About this Session
Whhaaaaat? Role reversal? But, that’s the single-best-theme-night-ever! Yes it is, and it’s back again! Tonight is the night you can pick a song written for somebody completely different to you, whether that’s someone of a different gender, a different age, a significantly different background… the challenge is for you to justify why a song fits with the concept of being a “role reversal”. While we always encourage people to register with any song they like, tonight is all about being reversed or different, so every song on the programme will do just that. Keep this in mind when you register, otherwise we may have to keep your suggestion for an upcoming month instead.
Among other songs, tonight features performances from the cast of Saturday Night Fever. Role reversal is always very popular, so ensure you register early and buy your tickets so there’s no chance of missing out on all the fun.
David trained operatically at Adelaide's Elder Conservatorium of Music, shortly after which he abandoned Opera for the Piano Bar and Cabaret singing in pubs and clubs – which he has done throughout Australia for nearly thirty years. In the world of musical theatre his stage credits include; ensemble member & understudy for the role of Edna Turnblad; Australian touring production of Hairspray, Edna Turnblad for Matt Byrne Media's Hairspray; Nicely Nicely Johnson in the South Australian Theatre Company production of Guys & Dolls; Richard ‘The Nice Nurse’ in the Australian premiere production of William Finn’s, A New Brain.
David has performed on multiple occasions with the Adelaide Cabaret Festival & also toured in Cabaret Festivals throughout Australia. His performance and writing credits include; Wireless – Chapel off Chapel and Black Box Theatre, Melbourne and Cole’s Girls - Adelaide, Sydney & Melbourne Cabaret, Comedy & Fringe Festivals. David now resides in Adelaide and has been working with Ding Productions in both a performance & wiriting capacity. He hosted the 2012 Adelaide Theatre Guide awards and is a private singing teacher. David launched Davine Interventionz in 2013 with his directorial debut in the Adelaide Fringe 2013 with a production of Altar Boyz. Since then he has produced and directed productions of Flower Children: The Mamas and the Papas Story and Xanadu amongst others. Most recently David produced and directed the Australian Premiere of The Story Of My Life and produced Adam Guttel's The Light In The Piazza in the 2015 Adelaide Fringe Festival.
Cailene Kilcoyne came to Adelaide from San Diego, California. She has performed regionally around the United States as well as internationally. Cailene keeps busy singing these days with a wedding band as well as singing in the shower. She's super excited to be performing at Broadway Sessions :)
Casmira is an experienced performer and teacher with a great passion for storytelling. Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards, as well as the TASA for Best Musical) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Professionally, Casmira has acted and provided voices for several short films and children’s productions. She also spent many years directing and music directing musicals for Adelaide Theatre Academy, including Snow White and Alice in Wonderland for the Festival Centre’s ‘Something on Saturday’ program. Her fondest memories are working with Peter Combe in directing and choreographing his Adelaide Fringe shows from 2013-2015.
Damien is no stranger to the stage, and has been regularly performing, singing and playing music since childhood. His introduction to musical theatre came when he was dragged along to an audition for The Wedding Singer by his older sister at the age of 13. This inspired a new passion, and Damien looked to maximise performing opportunities throughout high school, where he played Bugsy in Bugsy Malone and was involved in various solo and ensemble music performances.
After finishing high school in 2012, Damien re-entered the theatre with gusto, and has been a frequent performer ever since. Damien is part of the five-star award-nominated cabaret group 'The Bailey Beaus' created by Vintage Vendetta Productions, and has been fortunate to perform many interesting roles in well-known shows, including Mark in RENT, Doody in Grease, George in The Wedding Singer, and The Historian in Spamalot, as well as roles in Les Misérables, Oliver, The Sound of Music, Calamity Jane, and Catch Me If You Can.
Dharini's greatest passion is singing and she has been doing this since she was little. Dharini loves to participate in musicals, one of her favourites being Rent, where she was in the ensemble and Mimi Understudy. She has recently returned from a six-month study exchange at The University of Birmingham where she took part in a showcase where she was a featured soloist. Dharini also loves to gig at events and is a very passionate songwriter. Dharini is hoping to be involved in more Musical Theatre opportunities in the future.
Eloise Quinn-Valentine has performed in musicals, plays, in choirs and at events around Adelaide and abroad from a young age, with companies such as Davine Productions, University of Adelaide Theatre Guild, Independent Theatre, Therry Theatre, Adelaide Conservatorium Chorale, and Young Adelaide Voices.
