Although we’re normally quite keen on allowing anyone to sing anything (from the Musical Theatre genre, of course), October’s Session is all about singing something not normally appropriate for YOU on-stage. That is, for example, a leading man singing a leading lady’s song; an adult singing a child’s song; a child singing and adult’s song (within reason, of course); or any other combination of true role switching. The interpretation of this is completely up to you – provided you can justify the song as being a role reversal, it’s on for young and old. Think outside the square, and be prepared to have some fun – it’s going to be a great night.
Your Session Host
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Buddy is a high school drama teacher who loves to perform. He has worked with a number of amateur theatre companies in Adelaide and has played many over-the-top characters (whilst breaking many bones in the process).
Casmira Hambledon loves stories, diverse and supportive communities, wigs, glitter, and belting as a way of dealing with too many emotions. Luckily, she found theatre!
Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Casmira’s professional credits include performing in The Teddy Bears Picnic for The Garden of Unearthly Delights, directing and performing in several children’s theatre productions for the Something On Saturday Program with Adelaide Festival Centre, and providing the voice for ‘Poppy Platypus’ in Lupa Entertainment’s popular app for children: Hip Hop Kangaroo and Friends.
Growing up performing in the Scouts’ Gang Show: Comedy Capers, David developed a love for musical theatre from a young age. Trained at the Centre for the Performing Arts; David has enjoyed performing Shakespeare with the State Theatre, Lightning Strike and Chopt Logic Theatre Companies and has toured in the past with Splash Theatre Company. Turning from professional acting to focus his energy on his family and work for the Anglican Church as a priest, David chooses to do shows that he loves.
It was in Marie Clark's production of Paris in the titular role that David hit the Adelaide scene in musical theatre. David has since performed with with Marie Clark Musical Theatre in Miss Saigon (John) and as Carl Hanratty in the 2016 production of Catch Me if You Can. He has worked with Northern Light Theatre Company as Frederick in Pirates of Penzance and Seymour in Little Shop of Horrors. David also performed at the Adelaide Fringe 2015 with Lazy Saturday Productions' Australian premiere of Darkle. 2017 is a big year of theatre for David starting with Pale Ale Tales, a new work by local writer, Jason Hendy in the 2017 Fringe, Jekyll and Hyde with Marie Clark and finishing with Les Misérables as Enjolras with G&S Society.
David is thankful to his wife for her love and support, and for letting him play.
Elle Nichelle is a private vocal coach, singer, choir director and songwriter in Adelaide. She graduated the Elder Conservatorium of Music in 2009 with a Diploma in Jazz Voice. Elle has performed as a lead vocalist with Gospo since their first show in the Adelaide Fringe Festival: GospoCentric & GospoTivity (2009), GospoAzz (2010-2011), Gospolicious (2014), Gospolation in both the Adelaide & Melbourne Fringe Festivals (2017) and Jackson vs Jackson (2018 & 2019).
Elle loves being involved in theatre: her roles thus far include being a lead vocalist in Smokey Joe’s Café - Hills Musical Company (2016), Crystal in Little Shop of Horrors - Blackwood Players (2017) & Fortune Teller in Side Show - Hills Musical Company (2018). Most recently, Elle toured Buffy Kills Edward with Emma Knights Productions playing the role of Buffy for the 2018 Melbourne Fringe Festival & again at the Adelaide Fringe Festival in 2019. Elle has a keen interest in voice therapy and currently studies Speech Pathology at Flinders University.
Em is a 24-year old teacher back down under on a break from Ye Olde Englande. She began performing at age five but didn't enter the magical land of musical theatre until the age of 12. She enjoys reading, history, piña coladas, getting caught in the rain, and obviously, musicals.
She has performed and crewed for many shows. The highlights of her time treading the boards include playing Annie Oakley in Annie Get Your Gun (UHS), Bet in Oliver! (G&S), and possibly her favourite role at the tender age of 12 - the Pirate King (Pelican Productions). Other credits include Les Misérables (G&S), Thoroughly Modern Millie (G&S), Cinderfella the Pantomime (Royal Holloway), Young Frankenstein (MCMT), Calamity Jane (MCMT), Music Theatre Camp 2008 - 2013 (Pelican Productions).
In 2019, Jared has performed as Chris Scott in the METS production of Miss Saigon, Frederic in Therry's Pirates of Penzance, and in the Chorus for State Opera of South Australia's Carmen. In 2018, Jared performed as Raoul in the Gilbert & Sullivan Society's Phantom of the Opera; Buddy in the Hills Musical Company's Sideshow; and with John Bucchino in Davine Interventionz's It's Only Life. Jared became a member of the State Opera Chorus in 2018, which saw him perform in The Merry Widow and Die Meistersinger Von Nurnberg.
