April Session

29 Sunday April 2018
When: 6:30pm Where: Norwood Live, Norwood Hotel Tickets: $15-20

About this Session

It’s April already at Broadway Sessions, and to celebrate surviving our evil night of villainy and mischief, we’re letting our performers choose their own songs this month to lighten the mood. That’s right, April is an artists’ choice month at Broadway Sessions, and we’re excited to see what there is in store for our audience. With the madness of festival season well and truly over, take a night to relax, and join us as we explore more and more of the musical theatre genre. Never sung with us before? Maybe April is your month to get up and give it a go. Take advantage of our new table booking system and lock in a group for another fun last Sunday of the month!

Session Setlist

Act 1
Blue Hair (The Black Suits) – Zali Sedgman
Grateful (John Bucchino) – Chelsea McGuinness
More To The Story (Shrek) – Cordelia Ferguson
Empty Chairs At Empty Tables (Les Miserables) – Kurt Benton
Sal Tlay Ka Siti (Book Of Mormon) – Grace Mackenzie
Dear Theodosia (Hamilton) – Alexander Aarao-Ward, Angus King
A Way Back To Then ([Title Of Show]) – Chloe Hall
Words Fail (Dear Evan Hansen) – Amelie Peters
Before It's Over (Dogfight) – Maya Miller
I'll Be Here (Ordinary Days) – Grace Denney
I'm Not Waiting (John Bucchino) – Camryn Jordans
Always Look On The Bright Side Of Life (Spamalot)* – Ben Todd, Michael Butler
Act 2
Stranger (Big Fish) – Lindsay Prodea
No One Is Alone (Into The Woods) – Ella Heywood-Smith
Once Upon A Time/True Love (High Society)* – Andrew James Crispe, Tegan Gully
All That Matters (Finding Neverland) – Ruby Pinkerton
The Colour Purple (The Colour Purple) – Dharini Rajaramanan, Emma Haddy, Jemma Allen, Mitchell Smith, Vaishnavi Rajaramanan, Zak Vasiliou
The Mad Hatter (Wonderland) – Kristin Stefanoff
I Miss The Music (Curtains) – Trevor Anderson
Nothing Short Of Wonderful (Dogfight) – Cailene Kilcoyne
Where Do The Lonely Souls Go (Alexander Sage Oyen) – Mitchell Smith
All The Wasted Time (Parade) – Lindsay Prodea, Megan Doherty
Bless The Lord (Godspell)* – Jemma Allen, Joshua Angeles, Katie Packer, Nick Munday, Scarlett Anthony
* promoting an upcoming show

Session Host

Lindsay Prodea

Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.

Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.

Session Performers

Alexander Aarao-Ward

Alex is 16, and is naturally an avid lover of musical theatre. He attends Pembroke School and has been doing Theatre Bugs for just over 10 years. Alex has played roles such as Michael Darling in Peter Pan with Pembroke School, Dexter in Singing In The Rain, and Patrick Martin in Little Shop of Horrors, in the 2017 and 2018 Adelaide Fringe Festivals with Theatre Bugs, Cogsworth in Beauty and The Beast with Theatre Bugs, and Jeter in Footloose with the Parks Community Theatre. Alex does not have a favourite musical, and will jam to most showtunes. Generally, he only cries when the song he is listening to is a reprise, but It's Quiet Uptown always does the trick.

Amelie Peters

Amelie Peters is an award-winning, classically trained vocalist, international performer and vocal coach. After successful performances in Perth, Adelaide, and Melbourne, Amelie was invited to perform at the Soho Playhouse in New York City as a soul/jazz singer in the burlesque Fringe show Fafi D’Alour & the Delinquents in 2017. She holds a Bachelor of Music in Classical Voice Performance and Pedagogy from the Elder Conservatorium of Adelaide.

Her knowledge of the voice has been largely extended with her most recently completed BAST training. With this education, Amelie feels she can give the appropriate guidance and nurturing tailored to each individual’s voice. While she specialises in classical voice, Amelie has a strong background in musical theatre, jazz, and contemporary music.

Extensively trained by Kirsty Roberts, Amelie has also studied with renowned opera singers and Broadway stars from around the world. She has vocal directed the entire casts of High School Musical 2 (2016) and Hairspray the Musical (2018) for Shane Davidson Presents. Amelie's students consistently achieve outstanding results in competitions & exams, along with her junior vocal ensembles, vocal trio and adult vocal ensemble.

