About this Session
There are composers and lyricists out there who have an impressive resume of shows they’ve written; although some shows they’ve written are better known than others.
This month we will be exploring the music of one very well known writer, and definitely one of our favourites. Shows include Children of Eden, The Baker’s Wife, Rags, The Hunchback of Notre Dame, Pippin and Wicked. Yes, that’s right, this month we are celebrating the music of Stephen Schwartz.
Join us for “May The Schwartz Be With You” where you will hear/perform songs you know like the back of your hand, and others you may not have realised he wrote.
As always, you are able to register to perform on stage with the Session band. However, all songs submitted must be written by Stephen Schwartz.
Rosanne's performance career spans over 20 years and has taken her all around Australia (and overseas). She has enjoyed exploring her natural versatility on the operatic, musical theatre, cabaret and contemporary stage. Her professional theatrical debut was in the Australian cast of The Phantom of the Opera with which she toured Australia and New Zealand.
Most recently, Rosanne played the role of Miriam in the World Premier of new Australian musical, The Front at the 2015 Adelaide Cabaret Festival and in 2013 she toured Australia with Amity Dry's musical, Mother Wife and the Complicated Life in the role of Lily. In 2012, she was awarded the Adelaide Theatre Guide Curtain Call Award - Best Professional Female Performance, for her portrayal of Diana Goodman in Adelaide's premiere of the musical, Next to Normal (Six Foot Something Productions & The Factory).
Her other professional theatre credits include The Venetian Twins (Beatrice) for the Sydney Olympic Arts Festival, South Pacific (Dinah) for Seabiscuit Productions/Festival Centre and Sunday in the Park with George (Frieda). She has also performed in State Opera of South Australia seasons of Don Giovanni, A Masked Ball and Turandot.
Rosanne has made appearances both nationally and internationally as a concert artist. Highlights have included Off the Air with ABC ClassicFM presenter, Guy Noble and performing Mozart's Exsultate Jubilate with the Austral Sinfonietta in London. In addition, she is a well-respected vocal coach based in Adelaide. Rosanne lectures in singing and music at the Adelaide College of Arts, works regularly with Pelican Productions as a Vocal & Musical Director, runs workshops for the Primary Schools Festival of Music and also runs her own private studio assisting professional and emerging artists.
Anastasia has been singing and dancing from a young age and was thrilled to discover at the end of primary school that the two could be combined! She has taken part in various school musicals and been involved in Pelican Productions since 2010. Anastasia is now studying Education at Flinders University, where she helped set up Flinders Uni Performing Arts Society to meet more theatre-minded people; FUPAS also recently produced their first play to great success. In her free time, Anastasia enjoys singing with Young Adelaide Voices and jamming out with her friends.
Annabel is originally from the UK, where she studied singing, dancing and acting alongside her academic studies while in high school and university. Notably she was a Choral Scholar at Cambridge University, and shortly after graduating, released her self-written debut pop album "you.me.love.dreams" with a UK indie record label . While she continues to pursue a career in songwriting, musical theatre has always been one of her passions and so she is thrilled to perform at Broadway Sessions.
Participating in the Australian Girls Choir for eight years, Arianne has gone on to take part in many different music and performing events inside and outside school and most recently Adelaide Cabaret Festival's 2015 Class of Cabaret program and dancing at the Twenty20 Big Bash League New Years Eve concert. Although she's always had a passion for singing, dancing, acting and music and has being seeing musicals since a young age, it was not until recently she discovered that she would like to hopefully one day pursue a career in musical theatre and looks forward to starting rehearsals for the Hairspray Arena Tour. One of her favourite events so far has been competing at Generations in Jazz (2013-15) at Mount Gambier with the school jazz choir and is looking forward to going back and competing for her final year at school.
Currently studying at Paul McCartney's The Liverpool Institute for Performing Arts in the UK, Benji Riggs has a passion for songwriting and composition. He had the privileged upbringing as a performer, which has led him to audiences around the world – previously performing at the Royal Albert Hall, The Adelaide Cabaret Festival and the 50th year anniversary celebration of Uganda’s independence.
His first lead role was as Joseph in Joseph and the Amazing Technicolour Dreamcoat with Shane Davidson Presents age 10. Since then, he has performed with many local theatre companies, including Swell Productions, Adelaide Youth Theatre, Scotch College and Independent Theatre, as well as professionally for Heaps Good Productions, and SINGular Productions. Adding to his credits are performances with the State Opera of South Australia, Windmill and the Australian Ballet Company.
