About this Session
It’s April already at Broadway Sessions, and to celebrate surviving our evil night of villainy and mischief, we’re letting our performers choose their own songs this month to lighten the mood. That’s right, April is an artists’ choice month at Broadway Sessions, and we’re excited to see what there is in store for our audience. With the madness of festival season well and truly over, take a night to relax, and join us as we explore more and more of the musical theatre genre. Never sung with us before? Maybe April is your month to get up and give it a go. Take advantage of our new table booking system and lock in a group for another fun last Sunday of the month!
Lindsay Prodea (he/him)
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Alex is 16, and is naturally an avid lover of musical theatre. He attends Pembroke School and has been doing Theatre Bugs for just over 10 years. Alex has played roles such as Michael Darling in Peter Pan with Pembroke School, Dexter in Singing In The Rain, and Patrick Martin in Little Shop of Horrors, in the 2017 and 2018 Adelaide Fringe Festivals with Theatre Bugs, Cogsworth in Beauty and The Beast with Theatre Bugs, and Jeter in Footloose with the Parks Community Theatre. Alex does not have a favourite musical, and will jam to most showtunes. Generally, he only cries when the song he is listening to is a reprise, but It's Quiet Uptown always does the trick.
Amelie Peters is an award winning, classically trained vocalist, international performer, songwriter and BAST accredited vocal coach.
Amelie holds a Bachelor of Music in Classical Voice (Performance and Pedagogy) from the Elder Conservatorium of Adelaide. Her professional performance work includes Carmen (2019) and Carmina Burana (2020) with the State Opera of South Australia as well as successful tours in Australia and the US, where Amelie was invited to sing at the Soho Playhouse in New York City. Her credits as a vocal director for youth theatre include High School Musical 2 (2016), Hairspray the Musical (2018) and Mary Poppins the Musical (2019.) Amelie has also produced and performed original music in Cabernet the Cabaret (2019) and Cabernet Refined (2020) at the Adelaide Fringe Festival.
While she specialises in classical voice, Amelie also has a strong background in musical theatre, jazz and contemporary music. She has worked with renowned opera singers, musical theatre composers and Broadway stars from around the world.
Amelie’s ability to inspire, guide and nurture talent has led to consistently outstanding results for her private students and vocal ensembles, making Amelie one of the most sought after young vocal coaches in Adelaide.
Andrew James Crispe
Andrew is an established freelance performer and vocal coach who has performed professionally in and around Adelaide. He has been a member of the State Opera of SA’s Chorus since 2009. Andrew‘s first foray into the world of Music Theatre was in 2000, when he was encouraged to audition for the Gilbert & Sullivan Society’s back-to-back production of HMS Pinafore and Trial By Jury, and since then he has not looked back!
Andrew won his first leading role in 2006, and has gone on to play a large number of leading and supporting roles throughout Adelaide’s community theatre. Andrew has been nominated for Best Male Performance by the Critics Circle Awards for his role as Don Lockwood in Singin’ In The Rain, and by the Adelaide Theatre Guide for the same role, as well as his portrayal of The Beast in Disney's Beauty And The Beast. For one of his most recent productions Andrew won the TASA Best Male Performance Award for his portrayal of Edward Bloom in BIG FISH – a show which also won the TASA MusiCal Award. Andrew co-wrote and performed in the sold-out season of Villain-Ville: A Musical Exploration of Villainy and Evil in the 2015 Fringe Festival. His most recent appearances this year include a return to the role of Curly McLain (for the third time) in an outdoor production of Oklahoma (On A Farm) with Emma Knights Productions, The Preacher in Davine Interventionz production of Violet, a return to the role of the Major General in Emma Knights Productions’ fourth season of Pirates On The Popeye, and lastly as Pontius Pilate in Jesus Christ Superstar.
Andrew played the role of Marius in both seasons of Les Misérables with the Gilbert & Sullivan’s Society in 2008 and 2009, and he is overjoyed to be coming back for yet another season with them only this time as the infamous Javert – a role he has coveted since he was little!
Angus, a current student at Pembroke School, has been interested in musical theatre all his life. When he was younger, he was a part of the Theatre Bugs program up in the Adelaide Hills, and has filled a multitude of school musical roles such as Pumba from The Lion King and Mr Darling in Peter Pan. He recently was a part of the Jackson Vs Jackson show in the 2018 Adelaide Fringe Festival with the Gospo Collective, an incredible experience for him. He loves to play his bass and guitar, and most of all, sing at every given opportunity.