Andrew James Crispe

Andrew is an established freelance performer and vocal coach who has performed professionally in and around Adelaide. He has been a member of the State Opera of SA’s Chorus since 2009. Andrew‘s first foray into the world of Music Theatre was in 2000, when he was encouraged to audition for the Gilbert & Sullivan Society’s back-to-back production of HMS Pinafore and Trial By Jury, and since then he has not looked back!

Andrew won his first leading role in 2006, and has gone on to play a large number of leading and supporting roles throughout Adelaide’s community theatre. Andrew has been nominated for Best Male Performance by the Critics Circle Awards for his role as Don Lockwood in Singin’ In The Rain, and by the Adelaide Theatre Guide for the same role, as well as his portrayal of The Beast in Disney's Beauty And The Beast. For one of his most recent productions Andrew won the TASA Best Male Performance Award for his portrayal of Edward Bloom in BIG FISH – a show which also won the TASA MusiCal Award. Andrew co-wrote and performed in the sold-out season of Villain-Ville: A Musical Exploration of Villainy and Evil in the 2015 Fringe Festival. His most recent appearances this year include a return to the role of Curly McLain (for the third time) in an outdoor production of Oklahoma (On A Farm) with Emma Knights Productions, The Preacher in Davine Interventionz production of Violet, a return to the role of the Major General in Emma Knights Productions’ fourth season of Pirates On The Popeye, and lastly as Pontius Pilate in Jesus Christ Superstar.

Andrew played the role of Marius in both seasons of Les Misérables with the Gilbert & Sullivan’s Society in 2008 and 2009, and he is overjoyed to be coming back for yet another season with them only this time as the infamous Javert – a role he has coveted since he was little!

Angus King

Angus, a current student at Pembroke School, has been interested in musical theatre all his life. When he was younger, he was a part of the Theatre Bugs program up in the Adelaide Hills, and has filled a multitude of school musical roles such as Pumba from The Lion King and Mr Darling in Peter Pan. He recently was a part of the Jackson Vs Jackson show in the 2018 Adelaide Fringe Festival with the Gospo Collective, an incredible experience for him. He loves to play his bass and guitar, and most of all, sing at every given opportunity.

Ben Todd

Ben has been performing in theatre since 2011 when he stumbled upon auditions for The Crucible, staged by Gin and Vodka Productions. Since then he has appeared in various silent musicals (also called stage plays) and dipped his toes into the swim-spa of musical theatre properly in 2014 when he auditioned for Marie Clark Musical Theatre's production of Young Frankenstein, appearing in the ensemble.

He has appeared in various silent musicals and musicals over the years, most notably Jamie in The Last Five Years for Segue Productions and Patsy in the award winning Monty Python’s Spamalot for Marie Clark Musical Theatre. He directed the award winning Jekyll & Hyde The Musical for Marie Clark Musical Theatre in 2017.

Ben is looking forward to returning to the stage during the 2020 Adelaide Fringe in Forbidden Broadway with Marie Clark Musical Theatre.

Cailene Kilcoyne

Cailene Kilcoyne came to Adelaide from San Diego, California. She has performed regionally around the States as well as internationally on a cruise ship. She is super excited to announce that she will be playing the role of "Marcy" in Emma Knights upcoming production of I Love You Because, which will be her Australian debut!

Camryn Jordans

At 18, Camryn Jordans is a talented young artist who loves to perform. Since the age of 12 she has performed in amateur and professional theatre productions such as Annie, You’re A Good Man Charlie Brown, La Boheme and Ode To Nonsense; as well as branching out and performing in professional solo gigs at venues around Adelaide, Canberra, and Sydney. In 2017 Camryn starred on The Voice Australia on both Team Kelly And Team Seal, successfully progressing through to the Blind Auditions, Knockout Rounds, and Battle Rounds. Earlier this year Camryn performed in the sold-out season of Heathers: The Musical as the starring role, Veronica Sawyer. In 2018 she plans to travel to Europe in hopes to gain some worldly experiences, as well as finding more inspiration for her original work.

