About this Session
Norwood Live requires all patrons to wear masks while moving around the venue.
To celebrate our sixth birthday we are putting the song and performer choices in the hands of the team of tireless workers who make sure each Session happens without a hitch! Come and hear some of their favourite performers sing some of their favourite songs from some of their favourite musicals!
Don't worry though, performers can also register to sing - however there's a catch - the team will choose a song for you to learn. Feeling brave? We hope so! We'll give you as much notice as possible, but hope that if you sign up to be on board, you'll be willing to accept the challenge!
Being a birthday, you can bet this month's Session will also be jam-packed with fun times, cake and other once-a-year-frivolities that are otherwise frowned upon (but never banned) at a regular Session. Never been to one of our birthday parties? Get yourself on the list.
Casmira Lorien (she/her)
Casmira is an experienced performer and teacher with a great passion for storytelling. Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards, as well as the TASA for Best Musical) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Professionally, Casmira has acted and provided voices for several short films and children’s productions. She also spent many years directing and music directing musicals for Adelaide Theatre Academy, including Snow White and Alice in Wonderland for the Festival Centre’s ‘Something on Saturday’ program. Her fondest memories are working with Peter Combe in directing and choreographing his Adelaide Fringe shows from 2013-2015.
Lindsay Prodea (he/him)
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Mark Oates (he/him)
Mark is an award winning South Australian performer whose credits include the Adelaide and Brisbane Festivals, State Opera South Australia, SINGular Productions, Co Opera, Various People, Aerial Artists Australia, and MOatesArt Productions.
In 2022 Mark was nominated for an Adelaide Critic's Circle Award for his body of work. He premiered the dual roles of Ian Duncan and Don Dunstan in Neil Armfield's Ruby Award-winning Watershed: The Death Of Dr Duncan for the Adelaide Festival – while for State Opera South Australia he performed Lt Tom in Voss and Gastone in La Traviata, as well as embarking on a national tour of Love Burns, completing the first orchestration workshop of When The Rain Stops Falling and appearing in Bright Lights, Big Dreams.
Previous Adelaide Festival appearances are Mozart Requiem (2020), Bernstein Mass – featured Street Singer (2012) and Le Grande Macabre - Ruffiak (2010).
In State Opera of South Australia's 2023 season Mark will be appearing as the Defendant in Trial by Jury and in Pirates of Penzance and HMS Pinafore, as well as hosting the Tra La La Bar for the Gilbert and Sullivan Festival, with further exciting projects to be announced. In 2021, Mark appeared as Beadle Bamford in Sweeney Todd and Jack in Love Burns, and opened the year in Carousel. Further highlights with the company include Njegus in The Merry Widow, Arjuna in Satyagraha, John Styx in Orpheus in the Underworld, The Cantor in Maria de Buenos Aires (co production with Leigh Warren Dancers – Adelaide Festival Centre Playhouse and Brisbane Festival). Mark is a proud and long-standing State Opera South Australia artist, both as a chorister and a principal performer.
Well known and regarded on the concert stage, Mark also mentors Class of Cabaret for the Adelaide Cabaret Festival, works extensively with Primary Schools Music Festival and regularly tours with Aerial Artists Australia in Le Aerial, including Perth Fringeworld, Adelaide Fringe, Auckland Fringe, Sydney Opera House, Melbourne Arts Centre and Port Douglas. Mark is Associate Producer and regular host of Broadway Sessions, Adelaide's long running monthly music theatre focussed, curated open mic night.
Amy Roff (She/Her)
Amy is from Armidale NSW and is ABBAsolutely ecstatic to finish her final year at university with Mamma Mia. She hopes to continue performing beyond graduation. Her other roles include; Sally Bowles in Cabaret (Elder Conservatorium Music Theatre), Wendela in Spring Awakening (Elder Conservatorium Music Theatre) Catherine in PROOF (ADMS) ensemble in Jesus Christ Superstar (The National Theatre Company), Roxie Hart in Chicago (Little Fish Productions) and had an on screen role in the filmed version of ECMT's production of Songs For A New World. Amy is a graduate of the Talent Development Program in Sydney.