Ben has been performing in theatre since 2011 when he stumbled upon auditions for The Crucible, staged by Gin and Vodka Productions. Since then he has appeared in various silent musicals (also called stage plays) and dipped his toes into the swim-spa of musical theatre properly in 2014 when he auditioned for Marie Clark Musical Theatre's production of Young Frankenstein, appearing in the ensemble.
He has appeared in various silent musicals and musicals over the years, most notably Jamie in The Last Five Years for Segue Productions and Patsy in the award winning Monty Python’s Spamalot for Marie Clark Musical Theatre. He directed the award winning Jekyll & Hyde The Musical for Marie Clark Musical Theatre in 2017.
Ben is looking forward to returning to the stage during the 2020 Adelaide Fringe in Forbidden Broadway with Marie Clark Musical Theatre.
Cailene Kilcoyne came to Adelaide from San Diego, California. She has performed regionally around the United States as well as internationally. Cailene keeps busy singing these days with a wedding band as well as singing in the shower. She's super excited to be performing at Broadway Sessions :)
At 18, Camryn Jordans is a talented young artist who loves to perform. Since the age of 12 she has performed in amateur and professional theatre productions such as Annie, You’re A Good Man Charlie Brown, La Boheme and Ode To Nonsense; as well as branching out and performing in professional solo gigs at venues around Adelaide, Canberra, and Sydney. In 2017 Camryn starred on The Voice Australia on both Team Kelly And Team Seal, successfully progressing through to the Blind Auditions, Knockout Rounds, and Battle Rounds. Earlier this year Camryn performed in the sold-out season of Heathers: The Musical as the starring role, Veronica Sawyer. In 2018 she plans to travel to Europe in hopes to gain some worldly experiences, as well as finding more inspiration for her original work.
Chelsea McGuinness (she/her)
At just 24 years old, Chelsea is already making waves in the professional music industry, working as a songwriter, specialist vocal coach and speech pathologist. Chelsea graduated from the Elder Conservatorium Jazz degree in 2019 with some the highest marks in her cohort, having been selected by James Morrison as a Vocal Jazz Scholarship finalist in 2018 & 2019. Chelsea has since completed a Master of Speech Pathology, recently travelling to Sydney to present her research on perfectionism in the professional performer at the Australian Voice Association National Conference. In 2022, she also travelled to Los Angeles to attend an Artist Development Program, meeting some of the music industry's leading songwriters and industry experts, including those that work with the likes of Beyonce, Justin Bieber, Tori Kelly and more. Chelsea is passionate about empowering performers through holistic and evidence-based voice science and hopes continue travelling around the world engaging in leading research and working with professional performers. With a strong background in Music Theatre and after a long hiatus from Broadway sessions, Chelsea is grateful to be sharing the stage with some of the best!
Chloe is currently studying a Bachelor of Secondary Education at Flinders and a Certificate in Makeup at Media Makeup. She has enjoyed performing in many musical theatre shows over the years, including The Little Mermaid, Hairspray, Thoroughly Modern Millie and is currently currently rehearsing for G&S's Les Misérables.
Cory Ferguson (she/they)
Cory has always been passionate about the arts, dancing and singing from the age of 5. Some of their stage highlights include Jenny Lind in Barnum (2019, March Productions), Cosette in Les Miserables (2020, Now Productions) and Teen Fiona in Shrek The Musical (2022, Hills Musical Company). After falling in love with theatre, they branched out into working backstage and behind the scenes with companies such as Pelican Productions, Northern Lights Theatre Company, Broadway Sessions, and most recently Davine Productions sell out seasons of Beautiful. These backstage experiences led Cory to study sound production, and then a degree in Film and TV at MAPS film school in 2019. Cory currently works as a barista, and is moving to Melbourne in April.
Dharini Rajaramanan (she/her)
Dharini Rajaramanan developed her passion for performing and musical theatre at a young age which grew stronger after showcasing in a number of school productions and performing in various vocal ensemble groups. Since completing school Dharini worked as a studio assistant at the Studio and Star Factory, a world class vocal coaching and artist development studio and has appeared in a few community theatre productions. In 2016, she performed in Marie Clark Musical Theatre’s production of Rent, where she understudied the role of Mimi and performed in the ensemble. Dharini also appeared in a musical theatre showcase at the University of Birmingham as a lead soloist. Dharini played the character Pat in the Gilbert and Sullivan Society’s production of Kinky Boots in 2019 and most recently appeared as Lucinda in the Gilbert and Sullivan Society’s production of Into the Woods in 2022. After spending the last few years focusing on her career in Clinical Psychology, Dharini is very excited to be back on stage. Dharini is excited to perform in the 2023 Adelaide Fringe production of Bimbo and is honoured to be a part of a show that challenges harmful stereotypes.