Chelsea McGuinness

Chelsea has just completed year 12 and has since started a degree in Jazz performance at the Elder Conservatorium. In 2016 at Generations in Jazz Chelsea was awarded Division 2 Most Promising Vocalist. She also earned a merit in her year 12 subject Music Solo Performance.

Musical Theatre credits include Princess Ying Yaowalak (The King and I), Young Cosette (Les Misérables), Susan Waverley (White Christmas), Baby June (Gypsy) as well as playing Peggy Sawyer in 42nd Street and Calamity in Calamity Jane in her high school musicals.

Chloe Hall

Chloe is currently studying a Bachelor of Secondary Education at Flinders and a Certificate in Makeup at Media Makeup. She has enjoyed performing in many musical theatre shows over the years, including The Little Mermaid, Hairspray, Thoroughly Modern Millie and is currently currently rehearsing for G&S's Les Misérables.

Cordelia Ferguson

Cordelia first started singing at the young age of six as part of Young Adelaide Voices in 2004 and has yet to stop. Her first introduction to musical theatre was at Pelican Productions Music Theatre Camp in 2010, where she fell in love with musicals and the theatre. Since then she has auditioned for as many roles as possible, landing her first role, and dream role, of Nancy in Now Productions Oliver! in 2016.

Cordelia's roles also include Brigitta in The Sound of Music, Aunt Em/Glinda in The Wizard of Oz, the Narrator in Joseph and the Amazing Technicolor Dreamcoat and Jenny Lind in Barnum. She also enjoys working as a crew member on shows and feels that every person who does theatre should work backstage at least once! Cordelia has just completed a diploma in Film and TV at MAPS Film School.

Dharini Rajaramanan

Dharini's greatest passion is singing and she has been doing this since she was little. Dharini loves to participate in musicals, one of her favourites being Rent, where she was in the ensemble and Mimi Understudy. She has recently returned from a six-month study exchange at The University of Birmingham where she took part in a showcase where she was a featured soloist. Dharini also loves to gig at events and is a very passionate songwriter. Dharini is hoping to be involved in more Musical Theatre opportunities in the future.

Ella Heywood-Smith

Ella Heywood-Smith is an actress, singer and script writer who has just completed an honours degree at the University of South Australia. In 2016 she performed in her self-written musical Arellond in the Adelaide Fringe. In 2016 - 2017 she travelled with the Australian Youth Performing Arts Team to America to perform in the Macy's parade and musical theatre shows in Disneyworld and Universal Studios. Ella's honours degree has given her the opportunity to write a script about her experiences as a child of same-sex parents and the script was first performed at the Feast Festival in 2017. Ella has just concluded her performance as Martha Dunnstock in Heathers The Musical (High School Edition) with CAPA (Adelaide Fringe Festival 2018).

Emma Haddy

Born into a family with a background in the performing arts, Emma has been immersed in the world of theatre ever since she can remember. Her introduction to Adelaide amateur theatre came when she joined the ensemble of G&S’s Oliver! in both 2013 and 2014, and was involved in the society’s production of Thoroughly Modern Millie in 2016. In 2017, Emma fulfilled her lifelong dream to perform the role of Cosette in Les Misérables, also with G&S, and in 2019 joined the cast of Therry's The Pirates of Penzance as Edith. Emma graduated from her Bachelor of Arts at Adelaide University in 2019.

Grace Denney

A Tasmanian ex-pat, Grace has been treading the boards of the theatre since the tender age of two. Originally trained in classical ballet at the Tasmanian Academy of Dance, Grace naturally fell into musical theatre through the vocal tutelage of Patrice Sargison. A triple threat, Grace has performed as a member of the ensemble for CATS and Fiddler on the Roof, also taking on the roles of “Kate” in Annie (which she revisited as an adult as a Boylan Sister/Featured Vocalist & Dancer) for Encore Theatre, “Ronette” in Little Shop of Horrors, “Natalie Haller” in All Shook Up, “Tiffany” in Back to the 80s and Cecily in The Importance of Being Earnest for Scotch Oakburn College. Whilst studying, she performed annually in the Little Theatre for the Uni of Adelaide’s infamous Law Revue. Now a graduate lawyer, Grace is looking forward to utilising her love of theatre (read: ability to curb crippling nerves in front of an audience) in the courtroom!

Grace Mackenzie

Grace is a Second year university student studying Health and Medical Sciences but still enjoys performing and looks to improve both her singing and performance skills. Notable past performances include Gertrude Mcfuzz in Seussical and Penny in Hairspray.