Brooklyn is thrilled to be performing in ECMT’s upcoming production of Mamma Mia (dir. Zoë Komazec) in the role of Sophie Sheridan. Most recently Brooklyn performed in the choir in StoreyBoard’s production of Chess (dir. Tyran Parke). Her other theatre credits include ECMT’s production of Cabaret (dir. Erin James) where she undertook the roles of swing and assistant dance captain, Davine Production’s Beautiful: The Carole King Musical (dir. David Gauci) and ECMT’s production of Spring Awakening (dir. George Torbay). Brooklyn is also enthusiastic about the visual arts and is a skilled artist.
Cailene Kilcoyne came to Adelaide from San Diego, California. She has performed regionally around the United States as well as internationally. Cailene keeps busy singing these days with a wedding band as well as singing in the shower. She's super excited to be performing at Broadway Sessions :)
Cassidy Rae Gaiter (She/Her)
Cassidy is an accomplished singer/songwriter, having split her time between Australia and the USA for the past 4 years. She released her debut EP in 2017 that shot to Number 1 on the iTunes country chart! Cassidy has also trained professionally at the Australian Institute of Music in Sydney graduating with a Bachelor of Music (Music Theatre). While in Sydney she was fortunate enough to perform in many theatre productions, some of her favourites include Mary Lane/ Reefer Madness, Elle Woods/ Legally Blonde, Gabriella Montez/ High School Musical and Hermia/ A Midsummer Night’s Dream. Most recently Cassidy appeared in her dream role of Sophie Sheridan in Mamma Mia! with the Met!
Catherine established a passion for performing arts in Adelaide, appearing in multiple amateur productions including Jo March in Little Women (Therry Dramatic Society 2013), Eponine in Les Misérables (Shane Davidson Presents 2012), Tammy in Hairspray (Matt Byrne Media 2012) and Pegeen in The Playboy of the Western World (Independent Theatre Inc 2013). Catherine then moved to Melbourne in 2014 to pursue musical theatre full time at APO Arts Academy.
During her 2 year training, she landed her first professional gig in Spiegelicious and in 2015 was a semi-finalist in the Rob Guest Endowment. Since graduating Catherine appeared in numerous TVCs and local musical theatre productions in Melbourne. In 2017 she performed the role of Maureen in WMTC’s production of RENT and in October 2018 she performed the role of Emma Carew in CLOC’s production of Jekyll and Hyde.
Catherine joined the corporate trio The Cover Girls in 2017 and regularly performed with them on various cruise ships around Australia. Since moving back to Adelaide in 2020 Catherine has become a mother to her daughter Charlotte and returned to local theatre. She played the role of the Baker’s Wife in G&S’s Into the Woods (2022), Sarah in Therry Theatre’s Company (2023) and will be performing the role of Julia in NLTC’s upcoming 2024 production of The Wedding Singer.
David Gauci (he/him)
David Gauci, proudly from Adelaide’s western suburbs, wouldn’t stop singing from an early age – so much so that the Sisters of St Joseph at primary school wished he’d just shut up and do maths.
At Woodville High, teachers and parents suggested – after David showed interest in acting or journalism – a career in accounting. He did study accountancy but also theology and music (Elder Conservatorium). David was introduced to opera and classical singing but went down the dark path of corporate functions, cabaret and music theatre. He worked in piano bars for 20 years in Adelaide, Darwin, Melbourne, Sydney and Townsville.
David wrote cabaret shows New York According to Bernstein, The Sinatra Show and The Broadway Show, performed with co-writer and accompanist Matthew Carey in Adelaide, Sydney, Melbourne, Townsville and Darwin.
He performed at the inaugural Adelaide Cabaret Festival and again in 2016 when he returned with the award-winning It was Worth the Weight. David also wrote and performed in The Big Book of Broadway, Cole’s Girls, Leading Men I’ll Never Play and Wireless.
