Fringe Session: Broadway Sessions Does Disney

25 Sunday February 2018
When: 6:30pm Where: Norwood Live, Norwood Hotel Tickets: $15 (plus Adelaide Fringe booking fee)

About this Session

That’s right, it’s back! After the packed house success of our first (and initially only) Disney night, we thought we’d bring it back, in a bumper Adelaide Fringe edition

Come on and Be Our Guest as host and Disney addict Millicent Sarre helps to make Disney Part of Your World (for one night) with a Session dedicated to the Disney musical. Now, I Won’t Say (I’m In Love), but we think this one will really Go The Distance.

There are plenty of both well-known and unknown Disney songs that can take you from Zero to Hero: don’t just sit in the audience thinking I Wan’na Be Like You, but register your suggestions and help turn the Poor Unfortunate Souls in the audience into true Disney addicts too. Trust us… Mother Knows Best.

Session Setlist

Act 1
When You Wish Upon A Star (My Son Pinocchio) – Rebecca Raymond
Friend Like Me (Aladdin) – Omkar Nagesh
These Palace Walls (Aladdin) – Grace Mackenzie
Circle Of Life (The Lion King) – Alisa James, Rebecca Raymond
How Far I'll Go (Moana) – Sophia Thompson
Shiny (Moana) – David MacGillivray
Colours Of The Wind (Pocahontas) – Grace Mezak
Happy Working Song (Enchanted) – Emma Haddy
Go The Distance (Hercules) – Mitre Khammash
Once Upon A December (Anastasia) – Courtney Sandford
Journey To The Past (Anastasia) – Chloe Bremner
Somewhere That's Green (Little Shop Of Horrors)* – Sophie Morris
Coasting (Edges)* – Casmira Lorien, Mim Sarre, Mitchell Smith, Scott Lorien
Act 2
Supercalifragilisticexpialidocious (Mary Poppins) – Claire McEvoy, David Salter
Watch What Happens (Newsies) – Alisa James
Santa Fe (Newsies) – Ellis Dolan
Beyond My Wildest Dreams (The Little Mermaid) – Kristin Stefanoff
Her Voice (The Little Mermaid) – Mitchell Smith
Part Of Your World (The Little Mermaid) – Emma Vanderzon
Beauty And The Beast (Tale As Old As Time) (Beauty And The Beast) – John Sheehy
Home (Beauty And The Beast) – Georgia Cosercas
A Change In Me (Beauty And The Beast) – Nava Revalk
God Help The Outcasts (The Hunchback Of Notre Dame) – Ada Parker-Minniecon
Out There (Hunchback) – Tom Brandon
For The First Time In Forever (Frozen) – Mim Sarre
Let It Go (Frozen) – Sarah Brideson
* promoting an upcoming show

Session Host

Mim Sarre

Millicent Sarre is a singer-songwriter, musical theatre performer, cabaret artist, singing teacher, and all-round vocal nerd. Having studied music and theatre at Graceland University in the United States, she can now be found on the Adelaide musical theatre scene, having worked with Irregular Productions, Hills Musical Company, The Gemini Collective, Segue Productions and many more. Her favourite roles to date include Veronica Sawyer in Heathers (Segue 2019), Wendla Bergmann in Spring Awakening (Hills Musical Company 2017 – ATG Award for Best Musical), Ivy in Ivy + Bean: The Musical (The Gemini Collective 2018 – Australian Premiere), Sally Brown in You’re a Good Man, Charlie Brown (HMC 2015) and Audrey in Little Shop of Horrors (Graceland University 2013).

In June 2019 she debuted her self-devised and self-produced cabaret show Friendly Feminism for the Mild Mannered in a sell-out season in the Adelaide Cabaret Fringe Festival. She is currently Artist in Residence at Slingsby Theatre Company where she is writing her next show.

Mim is a singing and performing arts teacher at Theatre Bugs and Adelaide Theatre Academy, and has musically directed their productions of Little Shop of Horrors (2018), Xanadu Jr (2018) and Porridge (for ‘Something on Saturday’ at the Dunstan Playhouse, 2019), and co-musically directed 13 The Musical (2019).