Jemma Allen

In reception, Jemma was spotted lip-syncing the year 7s' lines in their school musical, and she has been working to steal the spotlight ever since. She is very versatile, and over the years has 'played drums' in Fame, kissed her ex boyfriend (ew) in Bye Bye Birdie, whinged in Blithe Spirit, fake tapped in Big Fish, been awkward in Smokey Joe's Cafe, spun plates in Chicago, been angsty in Spring Awakening, been both 7 and 11 y.o. in Ivy + Bean, and belted and riffed in Godspell. She just finished the sell out season of Friendly Feminism for the Mild Mannered, and is currently studying a Bachelor of Music Theatre at the Uni of Adelaide, where she reprised the role of Ilse in Spring Awakening.

It's been a hot second since Jemma has been on stage and she is NERVOUS, so if anyone wants to buy her a G&T or a snack to help calm her down she would be very appreciative.

Joshua Angeles

Joshua Angeles is a 22 year old singer/performer with a passion for musical theatre and storytelling. He has been singing for as long as he can remember, starting at a very young age singing in church. Performances he is most recently known for include In The Heights (Pelican Productions) as Usnavi and Latin Choreographer, Les Misérables (G&S) as Marius, Godspell (Lydian/Irregular Productions) as Judas, and Judge Jackie (Davine Productions) as Duane.

Outside of theatre, Josh is a Systems Engineer working for an Electrical/Energy company. He is also Salsa performer/instructor. In his spare time, he loves playing guitar, songwriting and spending time with family and friends.

Katie Packer

Katie has played such roles in Adelaide as Little Buttercup in HMS Pinafore, Lady Thiang in The King & I, Antonia in Man of La Mancha as well as Footnote in Pratchett Pieces for the Adelaide Fringe Festival. After moving to Melbourne in 2005 she played The Narrator in Joseph & The Amazing Technicolor Dreamcoat, Lt. Janice Fury in M*A*S*H, Pamela Lukowski in The Full Monty and received Lyrebird Award nominations for playing Sister Amnesia in Nunsense & Nunsense 2. She also played one of her dream roles, The Witch in Into The Woods as well as the wonderful Eulalie Mackecknie Shinn in The Music Man. Since moving back to Adelaide in 2015, Katie has portrayed Margaret Johnson in The Light In The Piazza for the 2016 Adelaide Fringe Festival and Jen in John & Jen. She had the opportunity to work with composer John Bucchino on his show It’s Only Life for the 2018 Adelaide Fringe Festival, and to be a part of the small ensemble cast of Godspell, and most recently portrayed Judge Jackie Justice in Judge Jackie: Disorder in the Court for the 2019 Adelaide Fringe Festival.

Katie has Musically Directed The Outsiders, All The New Stuff, Kids On Broadway, Monty Python’s Spamalot, Godspell, Little Shop Of Horrors, A Funny Thing Happened On The Way To The Forum, The Wedding Singer, Seussical The Musical, The Wizard Of Oz, Annie and most recently Once Upon A Mattress. She also had the opportunity to co-direct for the first time with Avenue Q in 2014.

Kristin Stefanoff

Kristin has always lived and breathed music, but it wasn't until 2009 that she discovered musical theatre. After accompanying her first show she thought, "Hey, this looks like fun!" and auditioned for the next show that came around. The rest, as they say, is history. She has accompanied and music directed, but she truly feels alive on the stage. Favourite roles include Smitty in How To Succeed in Business Without Really Trying (Marie Clark Musical Theatre 2013), Inga in Young Frankenstein (Marie Clark Musical Theatre 2014), Clara in The Light In The Piazza (Davine Interventionz 2016), Cathy in The Last Five Years (Segue Productions 2017), Elizabeth/Liz/Beth in If/Then (Segue Productions 2018), and Simone in Shane Warne The Musical (Segue Productions 2020). In 2021, she will hopefully have the chance to perform with the Met as Vivienne in Legally Blonde the Musical!

Kristin music directed Heathers the Musical for Segue Productions in September 2019. She is also a founding member of the new Adelaide based theatre company Segue Productions. When she's not at rehearsals or the theatre, she teaches voice and piano, and often dances around the house singing showtunes with her awesome 5 year old.