He was equal winner in the 2015 Australian Cabaret Competition Adelaide final and most recently performed in the Australian Touring production of Hairspray as understudy to the role of Edna Turnblad – adding to professional stage roles in Adelaide, Melbourne and Sydney
David’s also appeared in TV commercials and films, e.g. The Brush Off, directed by Sam Neill.
This led to forming his own Davine Interventionz Productions in 2013 with a string of shows he’s produced, directed and/or designed to glowing reviews and a welter of awards. And David’s still singing!
Growing up performing in the Scouts’ Gang Show: Comedy Capers, David developed a love for musical theatre from a young age. Trained at the Centre for the Performing Arts; David has enjoyed performing Shakespeare with the State Theatre, Lightning Strike and Chopt Logic Theatre Companies and has toured in the past with Splash Theatre Company. Turning from professional acting to focus his energy on his family and work for the Anglican Church as a priest, David chooses to do shows that he loves.
It was in Marie Clark's production of Paris in the titular role that David hit the Adelaide scene in musical theatre. David has since performed with Marie Clark Musical Theatre in Miss Saigon (John) and as Carl Hanratty in the 2016 production of Catch Me if You Can. He has worked with Northern Light Theatre Company as Frederick in Pirates of Penzance and Seymour in Little Shop of Horrors. David also performed at the Adelaide Fringe Festival in 2015 with Lazy Saturday Productions' Australian premiere of Darkle. 2017 was a big year of theatre for David starting with Pale Ale Tales, a new work by local writer, Jason Hendy in the 2017 Adelaide Fringe, Jekyll and Hyde with Marie Clark and finishing with Les Misérables as Enjolras with G&S Society. Most recently David performed with the Hills Musical Company in Assassins as John Wilkes Booth.
David is thankful to his wife for her love and support, and for letting him play.
Dylan Rufus (He/him)
24-year-old Dylan Rufus has been part of the South Australian theatre community since 2011, assuming various roles onstage, offstage, and within production teams. Dylan’s onstage work has seen him in productions of Grease, West Side Story, Oklahoma, Jesus Christ Superstar, Sweeney Todd, and Spring Awakening, amongst other plays and pantomimes. Previous personal standout roles include Orin Scrivello D.D.S. in Little Shop of Horrors (2018, Adelaide Theatre Academy), Principal Gowan/Veronica’s Dad/Kurt’s Dad in Heathers (2019, Segue Productions), and John Hinkley, Jr. in Assassins (2019, Hills Musical Company). Lately, Dylan has been contributing to the musician side of musical theatre, playing guitar for Beautiful: The Carole King Musical (2020/2021, Davine Productions) and Mamma Mia! (2021, Northern Light Theatre Company).
Outside of theatre, Dylan has recently completed his Bachelor of Arts (Hons.) in English (University of Adelaide), as well as a Masters in Teaching (Secondary) (University of South Australia).
Eliza O’Connell (She/Her)
Eliza is beyond thrilled to be performing onstage again with the Elder Conservatorium’s first graduating cohort in Mamma Mia!. Originally from Sydney, Eliza moved to Adelaide to fulfil her passion of singing and performing unaware of the exhilarating experiences and inspiring people she would meet along the way. This is Eliza’s third production with the Conservatorium including previous roles as Fraulein Kost in Cabaret (dir. Erin James) and Frau Bergman in Spring Awakening (dir. George Torbay). Eliza has also recently performed as part of the Adelaide choir for Storeyboard Entertainment’s Chess (dir. Tyran Parke). Additionally, Eliza was proudly a part of Future Oz’s 2021 Livestream Concert amongst music theatre graduates across Australia.
Ellis Dolan (he/him)
Ellis Dolan toured as Eddie/Dr. Scott in The Rocky Horror Show, and with the company of School of Rock as an Understudy for Dewey Finn and as a Swing – travelling all over Australia, China, and New Zealand.
He spent 2017 studying Musical Theatre at NIDA; appearing in the Sydney Theatre Company production of Chimerica as part of the NIDA Ensemble.