Session Performers

Ada Parker-Minniecon

Ada has performed in many musicals during her schooling. As well as participating in Theatre Bugs and the school bands in years 6 and 7, and the school choir through year 6 to 12. More recently Ada has performed in her fathers band Sound Factory. Performing in corporate shows and events.

Ada enjoys all her performances, giving more than 100% into all roles that she is placed in and all challenges that come her way. This year Ada is a commencing student at the University of Adelaide, in a Bachelor of Music (Jazz - Performance) course.

Alisa James

Alisa has been performing in musicals in Adelaide for over 10 years. Alisa's favourite roles include Gary Coleman in Avenue Q (MBM, 2011), Reno in Dusty (The Met, 2011) and Enid in Legally Blonde the Musical (Hills, 2014). Most recently Alisa performed in Violet (Davine Interventionz) for the Adelaide Fringe. Currently Alisa is rehearsing for Aida with the Hills Musical Company. Alisa has trained in jazz, tap, contemporary and hip hop dance and has vocal tuition with Kirsty Roberts.

Casmira Lorien

Casmira is an experienced performer and teacher with a great passion for storytelling. Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).

In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards, as well as the TASA for Best Musical) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.

Professionally, Casmira has acted and provided voices for several short films and children’s productions. She also spent many years directing and music directing musicals for Adelaide Theatre Academy, including Snow White and Alice in Wonderland for the Festival Centre’s ‘Something on Saturday’ program. Her fondest memories are working with Peter Combe in directing and choreographing his Adelaide Fringe shows from 2013-2015.

Chloe Bremner

One of Chloe's earliest memories is twirling and singing in an Adelaide Crows football guernsey. Following this passion, she landed her first professional role in the touring production of Turandot in 2008, as well as starring as Ariel in the 2013 Australian premiere of The Little Mermaid. Chloe loved being part of Big Dreams – a 2019 Book Week show.

Throughout her time at WAAPA, Chloe has had the opportunity to play Cora in Atlantis (Matthew Robinson. Workshop) and Diane Lorimer in 42nd Street (dir. Jason Langley) as well as being a featured soloist in both Rent (dir. Adam Mitchell) and Chicago (dir. Crispin Taylor). Chloe filmed Vivid ‘magination, a music video with WASA where she played female lead Drew which was released in 2018.

Most recently Chloe returned from performing in Disney’s PJ Masks live show in Singapore with Marilla productions.

Claire McEvoy

Claire is proud (and feeling old) to have been a part of Adelaide's musical theatre and cabaret scene for over 10 years now. She's had the chance to play some fantastic roles in shows such as The Sound of Music, [title of show]The Wedding Singer, and Homemade Fusion. Claire has been a part of a number of Adelaide Fringe and Cabaret Fringe festival shows, and has also tapped into the local theatre scene in London and Rotterdam during her time living overseas. Having recently returned to Australian shores, Claire is excited to chortle, tear-up and beam her way through this festival season, drinking in the delights of Adelaide's talent.

Courtney Sandford

Courtney is a classically trained vocalist holding a Bachelor of Music (Classical Voice) from the Elder Conservatorium of Music. Throughout her degree Courtney was a member of many choirs including the Adelaide Symphony Chorus where she most notably performed in Danny Elfman's The Music of Tim Burton and Andrea Bocceli's Australian tour.

After nearly a decade of classical training and performing, Courtney decided to broaden her style and began focusing on Musical Theatre. Courtney has just finished performing as Heather McNamara in HEATHERS: The Musical to a sold out season in the 2018 Adelaide Fringe Festival.

Courtney has recently returned from travelling to both London's West End and Broadway and is thrilled to perform, more inspired than ever.