Kurt Benton

Kurt debuted in the Adelaide musical theatre scene in 2017, where he played in the ensemble and Cesar Rodriguez in Saturday Night Fever with MBM, Hugo Peabody in Bye Bye Birdie with the Met, as well as ensemble and the Pied Piper in Shrek the Musical with AYT in January of 2018. Taking a small hiatus after Shrek to work on his newly developing singing and acting skills, as well as continuing work on his dance training of many years, Kurt has made a return to the theatre scene – playing the role of Scott Hastings in MBM's Strictly Ballroom in 2019.

Maya Miller

Maya’s love of musical theatre began at an early age, with her journey in performance beginning with Pelican Productions. Since then, Maya’s theatre credits include The Gilbert & Sullivan Society’s Thoroughly Modern Millie (2016) and Les Misérables (2017), Lydian Productions and Irregular Productions’ Godspell (2018) as the ‘By My Side’ soloist, Marie Clark Musical Theatre’s Anything Goes (2019) as Hope Harcourt, Segue Productions’ Heathers (2019) as Heather McNamara, and most recently Davine Productions' Beautiful: The Carole King Musical as Cynthia Weil (2020). Maya is a primary school Dance/Drama teacher, and she finds so much joy in being able to share her love of musical theatre with her students.

Megan Doherty

Megan is a graduate of the Music Theatre program at the University of Ballarat and has been performing in theatre and cabaret in Adelaide and beyond for over fifteen years, including a two-year stint in the U.K., where she performed her show The Girl Who Won't Grow Up and premiered a new, as yet untitled piece, at the Pheasantry in London.

She has written and produced several cabarets and concerts, and produced the South Australian and amateur premiere of Matthew Robinson's Sing on Through Tomorrow in 2014. Favourite roles in amateur theatre have included Laurey in Oklahoma!, Phoebe in The Yeomen of the Guard, and Eliza Doolittle in My Fair Lady.

In 2018 Megan premiered a new cabaret at the Adelaide Fringe Festival, climbed Rocky Mountains once more as a part of The Pirates of Penzance (on the Popeye!), directed the Australian Premiere of Buffy Kills Edward, a Musical Parody, and is playing Petra in A Little Night Music for the G&S Society and Carrie in Rules for Living with the Adelaide Repertory. And that's only the stuff that's confirmed!

Michael Butler

Michael is thrilled to be performing with Marie Clark for the first time. A Melbourne native Michael’s first Adelaide show was last year’s production of Les Misérables (G&S Society).

Michael hopes to see you at Spamalot.

Mitchell Smith

Mitchell first began performing at age 7 in choirs and school productions, before working extensively with youth theatre companies Pelican Productions and Swell Productions. Mitchell performed professionally as a child with Windmill Theatre Company. Mitchell has recently performed leading roles in Spring Awakening (Hills Musical Company - ATG Best Male Performance nom.), Violet (Davine Interventionz) and Thoroughly Modern Millie (G&S Society), and has been featured in She Loves Me (Therry), FAME (Marie Clark), and Oklahoma! (Emma Knights Productions). He has also appeared in song cycles 35mm: A Musical Exhibition (Emma Knights Productions) and Edges (Irregular Productions).

Outside of performing, Mitchell has recently completed his Bachelor of Podiatry (Honours) at UniSA and works as a performing arts teacher with Theatre Bugs and Adelaide Theatre Academy. In 2018 Mitchell made his directorial debut with Adelaide Theatre Academy's acclaimed production of Xanadu Jr.

Nick Munday

Nick has enjoyed a long history of performances across a variety of media, ranging from areas as diverse as opera to improvised comedy. He has been an active member of the Adelaide theatre community since 2009, appearing in over 20 productions to date, most recently as ‘Algernon’ in The Importance of Being Earnest (Court Theatre Company, 2019), ‘Nick’ in Godspell (Lydian / Irregular Productions, 2018) and as ‘Monsieur Reyer’ in The Phantom of the Opera (Gilbert & Sullivan Society, 2018). In November he is set to appear as ‘Jack’ in a socially-distanced production of Into the Woods (Elephant in the Room Productions).

He has also enjoyed recent success in the Adelaide Fringe Festival as the writer and co-director for Tough Boys (2020) and Choir Boys (2019), with the latter receiving a Weekly Award.