Recent(ish) highlights include playing Louise LeBreton in The Hello Girls (Therry Theatre), Vivie Warren in Mrs Warren's Profession (Independent Theatre), Phaedra in Jerusalem (University of Adelaide Theatre Guild), Young Violet in Violet: A Musical (Davine Productions), and 'Woman 2' in Its Only Life (Davine Productions, ft. John Bucchino).
Eloise loves to hear, read, and tell stories on stage and on the page, having completed Honours in English Literature at Flinders University and, most recently, a Masters of Theology (Theology in History) at the University of Edinburgh.
Em is a 24-year old teacher back down under on a break from Ye Olde Englande. She began performing at age five but didn't enter the magical land of musical theatre until the age of 12. She enjoys reading, history, piña coladas, getting caught in the rain, and obviously, musicals.
She has performed and crewed for many shows. The highlights of her time treading the boards include playing Annie Oakley in Annie Get Your Gun (UHS), Bet in Oliver! (G&S), and possibly her favourite role at the tender age of 12 - the Pirate King (Pelican Productions). Other credits include Les Misérables (G&S), Thoroughly Modern Millie (G&S), Cinderfella the Pantomime (Royal Holloway), Young Frankenstein (MCMT), Calamity Jane (MCMT), Music Theatre Camp 2008 - 2013 (Pelican Productions).
Emily Glew has been passionate about the performing arts all of her life and began training in voice and dance at age 11. She has trained with artists including Michaela Burger and David Gauci, and is trained in classical, contemporary, jazz and tap dance. Beginning participating in musical theatre at age 13, she has been part in many musical theatre productions including most recently, Violet with Davine Interventionz, and taking the role of Shprintze in the Therry Dramatical Society’s production of Fiddler on the Roof.
Standout roles for Emily also include Jellylorum in Cats, and Winifred Banks in Mary Poppins, both with Loreto College. Additionally, Emily has been studying music since the age of 6, and has played in numerous instrumental ensembles on the piano, guitar, and clarinet. Emily’s love for music has led to her teaching and musically directing multiple musicals in the past. Emily is happy to bring her enthusiasm for the dance and musicality of Sideshow to the stage.
Born into a family with a background in the performing arts, Emma has been immersed in the world of theatre ever since she can remember. Her introduction to Adelaide amateur theatre came when she joined the ensemble of G&S’s Oliver! in both 2013 and 2014, and was involved in the society’s production of Thoroughly Modern Millie in 2016. In 2017, Emma fulfilled her lifelong dream to perform the role of Cosette in Les Misérables, also with G&S, and in 2019 joined the cast of Therry's The Pirates of Penzance as Edith. Emma graduated from her Bachelor of Arts at Adelaide University in 2019.
Hannah Hamilton is 21 years old and currently completing her final year studying a Bachelor of Psychological Science at the University of Adelaide. Her performing years started in 2008 with the State Opera of South Australia in Turandot, followed by the The Sound of Music (Gretel) and Candy Man. Other musical theatre credits include Scotch College’s productions of Les Misérables, West Side Story, Pirates of Penzance (Edith), Jesus Christ Superstar (Mary), 42nd St (Peggy) and The Addams Family (Wednesday), where she received the Adelaide Theatre Guide award for Best Youth Female Performer for her role. Hannah is a regular performer with Pelican Productions, with recent roles including Kylar in Bring it On and Nina in In the Heights. Off stage, Hannah spends most of her time teaching at CircoBats and Nannying.
Originally from Port Augusta, Imala is in her third year of classical voice at the Elder Conservatorium. She was awarded the Rae Cocking Memorial Prize in 2017, the Guli Magery Prize in 2016, and the SA Country Choral Association Scholarship in 2015/2016. Imala's real passion is musical theatre, and despite limited theatre opportunities growing up (no musical theatre companies in her whole town!), she has played roles such as Christine in Phantom of the Opera (Whyalla Players' in association with State Opera), and Ariel in The Little Mermaid (AYT). She worked with State Opera further last year by understudying Adele in the Con/SOSA collaborative production of Die Fledermaus. Imala has also done a number of solo recitals at various churches, and Fringe shows including Life at the Piano, Into the Woods (AYT), and Musical Moments. She enjoys busking in Rundle Mall and hopes to sing at more weddings and functions.
Jemma Allen (She/her)
Jemma is chuffed that Broadway Sessions is finally back!! She is here for a good time and can't wait to jam with the band and see all of her lovely theatre friends again!! Yay!!!
