Our THIRD Birthday

26 Sunday August 2018
When: 6:30pm Where: Norwood Live, Norwood Hotel Tickets: $15-20

About this Session

Can you believe it’s been three years since we started this adventure together at The Jade Monkey?

Join us as we celebrate the last three years and look to the future.

Oh, and did we mention cake?

This Session also features performances by cast members from Segue Production’s SA premiere of If/Then, and The G&S Society’s Phantom Of The Opera.

Session Setlist

Act 1
Middle Of A Moment (James And The Giant Peach) – Mitchell Smith
All I Care About (Chicago) – Gus Smith
Hurricane (Death Note) – Joseph Giblin
Like Other Girls (Daddy Long Legs) – Eloise Quinn-Valentine
It Takes Two (Hairspray) – Jack Ashe
Say The Word (The Unauthorised Autobiography Of Samantha Brown) – Ariana Thomas
Suddenly (Xanadu)* – Oliver John, Sienna Bertram
Unusual Way (Nine) – Lindsay Prodea
Goodbye/Boom Boom (Elegies) – Adam Goodburn, Casmira Lorien
No More Wasted Time (If/Then)* – Alicia Hage, Ashleigh Robson, Kelsey McCormack, Kristin Stefanoff
Act 2
Schadenfreude (Avenue Q) – Louis Cann, Max Ziliotto
All I Ask Of You (The Phantom Of The Opera)* – Jared Frost, Serena Martino-Williams
Till I Hear You Sing (Love Never Dies) – Trevor Anderson
There Are Worse Things I Can Do (Grease) – Kirsty Burch
Boyband (Happy People (in Development)) – Max Garcia-Underwood
I Wonder (Departure) (The Girl With The Golden Hair (ABBA)) – Emma Haddy
A Light In The Dark (Next To Normal) – Emily Glew
Lost In The Brass (Band Geeks) – Jemma Allen
What Baking Can Do (Waitress) – Mim Sarre
I Know Where I've Been (Hairspray) – Maisie Aitken
* promoting an upcoming show

Session Hosts

Lindsay Prodea

Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.

Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.

Mark Oates

Mark is a respected opera, cabaret and concert singer, with a passion for music theatre. He has toured South Australia with State Opera, SINGular productions and the Adelaide Art Orchestra. Mark produced and performed in his own sell out swing show – Mark Oates and the Daniel Brunner Pretty Big Band – for the 2009 and 2011 Adelaide Fringe Festivals. For the Adelaide Festival, Mark sung the roles of Ruffiak in Ligeti’s Le Grande Macabre and Street Singer in Leonard Bernstein’s Mass.

For State Opera SA, Mark premiered the role of “the Cantor” in Astor Piazzolla’s Maria de Buenos Aires, a co-production with Leigh Warren and Dancers which was reprised for the 2011 Brisbane Festival. He also performed Joe in The Station (Howard Blake), and John Styx in Orpheus in the Underworld (Offenbach). Last year Mark performed in the world premiere of the full Philip Glass trilogy for State Opera SA, including the role of Arjuna in Satyagraha. In the two weeks prior to the opening night of Broadway Sessions, Mark will be part of the State Opera SA chorus in Faust and the Verdi Requiem before travelling to Canberra for two concerts with the Canberra Symphony Orchestra.

Mark has also worked with many Adelaide based musical theatre companies. He was an Oscart and Curtain Call winner and Critic’s Circle nominee for his portrayal of Jean Valjean in The G&S Society’s Les Misérables. For The G&S Society Mark has also played the Baker in Into the Woods and the Pirate King in The Pirates of Penzance. He premiered Horton the Elephant in the award winning Seussical the Musical and portrayed Utterson in Jekyll and Hyde for The Hills Musical Company. Other roles include Jesus in Jesus Christ Superstar for Northern Light Theatre Company, Archibald Craven in The Secret Garden for both The Therry Dramatic Society and The G&S Society, Enoch Snow in Carousel for Swell Productions/MS Society and was part of the original cast of It’s A Dad thing for SINGular productions. Mark has also played “man” in several productions, including Songs for a New World and I Love you, You’re Perfect, Now Change!

Session Performers

Adam Goodburn

Adam has been involved in the theatrical scene for many years. He is a co-founder of SINGular Productions and produced I Love You, You’re Perfect, Now Change (Fringe Festival, 2007), Elegies: A Song Cycle, Different Fields and It’s a Dad Thing: The Musical. He is currently developing a new Australian opera with State Opera of South Australia titled, Innocence. Adam recently performed the role of Father in Davine Productions' Violet in 2017 Adelaide Fringe.