Nick trained as an actor through SA Casting from 2010-2013, and he also studied classical voice at the Elder Conservatorium of Music from 2015-2016. In his time at the Conservatorium he was the recipient of the Clement Q Williams Prize (2016). He also holds a double degree in Law and Science (Environmental Biology) from the University of Adelaide, and by day works in Environment and Planning Law.

Ruby Pinkerton

Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Ruby performed as the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. She played Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society. Ruby's most recent role was Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots.

Scarlett Anthony

At 21, Scarlett has been passionate about performing since she was young. She began dancing at Barbara Jayne Dance Centre when she was 3 years old where she developed her singing and dancing skills for 13 years and has now begun focusing on her passion for musical theatre. Scarlett graduated Concordia College in 2017 where she was and will continue to be taught by her singing teacher Rosie Hosking.

With 16 years of combined performing experience, Scarlett's love for the stage has never ceased, with her previous roles including Amber Von Tussle in Hairspray, and Campbell Davis in Pelican Production's production of Bring It On the Musical's first season and its 2018 return season - for which she received a TASA nomination for 'Best Youth Female Actor'. Her most recent musical accreditation included a performance season of Godspell with Lydian Productions and Irregular Productions. In addition to this, she was also selected to perform at the nationally televised 2018 Elder Park Carols By Candlelight. Her professional accolades in Adelaide have also included working with Ding Productions and Shane International each year for varying statewide productions. She has also been contracted with Royal Caribbean International Cruise Lines as a featured lead vocalist since January 2019.

Tegan Gully

Tegan has appeared in many amateur and professional shows since the age of nine, her favourite roles include Annie in Annie (Northern Light Theatre Co. – 1997), Lois/Bianca in Kiss Me Kate (MCMT- 2006 and Co Opera SA- 2007), and Ariel in Footloose (Matt Byrne Media – 2006), Holly in The Wedding Singer (Matt Byrne Media – 2008), Lucy T Slut in Avenue Q (Matt Byrne Media – 2011). More recently, Rizzo in Grease (The Met – 2013), Calamity Jane in Calamity Jane (MCMT- 2014), Elle Woods in Legally Blonde (Hills Musical Company – 2014) and Julia in The Wedding Singer (MCMT- 2015). She also co-wrote, choreographed and performed in the sold out season of Villain-Ville: A Musical Exploration of Villainy and Evil in the 2015 Adelaide Fringe Festival.

Tegan has worked around Adelaide as a show girl, promotional model, dancer, children’s show host and suit character performer for Essential Talent and had the opportunity to perform in Singapore with Ricarp in 2007. For five years Tegan worked at the Night Train as a lead performer in their Adult, Kids and touring show, The Rockaholics, and has been the lead singer for Adelaide corporate and Party Band Jungle Jooce for the past seven years. After completing a Drama degree and a B Ed at Flinders University she is currently a Performing Arts teacher. More recently Tegan played Amneris in the Hills Musical Company's May 2017 production of Aida and Princess Fiona in January 2018 in AYT's Shrek opposite her real life ogre, Andrew Crispe. In May this year she is looking forward to playing opposite Andrew again in the METs High Society as Tracy Samantha Lord.

Trevor Anderson

Trevor hasn't been particularly active in the theatre community of late, having only performed in Pretty Boys in the 2017 Adelaide Fringe Festival since returning from interstate a few years ago. In the meantime, he has been busying himself with the Festival Statesmen Chorus, performing a variety of a cappella music. Highlights have included singing back-up for Adele, performing with Rob Mills and headlining the National Choral Festival in the past 12 months.

Trevor's theatre credits include Avenue Q (Matt Byrne Media), Curtains and Anything Goes (Therry), Orpheus in the Underworld and HMS Pinnafore (G&S SA), and Gypsy and Joseph and the Amazing Technicolour Dreamcoat (MS Society). Trevor's most recent theatre engagement was working on Promise Adelaide's 2017 production of All Is Calm which will be his musical directing debut; where he is excited to be combining his love of musical theatre and acapella together.

Vaishnavi Rajaramanan

Vaishnavi is a lawyer with a passion for music theatre. This is now her fifth time being a part of the Broadway Sessions line-up, and her first time since coming back from a long hiatus! She was in the Met's production of Bye Bye Birdie and hopes to be part of another show soon!