Originally from the US, Jeri Williams immigrated to Adelaide in 2011. She’s a born performer, growing up singing in choirs, glee club, a pop/R&B girl group, and musical theatre. She got her start in theatre performing in the ensemble of How To Succeed in Business Without Really Trying at age 16. After school, Jeri got a job singing in an acapella group at a theme park in Florida, which led to being cast as Wendy Darling by Disney Cruise Line. Jeri spent her early 20s working and performing on various cruise ships with her husband.
Since making Adelaide her home, Jeri has delved into the local theatre scene on a few occasions, being cast in leading roles in NLTC’s Into The Woods (2012) as the Baker’s Wife; G&SSA’s Guys & Dolls (2015) as Adelaide and NLTC's Mack and Mabel (2016) as Mabel.
When life gets too busy for a full show schedule, Jeri enjoys singing with the Civic Park Carols Choir and joining in for a sing at Broadway Sessions as often as possible.
Kathryn was born in England and has had a rich upbringing in the world of the arts. She has been in various characters such as tweedledum in Alice in wonderland, Betty Rizzo in Grease and is currently playing Erma in JamaeRaws adaptation of Anything Goes. Kathryn has been singing in Soul Factor Gospel Choir for many years and is currently receiving vocal training by David Gauci.
Recently out of uni with a degree in teaching and the arts, Kathryn has been in musical theatre since a young age. She is currently in the Hills production of Aida and also teaches musical theatre, acting and singing at Starlets SA.
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Mark is a respected opera, cabaret and concert singer, with a passion for music theatre. He has toured South Australia with State Opera, SINGular productions and the Adelaide Art Orchestra. Mark produced and performed in his own sell out swing show – Mark Oates and the Daniel Brunner Pretty Big Band – for the 2009 and 2011 Adelaide Fringe Festivals. For the Adelaide Festival, Mark sung the roles of Ruffiak in Ligeti’s Le Grande Macabre and Street Singer in Leonard Bernstein’s Mass.
For State Opera SA, Mark premiered the role of “the Cantor” in Astor Piazzolla’s Maria de Buenos Aires, a co-production with Leigh Warren and Dancers which was reprised for the 2011 Brisbane Festival. He also performed Joe in The Station (Howard Blake), and John Styx in Orpheus in the Underworld (Offenbach). Last year Mark performed in the world premiere of the full Philip Glass trilogy for State Opera SA, including the role of Arjuna in Satyagraha. In the two weeks prior to the opening night of Broadway Sessions, Mark will be part of the State Opera SA chorus in Faust and the Verdi Requiem before travelling to Canberra for two concerts with the Canberra Symphony Orchestra.
Mark has also worked with many Adelaide based musical theatre companies. He was an Oscart and Curtain Call winner and Critic’s Circle nominee for his portrayal of Jean Valjean in The G&S Society’s Les Misérables. For The G&S Society Mark has also played the Baker in Into the Woods and the Pirate King in The Pirates of Penzance. He premiered Horton the Elephant in the award winning Seussical the Musical and portrayed Utterson in Jekyll and Hyde for The Hills Musical Company. Other roles include Jesus in Jesus Christ Superstar for Northern Light Theatre Company, Archibald Craven in The Secret Garden for both The Therry Dramatic Society and The G&S Society, Enoch Snow in Carousel for Swell Productions/MS Society and was part of the original cast of It’s A Dad thing for SINGular productions. Mark has also played “man” in several productions, including Songs for a New World and I Love you, You’re Perfect, Now Change!
Mim Sarre (She/Her)
Millicent Sarre (she/her) is a singer & songwriter, cabaret artist, music theatre performer and vocal coach.
Mim studied Music and Theatre at Graceland University, USA, before returning to her hometown of Adelaide, South Australia, where she has been actively involved in the music theatre scene. Her notable roles to date include Veronica Sawyer in Heathers the Musical (Segue Productions, 2019), Wendla Bergmann in Spring Awakening (Hills Musical Company 2017), Ivy in Ivy + Bean the Musical (The Gemini Collective, 2018 – Australian Premiere), Sally Brown in You’re a Good Man, Charlie Brown (Hills Musical Company, 2015) and Audrey in Little Shop of Horrors (Graceland University, 2013).
In June 2019, she premiered her original cabaret show, Friendly Feminism for the Mild Mannered, in the Adelaide Cabaret Fringe, and revived the show for the Adelaide Fringe Festival 2020, where it played a sold-out extended season and was a 3-time award winner in the Adelaide Fringe Awards.