Ella Heywood-Smith is an actress, singer and script writer who has just completed an honours degree at the University of South Australia. In 2016 she performed in her self-written musical Arellond in the Adelaide Fringe. In 2016 - 2017 she travelled with the Australian Youth Performing Arts Team to America to perform in the Macy's parade and musical theatre shows in Disneyworld and Universal Studios. Ella's honours degree has given her the opportunity to write a script about her experiences as a child of same-sex parents and the script was first performed at the Feast Festival in 2017. Ella has just concluded her performance as Martha Dunnstock in Heathers The Musical (High School Edition) with CAPA (Adelaide Fringe Festival 2018).
Born into a family with a background in the performing arts, Emma has been immersed in the world of theatre ever since she can remember. Her introduction to Adelaide amateur theatre came when she joined the ensemble of G&S’s Oliver! in both 2013 and 2014, and was involved in the society’s production of Thoroughly Modern Millie in 2016. In 2017, Emma fulfilled her lifelong dream to perform the role of Cosette in Les Misérables, also with G&S, and in 2019 joined the cast of Therry's The Pirates of Penzance as Edith. Emma graduated from her Bachelor of Arts at Adelaide University in 2019.
A Tasmanian ex-pat, Grace has been treading the boards of the theatre since the tender age of two. Originally trained in classical ballet at the Tasmanian Academy of Dance, Grace naturally fell into musical theatre through the vocal tutelage of Patrice Sargison. A triple threat, Grace has performed as a member of the ensemble for CATS and Fiddler on the Roof, also taking on the roles of “Kate” in Annie (which she revisited as an adult as a Boylan Sister/Featured Vocalist & Dancer) for Encore Theatre, “Ronette” in Little Shop of Horrors, “Natalie Haller” in All Shook Up, “Tiffany” in Back to the 80s and Cecily in The Importance of Being Earnest for Scotch Oakburn College. Whilst studying, she performed annually in the Little Theatre for the Uni of Adelaide’s infamous Law Revue. Now a graduate lawyer, Grace is looking forward to utilising her love of theatre (read: ability to curb crippling nerves in front of an audience) in the courtroom!
Grace Mackenzie (She/Her)
Grace is now a post-graduate medicine student and still passionate about performing and honing in on her musical theatre vocal skills. She loves being apart of the Broadway sessions stage and has performed in past Productions as Penny in Hairspray and Gertrude McFuzz in Seussical.
Jemma Allen (She/her)
Jemma is chuffed that Broadway Sessions is finally back!! She is here for a good time and can't wait to jam with the band and see all of her lovely theatre friends again!! Yay!!!
Joshua Angeles is a 22 year old singer/performer with a passion for musical theatre and storytelling. He has been singing for as long as he can remember, starting at a very young age singing in church. Performances he is most recently known for include In The Heights (Pelican Productions) as Usnavi and Latin Choreographer, Les Misérables (G&S) as Marius, Godspell (Lydian/Irregular Productions) as Judas, and Judge Jackie (Davine Productions) as Duane.
Outside of theatre, Josh is a Systems Engineer working for an Electrical/Energy company. He is also Salsa performer/instructor. In his spare time, he loves playing guitar, songwriting and spending time with family and friends.
Katie Packer (she/her)
Katie has played such roles in Adelaide as Little Buttercup in HMS Pinafore, Lady Thiang in The King & I, Antonia in Man of La Mancha as well as Footnote in Pratchett Pieces for the Adelaide Fringe Festival. After moving to Melbourne in 2005 she played The Narrator in Joseph & The Amazing Technicolor Dreamcoat, Lt. Janice Fury in M*A*S*H, Pamela Lukowski in The Full Monty and received Lyrebird Award nominations for playing Sister Amnesia in Nunsense & Nunsense 2. She also played one of her dream roles, The Witch in Into The Woods as well as the wonderful Eulalie Mackecknie Shinn in The Music Man. Since moving back to Adelaide in 2015, Katie has portrayed Margaret Johnson in The Light In The Piazza for the 2016 Adelaide Fringe Festival and Jen in John & Jen. She had the opportunity to work with composer John Bucchino on his show It’s Only Life for the 2018 Adelaide Fringe Festival, to be a part of the small ensemble cast of Godspell, and portrayed Judge Jackie Justice in Judge Jackie: Disorder in the Court for the 2019 Adelaide Fringe Festival. Most recently she portrayed Alice Tinker in The Vicar of Dibley.