Riggs has more recently found himself in the world of theatrical composition, having worked on Tony Harrison’s The Mysteries Part III: Doomsday (dir. Nick Bagnall), Blackbird by David Harrower (dir. Nick Bagnall) and with UK-based touring company Peepolykus.
However, beneath all the romance of adventure, Riggs is an Adelaide boy with a gentle heart, a warm spirit and a desperate need to create.
Cordelia first started singing at the young age of six as part of Young Adelaide Voices in 2004 and has yet to stop. Her first introduction to musical theatre was at Pelican Productions Music Theatre Camp in 2010, where she fell in love with musicals and the theatre. Since then she has auditioned for as many roles as possible, landing her first role, and dream role, of Nancy in Now Productions Oliver! in 2016.
Cordelia's roles also include Brigitta in The Sound of Music, Aunt Em/Glinda in The Wizard of Oz, the Narrator in Joseph and the Amazing Technicolor Dreamcoat and Jenny Lind in Barnum. She also enjoys working as a crew member on shows and feels that every person who does theatre should work backstage at least once! Cordelia has just completed a diploma in Film and TV at MAPS Film School.
I have two arms and feet. But my feet are not at the end of my arms. That would just be plain silly. I like to sing, especially in other people's showers. But not while showering - that would just be weird. I have been singing since before fire, but not long after the wheel. I trained under a number of singing teachers but as a result of claustrophobia I found it better to stand next them instead. As a child I would spontaneously sing in class, as an accountant I would spontaneously sing in the office. I was soon sent back to class. I love chocolate.
Denise Gascon is an 18-year old lass who loves to sing and perform. She was born in the Philippines and went with her family to Australia when she was 15 years old. Her father is currently in his final year of studying Doctorate Degree at Flinders University. She grew up in a family of musician. At 15, Denise performed at the Marion Council Christmas Party in 2013. A year after, she presented a number of songs at the opening of the Southern Expressway Bridge, performed during the opening of Flinders University and took part in promoting Seaview High School by performing in 8 different local primary schools around the City of Marion.
She was part of the Class of Cabaret in 2014 where she was able to work with Artistic Director Kate Ceberano and a few other well-known international and local cabaret stars and performed in The Mowtown Night at Seaview High School.
Denise is the present vocalist of AH HUM BAND which performed at the Garden of Unearthly Delights at the 2016 Adelaide Fringe Festival.
Eloise Quinn-Valentine is known in the Adelaide musical theatre community by a number of names including 'Eloise QV', and the more enigmatic 'Boise Q'. Eloise has performed in musicals, plays, in choirs and at events around Adelaide with companies such as Davine Productions, Adelaide Conservatorium Chorale, University of Adelaide Theatre Guild, Independent Theatre, Therry Dramatic Society and Young Adelaide Voices. She also took up the opportunity to perform the role of Betty in The Crucible while on exchange at Royal Holloway, University of London in 2017.
Recent highlights include playing Vivie Warren in Mrs Warren's Profession (Independent Theatre), Phaedra in Jerusalem (University of Adelaide Theatre Guild), Sister Sophia in an immersive production of The Sound of Music (Emma Knights Productions), Young Violet in Violet: A Musical (Davine Productions), and in Its Only Life (Davine Productions, ft. John Bucchino), and Betty/Carole cover in Davine Productions' sold-out season of Beautiful - The Carole King Musical.
As well as loving to tell stories on stage, Eloise recently completed her Honours in English Literature at Flinders University.
Emily has been performing since the age of three, taking part in dancing, singing and acting classes. After many years of dance competitions she started musical theatre when she was seven and that's where her love began. Emily has been involved with theatre companies Pelican Productions, Adelaide Youth Theatre, Swell Productions and Northern Light Theatre Company. Some of her favourite roles include Mrs Potts in Beauty and the Beast, Millie in Thoroughly Modern Millie, Sandy in Grease, Penny in Hairspray and the Baroness in Chitty Chitty Bang Bang.
In 2014 Emily travelled to Europe on a school music tour, and later that year travelled to Penang in Malaysia to perform Christmas shows as shopping centre entertainment. She graduated from high school in 2015, and is taking a gap year to further her training in musical theatre and pursuing any opportunities she can.
Originally from Port Augusta, Imala is in her third year of classical voice at the Elder Conservatorium. She was awarded the Rae Cocking Memorial Prize in 2017, the Guli Magery Prize in 2016, and the SA Country Choral Association Scholarship in 2015/2016. Imala's real passion is musical theatre, and despite limited theatre opportunities growing up (no musical theatre companies in her whole town!), she has played roles such as Christine in Phantom of the Opera (Whyalla Players' in association with State Opera), and Ariel in The Little Mermaid (AYT). She worked with State Opera further last year by understudying Adele in the Con/SOSA collaborative production of Die Fledermaus. Imala has also done a number of solo recitals at various churches, and Fringe shows including Life at the Piano, Into the Woods (AYT), and Musical Moments. She enjoys busking in Rundle Mall and hopes to sing at more weddings and functions.