David MacGillivray

Growing up performing in the Scouts’ Gang Show: Comedy Capers, David developed a love for musical theatre from a young age. Trained at the Centre for the Performing Arts; David has enjoyed performing Shakespeare with the State Theatre, Lightning Strike and Chopt Logic Theatre Companies and has toured in the past with Splash Theatre Company. Turning from professional acting to focus his energy on his family and work for the Anglican Church as a priest, David chooses to do shows that he loves.

It was in Marie Clark's production of Paris in the titular role that David hit the Adelaide scene in musical theatre. David has since performed with Marie Clark Musical Theatre in Miss Saigon (John) and as Carl Hanratty in the 2016 production of Catch Me if You Can. He has worked with Northern Light Theatre Company as Frederick in Pirates of Penzance and Seymour in Little Shop of Horrors. David also performed at the Adelaide Fringe Festival in 2015 with Lazy Saturday Productions' Australian premiere of Darkle. 2017 was a big year of theatre for David starting with Pale Ale Tales, a new work by local writer, Jason Hendy in the 2017 Adelaide Fringe, Jekyll and Hyde with Marie Clark and finishing with Les Misérables as Enjolras with G&S Society. Most recently David performed with the Hills Musical Company in Assassins as John Wilkes Booth.

David is thankful to his wife for her love and support, and for letting him play.

David Salter

When David is not performing in local musical theatre and cabaret, you can catch him busking at Adelaide's beaches and surrounding suburbs with his ukulele, performing puppets for children, and enjoying singalongs at old folks homes. His recent credits include playing Peter Allen in the Met's Boy from Oz, Princeton in Matt Byrne Media's Avenue Q. as well as leads in Dirty Rotten Scoundrels for Opus, Little Shop of Horrors for Northern Light Theatre Company, and the local cabaret showcases Sing on Through Tomorrow and Homemade Fusion.

David recently played the role of Denny Doherty in the Davine Interventionz sell out season production of Flowerchildren – The Mamas and Papas Story after performing in Davine's 2013 production of Altar Boyz.

Ellis Dolan

Ellis Dolan is currently touring with the company of 'School of Rock' as an Understudy for Dewey Finn and as a Swing – recently returning from a four-month tour of China. He spent 2017 studying Musical Theatre at NIDA; appearing in the Sydney Theatre Company production of Chimerica as part of the NIDA Ensemble.

He has appeared in several productions around Adelaide, including Evita (The Met) in which he portrayed Che; The Producers (HMC) as the Stormtrooper; Oliver! (Shane Davidson Presents) as Bill Sykes; as well as ensemble roles in Sweeney Todd: The Demon Barber of Fleet Street (HMC) and Jesus Christ Superstar (G&S Society). Off-stage, he acted as Assistant Director for You’re A Good Man, Charlie Brown and Smokey Joe's Cafe (HMC).

He also toured across Australia, portraying the role of Peter Dutton, as part of Abbott: The Musical (George Glass Productions), performing as part of the Canberra Comedy Festival and Melbourne International Comedy Festival, as well as a sell-out run in the Adelaide Fringe Festival.

Outside of performing, Ellis is a writer – having completed his Honours in Creative Arts: Creative Writing at Flinders University. He’s currently struggling through the first draft of a novel and is constantly side-tracked by wanting to write reviews and film analysis; because of this, nothing seems to get done, but he has a lot of fun doing it.

He made his directorial debut with Edges as part of the 2018 Adelaide Fringe Festival and loved every second of working with such fine people.

Emma Haddy

Born into a family with a background in the performing arts, Emma has been immersed in the world of theatre ever since she can remember. Her introduction to Adelaide amateur theatre came when she joined the ensemble of G&S’s Oliver! in both 2013 and 2014, and was involved in the society’s production of Thoroughly Modern Millie in 2016. In 2017, Emma fulfilled her lifelong dream to perform the role of Cosette in Les Misérables, also with G&S, and in 2019 joined the cast of Therry's The Pirates of Penzance as Edith. Emma graduated from her Bachelor of Arts at Adelaide University in 2019.