Katie has Musically Directed The Outsiders, All The New Stuff, Kids On Broadway, Monty Python’s Spamalot, Godspell, Little Shop Of Horrors, A Funny Thing Happened On The Way To The Forum, The Wedding Singer, Seussical The Musical, The Wizard Of Oz, Annie, Once Upon A Mattress and most recently Betty Blue Eyes. She also had the opportunity to co-direct for the first time with Avenue Q in 2014.
Kristin Stefanoff (she/her)
Kristin is a music teacher, musician, and performer based in the Adelaide Hills. Favourite musical theatre roles include: Muriel (Dirty Rotten Scoundrels - Hills Musical Company 2022); Laura (High Fidelity - Hills Musical Company 2021); Vivienne (Legally Blonde - The MET 2021); Simone (Shane Warne The Musical - Segue Productions 2020); Elizabeth (If/Then - Segue Productions 2018); Cathy (The Last Five Years - Segue Productions 2017); Clara (The Light In The Piazza - Davine Productions 2016); Inga (Young Frankenstein - Marie Clark Musical Theatre 2014); Smitty (How To Succeed In Business Without Really Trying - Marie Clark Musical Theatre 2013); and Ensemble/Lady of The Lake Understudy (Spamalot - Marie Clark Musical Theatre 2018). Kristin will be playing Ms Gardner/Female Authority Voice in Carrie The Musical with Hills Musical Company in November 2023.
Kristin holds a Bachelor of Music Education from the Elder Conservatorium, majoring in Classical Piano, and has extensive accompanying and pit experience. Music Direction credits include: Heathers: The Musical (Segue Productions 2019); Calamity Jane (Marie Clark Musical Theatre 2014); Poor Expectations (Investigator College 2014); Mulan Jr (Investigator College 2013); and Honk! (Investigator College 2011).
Kristin teaches piano, voice, violin and music theory, and loves seeing students grow in confidence as they develop their skills in music.
Kurt debuted in the Adelaide musical theatre scene in 2017, where he played in the ensemble and Cesar Rodriguez in Saturday Night Fever with MBM, Hugo Peabody in Bye Bye Birdie with the Met, as well as ensemble and the Pied Piper in Shrek the Musical with AYT in January of 2018. Taking a small hiatus after Shrek to work on his newly developing singing and acting skills, as well as continuing work on his dance training of many years, Kurt has made a return to the theatre scene – playing the role of Scott Hastings in MBM's Strictly Ballroom in 2019.
Maya’s love of musical theatre began at an early age, with her journey in performance beginning with Pelican Productions. Since then, Maya’s theatre credits include The Gilbert & Sullivan Society’s Thoroughly Modern Millie (2016) and Les Misérables (2017), Lydian Productions and Irregular Productions’ Godspell (2018) as the ‘By My Side’ soloist, Marie Clark Musical Theatre’s Anything Goes (2019) as Hope Harcourt, Segue Productions’ Heathers (2019) as Heather McNamara, and most recently Davine Productions' Beautiful: The Carole King Musical as Cynthia Weil (2020). Maya is a primary school Dance/Drama teacher, and she finds so much joy in being able to share her love of musical theatre with her students.
Megan is a graduate of the Music Theatre program at the University of Ballarat and has been performing in theatre and cabaret in Adelaide and beyond for over fifteen years, including a two-year stint in the U.K., where she performed her show The Girl Who Won't Grow Up and premiered a new, as yet untitled piece, at the Pheasantry in London.
She has written and produced several cabarets and concerts, and produced the South Australian and amateur premiere of Matthew Robinson's Sing on Through Tomorrow in 2014. Favourite roles in amateur theatre have included Laurey in Oklahoma!, Phoebe in The Yeomen of the Guard, and Eliza Doolittle in My Fair Lady.