Zak Vasiliou

Zak is currently in his second year at the Victorian College of the Arts studying a Bachelor of Fine Arts (Music Theatre). He has been passionate about theatre for as long as he can remember, undertaking both on and offstage roles for a variety of productions. He has completed a Certificate IV in Commercial Dance at Gravity Dance, specialising in tap, hip hop, jazz, contemporary, ballroom and ballet.

Zak’s choreography credits include Singin’ in the Rain JR (2017, TB Arts, Fringe Festival), A Peter Combe Extravaganza! (2017, Something on Saturday) and A Night on Broadway (2014, Glenunga High School). Zak made his professional debut with State Opera of South Australia’s production of Hansel and Gretel. Since then, he has played many memorable roles such as Boq in Wicked the Musical (2016, Matt Byrne Media), Mary Sunshine in Chicago (2017, Emma Knights Productions), The Tinman in The Wiz (2013, GIHS), Danny in Grease (2014, GIHS), Bert in Mary Poppins (2014, GIHS) and also appeared as a featured dancer in Thoroughly Modern Millie (2016, G&S Society of SA).

An avid performer, he has entertained at many events around Adelaide, such as the Adelaide Fringe Festival, the Royal Adelaide Show and Adelaide's Clipsal 500, as well as at private functions, weddings and parties. Zak also works as an entertainer for Nickelodeon and Showtime Attractions and has performed in many children’s shows with them.

Zali Sedgman

Zali is sixteen years old and has been performing in musicals since she was ten. She has been involved in many musicals with Adelaide Youth Theatre, and in 2018 she has played Dragon in Shrek the Musical and Melman from Madagascar Jnr. Zali has also performed with Impact Entertainment (Gen Z for Adelaide's Royal Show), Heaps Good Productions, Broadway 4Kidz and the Australian Classical Youth Ballet Company.

Session Band

Peter Johns (Piano/Musical Director)

Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.

He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.

Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).

Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.

Max Ziliotto (Drums/Percussion)

Max has been playing percussion for 15 years, and has been involved in numerous music performance groups throughout that time. Attending Marryatville High School 2006-2010, and being a part of the Raiders Drum Corps since 2007, he learned performance etiquette pretty quickly, and grew comfortable performing in front of people. Max participated in the Big Band program at high school, and as such was able to attend Generations in Jazz multiple times. His drumkit playing further improved after high school where, during his studies for his Bachelor of Music (Percussion), he was a part of the Jazz SA Youth Superbands. While studying his Bachelors, Max competed in and won First Place in the 2011 MSO Snare Competition.

Musical theatre has been part of his life since 2009, and as luck would have it, Max has been working with Peter Johns since his very first show! Productions Max has been involved in include: Sweeney Todd, Fame, Spamalot, Beauty and the Beast, Oliver!, Annie, The Full Monty, You're a Good Man Charlie Brown, Violet, Wicked, Bring It On!, Edges, Beautiful, Mamma Mia, and Les Miserables.

Outside of music, Max has developed a passion for gridiron, and plays for the Port Adelaide Spartans. He is also a personal trainer, and his love for craft beers is pretty strong!

Louis Cann (Bass)

Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.

Martin Cheney (Piano)

Martin is an accompanist, repertoire coach and music director for the Bachelor of Music Theatre at the Elder Conservatorium and a secondary school music teacher, accompanist and repetiteur at Concordia College. He is currently undertaking a PhD in Composition and is a co-founder of the Adelaide Wind Orchestra.
As the founder and director of Lydian Productions, Martin has produced and music-directed critically-acclaimed seasons of john & jen and Godspell (with Irregular Productions) since its debut in 2016, as well as curating a new music theatre song cycle, Bitter. Sweet., in 2019. Professionally, Martin has performed with Il Divo, Marina Prior and John Foreman, as well as being keyboard deputy for the touring Australian productions of The Wizard of Oz, Mamma Mia! and Aladdin. He has had the good fortune to work with the best of Australia’s theatre music directors, including Laura Tipoki, Michael Azzopardi, Chris King and Kohan van Sambeeck.
Martin has also worked as a rehearsal pianist for the State Opera Company of South Australia and is regularly engaged as an audition pianist for many of Adelaide’s theatre companies (when there is not an ongoing global pandemic).