Alicia Hage

Alicia grew up in mid north South Australia, where jamming around her grandparents’ kitchen table was common and family events often featured some kind of singalong. After leaving school, Alicia studied a Certificate IV in Music and Diploma of Music at TAFE SA. She started working as an instrumental music teacher while studying and continued to teach for several years after finishing. Alicia taught piano, voice and ran a choir, accompanying her students for SACE moderations and other performances. Throughout her time at school, TAFE and while teaching, she also performed at various places. Alicia then took a break from music to undertake a Bachelor of Journalism (with a sub-major in Environmental Systems) and became a freelance writer (her current work). She also completed a Graduate Certificate in Science.

Through her work as a writer, she met other musicians and found herself playing as part of a band at a work-related event. After the event, the group continued to jam for fun and have since played at a couple of other events, all of which helped re-ignite her passion for music. Alicia recently began performing her original music again, under ‘Alicia Joy’. She also recently competed in the Balaklava Eisteddfod with her mum and two sisters, coming in tied first for the open contemporary vocal ensemble category.

Coming up in 2018, If/Then is Alicia’s debut musical, and she would like to thank Segue Productions and the creative team for the opportunity to be part of such a great production.

Ariana Thomas

Ariana has been singing for as long as she can remember and, at just fourteen years old, she has become quite a passionate young performer. Her love for theatre started when she was in her early years of school and began to see the musicals that came around to Adelaide. From there, she joined her school choir which she participated in for five years, leading her to performing as a soloist on the Festival Theatre stage. She then went on to pursue dance and acting with Star Academy and acting coach, Peta Shannon. Currently, Ariana partakes in Adelaide Theatre Academy where she performs in various musicals and concerts with their Performance Troupe. In the future, Ariana hopes to pursue a career in music or musical theatre.

Ashleigh Robson

Ashleigh started dancing at 3 years of age, and her love of the stage only grew from there. Her very first musical was La Cage Aux Folles (OPUS), followed by playing Mayzie La Bird in Seussical (Tatachilla Lutheran College). She has been blessed to be able to be in the ensemble for many bucket list shows, including Dirty Rotten Scoundrels (OPUS), Legally Blonde (Hills Musical Company), Jekyll & Hyde (MCMT), Les Misérables (G&S) and Spamalot (MCMT).

She has also been lucky enough to choreograph Annie Jnr (Investigator College) and High School Musical (Stayg25). She is also very excited for her next choreography adventure with Segue Productions’ next show, Heathers the Musical. It has been a challenge and a privilege to play Elena in the upcoming 2018 production of If/Then (Segue Productions).

Casmira Lorien

Casmira is an experienced performer and teacher with a great passion for storytelling. Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).

In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards, as well as the TASA for Best Musical) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.

Professionally, Casmira has acted and provided voices for several short films and children’s productions. She also spent many years directing and music directing musicals for Adelaide Theatre Academy, including Snow White and Alice in Wonderland for the Festival Centre’s ‘Something on Saturday’ program. Her fondest memories are working with Peter Combe in directing and choreographing his Adelaide Fringe shows from 2013-2015.

Eloise Quinn-Valentine

Eloise Quinn-Valentine is known in the Adelaide musical theatre community by a number of names including 'Eloise QV', and the more enigmatic 'Boise Q'. Eloise has performed in musicals, plays, in choirs and at events around Adelaide with companies such as Davine Productions, Adelaide Conservatorium Chorale, University of Adelaide Theatre Guild, Independent Theatre, Therry Dramatic Society and Young Adelaide Voices. She also took up the opportunity to perform the role of Betty in The Crucible while on exchange at Royal Holloway, University of London in 2017.

Recent highlights include playing Vivie Warren in Mrs Warren's Profession (Independent Theatre), Phaedra in Jerusalem (University of Adelaide Theatre Guild), Sister Sophia in an immersive production of The Sound of Music (Emma Knights Productions), Young Violet in Violet: A Musical (Davine Productions), and in Its Only Life (Davine Productions, ft. John Bucchino), and Betty/Carole cover in Davine Productions' sold-out season of Beautiful - The Carole King Musical.

As well as loving to tell stories on stage, Eloise recently completed her Honours in English Literature at Flinders University.