In 2018 Megan premiered a new cabaret at the Adelaide Fringe Festival, climbed Rocky Mountains once more as a part of The Pirates of Penzance (on the Popeye!), directed the Australian Premiere of Buffy Kills Edward, a Musical Parody, and is playing Petra in A Little Night Music for the G&S Society and Carrie in Rules for Living with the Adelaide Repertory. And that's only the stuff that's confirmed!
Michael is thrilled to be performing with Marie Clark for the first time. A Melbourne native Michael’s first Adelaide show was last year’s production of Les Misérables (G&S Society).
Michael hopes to see you at Spamalot.
Mitchell is so excited to be back at Broadway Sessions for the first time since almost 3 years living in Melbourne. Favourite past roles include Melchior in Spring Awakening (HMC), Marius in Les Misérables (PLOS - Melbourne), Jimmy in Thoroughly Modern Millie (G&S), and Monty in Violet (Davine). He currently works as a paediatric podiatrist in the public sector in Victoria and is so grateful to be able to get across the border (and hopefully back) to sing tonight.
Nick Munday (he/him)
Nicholas has been an active member of the Adelaide theatre community for over a decade and has amassed a diverse catalogue of performances across a variety of media, ranging from opera to improvised comedy. Notable roles include Marius in Les Misérables, Major-General Stanley in The Pirates of Penzance, George Grossmith in Tarantara! Tarantara!, Benny in RENT!, Jack in Into the Woods, and Algernon in The Importance of Being Earnest.
In addition to theatre, Nicholas is also a current board member of the of the Festival Statesmen Chorus, a local award winning a capella association. With that group, he has enjoyed success in the Adelaide Fringe Festival as the writer and co-director of Tough Boys (2020) and Choir Boys (2019), with the latter receiving a Weekly Award. Other Adelaide Fringe appearances include five seasons of the popular improvised musical show Vicarious Cabaret with the troupe ‘Spoonerise This!’, of which he is a founding member.
Nicholas studied a diploma in classical voice at the Elder Conservatorium and was the recipient of the Clement Q Williams Prize while a student there. He also holds double degrees in Law and Science (Environmental Biology) from the University of Adelaide and by day works as a solicitor specialising in Environment and Planning Law.
Ruby Pinkerton (she/her)
Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Recently, Ruby played Rose in Dogfight with St Jude’s Players, Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots and was the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. She also performed as Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Beautiful: The Carole King Musical witih Davine Productions, Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society, and in 2023 Kiss Me Kate with Hills Musical Company.
At 23, Scarlett has been passionate about performing since she was young. She began dancing at Barbara Jayne Dance Centre when she was 3 years old where she developed her singing and dancing skills for 13 years and has now begun focusing on her passion for musical theatre. Scarlett graduated Concordia College in 2017 as the Dux of Solo Vocal Performance where she was and will continue to be taught by her singing teacher Rosie Hosking.
With 18 years of combined performing experience, Scarlett's love for the stage has never ceased, with her previous roles including Amber Von Tussle in Hairspray, and Campbell Davis in Pelican Production's production of Bring It On the Musical's first season and its 2018 return season - for which she received a TASA nomination for 'Best Youth Female Actor'. Her most recent musical accreditation included a performance season of Godspell with Lydian Productions and Irregular Productions. In addition to this, she was also selected to perform as a featured soloist at the nationally televised 2018 Elder Park Carols By Candlelight. Her professional accolades in Adelaide have also included working with Ding Productions and Shane International each year for varying statewide productions. She has also been contracted with Royal Caribbean International (Miami) as a featured lead vocalist since January 2019 and has recently returned from a 10 month LA season with them. She’s set to resume her overseas work with them for another year, beginning in October 2022.
Tegan Gully-Crispe (She/Her)
Tegan has appeared in amateur and professional shows since the age of nine, her favourite roles include Lois/Bianca in Kiss Me Kate (MCMT- 2006 and Co Opera SA - 2007), Ariel in Footloose (Matt Byrne Media – 2006), Lucy T Slut in Avenue Q (Matt Byrne Media – 2011), Rizzo in Grease (The Met – 2013), Calamity Jane in Calamity Jane (MCMT- 2014), Elle Woods in Legally Blonde (Hills Musical Company – 2014) and Julia in The Wedding Singer (MCMT- 2015).
For five years Tegan worked at the Night Train as a lead performer in their Adult, Kids and touring show, The Rockaholics, and has been the lead singer for Adelaide corporate and Party Band Jungle Jooce for the past 16 years. She also co-wrote, choreographed and performed in the sold out season of Villain-Ville: A Musical Exploration of Villainy and Evil in the 2015 Adelaide Fringe Festival.
