Worth over £715 million, and with more than fifteen musicals, six Tonys, four Grammys, seven Oliviers, a Golden Globe, Drama Desk, and an Academy Award to his name, there’s no disputing Lord Lloyd Webber is one of the most commercially successful music theatre composers in history. He’s been named the fifth most powerful person in British culture, was knighed by Queen Elizabeth II for services to music and theatre, and spent two decades as a member of the House of Lords (although he only voted 33 times…).
This month we explore Lloyd Webber’s massive catalogue of shows. From Joseph and the Amazing Technicolour Dreamcoat and Jesus Christ Superstar, through to Evita, Starlight Express, and School of Rock, there really is something for everyone! (And while we are aware he may not be everyone’s favourite composer, we encourage our audience and performers to use this as an opportuinty to explore music they wouldn’t normally listen to or perform.)
Our September Session also includes a performance by cast members of Northern Light Theatre Company’s production of Seussical.
Your Session Host
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Amy’s love of theatre began when she joined the Hills Youth Theatre aged 7. Since then she has worked with many companies around Adelaide.
Favourite roles include Dorothy, The Wizard of Oz (Hills Musical Company, 2001, The Advertiser Oscart Award- Best Actress), Sandra, Breezeblock Park (St Jude’s Players, 2006), Deidre, I Hate Hamlet (Adelaide Repertory Theatre, 2006) Louise/Linda/Claire, Road (REDChilli Theatre, 2007), Celia, As You Like It (This Rough Magic Theatre & Film, 2008) Olive, The 25th Annual Putnam County Spelling Bee (MBM, 2009), Kate Monster, Avenue Q (MBM, 2011, ATG Curtain Call Award- Best Female Performance), Tessie Tura, Gypsy (Gin & Vodka Productions, 2011), Audrey, Little Shop of Horrors (Northern Light Theatre Company, 2013), Susan, [title of show] (Irregular Productions, 2015) and Lucy, You’re a Good Man Charlie Brown (Hills Musical Company, 2015).
You can see Amy as Gertrude McFuzz in Northern Light Theatre Company’s production of Seussical the Musical, opening at the Shedley Theatre from October 12 until October 20 2018.
Amy Neumann returns to the stage after a several year hiatus to have her babies. She has worked across the US as a performer and director. She has appeared at the Kennedy Center, Ford's Theatre, Syracuse Stage, Round House Theatre, and the American Century Theatre, as well touring the US and Canada in both The Adventures of Tom Sawyer (Becky Thatcher) and Annie (July). Favorite roles include Alice Nutting/Edwin Drood in The Mystery of Edwin Drood, the Baker's Wife in Into the Woods, and Cecily in The Importance of Being Earnest. Her next role will be Olive Madison in the Blackwood Players' production of Neil Simon's The Odd Couple – Female Version.
Amy spent 17 years as a company member of Now This, Washinton DC's only totally improvised musical comedy troupe. She currently teaches for ArtStream, Inc., where she specializes in teaching actors with disabilities. Ms. Neumann holds a BFA in acting from Syracuse University and a Masters of Social Work from the Catholic University of America. Her favorite role is being wife to Jonathan and mum to Micah, 7, and Becca, 5.
Andrew is currently attending the University of South Australia undertaking a Bachelor of Arts (Creative Industries) and is taking vocal lessons from Adelaide singer Norma Knight. He made his principal musical debut in the South Coast Choral and Arts Society's production of Sweeney Todd in the role of Anthony Hope in 2017 and recently played Enjolras in their production of Les Misérables. He is currently about to perform in The Gilbert & Sullivan Society's production of The Phantom of the Opera in the ensemble and is also in rehearsals for St. Jude's Player's production of Man of La Mancha as the Barber. He is inspired by singers such as Anthony Warlow, Ben Lewis and Ramin Karimloo and his dream is to follow in the footsteps of these great singers and, one day, don the mask and play the Phantom.
Ashleigh started dancing at 3 years of age, and her love of the stage only grew from there. Her very first musical was La Cage Aux Folles (OPUS), followed by playing Mayzie La Bird in Seussical (Tatachilla Lutheran College). She has been blessed to be able to be in the ensemble for many bucket list shows, including Dirty Rotten Scoundrels (OPUS), Legally Blonde (Hills Musical Company), Jekyll & Hyde (MCMT), Les Misérables (G&S) and Spamalot (MCMT).