Emily Glew

Emily Glew has been passionate about the performing arts all of her life and began training in voice and dance at age 11. She has trained with artists including Michaela Burger and David Gauci, and is trained in classical, contemporary, jazz and tap dance. Beginning participating in musical theatre at age 13, she has been part in many musical theatre productions including most recently, Violet with Davine Interventionz, and taking the role of Shprintze in the Therry Dramatical Society’s production of Fiddler on the Roof.

Standout roles for Emily also include Jellylorum in Cats, and Winifred Banks in Mary Poppins, both with Loreto College. Additionally, Emily has been studying music since the age of 6, and has played in numerous instrumental ensembles on the piano, guitar, and clarinet. Emily’s love for music has led to her teaching and musically directing multiple musicals in the past. Emily is happy to bring her enthusiasm for the dance and musicality of Sideshow to the stage.

Emma Haddy

Born into a family with a background in the performing arts, Emma has been immersed in the world of theatre ever since she can remember. Her introduction to Adelaide amateur theatre came when she joined the ensemble of G&S’s Oliver! in both 2013 and 2014, and was involved in the society’s production of Thoroughly Modern Millie in 2016. In 2017, Emma fulfilled her lifelong dream to perform the role of Cosette in Les Misérables, also with G&S, and in 2019 joined the cast of Therry's The Pirates of Penzance as Edith. Emma graduated from her Bachelor of Arts at Adelaide University in 2019.

Gus Smith

Gus has been performing theatre in Adelaide with several companies continually since 2003, but did his first show in 2001. That one took him two years to recover !!! During these crazy current Covid times we have been so fortunate to have Broadway Sessions for both performers & audience alike. Whilst he loves performing onstage, cabaret performance is not as common for him so performing at Broadway Sessions will be an enjoyable experience...hopefully for everyone 😉

Jack Ashe

Jack Ashe is a musical theatre student at the elder conservatorium. He started performing in musicals during high school in Port Pirie. Since moving to Adelaide in 2017 he has made appearances in ECMT's production of Spring Awakening and Davine Productions' Beautiful: The Carol King Musical.

Jared Frost

In 2019, Jared has performed as Chris Scott in the METS production of Miss Saigon, Frederic in Therry's Pirates of Penzance, and in the Chorus for State Opera of South Australia's Carmen. In 2018, Jared performed as Raoul in the Gilbert & Sullivan Society's Phantom of the Opera; Buddy in the Hills Musical Company's Sideshow; and with John Bucchino in Davine Interventionz's It's Only Life. Jared became a member of the State Opera Chorus in 2018, which saw him perform in The Merry Widow and Die Meistersinger Von Nurnberg.

Jared began performing in Adelaide musicals in 2008 in the Met's Shout and the Gilbert & Sullivan Society's HMS Pinafore. Since then he has performed in multiple musicals including Therry's Fiddler on the Roof; G&S' Les Misérables, Pirates of Penzance, Mikado, Orpheus in the Underworld, Yeoman of the Guard, and The Gondoliers; Met's My Fair Lady, Brigadoon, CATS, The King & I; and Little Miss World Media's Ordinary Days. He trained at the Elder Conservatorium under Robert Dawe and Patrick Power.

Jemma Allen

In reception, Jemma was spotted lip-syncing the year 7s' lines in their school musical, and she has been working to steal the spotlight ever since. She is very versatile, and over the years has 'played drums' in Fame, kissed her ex boyfriend (ew) in Bye Bye Birdie, whinged in Blithe Spirit, fake tapped in Big Fish, been awkward in Smokey Joe's Cafe, spun plates in Chicago, been angsty in Spring Awakening, been both 7 and 11 y.o. in Ivy + Bean, and belted and riffed in Godspell. She just finished the sell out season of Friendly Feminism for the Mild Mannered, and is currently studying a Bachelor of Music Theatre at the Uni of Adelaide, where she reprised the role of Ilse in Spring Awakening.

It's been a hot second since Jemma has been on stage and she is NERVOUS, so if anyone wants to buy her a G&T or a snack to help calm her down she would be very appreciative.

Joseph Giblin

Joseph has been doing theatre since childhood, though not properly hitting the Adelaide scene until Marie Clark's Jekyll and Hyde in 2017 as a member of the ensemble. Since then, he has played roles such as Mitch Mahoney in Spelling Bee, Marius in Les Misérables, Prince Eric in The Little Mermaid, and is currently in Marie Clark's Anything Goes. When not singing, dancing, or delivering a dramatic monologue, he's usually pouring something alcoholic (whether for a customer or himself remains to be seen).