Emma Vanderzon

Emma is currently a year 12 student with a passion for music and all things Disney. She performed with theatre bugs for many years and has most recently been part of the chorus for her school's productions of Hairspray and Legally Blonde. Emma now takes vocal lessons with Teresa LaRocca.

Georgia Cosercas

At 23, Georgia is still exploring Adelaide's theatre community with wide eyes. With a later start than some, Georgia began performing with Pelican Productions at 14, and continued to do so for six years. Her most recent feat with the company was in 2017 in Bring it On: The Musical, where she played the part of Bridget, earning her a nomination for best youth perfomer.

Georgia has spread her love of the performing arts overseas, by working as a drama instructor in a summer camp in Arizona. She has just completed her Bachelor of International Tourism at Flinders University and most recently starred in the MET's production of High Society as the precocious Dinah Lord. Up next, Georgia will be performing in Davine Productions Beautiful: The Carole King Musical in the 2020 Adelaide Fringe Festival.

Grace Mackenzie

Grace is a Second year university student studying Health and Medical Sciences but still enjoys performing and looks to improve both her singing and performance skills. Notable past performances include Gertrude Mcfuzz in Seussical and Penny in Hairspray.

Grace Mezak

Grace loves all things Disney and has been going to see musicals since she was 6 years old, always choosing to be in the front row because it was the closest to the stage.

At 19, Grace has performed in 3 musicals: Pirates of Penzance Jr. (2013), Mulan Jr. (2015) and Singing in the Rain Jr. (2017), 3 Catholic School Music Festivals (2009-2011) and has over 9 years of singing experience, including gigging around Adelaide at charity gigs and other functions for the past 3 years. Last year, she studied acting through NIDA Open and Adelaide College of the Arts as well as completing her first year of a Bachelor of Performing Arts degree at University of South Australia, combining her love of music and acting.

This year, Grace was lucky enough to perform in Harvest Rain's Youngharts Creative Convention alongside Rhonda Burchmore, Christine Anu, Silvie Paladino and Isaiah Firebrace. She will not only be performing in the 2018 Adelaide Fringe Festival but also the Adelaide Festival in the stage adaption of Alice Oswald's Memorial.

John Sheehy

John Sheehy is an Actor/Singer from Cork, Ireland. John’s original profession was as a structural engineer before completing a Masters in Business Studies only to realise that performing was his true calling. He studied acting and musical theatre in The Gaiety School of Acting and The Cork School of Music before moving to Swindon in 2015 to train in dance at Liberatus School of Performing Arts. As semi-finalist in The Voice of Ireland he has performed live to audiences of over one million viewers and in 2016 John had a number 1 single on iTunes in Ireland. Currently living in London he is a soloist for international touring acapella groups The Magnets and The Choir of Man. With a Vocal range of 4 octaves covering (G2 to G6) and belt to E5, John is a Baritone, Tenor and Countertenor with a very strong falsetto. He is also an avid Liverpool F.C fan and his other interests include Yoga and video production.

Kristin Stefanoff

Kristin has always lived and breathed music, but it wasn't until 2009 that she discovered musical theatre. After accompanying her first show she thought, "Hey, this looks like fun!" and auditioned for the next show that came around. The rest, as they say, is history. She has accompanied and music directed, but she truly feels alive on the stage. Favourite roles include Smitty in How To Succeed in Business Without Really Trying (Marie Clark Musical Theatre 2013), Inga in Young Frankenstein (Marie Clark Musical Theatre 2014), Clara in The Light In The Piazza (Davine Interventionz 2016), Cathy in The Last Five Years (Segue Productions 2017), Elizabeth/Liz/Beth in If/Then (Segue Productions 2018), and Simone in Shane Warne The Musical (Segue Productions 2020). In 2021, she will hopefully have the chance to perform with the Met as Vivienne in Legally Blonde the Musical!

Kristin music directed Heathers the Musical for Segue Productions in September 2019. She is also a founding member of the new Adelaide based theatre company Segue Productions. When she's not at rehearsals or the theatre, she teaches voice and piano, and often dances around the house singing showtunes with her awesome 5 year old.