Kate started theatre at age 15 in Northern Light Theatre Company’s productions of Once Upon a Mattress followed by A Fractured G & S Trilogy, from which she was hooked! At age 16 Kate’s first Principle role was “Dorothy” in The Wizard of Oz (NLTC), for which she was first nominated for Best Female Performance by the Adelaide Theatre Guide. Kate continued with the roles “Liesl” in The Sound of Music and “Annie Golden” in Leader of the Pack, before playing “Karen” in The Boy from Oz (The Met), “Demeter” in Cats (Marie Clark), “Cinderella” in The Pumpkin (Curly Top Productions), and a Priest in Jesus Christ Superstar (G & S Society). Kate played “Shelley” in Hairspray (MBM) before returning to Northern Light Theatre Company to play the leading role of “Belle” in Beauty and the Beast.
Kate was awarded “Best Female Performance” by the Adelaide Theatre Guide for her role as “Kira” in Davine Interventionz production of Xanadu in the 2014 Adelaide Fringe. Kate most recently played the leading lady “Susan Lawrence” in Northern Light’s Production of BIG the Musical and will be returning to the stage next month to play the title role in Cinderella.
Kate was a regular extra on McLeod’s Daughters as a teenager and was part of the successful Fringe show Changing the Pace in 2011. She worked professionally as a singer for Night Train Theatre Restaurant in its final years but in the “real world” she works as a Paediatric Speech Pathologist.
Kristin has always lived and breathed music, but it wasn't until 2009 that she discovered musical theatre. After accompanying her first show she thought, "Hey, this looks like fun!" and auditioned for the next show that came around. The rest, as they say, is history. She has accompanied and music directed, but she truly feels alive on the stage. Favourite roles include Smitty in How To Succeed in Business Without Really Trying (Marie Clark Musical Theatre 2013), Inga in Young Frankenstein (Marie Clark Musical Theatre 2014), Clara in The Light In The Piazza (Davine Interventionz 2016), Cathy in The Last Five Years (Segue Productions 2017), Elizabeth/Liz/Beth in If/Then (Segue Productions 2018), and Simone in Shane Warne The Musical (Segue Productions 2020). In 2021, she will hopefully have the chance to perform with the Met as Vivienne in Legally Blonde the Musical!
Kristin music directed Heathers the Musical for Segue Productions in September 2019. She is also a founding member of the new Adelaide based theatre company Segue Productions. When she's not at rehearsals or the theatre, she teaches voice and piano, and often dances around the house singing showtunes with her awesome 5 year old.
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Mark is a respected opera, cabaret and concert singer, with a passion for music theatre. He has toured South Australia with State Opera, SINGular productions and the Adelaide Art Orchestra. Mark produced and performed in his own sell out swing show – Mark Oates and the Daniel Brunner Pretty Big Band – for the 2009 and 2011 Adelaide Fringe Festivals. For the Adelaide Festival, Mark sung the roles of Ruffiak in Ligeti’s Le Grande Macabre and Street Singer in Leonard Bernstein’s Mass.
For State Opera SA, Mark premiered the role of “the Cantor” in Astor Piazzolla’s Maria de Buenos Aires, a co-production with Leigh Warren and Dancers which was reprised for the 2011 Brisbane Festival. He also performed Joe in The Station (Howard Blake), and John Styx in Orpheus in the Underworld (Offenbach). Last year Mark performed in the world premiere of the full Philip Glass trilogy for State Opera SA, including the role of Arjuna in Satyagraha. In the two weeks prior to the opening night of Broadway Sessions, Mark will be part of the State Opera SA chorus in Faust and the Verdi Requiem before travelling to Canberra for two concerts with the Canberra Symphony Orchestra.
Mark has also worked with many Adelaide based musical theatre companies. He was an Oscart and Curtain Call winner and Critic’s Circle nominee for his portrayal of Jean Valjean in The G&S Society’s Les Misérables. For The G&S Society Mark has also played the Baker in Into the Woods and the Pirate King in The Pirates of Penzance. He premiered Horton the Elephant in the award winning Seussical the Musical and portrayed Utterson in Jekyll and Hyde for The Hills Musical Company. Other roles include Jesus in Jesus Christ Superstar for Northern Light Theatre Company, Archibald Craven in The Secret Garden for both The Therry Dramatic Society and The G&S Society, Enoch Snow in Carousel for Swell Productions/MS Society and was part of the original cast of It’s A Dad thing for SINGular productions. Mark has also played “man” in several productions, including Songs for a New World and I Love you, You’re Perfect, Now Change!