Kelsey McCormack

Kelsey is a singer, actor and dancer who began performing at a young age. She took tap and jazz classes from the age of 7 at Deslyn’s Dance, and began to take an interest in musical theatre at the age of 10, when she began singing and acting lessons at Mighty Good Talent School.

Having performed in countless dance recitals and end of year showcases, Kelsey is no stranger to the stage, but she had her first taste of musical theatre in her high school production of Back To The 80s, in which she played the centerfold/high school teacher, Miss Brannigan.

Kelsey has been involved in the Adelaide musical theatre scene since she was 15, when she performed in Essential Talent Performing Arts’ production of Aladdin, which was performed for school holiday entertainment in Rundle Mall.

Other notable ensemble performances have been High School Musical (AYT 2013), CATS (The MET 2015), Bye Bye Birdie (The Met 2017) and Spamalot (Marie Clark Musical Theatre 2018). She has also been privileged to play The Mistress in Evita (The Met 2015), Polly Pry in the Australian premiere of Cannibal the Musical (Briggs & Heaysman Theatre Co. 2016), Kate in the South Australian premiere of If/Then (Segue Productions) and most recently Heather Duke in Segue Productions Heathers: The Musical.

Kirsty Burch

Kirsty Burch grew up in Mt Gambier, South Australia where she was taught under the influence of Jodi Swiggs at Phoenix Music Studios. During this time she was involved in many productions through school and the Ovation Centre of Performing Arts; including playing characters such as Rizzo in Grease and Chiffon from Little Shop of Horrors. She now lives in Adelaide where she is currently studying a Bachelor of Performing Arts at UniSA and sings with High Spirits Harmony, a nationally award-winning womens' A Capella choir.

Kristin Stefanoff

Kristin has always lived and breathed music, but it wasn't until 2009 that she discovered musical theatre. After accompanying her first show she thought, "Hey, this looks like fun!" and auditioned for the next show that came around. The rest, as they say, is history. She has accompanied and music directed, but she truly feels alive on the stage. Favourite roles include Smitty in How To Succeed in Business Without Really Trying (Marie Clark Musical Theatre 2013), Inga in Young Frankenstein (Marie Clark Musical Theatre 2014), Clara in The Light In The Piazza (Davine Interventionz 2016), Cathy in The Last Five Years (Segue Productions 2017), Elizabeth/Liz/Beth in If/Then (Segue Productions 2018), and Simone in Shane Warne The Musical (Segue Productions 2020). In 2021, she will hopefully have the chance to perform with the Met as Vivienne in Legally Blonde the Musical!

Kristin music directed Heathers the Musical for Segue Productions in September 2019. She is also a founding member of the new Adelaide based theatre company Segue Productions. When she's not at rehearsals or the theatre, she teaches voice and piano, and often dances around the house singing showtunes with her awesome 5 year old.

Louis Cann

Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with Northern Light Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns!

Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020.

In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.

Maisie Aitken

Maisie loves food and has spent her life breaking into song mid mouthful. She couldn’t believe her luck when she came across Pelican Productions 3 years ago and discovered other people her age who broke into song too.

Since then she’s had a ball performing at Music Theatre Camps, in shows like Seussical Jr (Pelican Productions), Peter Pan Jr (Adelaide Youth Theatre) and Singing In The Rain Jr (Adelaide Theatre Academy), and most recently at the iTheatrics workshop in New York, where in her excitement to get to the buffet she tripped and broke her elbow.

Maisie would like to dedicate her Broadway Sessions debut to the elderly gentleman who tried to help her up.

Max Garcia-Underwood

...

Max Ziliotto

Max has been playing percussion for 15 years, and has been involved in numerous music performance groups throughout that time. Attending Marryatville High School 2006-2010, and being a part of the Raiders Drum Corps since 2007, he learned performance etiquette pretty quickly, and grew comfortable performing in front of people. Max participated in the Big Band program at high school, and as such was able to attend Generations in Jazz multiple times. His drumkit playing further improved after high school where, during his studies for his Bachelor of Music (Percussion), he was a part of the Jazz SA Youth Superbands. While studying his Bachelors, Max competed in and won First Place in the 2011 MSO Snare Competition.