Mitchell Smith

Mitchell first began performing at age 7 in choirs and school productions, before working extensively with youth theatre companies Pelican Productions and Swell Productions. Mitchell performed professionally as a child with Windmill Theatre Company. Mitchell has recently performed leading roles in Spring Awakening (Hills Musical Company - ATG Best Male Performance nom.), Violet (Davine Interventionz) and Thoroughly Modern Millie (G&S Society), and has been featured in She Loves Me (Therry), FAME (Marie Clark), and Oklahoma! (Emma Knights Productions). He has also appeared in song cycles 35mm: A Musical Exhibition (Emma Knights Productions) and Edges (Irregular Productions).

Outside of performing, Mitchell has recently completed his Bachelor of Podiatry (Honours) at UniSA and works as a performing arts teacher with Theatre Bugs and Adelaide Theatre Academy. In 2018 Mitchell made his directorial debut with Adelaide Theatre Academy's acclaimed production of Xanadu Jr.

Mitre Khammash

Mitre Khammash is a South Australian Film & Theatre maker. Graduating from Adelaide College of the Arts studying Film and Television in 2014, Mitre has gone onto working in the SA theatrical and screen production industry. - Mitre’s credits include writing, producing and directing original a cappella jukebox musicals, Counting Bars 2015 and Pretty Boys 2017, as well as being involved in a number of theatrical productions for AJZ productions, Brink Productions and No Strings Attached Theatre of Disability. Mitre also has produced small creative screen works, such as web-series: The Munday Night Report and has produced multiple short films and music videos.

In 2018 Mitre worked in a crew position for Netflix / ABC Series Pine Gap, and has also been commissioned by Carclew to undergo creative project development on his original theatre work Counting Bars 2015. He worked with Adelaide based creatives and actors to devise a new South Australian musical theatre piece, and has since created THE ANNA PROJECT as an outcome of this development. Mitre is thoroughly working toward a career in the South Australian arts industry in Stage and Screen.

Nava Revalk

Nava Revalk is an 18-year-old singer, actress, dancer and pianist, who has been performing since the age of 3. Nava has played lead roles in musicals with South Australian youth theatre groups and has received many accolades and awards for her performances.

At the beginning of 2019, she relocated to Brisbane to follow her passion, gaining a place in the highly competitive Bachelor of Musical Theatre course at the Queensland Conservatorium.

Nava has performed around the world. She has toured Japan as a lead vocalist with her high school, Concordia College in 2016. Additionally, she toured the US in 2017 and 2019 with the Australian Youth Performing Arts Team, singing solos in Disneyworld and Universal Studios, Orlando and Disneyland and Universal Studios, LA.

Nava’s goal is to make a splash in the musical theatre scene, following her degree, and to bring people together through performing professionally, internationally.

Omkar Nagesh

Omkar Nagesh has always been passionate about singing and performing on stage. He has enjoyed working with various amateur theatre companies in Adelaide over the past 10 years. Omkar was nominated for an Adelaide Theatre Guide Curtain Call Award for Best Male Performance in both his performances as The Engineer in Miss Saigon (The Met 2019, MCMT 2011). Other favourite roles include Leo Bloom in The Producers (HMC 2015), Lumiere in Beauty and the Beast (Northern Light 2011), Jack Worthing in The Importance of Being Earnest (AUFC 2011), Historian/Prince Herbert/Minstrel/et al. in Spamalot (Northern Light 2010), Growltiger in Cats (The Met 2009), and Jake in the South Australian Premiere of Sideshow (HMC 2018).

Rebecca Raymond

Rebecca comes from a rich musical heritage and has been performing for most of her life. Versatile in her style she enjoys performing in all musical genres which has led to her performing as a soloist with many different groups and for varying audiences. She has been a leading soloist with Adelaide’s Soul Factor Gospel Choir for the past 16 years, performs regularly with her Sisters, The Raymond Sisters and for five years was the vocal soloist with the Melbourne Staff Band with whom she toured Australia, Korea and the UK where she had the privilege of singing in the Royal Albert Hall, London.