Nathan has been performing onstage since the age of six starting as a tiny, little magician alongside his mother. Since then he has worked his way up the ranks of Scout Shouts Youth Theatre as performer and Young Director for several years (2007-2014). Pirates of Penzance (Ensemble/2012) marked his amateur theatre debut and he has since appeared in Little Shop of Horrors (Ensemble/2013), Eurobeat: Almost Eurovision (Russia, Estonia, Italy/2013), Seven Brides for Seven Brothers (Frank Pontipee/2014), White Christmas (Broadway Chorus/2014), Happy Days (Richie Cunningham/2015), all with the Northern Light Theatre Company, Mary Poppins (Bear, Tap Ensemble/2015) with Matt Byrne Media, and Guys and Dolls (Rusty Charlie/2015) with the G&S Society of SA. He now serves on the Northern Light committee as Publicity Officer. Nathan has enjoyed singing in fundraising cabarets for NLTC, ADSSA and Riding for the Disabled, his ability in which has grown through singing tuition over the past four years.
Nina is better known in Adelaide for her choreographic work, Hairspray (Adelaide Youth Theatre), Chitty Chitty Bang Bang (Pelican Productions), Music Theatre Camp 2015 and 2016 (Pelican Productions), Legally Blonde Jr (Shane Davidson Presents) among others. However, Nina is an accomplished musical theatre performer. Nina has performed in London and Liverpool in the UK but since moving to Australia in 2007 she has focused on her teaching and choreographic works. Nina is thrilled to have this long over due opportunity to indulge in her first passion, Musical Theatre.
Paul is a co-founder of Six Foot Something Productions, producing and performing in Picture Perfect (Adelaide Cabaret Festival), playing Dan in Next to Normal (nominated for an Adelaide Theatre Guide award as best professional performance, Male) as one of the five performers in Elegies: Song Cycle and as Jamie in The Last Five Years. He is a regular performer with the State Opera Chorus (most recently appearing as God in Faust) and has appeared as a soloist at a number of corporate events.
With Swamp Fairy Paul appeared in a touring production of Loving Lloyd Weber and sang for the Cancer Council (opening for Rhonda Burchmore at the Adelaide Entertainment Centre). He performed as part of Fright Night for CanDo4Kids and sung the national anthem from a diving board for the National Junior Diving Championships. He has also sung with the Adelaide Chamber Singers and the Adelaide Symphony Orchestra, including the first performance of Peter Sculthorpe’s Requiem (Adelaide Fringe Festival). Paul was nominated for an Adelaide Critic’s Circle award for his performance as Grosvenor in Patience (opposite Denis Olsen). He has performed many lead roles in amateur theatre, including both plays and musicals. Favourite roles include Bill Sikes (Oliver), Jack (Into the Woods) and Enjolras (Les Misérables).
Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Ruby performed as the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. She played Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society. Ruby's most recent role was Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots.
Sarah Jane Whiteley
After training under some of the most sought-after music and performance coaches in Australia Sarah has gained a wide range of technical knowledge and skills. She holds a Bachelor of Music in Jazz Performance and attended many different courses in the prestigious Estill Voice Model. Teachers including Adelaide’s darling ‘Charmaine Jones’, jazz mistress ‘Anita Wardell’, clinical voice consultant Helen Tiller, Certified Estill Master Teacher and Course Instructor Naomi Eyers. Sarah is currently perusing producing and musical directing goals as well as studying a Masters in Teaching.
A professional vocalist, Sarah performs in both private and corporate settings around Adelaide as well as musical theatre. Credits include Rent (MCMT), Evita (The Met), Sugar (The Met), Smokey Joes Café (Hills), The Blues Brothers (Adelaide Fringe), the ever-growing event; Civic Park Carols and her own show From A Distance, the Glory of Bette. Sarah will also be appearing in Emma Knights production of Sex and the Musical in the 2019 Adelaide Fringe Festival. Sarah is excited to produce her ‘Bette Midler’ show From a Distance, the Glory of Bette in the Adelaide Fringe Festival 2019 for the 2nd year running.