He has appeared in several productions around Adelaide, including Evita (The Met) in which he portrayed Che; The Producers (HMC) as the Stormtrooper; Oliver! (Shane Davidson Presents) as Bill Sykes; as well as ensemble roles in Sweeney Todd: The Demon Barber of Fleet Street (HMC) and Jesus Christ Superstar (G&S Society). Off-stage, he acted as Assistant Director for You’re A Good Man, Charlie Brown and Smokey Joe's Cafe (HMC).
He also toured across Australia, portraying the role of Peter Dutton, as part of Abbott: The Musical (George Glass Productions), performing as part of the Canberra Comedy Festival and Melbourne International Comedy Festival, as well as a sell-out run in the Adelaide Fringe Festival.
Outside of performing, Ellis is a writer – having completed his Honours in Creative Arts: Creative Writing at Flinders University. He’s currently struggling through the third draft of a novel and is constantly side-tracked by wanting to write reviews and film analysis; because of this, nothing seems to get done, but he has a lot of fun doing it.
He made his directorial debut with Edges as part of the 2018 Adelaide Fringe Festival and loved every second of working with such fine people.
Eloise Quinn-Valentine loves to tell stories on stage, and has performed in a variety of musicals, plays, cabarets, and choirs from a young age. Recent highlights include Othello and Seagull (Independent Theatre, 2022), The Hello Girls (Therry Theatre, 2021), Beautiful: The Carole King Musical (Davine Productions, 2020), Jerusalem (University of Adelaide Theatre Guild, 2019), It’s Only Life (Davine Productions, 2018), Violet: a musical (Davine Productions, 2017), and The Crucible (Royal Holloway University of London Drama Society, 2017). Eloise works and volunteers as an educator across a variety of disciplines and contexts, and particularly loves teaching others about faith, storytelling, compassion, and justice.
Georgia is in her final year of a Bachelor of Music Theatre at the Elder Conservatorium of Music (ECMT). She is currently rehearsing for ECMT’s Mamma Mia where she plays Rosie (dir. Zoe Komazec). Earlier this year Georgia performed the role of Fraulein Schneider in Cabaret (dir. Erin James) in her second stage show with ECMT. Georgia joined her cohort in ECMT’s production of Spring Awakening where she played Martha (dir. George Torbay). Other roles include Tzeitel in Fiddler on the Roof (Therry Dramatic Society, dir. Norm Caddick) and Brenda in Catch Me If You Can (Marie Clark Musical Theatre, dir. Charissa McCluskey-Garcia). Georgia has also worked with Illuminart Productions as Narrator for East End Echos and Elizabeth Woolcock in the Old Adelaide Gaol (dir. Michael Mills).
Jaxon Joy (he/him)
Jaxon is an avid 19 year old musical theatre performer and fan in Adelaide. Since he began performing regularly in 2017, Jaxon has explored various outlets of Adelaide theatre, performing in major shows, original musicals, and even his own cabaret. Jaxon’s love of Music Theatre has only grown since finding his niche, a challenge for him as a performer on the spectrum. Some notable roles include Captain Hook in Adelaide Theatre Academy’s Peter Pan (2020), Grantaire and Courfreyac in two productions of Les Misérables; the first with Adelaide Youth Theatre (2021), the latter with Northern Light Theatre Company (2022), and Joe Pesci in Northern Light Theatre Company’s Jersey Boys (2022). Jaxon is also keen within the background of theatre as the youngest MD in the history of Scouts SA's Performing Arts Branch for Adelaide Gang Show, where he initiated the return of a full youth band. Jaxon is also a keen Theatre Technician, working casually in a northern adelaide theatre. Jaxon is currently studying the Bachelor of Music Theatre at the Elder Conservatorium, with an aim to finish at the end of 2025.
Next year, Jaxon will be performing in the Fringe Show Fountain Lakes: A Very Foxy Parody, a Kath and Kim Musical, where he will be playing the role of Kel Knight.