Musical theatre has been part of his life since 2009, and as luck would have it, Max has been working with Peter Johns since his very first show! Productions Max has been involved in include: Sweeney Todd, Fame, Spamalot, Beauty and the Beast, Oliver!, Annie, The Full Monty, You're a Good Man Charlie Brown, Violet, Wicked, Bring It On!, Edges, Beautiful, Mamma Mia, and Les Miserables.

Outside of music, Max has developed a passion for gridiron, and plays for the Port Adelaide Spartans. He is also a personal trainer, and his love for craft beers is pretty strong!

Mim Sarre

Millicent Sarre is a singer & songwriter, cabaret artist, music theatre performer and vocal coach.

Mim studied Music and Theatre at Graceland University, USA, before returning to her hometown of Adelaide, South Australia, where she has been actively involved in the music theatre scene. Her notable roles to date include Veronica Sawyer in Heathers the Musical (Segue Productions, 2019), Wendla Bergmann in Spring Awakening (Hills Musical Company 2017), Ivy in Ivy + Bean the Musical (The Gemini Collective, 2018 – Australian Premiere), Sally Brown in You’re a Good Man, Charlie Brown (Hills Musical Company, 2015) and Audrey in Little Shop of Horrors (Graceland University, 2013).

In June 2019, she premiered her original cabaret show, Friendly Feminism for the Mild Mannered, in the Adelaide Cabaret Fringe, and revived the show for the Adelaide Fringe Festival 2020, where it played a sold-out extended season and was a 3-time award winner in the Adelaide Fringe Awards.

Mitchell Smith

Mitchell first began performing at age 7 in choirs and school productions, before working extensively with youth theatre companies Pelican Productions and Swell Productions. Mitchell performed professionally as a child with Windmill Theatre Company. Mitchell has recently performed leading roles in Spring Awakening (Hills Musical Company - ATG Best Male Performance nom.), Violet (Davine Interventionz) and Thoroughly Modern Millie (G&S Society), and has been featured in She Loves Me (Therry), FAME (Marie Clark), and Oklahoma! (Emma Knights Productions). He has also appeared in song cycles 35mm: A Musical Exhibition (Emma Knights Productions) and Edges (Irregular Productions).

Outside of performing, Mitchell has recently completed his Bachelor of Podiatry (Honours) at UniSA and works as a performing arts teacher with Theatre Bugs and Adelaide Theatre Academy. In 2018 Mitchell made his directorial debut with Adelaide Theatre Academy's acclaimed production of Xanadu Jr.

Oliver John

Oliver is 19 years old and has been performing in musical theatre since 2008. He has worked as a performing arts teacher and currently teaches vocal lessons privately. His show credits include Buddy in Elf Jr. (Theatre Bugs), Reverend Shaw Moore in Footloose (The Parks Theatre), and Lumiere in Beauty and the Beast Jr. (Theatre Bugs). In 2018, Oliver got to play one of his dream roles; Seymour Krelborn in Adelaide Theatre Academy's production of Little Shop of Horrors in the Adelaide Fringe Festival.

Oliver then starred as Sonny Malone in Xanadu Jr. with Adelaide Theatre Academy in 2018, Boq in Adelaide Youth Theatre’s production of Wicked in 2018, and James Bailey in Barnum with March Productions. Most recently, Oliver was featured in the ensemble of Segue Productions' Heathers the Musical in September 2019.

Oliver travelled to the United States in January 2019 with a select group of Adelaide Youth Theatre performers to compete in the Junior Theatre Festival in Atlanta. They performed a version of Madagascar: A Musical Adventure Jr in which Oliver starred as Marty the Zebra, and worked with Broadway professionals in New York. Oliver was also lucky enough to be a part of the 2019 Class of Cabaret programme. After months of mentorship from industry professionals Michael Griffiths and Amelia Ryan, Oliver performed a cabaret set in June as a part of the Adelaide Cabaret Festival. Professionally, Oliver performed in the kids' production Snowmageddon: Penguins of Antarctica in July 2018 with Heaps Good Productions.

Serena Martino-Williams

Serena began performing with the Adelaide Youth Theatre in 2011 and since, has played many roles for the youth theatre such as Tracy in Hairspray, Mrs Potts in Beauty and the Beast, The Baker’s Wife in Into the Woods, Dragon in Shrek the Musical and most recently as Elphaba in their production of Wicked. Serena has also performed in many shows for Emma Knights Productions, including as Ado Annie in Oklahoma: On a Farm!, Buffy in Buffy Kills Edward and as New York Woman in I Love You Because.