More recently Tegan played Princess Fiona in AYT's Shrek, Tracy Samantha Lord in the METs High Society, Mayzie La Bird in NLTC’s Seussical in 2018 and Eva Peron in G&S' production of Evita in 2021. In April this year, Tegan will be playing Holly in Northern Light Theatre CO’s production of The Wedding Singer.
Trevor hasn't been particularly active in the theatre community of late, having only performed in Pretty Boys in the 2017 Adelaide Fringe Festival since returning from interstate a few years ago. In the meantime, he has been busying himself with the Festival Statesmen Chorus, performing a variety of a cappella music. Highlights have included singing back-up for Adele, performing with Rob Mills and headlining the National Choral Festival in the past 12 months.
Trevor's theatre credits include Avenue Q (Matt Byrne Media), Curtains and Anything Goes (Therry), Orpheus in the Underworld and HMS Pinnafore (G&S SA), and Gypsy and Joseph and the Amazing Technicolour Dreamcoat (MS Society). Trevor's most recent theatre engagement was working on Promise Adelaide's 2017 production of All Is Calm which will be his musical directing debut; where he is excited to be combining his love of musical theatre and acapella together.
Vaishnavi is a lawyer with a passion for music theatre. This is now her fifth time being a part of the Broadway Sessions line-up, and her first time since coming back from a long hiatus! She was in the Met's production of Bye Bye Birdie and hopes to be part of another show soon!
Zak is currently in his third year at the Victorian College of the Arts studying a Bachelor of Fine Arts (Music Theatre). He has been passionate about theatre for as long as he can remember, undertaking both on and offstage roles for a variety of productions. He has completed a Certificate IV in Commercial Dance at Gravity Dance, specialising in tap, hip hop, jazz, contemporary, ballroom and ballet.
Zak’s choreography credits include Singin’ in the Rain JR (2017, TB Arts, Fringe Festival), A Peter Combe Extravaganza! (2017, Something on Saturday) and A Night on Broadway (2014, Glenunga High School). Zak made his professional debut with State Opera of South Australia’s production of Hansel and Gretel. Since then, he has played many memorable roles such as Boq in Wicked the Musical (2016, Matt Byrne Media), Mary Sunshine in Chicago (2017, Emma Knights Productions), The Tinman in The Wiz (2013, GIHS), Danny in Grease (2014, GIHS), Bert in Mary Poppins (2014, GIHS) and also appeared as a featured dancer in Thoroughly Modern Millie (2016, G&S Society of SA).
An avid performer, he has entertained at many events around Adelaide, such as the Adelaide Fringe Festival, the Royal Adelaide Show and Adelaide's Clipsal 500, as well as at private functions, weddings and parties. Zak also works as an entertainer for Nickelodeon and Showtime Attractions and has performed in many children’s shows with them.
Zali is sixteen years old and has been performing in musicals since she was ten. She has been involved in many musicals with Adelaide Youth Theatre, and in 2018 she has played Dragon in Shrek the Musical and Melman from Madagascar Jnr. Zali has also performed with Impact Entertainment (Gen Z for Adelaide's Royal Show), Heaps Good Productions, Broadway 4Kidz and the Australian Classical Youth Ballet Company.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max Ziliotto has been performing since 2004, from concert bands, drumline and big band, to orchestral works and musical theatre. Prior to his acceptance as a Casual Percussionist with the Adelaide Symphony Orchestra, he completed his Bachelor of Music in 2013 at the University of Adelaide’s Elder Conservatorium of Music under the tutelage of Amanda Grigg.
Born in Adelaide, Max began his musical journey under the guidance of Peter Matzick. Attending Marryatville High School, Max gained a wealth of performance opportunities including the Generations in Jazz festival in Mount Gambier. During his Undergraduate studies, Max won first place in the Melbourne Symphony Orchestra Snare Drum Award in 2011.
Max has been performing with the Elder Conservatorium's Music Theatre students' productions since 2021, most notably playing the drum score for Legally Blonde, directed by Broadway's Nikki Snelson in 2022.
Max was also an active member of the Raiders Drum Corps from 2006-2019, performing numerous times in the city's Christmas Pageant, and on stage with them at Australian Ultimate Drummers Weekend in Melbourne 2015. He has tutored at South Australian Music Camp multiple times, and has been in the house band of Broadway Sessions since its inception in 2015.