Jared began performing in Adelaide musicals in 2008 in the Met's Shout and the Gilbert & Sullivan Society's HMS Pinafore. Since then he has performed in multiple musicals including Therry's Fiddler on the Roof; G&S' Les Misérables, Pirates of Penzance, Mikado, Orpheus in the Underworld, Yeoman of the Guard, and The Gondoliers; Met's My Fair Lady, Brigadoon, CATS, The King & I; and Little Miss World Media's Ordinary Days. He trained at the Elder Conservatorium under Robert Dawe and Patrick Power.
Jess has been involved in Adelaide musical theatre since 2015, having met her best friend and now husband through the school musical and wanting to make many more new friends! Some of her onstage highlights include Guys & Dolls with G&SSA (2015), Cinderella with NLTC (2016) Fiddler on the Roof with Therry (2017), and Phantom of the Opera with G&SSA (2018).
She has now started working backstage, primarily in Stage Management, and will be directing her first musical at Balaklava Community Arts with The Drowsy Chaperone in 2020! She still loves to sing and always looks forward to Broadway Sessions.
Karen is no stranger to the stage in Adelaide. She has worked with various theatre companies over the last 10 years. Some of the highlights including, Oliver!, Into the Woods, Beauty and the Beast, Avenue Q and Spamalot. Although Karen hasn’t been on stage in a show since 2014 (because she has been living the Mum life), she really enjoys being able to still perform at Broadway Sessions as often as possible.
Kathryn was born in England and has had a rich upbringing in the world of the arts. She has been in various characters such as tweedledum in Alice in wonderland, Betty Rizzo in Grease and is currently playing Erma in JamaeRaws adaptation of Anything Goes. Kathryn has been singing in Soul Factor Gospel Choir for many years and is currently receiving vocal training by David Gauci.
Recently out of uni with a degree in teaching and the arts, Kathryn has been in musical theatre since a young age. She is currently in the Hills production of Aida and also teaches musical theatre, acting and singing at Starlets SA.
Katie has played such roles in Adelaide as Little Buttercup in HMS Pinafore, Lady Thiang in The King & I, Antonia in Man of La Mancha as well as Footnote in Pratchett Pieces for the Adelaide Fringe Festival. After moving to Melbourne in 2005 she played The Narrator in Joseph & The Amazing Technicolor Dreamcoat, Lt. Janice Fury in M*A*S*H, Pamela Lukowski in The Full Monty and received Lyrebird Award nominations for playing Sister Amnesia in Nunsense & Nunsense 2. She also played one of her dream roles, The Witch in Into The Woods as well as the wonderful Eulalie Mackecknie Shinn in The Music Man. Since moving back to Adelaide in 2015, Katie has portrayed Margaret Johnson in The Light In The Piazza for the 2016 Adelaide Fringe Festival and Jen in John & Jen. In 2018 she has had the opportunity to worth with composer John Bucchino on his show It’s Only Life for the 2018 Adelaide Fringe Festival, and to be a part of the small ensemble cast of Godspell.
Katie has Musically Directed The Outsiders, All The New Stuff, Kids On Broadway, Monty Python’s Spamalot, Godspell, Little Shop Of Horrors, A Funny Thing Happened On The Way To The Forum, The Wedding Singer, Seussical The Musical, The Wizard Of Oz and, most recently Annie. She also had the opportunity to co-direct for the first time with Avenue Q in 2014.
Michelle has been involved with the performing arts since the age of eight. Some of her favourite shows and roles include Ursula Merkle in Bye Bye Birdie, Laker Girl in Spamalot, Ellie Greenwich in Leader of the Pack with NLTC, a rebel in Urinetown, Kate/Chutney in Legally Blonde with the Hills Musical Company, Little Red in Into the Woods, Urleen in Footloose, Marcy Park in The 25th Annual Putnam County Spelling Bee and Tracy Turnblad in Hairspray with Matt Byrne Media. More recently she performed as an Alabama Lamb in Therry’s Big Fish. Michelle has been teaching drama, singing and dance at Theatre Bugs since 2014 and is currently the co-director of the Show Bugs team.