Recently, Serena performed the role of Christine in The Phantom of the Opera for the G&S Society of SA, and has played Elphaba in Wicked and Mabel in The Pirates of Penzance. Serena has also performed many roles professionally for companies such as The Entertainment Store and Heaps Good Productions, most recently in the successful season of Snowmageddon at the South Australian Maritime Museum. In addition to musical theatre, Serena performs regularly with The Three Little Sisters, an Andrews Sisters tribute show, and performs in and directs The Honey-Bees, a 60s-tribute show.

Sienna Bertram

Sienna has been performing since a young age and is currently undertaking voice lessons with Millicent Sarre. She's performed as Mrs Potts in Beauty and the Beast Jr (Adelaide Theatre Academy) and Ronnett in Adelaide Theatre Academy's ATG nominated Little Shop of Horrors. Sienna was nominated for TASA's Best Female Youth Performer for her portrayal of Kira in Xanadu Jr and performed as Amy Beecher in March Productions'sold-outt season of Barnum.

Trevor Anderson

Trevor hasn't been particularly active in the theatre community of late, having only performed in Pretty Boys in the 2017 Adelaide Fringe Festival since returning from interstate a few years ago. In the meantime, he has been busying himself with the Festival Statesmen Chorus, performing a variety of a cappella music. Highlights have included singing back-up for Adele, performing with Rob Mills and headlining the National Choral Festival in the past 12 months.

Trevor's theatre credits include Avenue Q (Matt Byrne Media), Curtains and Anything Goes (Therry), Orpheus in the Underworld and HMS Pinnafore (G&S SA), and Gypsy and Joseph and the Amazing Technicolour Dreamcoat (MS Society). Trevor's most recent theatre engagement was working on Promise Adelaide's 2017 production of All Is Calm which will be his musical directing debut; where he is excited to be combining his love of musical theatre and acapella together.

Session Band

Peter Johns (Piano/Musical Director)

Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.

He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.

Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).

Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.

Max Ziliotto (Drums/Percussion)

Max has been playing percussion for 15 years, and has been involved in numerous music performance groups throughout that time. Attending Marryatville High School 2006-2010, and being a part of the Raiders Drum Corps since 2007, he learned performance etiquette pretty quickly, and grew comfortable performing in front of people. Max participated in the Big Band program at high school, and as such was able to attend Generations in Jazz multiple times. His drumkit playing further improved after high school where, during his studies for his Bachelor of Music (Percussion), he was a part of the Jazz SA Youth Superbands. While studying his Bachelors, Max competed in and won First Place in the 2011 MSO Snare Competition.

Musical theatre has been part of his life since 2009, and as luck would have it, Max has been working with Peter Johns since his very first show! Productions Max has been involved in include: Sweeney Todd, Fame, Spamalot, Beauty and the Beast, Oliver!, Annie, The Full Monty, You're a Good Man Charlie Brown, Violet, Wicked, Bring It On!, Edges, Beautiful, Mamma Mia, and Les Miserables.

Outside of music, Max has developed a passion for gridiron, and plays for the Port Adelaide Spartans. He is also a personal trainer, and his love for craft beers is pretty strong!

Louis Cann (Bass)

Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.

Martin Cheney (Piano)

Martin is an accompanist, repertoire coach and music director for the Bachelor of Music Theatre at the Elder Conservatorium and a secondary school music teacher, accompanist and repetiteur at Concordia College. He is currently undertaking a PhD in Composition and is a co-founder of the Adelaide Wind Orchestra.
As the founder and director of Lydian Productions, Martin has produced and music-directed critically-acclaimed seasons of john & jen and Godspell (with Irregular Productions) since its debut in 2016, as well as curating a new music theatre song cycle, Bitter. Sweet., in 2019. Professionally, Martin has performed with Il Divo, Marina Prior and John Foreman, as well as being keyboard deputy for the touring Australian productions of The Wizard of Oz, Mamma Mia! and Aladdin. He has had the good fortune to work with the best of Australia’s theatre music directors, including Laura Tipoki, Michael Azzopardi, Chris King and Kohan van Sambeeck.
Martin has also worked as a rehearsal pianist for the State Opera Company of South Australia and is regularly engaged as an audition pianist for many of Adelaide’s theatre companies (when there is not an ongoing global pandemic).