Jessica Wolfendale (she/they)
Jess has been involved in Adelaide's theatre scene since 2015, from Guys and Dolls to The Addams Family, to (most recently) A New Brain with Davine Productions. Working as a Stage Manager and general backstage all-rounder, for companies such as Adelaide Festival Centre, State Opera, and Slingsby; they still love to perform – though it's mostly in the car on the way to and from work!
Jethro Pidd (He/Him)
Jethro has been in and around theatre for over 25 years. He is a passionate High School Drama teacher and training to become a certified Fight Director. Recently, he has Directed The Complete Works of William Shakespeare abridged with the Stirling Players.
Kristin Stefanoff (she/her)
Kristin is a music teacher, musician, and performer based in the Adelaide Hills. Favourite musical theatre roles include: Muriel (Dirty Rotten Scoundrels - Hills Musical Company 2022); Laura (High Fidelity - Hills Musical Company 2021); Vivienne (Legally Blonde - The MET 2021); Simone (Shane Warne The Musical - Segue Productions 2020); Elizabeth (If/Then - Segue Productions 2018); Cathy (The Last Five Years - Segue Productions 2017); Clara (The Light In The Piazza - Davine Productions 2016); Inga (Young Frankenstein - Marie Clark Musical Theatre 2014); Smitty (How To Succeed In Business Without Really Trying - Marie Clark Musical Theatre 2013); and Ensemble/Lady of The Lake Understudy (Spamalot - Marie Clark Musical Theatre 2018). Kristin will be playing Ms Gardner/Female Authority Voice in Carrie The Musical with Hills Musical Company in November 2023.
Kristin holds a Bachelor of Music Education from the Elder Conservatorium, majoring in Classical Piano, and has extensive accompanying and pit experience. Music Direction credits include: Heathers: The Musical (Segue Productions 2019); Calamity Jane (Marie Clark Musical Theatre 2014); Poor Expectations (Investigator College 2014); Mulan Jr (Investigator College 2013); and Honk! (Investigator College 2011).
Kristin teaches piano, voice, violin and music theory, and loves seeing students grow in confidence as they develop their skills in music.
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with Northern Light Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns!
Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020.
In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
After a busy 2023, Maddy is excited to be back on stage performing at Broadway Sessions. She has performed with Pelican Productions in their annual musical theatre camps for the past five years where she has had some wonderful roles including Mal from Descendants. In 2021 she played the role of Summer in School of Rock (Pelican Productions) alongside her wonderful vocal coach and mentor, Mim Sarre. Maddy has more recently played the role of Matilda in her schools production of Matilda, the loveable seagull Scuttle in the The Little Mermaid Jr (Shane Davidson Presents) and was fortunate to be selected as a soloist in the Public Primary Schools Festival of Music in September, 2022.
Max has been playing percussion for 15 years, and has been involved in numerous music performance groups throughout that time. Attending Marryatville High School 2006-2010, and being a part of the Raiders Drum Corps since 2007, he learned performance etiquette pretty quickly, and grew comfortable performing in front of people. Max participated in the Big Band program at high school, and as such was able to attend Generations in Jazz multiple times. His drumkit playing further improved after high school where, during his studies for his Bachelor of Music (Percussion), he was a part of the Jazz SA Youth Superbands. While studying his Bachelors, Max competed in and won First Place in the 2011 MSO Snare Competition.
Musical theatre has been part of his life since 2009, and as luck would have it, Max has been working with Peter Johns since his very first show! Productions Max has been involved in include: Sweeney Todd, Fame, Spamalot, Beauty and the Beast, Oliver!, Annie, The Full Monty, You're a Good Man Charlie Brown, Violet, Wicked, Bring It On!, Edges, Beautiful, Mamma Mia, and Les Miserables.
Outside of music, Max has developed a passion for gridiron, and plays for the Port Adelaide Spartans. He is also a personal trainer, and his love for craft beers is pretty strong!