Mitchell is so excited to be back at Broadway Sessions for the first time since almost 3 years living in Melbourne. Favourite past roles include Melchior in Spring Awakening (HMC), Marius in Les Misérables (PLOS - Melbourne), Jimmy in Thoroughly Modern Millie (G&S), and Monty in Violet (Davine). He currently works as a paediatric podiatrist in the public sector in Victoria and is so grateful to be able to get across the border (and hopefully back) to sing tonight.
Neville Langman recently performed as Alfred Doolittle in My Fair Lady for The Metropolitan Musical Theatre Company (The Met), and also in CATS (also for The Met). He most recently appeared as Avram – the bookseller – in Fiddler on the Roof for the Therry Dramatic Society.
Phoebe has spent the last 13 years singing in front of an audience. She began acting in year 7 after she starred in a class movie which was a parody of Days of Our Lives. She has taken on multiple roles but considers her favourite role to be Goldilocks in Charmed. Currently, she is an Out of School Hours Teacher and loves getting the students involved with music. You can often find (or hear) Phoebe singing everywhere she goes.
Rebecca comes from a rich musical heritage and has been performing for most of her life. Versatile in her style she enjoys performing in all musical genres which has led to her performing as a soloist with many different groups and for varying audiences. She has been a leading soloist with Adelaide’s Soul Factor Gospel Choir for the past 16 years, performs regularly with her Sisters, The Raymond Sisters and for five years was the vocal soloist with the Melbourne Staff Band with whom she toured Australia, Korea and the UK where she had the privilege of singing in the Royal Albert Hall, London.
Rebecca performs corporately as a Singer and Actor. Appearing as a soloist at varying events in Adelaide and Nationally and in Theatre. Memorable roles include the role of Violet Hilton in SideShow (2018) and Aida in Aida (2017) with Hills Musical Company, Sandra Bloom in Big Fish with Therry Dramatic Society (2016), Laurey in Oklahoma! The immersive farm experience with Emma Knights Productions (2016 & 2017), and Cosette in Les Misérables with the G&S Society (2008 & 2009).
When not performing Rebecca teaches singing, has her own Mary Kay Cosmetic business and is a makeup artist. She also teaches Skincare & Self Esteem classes in schools and groups in the community.
Robert made his Adelaide theatre debut in 2011, as the brain-damaged Michal in The Pillowman, which earned him an Adelaide Critics Circle nomination for Emerging Artist of the Year. Since then he hasn't stopped gallivanting from stage to stage and has continued to grow as an actor. Favourite roles include Caligula with Red Phoenix, Elephant Man with The Adelaide Repetory Theatre and Jesus in South Coast Choral and Arts Society’s production of Jesus Christ Superstar. Robert’s passion for theatre has also lead him to direct Pippin in 2016 and he hopes to direct again soon.
Theatre aside, some of Robert's favourite things are food, wine and his two British Bulldogs, Howard and Holly.
Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Ruby is heavily involved in Adelaide theatre, performing as Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots and most recently in Davine Productions’ revival of Beautiful: The Carole King Musical. She also performed as the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. Ruby played Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society. Ruby is thrilled to be performing a bucket list role as Rose in Dogfight presented by St Jude’s Players in 2022.
Sandy knew from a young age that she was destined to be in the theatre, and as it turns out she was correct. Sandy is an Operating Theatre Nurse, and yes, she does sing at work! Sandy's first experience of music theatre was at age 11 when she understudied the role of Jane in a Come Out Festival performance of Tarzan's Narrow Escape. Not long after this she was introduced to the world of country music, and won a number of talent quests across Australia, including two amateur Golden Guitars at Tamworth, and her episode of Bert Newton's New Faces at age 15.
Since then Sandy has sung across a number of genres, studied AMEB Classical Voice to Grade 5, and worked as a Primary School Choir Trainer for the Festival Of Music. Her passion remains with Music Theatre and some of her favourite things have been playing the role of Nancy in Oliver!, Miss Hannigan in Annie (Balaklava Community Arts 2001/2005), Mrs Baskin in Big ( Northern Light 2015), and most recently being privileged to be in the ensemble of G&S Society's extremely well received production of Les Misérables.
Scott Lorien (he/him)
Scott has always had a love of the theatre, but his real obsession began in high school, with performances as the Foreman, Pimp and a Student in Les Misérables, Priam in Paris and Action in West Side Story. Since completing high school he performed non-stop for a number of years, starting with Gerald Bolingbroke in Me and My Girl, an Apostle in Jesus Christ Superstar and Ugly in Honk! (Marie Clark Musical Theatre). After playing Cornelius Hackl in Hello, Dolly! and Asher and the Butler in Joseph and the Amazing Technicolor Dreamcoat (Metropolitan Musical Theatre Company of SA), Scott joined Northern Light Theatre Company’s production of Disney’s Beauty and the Beast as Monsieur D’Arque to round out 2011. The following year started with an incredible experience: Scott won the role of Henry in Six Foot Something’s pro-am Production of Next to Normal. After a mild performance hiatus in more recent times, Scott starred as Hunter in Irregular Productions sell out 2015 Adelaide Fringe season of [title of show].