Millicent Sarre is a singer-songwriter, musical theatre performer, cabaret artist, singing teacher, and all-round vocal nerd. Having studied music and theatre at Graceland University in the United States, she can now be found on the Adelaide musical theatre scene, having worked with Irregular Productions, Hills Musical Company, The Gemini Collective, Segue Productions and many more. Her favourite roles to date include Veronica Sawyer in Heathers (Segue 2019), Wendla Bergmann in Spring Awakening (Hills Musical Company 2017 – ATG Award for Best Musical), Ivy in Ivy + Bean: The Musical (The Gemini Collective 2018 – Australian Premiere), Sally Brown in You’re a Good Man, Charlie Brown (HMC 2015) and Audrey in Little Shop of Horrors (Graceland University 2013).
In June 2019 she debuted her self-devised and self-produced cabaret show Friendly Feminism for the Mild Mannered in a sell-out season in the Adelaide Cabaret Fringe Festival. She is currently Artist in Residence at Slingsby Theatre Company where she is writing her next show.
Mim is a singing and performing arts teacher at Theatre Bugs and Adelaide Theatre Academy, and has musically directed their productions of Little Shop of Horrors (2018), Xanadu Jr (2018) and Porridge (for ‘Something on Saturday’ at the Dunstan Playhouse, 2019), and co-musically directed 13 The Musical (2019).
Miriam has worked with many Adelaide theatre companies over the last 15 years. While primarily performing in plays, she has also been feeding her love of singing under the tuition of David Gauci. In 2015, she appeared as the balladeer Balthasar in the University of Adelaide Theatre Guild production of Much Ado About Nothing - singing on stage for the first time in nearly a decade. While she claims ignorance when it comes to a lot of musical theatre, she's also very ready to become obsessed by a song, composer, or show, that captures her interest.
Nina is better known in Adelaide for her choreographic work, Hairspray (Adelaide Youth Theatre), Chitty Chitty Bang Bang (Pelican Productions), Music Theatre Camp 2015 and 2016 (Pelican Productions), Legally Blonde Jr (Shane Davidson Presents) among others. However, Nina is an accomplished musical theatre performer. Nina has performed in London and Liverpool in the UK but since moving to Australia in 2007 she has focused on her teaching and choreographic works. Nina is thrilled to have this long over due opportunity to indulge in her first passion, Musical Theatre.
Rick is an experienced performer whose career was sadly cut short by his lack of talent. His performance credits include Charley in Where's Charley?, Pseudolus in A Funny Thing Happened on the Way to the Forum, and John Proctor in The Crucible, all with Pembroke Old Scholars, and he is now waiting for the right opportunity to revive his performance career. He takes pride in the fact that he inspired both his children to become better musicians than he ever was. Within Adelaide theatre circles Rick is known as "the Bravo guy" - if you hear a "bravo" after a performance, you'll know he is there.
Sophie graduated from WAAPA in 2014 where she had the great opportunity and honour to work with such names as Tayna Mitford, Jason Langley, Lisa O'Dea and the head of Performing Arts at WAAPA Andrew Lewis. Throughout her time there she was featured in roles such as Sheila in Hair, Mae Colman in Reefer Madness and Consuela in West Side Story. After moving to Melbourne she took a contract as the lead vocalist on one of Royal Caribbeans newest ships – The Quantum of the Seas. She returns to Australia excited to continue pursuing her dreams of working in musical theatre.
Zak has been passionate about theatre for as long as he can remember, undertaking both on and offstage roles for a variety of productions. He has completed a Certificate IV in Commercial Dance at Gravity Dance, specialising in tap, hip hop, jazz, contemporary, ballroom and ballet.
Zak’s choreography credits include Singin’ in the Rain JR (2017, TB Arts, Fringe Festival), A Peter Combe Extravaganza! (2017, Something on Saturday) and A Night on Broadway (2014, Glenunga High School). Zak made his professional debut with State Opera of South Australia’s production of Hansel and Gretel. Since then, he has played many memorable roles such as Boq in Wicked the Musical (2016, Matt Byrne Media), Mary Sunshine in Chicago (2017, Emma Knights Productions), The Tinman in The Wiz (2013, GIHS), Danny in Grease (2014, GIHS), Bert in Mary Poppins (2014, GIHS) and also appeared as a featured dancer in Thoroughly Modern Millie (2016, G&S Society of SA).
An avid performer, he has entertained at many events around Adelaide, such as the Adelaide Fringe Festival, the Royal Adelaide Show and Adelaide's Clipsal 500, as well as at private functions, weddings and parties. Zak also works as an entertainer for Nickelodeon and Showtime Attractions and has performed in many children’s shows with them.