Rebecca performs corporately as a Singer and Actor. Appearing as a soloist at varying events in Adelaide and Nationally and in Theatre. Memorable roles include the role of Violet Hilton in SideShow (2018) and Aida in Aida (2017) with Hills Musical Company, Sandra Bloom in Big Fish with Therry Dramatic Society (2016), Laurey in Oklahoma! The immersive farm experience with Emma Knights Productions (2016 & 2017), and Cosette in Les Misérables with the G&S Society (2008 & 2009).

When not performing Rebecca teaches singing, has her own Mary Kay Cosmetic business and is a makeup artist. She also teaches Skincare & Self Esteem classes in schools and groups in the community.

Sarah Brideson

Having recently completed the Bachelor of Arts in Music Theatre at the Western Australia Academy of Performing Arts (WAAPA), Sarah has returned to the Eastern states to launch her professional career. Raised in Adelaide, she trained in jazz, ballet, tap and contemporary dance, and toured internationally with Young Adelaide Voices. She featured as lead vocalist alongside Kate Ceberano in Lady Marmalade (dir. Michael Degenhart) and performed various lead roles for State Opera SA’s Broadway Jr Series (dir. Patrick Lim) and Pelican Production's Music Theatre Camp.

After obtaining her Certificate IV in Dance in 2012, Sarah moved to Melbourne to continue her training at Danceworld Studios and completed the Foundation of Music Theatre at VCA.

Her WAAPA credits include Truman Head Fly in Bring it On (dir. Jay James-Moody, chor. Michael Ralph), Alexi Darling/Ensemble in Rent (dir. Adam Mitchell), Dance captain in Heathers (dir. Andrew Lewis), Phyllis Dale in 42nd Street (dir. Jason Langley, chor. Lisa O’Dea) and Annie in Chicago (dir. Crispin Taylor, chor. Michael Ralph).

Scott Lorien

Scott has always had a love of the theatre, but his real obsession began in high school, with performances as the Foreman, Pimp and a Student in Les Misérables, Priam in Paris and Action in West Side Story. Since completing high school he performed non-stop for a number of years, starting with Gerald Bolingbroke in Me and My Girl, an Apostle in Jesus Christ Superstar and Ugly in Honk! (Marie Clark Musical Theatre). After playing Cornelius Hackl in Hello, Dolly! and Asher and the Butler in Joseph and the Amazing Technicolor Dreamcoat (Metropolitan Musical Theatre Company of SA), Scott joined Northern Light Theatre Company’s production of Disney’s Beauty and the Beast as Monsieur D’Arque to round out 2011. The following year started with an incredible experience: Scott won the role of Henry in Six Foot Something’s pro-am Production of Next to Normal. After a mild performance hiatus in more recent times, Scott starred as Hunter in Irregular Productions sell out 2015 Adelaide Fringe season of [title of show].

If there’s one thing he regrets, it’s not starting singing and performing (publicly of course) at an earlier age. Off-stage (but in the theatre) Scott enjoys both sound and lighting design, and the challenges each of these areas brings to his knowledge of design in the digital world. Broadway Sessions is certainly the start of a new chapter, bringing together many ongoing stories and plot lines, but allowing the love of theatre (musical theatre in particular) to continue in new and exciting ways.

When not strutting his stuff on stage, or manically helping out backstage or in the roof of a theatre, Scott is a web designer & developer, creating sites like this one! You can see more of his work at www.scottreynolds.com.au.

Sophia Thompson

Sophia has been performing since she was just three years old and now is in Year 10 as a Scotch College Performing Arts Scholarship student. She first started at Theatre Bugs when she was 3 and she was involved in many performances. She then moved on to Trinity College London Drama School where she completed many speech and musical theatre exams. Sophia trained through Trinity with Alicia Zorkovic until Year 8 and now trains with Peta Shannon and SA Casting.