If there’s one thing he regrets, it’s not starting singing and performing (publicly of course) at an earlier age. Off-stage (but in the theatre) Scott enjoys both sound and lighting design, and the challenges each of these areas brings to his knowledge of design in the digital world. Broadway Sessions is certainly the start of a new chapter, bringing together many ongoing stories and plot lines, but allowing the love of theatre (musical theatre in particular) to continue in new and exciting ways.
When not strutting his stuff on stage, or manically helping out backstage or in the roof of a theatre, Scott is a web designer & developer, creating sites like this one! You can see more of his work at www.scottreynolds.com.au.
Sebastian’s talent and passion for performing has stood out since he was knee high to a drama block and he shone in his breakout performance as ‘Oompa Loompa 1’ in the Red Cliffs Players production of Charlie and the Chocolate Factory. Since then he has performed leading and supporting roles in amateur productions all around the country. He’s played a knight of The Round Table, two princes, an in-the-closet investment banker/puppet and been shot dead… twice.
He scored his first leading role as the Cat in the Hat in Suessical! (Adelaide Youth Theatre -2013), charmed as Sky Masterson in Guys and Dolls (MMAC-2014), and performed in his first fringe as the Comfort Councillor in The 25th Annual Putnam County Spelling Bee (AYT- 2014). Most recently he performed as Sammy in The Wedding Singer (Marie Clarke -2015). Sebastian would like to thank his mother for not encouraging him to play sport.
Stephen has been involved in Adelaide amateur theatre for the past 12 years. In that time he has appeared in Wicked and Avenue Q for MBM; in Mack and Mabel, Little Shop of Horrors, Leader of the Pack, Spamalot, Witches of Eastwick, Grease and A Fractured G&S Trilogy for Northern Light Theatre Company, and Jesus Christ Superstar for the Gilbert and Sullivan Society of SA. Most recently, Stephen was in Influencers Church's production of Jesus Christ Superstar as a featured apostle. Later in 2017, Stephen will be appearing in G&S' production of Les Misérables.
Beyond theatre, Stephen is currently completing his Masters of Chemistry and Masters of Teaching.
Vaishnavi is a lawyer with a passion for music theatre. This is now her fifth time being a part of the Broadway Sessions line-up, and her first time since coming back from a long hiatus! She was in the Met's production of Bye Bye Birdie and hopes to be part of another show soon!
As a child, you could always find BJ screaming into his SingStar microphone and dancing to High School Musical. These habits evolved into BJ's love for singing and dancing.
In BJ's short musical career he has performed in Jekyll and Hyde, in which he portrayed several important characters including "Angry Man 1", "Rich Man" and "Scared Man #2", and Anything Goes where he was Reverand Henry T Dobson. In 2019 BJ got his first leading role in Once Upon a Mattress where he was Prince Dauntless the Drab.
BJ is currently at the Adelaide Conservatorium of Music completing a Bachelors of Music Education and Pedagogy.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max has been playing percussion for 15 years, and has been involved in numerous music performance groups throughout that time. Attending Marryatville High School 2006-2010, and being a part of the Raiders Drum Corps since 2007, he learned performance etiquette pretty quickly, and grew comfortable performing in front of people. Max participated in the Big Band program at high school, and as such was able to attend Generations in Jazz multiple times. His drumkit playing further improved after high school where, during his studies for his Bachelor of Music (Percussion), he was a part of the Jazz SA Youth Superbands. While studying his Bachelors, Max competed in and won First Place in the 2011 MSO Snare Competition.
Musical theatre has been part of his life since 2009, and as luck would have it, Max has been working with Peter Johns since his very first show! Productions Max has been involved in include: Sweeney Todd, Fame, Spamalot, Beauty and the Beast, Oliver!, Annie, The Full Monty, You're a Good Man Charlie Brown, Violet, Wicked, Bring It On!, Edges, Beautiful, Mamma Mia, and Les Miserables.
Outside of music, Max has developed a passion for gridiron, and plays for the Port Adelaide Spartans. He is also a personal trainer, and his love for craft beers is pretty strong!