She has also been lucky enough to choreograph Annie Jnr (Investigator College) and High School Musical (Stayg25). She is also very excited for her next choreography adventure with Segue Productions’ next show, Heathers the Musical. It has been a challenge and a privilege to play Elena in the upcoming 2018 production of If/Then (Segue Productions).
Brianna is a 15-year-old musical theatre student. She has been studying music for 4 years and has a passion for the theatre. Her mentor is her singing teacher, Cindy McDonald and her inspiration is Elaine Paige and Michael Crawford. Her favourite musicals consist of the Phantom of the Opera, Wicked, CATS and My Fair Lady. Brianna would love to pursue her passion in the musical theatre world.
With a professional career spanning three decades and diverse music genres, Carolyn has been honoured to share the stage with many greats, including Anthony Warlow, Lou Diamond Philips, Bert Newton, Ruth Cracknel and Jubilant Sykes.
Carolyn has been in the original casts of shows such as The Phantom of the Opera, The Secret Garden and The Sound of Music. Other roles include Jelly/Griddlebone in CATS in Hamburg, Johanna in Sweeney Todd for Queensland Opera, Chava in Fiddler on the Roof and Flora in Turn of the Screw for Opera Australia.
Carolyn has performed in the Adelaide Cabaret Festival with Broadway legends Maltby and Shire in Closer than Ever and Take Flight, and in The Adelaide Festival’s production of Bernstein’s Mass.
Concert highlights include Shakespeare on Broadway with Margaret Urlich, “duetting” with Marina Prior and singing the National Anthem at the Opening Ceremony of The Ashes in Adelaide. Television credits include Here’s Humphrey, The Kingdom of Paramithi, Neighbours and Wiggle TV and for many years she was the original voice of Dorothy the Dinosaur. Carolyn has also taught performance in schools, workshops and privately and has coached many students towards successful auditions.
Recently Carolyn played the role of Rose Pickles in Gale Edward’s workshop performance of Cloudstreet with State Opera of SA and then toured Australia as the alternate Mrs. Anna in Opera Australia’s The King and I, performing the role opposite Lou Diamond Phillips and Teddy Tahu Rhodes.
Growing up performing in the Scouts’ Gang Show: Comedy Capers, David developed a love for musical theatre from a young age. Trained at the Centre for the Performing Arts; David has enjoyed performing Shakespeare with the State Theatre, Lightning Strike and Chopt Logic Theatre Companies and has toured in the past with Splash Theatre Company. Turning from professional acting to focus his energy on his family and work for the Anglican Church as a priest, David chooses to do shows that he loves.
It was in Marie Clark's production of Paris in the titular role that David hit the Adelaide scene in musical theatre. David has since performed with with Marie Clark Musical Theatre in Miss Saigon (John) and as Carl Hanratty in the 2016 production of Catch Me if You Can. He has worked with Northern Light Theatre Company as Frederick in Pirates of Penzance and Seymour in Little Shop of Horrors. David also performed at the Adelaide Fringe 2015 with Lazy Saturday Productions' Australian premiere of Darkle. 2017 is a big year of theatre for David starting with Pale Ale Tales, a new work by local writer, Jason Hendy in the 2017 Fringe, Jekyll and Hyde with Marie Clark and finishing with Les Misérables as Enjolras with G&S Society.
David is thankful to his wife for her love and support, and for letting him play.
Dione Baker, Adelaide’s pocket power house, is known among the Adelaide theatre circle as the "diva"... but in a good way! Since the age of 16 Dione has performed for many amateur and professional companies including Co Opera and State Opera of South Australia. Dione was also a member of team Ricky Martin on 2015's season of The Voice Australia. Some of her most cherished roles have been Carlotta in The Phantom of the Opera for Matt Byrne Media (2013), Suor Angelica and Cio Cio San (Madame Butterfly) for Co Opera (2012 and 2015).
Most recently Dione has been selected to be a member of the State Opera (SA) Chorus for 2019 and looks forward to working with them again soon. Dione is a versatile singer and performer as she has done many styles from pop to opera, and was also a part of the amateur premiere of We Will Rock You with Matt Byrne Media in July 2018 where she played the jumping Suzi Quattro
Born into a family with a background in the performing arts, Emma has been immersed in the world of theatre ever since she can remember. Her introduction to Adelaide amateur theatre came when she joined the ensemble of G&S’s Oliver! in both 2013 and 2014, and was involved in the society’s production of Thoroughly Modern Millie in 2016. In 2017, Emma fulfilled her lifelong dream to perform the role of Cosette in Les Misérables, also with G&S. She is a regular performer at Broadway Sessions. After completing high school in 2015, Emma is currently undertaking a Bachelor of Arts at Adelaide University.