Sophia started voice lessons when she was in Year 2 through Theatre Bugs, then in Year 4 with Andrew Turner until the end of Year 7. She now takes lessons with Kristen Hardy through Scotch College. Sophia has been dancing since the age of 3 and has done many different styles at many dance schools.

Sophia has participated in many musicals and shows. Sophia performed has performed in 2 Promise Adelaide shows, Rising Stars for the starlight foundation as a guest performer, their fringe show Musical Moments last year and is now performing in again for the 2018 Adelaide Fringe Festival season. Sophia has performed in 4 Shane Davidson Present’s shows, Hairspray Jnr in 2015 as a Dynamite, Legally Blonde Jnr in 2016 and High School Musical 2 as Kelsi Nielsen last year. This year she was in Wicked and played Elphaba’s Mother and Shen Shen. For Wicked she had an article written about her in The Messenger. Sophia hopes to pursue musical theatre since she loves it so much.

Sophie Morris

Sophie's passion for theatre began at the age of 11 years old in Northern Light Theatre Company's Beauty and the Beast. Since then she has played many of her favourite roles such as Audrey in Little Shop of Horrors, Skylar in Bring it On, Brooke Wyndam in Legally Blonde and most recently Hedy La Rue in How to Succeed in Business Without Really Trying.

Tom Brandon

Tom Brandon is a 26 year old singer from Ireland, and is visiting Adelaide with "The Choir of Man" (performing at the Adelaide Fringe Festival in 2018). He studied at the Royal Academy of Music and has been performing in London (and abroad) since 2013.

Session Band

Peter Johns (Piano/Musical Director)

Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.

He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.

Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).

Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.

Max Ziliotto (Drums/Percussion)

Max has been playing percussion for 15 years, and has been involved in numerous music performance groups throughout that time. Attending Marryatville High School 2006-2010, and being a part of the Raiders Drum Corps since 2007, he learned performance etiquette pretty quickly, and grew comfortable performing in front of people. Max participated in the Big Band program at high school, and as such was able to attend Generations in Jazz multiple times. His drumkit playing further improved after high school where, during his studies for his Bachelor of Music (Percussion), he was a part of the Jazz SA Youth Superbands. While studying his Bachelors, Max competed in and won First Place in the 2011 MSO Snare Competition.

Musical theatre has been part of his life since 2009, and as luck would have it, Max has been working with Peter Johns since his very first show! Productions Max has been involved in include: Sweeney Todd, Fame, Spamalot, Beauty and the Beast, Oliver!, Annie, The Full Monty, You're a Good Man Charlie Brown, Violet, Wicked, Bring It On!, Edges, Beautiful, Mamma Mia, and Les Miserables.

Outside of music, Max has developed a passion for gridiron, and plays for the Port Adelaide Spartans. He is also a personal trainer, and his love for craft beers is pretty strong!

Louis Cann (Bass)

Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.

Martin Cheney (Piano)

Martin is an accompanist, repertoire coach and music director for the Bachelor of Music Theatre at the Elder Conservatorium and a secondary school music teacher, accompanist and repetiteur at Concordia College. He is currently undertaking a PhD in Composition and is a co-founder of the Adelaide Wind Orchestra.
As the founder and director of Lydian Productions, Martin has produced and music-directed critically-acclaimed seasons of john & jen and Godspell (with Irregular Productions) since its debut in 2016, as well as curating a new music theatre song cycle, Bitter. Sweet., in 2019. Professionally, Martin has performed with Il Divo, Marina Prior and John Foreman, as well as being keyboard deputy for the touring Australian productions of The Wizard of Oz, Mamma Mia! and Aladdin. He has had the good fortune to work with the best of Australia’s theatre music directors, including Laura Tipoki, Michael Azzopardi, Chris King and Kohan van Sambeeck.
Martin has also worked as a rehearsal pianist for the State Opera Company of South Australia and is regularly engaged as an audition pianist for many of Adelaide’s theatre companies (when there is not an ongoing global pandemic).