Scott has always had a love of the theatre, but his real obsession began in high school, with performances as the Foreman, Pimp and a Student in Les Misérables, Priam in Paris and Action in West Side Story. Since completing high school he performed non-stop for a number of years, starting with Gerald Bolingbroke in Me and My Girl, an Apostle in Jesus Christ Superstar and Ugly in Honk! (Marie Clark Musical Theatre). After playing Cornelius Hackl in Hello, Dolly! and Asher and the Butler in Joseph and the Amazing Technicolor Dreamcoat (Metropolitan Musical Theatre Company of SA), Scott joined Northern Light Theatre Company’s production of Disney’s Beauty and the Beast as Monsieur D’Arque to round out 2011. The following year started with an incredible experience: Scott won the role of Henry in Six Foot Something’s pro-am Production of Next to Normal. After a mild performance hiatus in more recent times, Scott starred as Hunter in Irregular Productions sell out 2015 Adelaide Fringe season of [title of show].
If there’s one thing he regrets, it’s not starting singing and performing (publicly of course) at an earlier age. Off-stage (but in the theatre) Scott enjoys both sound and lighting design, and the challenges each of these areas brings to his knowledge of design in the digital world. Broadway Sessions is certainly the start of a new chapter, bringing together many ongoing stories and plot lines, but allowing the love of theatre (musical theatre in particular) to continue in new and exciting ways.
When not strutting his stuff on stage, or manically helping out backstage or in the roof of a theatre, Scott is a web designer & developer, creating sites like this one! You can see more of his work at www.scottreynolds.com.au.
Serena began performing with the Adelaide Youth Theatre in 2011 and since, has played many roles for the youth theatre such as Tracy in Hairspray, Mrs Potts in Beauty and the Beast, The Baker’s Wife in Into the Woods, Dragon in Shrek the Musical and most recently as Elphaba in their production of Wicked. Serena has also performed in many shows for Emma Knights Productions, including as Ado Annie in Oklahoma: On a Farm!, Buffy in Buffy Kills Edward and as New York Woman in I Love You Because.
Recently, Serena performed the role of Christine in The Phantom of the Opera for the G&S Society of SA, and has played Elphaba in Wicked and Mabel in The Pirates of Penzance. Serena has also performed many roles professionally for companies such as The Entertainment Store and Heaps Good Productions, most recently in the successful season of Snowmageddon at the South Australian Maritime Museum. In addition to musical theatre, Serena performs regularly with The Three Little Sisters, an Andrews Sisters tribute show, and performs in and directs The Honey-Bees, a 60s-tribute show.
Tayla is 17 years old and in year 12 at Scotch College where she is heavily involved in the performing arts program. Tayla has been performing since she was just two years old, first at dance competitions and then in musicals and eisteddfods. She is a true triple threat with numerous awards in both dance and voice including Australian Solo Jazz Champion in national dance competitions on Gold Coast where she participated with her dance school TIDC, and overall Musical Theatre champion at Balaclava Eisteddfod, and she remains the youngest person to achieve this award.
With numerous lead roles in many musicals over the past 10 years, Tayla's credits include "Belle" in Beauty and the Beast, "Herod" in Jesus Christ Superstar, "Iris" in Fame and Mabel in Pirates of Penzance to name a few. Tayla has also been lucky enough to perform internationally with the Adelaide Youth Theatre, singing and dancing at Disneyland in California, Hong Kong and Paris and Universal studios in LA. Tayla will next appear as Peggy in Scotch College's 2016 musical 42nd Street and at the end of this year will again take the Disney stage, this time in Florida followed by a trip to New York to participate in various workshops.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Max Ziliotto (Drums/Percussion)
Max has been playing percussion for 15 years, and has been involved in numerous music performance groups throughout that time. Attending Marryatville High School 2006-2010, and being a part of the Raiders Drum Corps since 2007, he learned performance etiquette pretty quickly, and grew comfortable performing in front of people. Max participated in the Big Band program at high school, and as such was able to attend Generations in Jazz multiple times. His drumkit playing further improved after high school where, during his studies for his Bachelor of Music (Percussion), he was a part of the Jazz SA Youth Superbands. While studying his Bachelors, Max competed in and won First Place in the 2011 MSO Snare Competition.
Musical theatre has been part of his life since 2009, and as luck would have it, Max has been working with Peter Johns since his very first show! Productions Max has been involved in include: Sweeney Todd, Fame, Spamalot, Beauty and the Beast, Oliver!, Annie, The Full Monty, You're a Good Man Charlie Brown, Violet, Wicked, Bring It On!, Edges, Beautiful, Mamma Mia, and Les Miserables.
Outside of music, Max has developed a passion for gridiron, and plays for the Port Adelaide Spartans. He is also a personal trainer, and his love for craft beers is pretty strong!
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.