a performing arts teacher with Theatre Bugs and Adelaide Theatre Academy. In 2018 Mitchell made his directorial debut with Adelaide Theatre Academy's acclaimed production of Xanadu Jr.
Rebecca comes from a rich musical heritage and has been performing for most of her life. Versatile in her style she enjoys performing in all musical genres which has led to her performing as a soloist with many different groups and for varying audiences. She has been a leading soloist with Adelaide’s Soul Factor Gospel Choir for the past 16 years, performs regularly with her Sisters, The Raymond Sisters and for five years was the vocal soloist with the Melbourne Staff Band with whom she toured Australia, Korea and the UK where she had the privilege of singing in the Royal Albert Hall, London.
Rebecca performs corporately as a Singer and Actor. Appearing as a soloist at varying events in Adelaide and Nationally and in Theatre. Memorable roles include the role of Violet Hilton in SideShow (2018) and Aida in Aida (2017) with Hills Musical Company, Sandra Bloom in Big Fish with Therry Dramatic Society (2016), Laurey in Oklahoma! The immersive farm experience with Emma Knights Productions (2016 & 2017), and Cosette in Les Misérables with the G&S Society (2008 & 2009).
When not performing Rebecca teaches singing, has her own Mary Kay Cosmetic business and is a makeup artist. She also teaches Skincare & Self Esteem classes in schools and groups in the community.
Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Most recently, Ruby performed as the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. She played Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society. Ruby's most recent role was Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots.
Sophie graduated from WAAPA in 2014 where she had the great opportunity and honour to work with such names as Tayna Mitford, Jason Langley, Lisa O'Dea and the head of Performing Arts at WAAPA Andrew Lewis. Throughout her time there she was featured in roles such as Sheila in Hair, Mae Colman in Reefer Madness and Consuela in West Side Story. After moving to Melbourne she took a contract as the lead vocalist on one of Royal Caribbeans newest ships – The Quantum of the Seas. She returns to Australia excited to continue pursuing her dreams of working in musical theatre.
Tash is a talented triple threat from the east coast of Australia. She started performing at the age of 3 and has not been able to stop since. Tash has received High Distinctions from Trinity College London in her ATCL in Musical Theatre. She has taught and performed musical theatre in Brisbane, Sunshine Coast, Sydney and all throughout NSW, QLD and New Zealand. Tash has most recently performed in It's Only Life (Davine Interventions) with the one and only John Bucchinno , and many more. Tash has loved every minute of her experiences and can not wait to have many, many more opportunities to make people laugh, feel and experience theatre.
Tielah is a full-time History student at the University of Adelaide who is working towards a Post-Grad degree and also pursues her passion for performing in whatever time she can scrape together. Her deep-rooted passion for musical theatre has lead to roles through many youth theatre productions, and a few South Coast Choral and Arts Society shows. She was head of the ensemble in SCCAS's production of Sweeney Todd and also played the role of Madame Fogg: the keeper of the asylum and was in SCCAS's production of Cinderella and the Pirates playing Captain Blackbeard (written by director Jonathan Ogilvie). In November Tielah will be a part of the ensemble in the Hills Musical Company's upcoming production of Assassins and is thrilled to be a part of the theatre community in Adelaide once again.