Fiona has an Honours degree in performance from Flinders University Drama Centre. She has appeared on television and on stage both professionally, here and interstate and as part of the Adelaide Amateur Theatre community. She has worked in several aspects of theatre from performer to choreographer to director. Maureen from RENT is a dream role in a show she has loved since she was 14 and received the original Broadway album and was privileged enough to see the original Australian production.
Kaitlyn played her dream role of Christine Dae in Phantom of The Opera at just 16 years old. She also travelled around Europe for her final year of high school singing as the lead soprano and soloist, and on her travels through Italy she performed in the Vatican. Kaitlyn is looking to move to America next year to work with a theatre company to be their producer, she is currently managing four seperate companies.
Kurt debuted in the Adelaide musical theatre scene in 2017, where he played in the ensemble and Cesar Rodriguez in Saturday Night Fever with MBM, Hugo Peabody in Bye Bye Birdie with the Met, as well as ensemble and the Pied Piper in Shrek the Musical with AYT in January of 2018. Taking a small hiatus after Shrek to work on his newly developing singing and acting skills, as well as continuing work on his dance training of many years, Kurt has made a return to the theatre scene – being cast in MBM's Strictly Ballroom in 2019.
Mark is a respected opera, cabaret and concert singer, with a passion for music theatre. He has toured South Australia with State Opera, SINGular productions and the Adelaide Art Orchestra. Mark produced and performed in his own sell out swing show – Mark Oates and the Daniel Brunner Pretty Big Band – for the 2009 and 2011 Adelaide Fringe Festivals. For the Adelaide Festival, Mark sung the roles of Ruffiak in Ligeti’s Le Grande Macabre and Street Singer in Leonard Bernstein’s Mass.
For State Opera SA, Mark premiered the role of “the Cantor” in Astor Piazzolla’s Maria de Buenos Aires, a co-production with Leigh Warren and Dancers which was reprised for the 2011 Brisbane Festival. He also performed Joe in The Station (Howard Blake), and John Styx in Orpheus in the Underworld (Offenbach). Last year Mark performed in the world premiere of the full Philip Glass trilogy for State Opera SA, including the role of Arjuna in Satyagraha. In the two weeks prior to the opening night of Broadway Sessions, Mark will be part of the State Opera SA chorus in Faust and the Verdi Requiem before travelling to Canberra for two concerts with the Canberra Symphony Orchestra.
Mark has also worked with many Adelaide based musical theatre companies. He was an Oscart and Curtain Call winner and Critic’s Circle nominee for his portrayal of Jean Valjean in The G&S Society’s Les Misérables. For The G&S Society Mark has also played the Baker in Into the Woods and the Pirate King in The Pirates of Penzance. He premiered Horton the Elephant in the award winning Seussical the Musical and portrayed Utterson in Jekyll and Hyde for The Hills Musical Company. Other roles include Jesus in Jesus Christ Superstar for Northern Light Theatre Company, Archibald Craven in The Secret Garden for both The Therry Dramatic Society and The G&S Society, Enoch Snow in Carousel for Swell Productions/MS Society and was part of the original cast of It’s A Dad thing for SINGular productions. Mark has also played “man” in several productions, including Songs for a New World and I Love you, You’re Perfect, Now Change!
Maya’s love of all things musical theatre began at an early age. Her journey in performance began with Pelican Productions, where she participated in numerous Music Theatre Camps, as well as productions of Grease and The Little Mermaid Jr. Maya has continued her involvement with Pelican Productions as an assistant tutor at Music Theatre Camp since 2015. After taking a short break to complete her university studies, Maya has since appeared in the Gilbert & Sullivan Society’s production of Thoroughly Modern Millie in 2016, and their 2017 sell-out production of Les Misérables as Cosette understudy. Maya most recently performed in Lydian Productions and Irregular Production's Godspell in May 2018 as the "By My Side" soloist, and she is excited to play Hope Harcourt in Marie Clark's Anything Goes in May 2019. Maya is a primary school Dance/Drama teacher, which she immensely enjoys – especially when she is able to share her love of performing arts with her students.
Melody has been training in contemporary music and musical theatre most of her life and has no intention of abandoning her love for the stage anytime soon. She performed in her first musical, Holiday Inn, in June 2018 and cherished every second. She is hoping to continue working in local theatre productions in the future but, for now, she's taking it one stage at a time...
Natasha has been singing since she before she could talk. She started with the Australian Girls Choir at age 7 and started performing in variety shows at age 18. For the 2017 Adelaide Fringe Festival she took her first fore onto the amateur stage and played Button the Gnome, a lead role in Gnomes Vs Mermaids put on by the Such Cliche Productions. She studied Microbiology at university and by day is a scientist working for a private laboratory. Musical theater is her passion and she takes every chance she can get to perform her favorite musicals are Phantom of the Opera and Les Misérables and her dream is to one day perform Éponine on stage
Rebecca comes from a rich musical heritage and has been performing for most of her life. Versatile in her style she enjoys performing in all musical genres which has led to her performing as a soloist with many different groups and for varying audiences. She has been a leading soloist with Adelaide’s Soul Factor Gospel Choir for the past 16 years, performs regularly with her Sisters, The Raymond Sisters and for five years was the vocal soloist with the Melbourne Staff Band with whom she toured Australia, Korea and the UK where she had the privilege of singing in the Royal Albert Hall, London.
Rebecca performs corporately as a Singer and Actor. Appearing as a soloist at varying events in Adelaide and Nationally and in Theatre. Memorable roles include the role of Violet Hilton in SideShow (2018) and Aida in Aida (2017) with Hills Musical Company, Sandra Bloom in Big Fish with Therry Dramatic Society (2016), Laurey in Oklahoma! The immersive farm experience with Emma Knights Productions (2016 & 2017), and Cosette in Les Misérables with the G&S Society (2008 & 2009).
When not performing Rebecca teaches singing, has her own Mary Kay Cosmetic business and is a makeup artist. She also teaches Skincare & Self Esteem classes in schools and groups in the community.
Sandy knew from a young age that she was destined to be in the theatre, and as it turns out she was correct. Sandy is an Operating Theatre Nurse, and yes, she does sing at work! Sandy's first experience of music theatre was at age 11 when she understudied the role of Jane in a Come Out Festival performance of Tarzan's Narrow Escape. Not long after this she was introduced to the world of country music, and won a number of talent quests across Australia, including two amateur Golden Guitars at Tamworth, and her episode of Bert Newton's New Faces at age 15.
Since then Sandy has sung across a number of genres, studied AMEB Classical Voice to Grade 5, and worked as a Primary School Choir Trainer for the Festival Of Music. Her passion remains with Music Theatre and some of her favourite things have been playing the role of Nancy in Oliver!, Miss Hannigan in Annie (Balaklava Community Arts 2001/2005), Mrs Baskin in Big ( Northern Light 2015), and most recently being privileged to be in the ensemble of G&S Society's extremely well received production of Les Misérables.
At 19, Scarlett has been passionate about performing since she was young. She began dancing at Barbara Jayne Dance Centre when she was 3 years old where she developed her singing and dancing skills for 13 years and has now begun focusing on her passion for musical theatre. Scarlett has recently graduated year 12 at Concordia College where she was and will continue to be taught by her singing teacher Rosie Hosking. Scarlett hopes to pursue musical theatre in the future.
With 16 years of combined performing experience, Scarlett's love for the stage has never ceased, with her most recent roles being Alice in Alice in Wonderland, Amber Von Tussle in Hairspray, and recently Campbell Davis in Pelican Production's production of Bring It On the Musical for which she received a TASA nomination for 'Best Youth Female Actor'. She has also most recently finished a performance season of Godspell with Lydian Productions and Irregular Productions.
Sebastian’s talent and passion for performing has stood out since he was knee high to a drama block and he shone in his breakout performance as ‘Oompa Loompa 1’ in the Red Cliffs Players production of Charlie and the Chocolate Factory. Since then he has performed leading and supporting roles in amateur productions all around the country. He’s played a knight of The Round Table, two princes, an in-the-closet investment banker/puppet and been shot dead… twice.
He scored his first leading role as the Cat in the Hat in Suessical! (Adelaide Youth Theatre -2013), charmed as Sky Masterson in Guys and Dolls (MMAC-2014), and performed in his first fringe as the Comfort Councillor in The 25th Annual Putnam County Spelling Bee (AYT- 2014). Most recently he performed as Sammy in The Wedding Singer (Marie Clarke -2015). Sebastian would like to thank his mother for not encouraging him to play sport.