Maya’s love of musical theatre began at an early age, with her journey in performance beginning with Pelican Productions. Since then, Maya’s theatre credits include The Gilbert & Sullivan Society’s Thoroughly Modern Millie (2016) and Les Misérables (2017), Lydian Productions and Irregular Productions’ Godspell (2018) as the ‘By My Side’ soloist, Marie Clark Musical Theatre’s Anything Goes (2019) as Hope Harcourt, Segue Productions’ Heathers (2019) as Heather McNamara, and most recently Davine Productions' Beautiful: The Carole King Musical as Cynthia Weil (2020). Maya is a primary school Dance/Drama teacher, and she finds so much joy in being able to share her love of musical theatre with her students.
Mim Sarre (she/her)
Millicent Sarre (Mim) is a cabaret artist, singer-songwriter, vocal coach, and musical theatre performer, brought up and working on Kaurna Land. She has toured her original cabaret works Australia-wide; her most recent show Millicent Sarre is Opinionated won ‘Best Cabaret’ of the Adelaide Fringe 2023, and the album of the original songs from the show was released in February 2023. Previous musical theatre roles include Mrs Lovett in Sweeney Todd (ECMT, dir. James Millar), Hildy in On the Town (ECMT, dir. Erin James), Rona Lisa Peretti in The 25th Annual Putnam County Spelling Bee (ECMT, dir. Joseph Simons), and Ivy in the Australian premiere of Ivy + Bean: The Musical (The Gemini Collective, dir. Sarah Williams). Mim will graduate with a Bachelor of Music Theatre from the Elder Conservatorium in 2023.
Robyn has been performing and teaching for over 20 years in various guises. After completing her Bachelor of Music, the stage wooed her and she has since performed with the Hills Musical Company, Northern Light Theatre and Matt Byrne Media. Her favourite performances have included; Rita in The 25th Annual Putnam County Spelling Bee with Matt Byrne Media; Mrs Johnstone in Blood Brothers and Vera in Stepping Out, for the Hills Musical Company; Sukie in The Witches of Eastwick and Kathy in Singing in the Rain with Northern Light theatre company. Robyn also won the Best Female Performance for her role as Dusty in Northern Light Theatre's Dusty: The Original Pop Diva.
Over the past three years, she has been the lead vocalist for the 60’s band, The Highlights, performed in the 60s Down Under matinee series, and worked as a backing vocalist for the 2017 Adelaide Fringe show, A Tribute to George Harrison. With a background in jazz music, she was also given the opportunity to sing with the Lindy Hip Big Band for two years, and features on their CD.
Robyn has just performed in Northern Light Theatre's season of Mamma Mia, playing the lead role of Donna.
Music has always been part of Ron’s life. As part of Novo Concertante Manila, an international award-winning chamber choir in the Philippines, Ron travelled to Europe and Asia performing a wide range of A Cappella music of various genres in competitions and concerts. Since moving to Adelaide in 2010, he found his passion for music theatre in both amateur and professional productions. Ron has done shows including Miss Saigon (MCMT 2011 & MMTC 2019), Bernstein Mass & Ennio Morriconne Live (ASO 2012), Forbidden Broadway (MCMT 2012), The Cross (ACTS 2013 & 2014), Chorus for Andrea Bocelli (ASO 2014), Rent (MCMT 2016), Godspell (IP & LP 2018).
Ron had a fabulous time with G&S' Kinky Boots in his first lead role as Lola in September 2019. Weeks after KB, Ron is covered up from head to toe as Sr Mary Amnesia in MBM’s production of Nunsense A-Men! Ron secretly wishes that like Hamilton, more shows and production outfits will now start to be inclusive and recognise talent over race and culture, to play roles not usually given to people of colour. In February 2016, Ron first took part in Broadway Sessions and is again thrilled to take part in this month's session.
Ruby Pinkerton (she/her)
Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Recently, Ruby played Rose in Dogfight with St Jude’s Players, Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots and was the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. She also performed as Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Beautiful: The Carole King Musical witih Davine Productions, Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society, and in 2023 Kiss Me Kate with Hills Musical Company.
At 23, Scarlett has been passionate about performing since she was young. She began dancing at Barbara Jayne Dance Centre when she was 3 years old where she developed her singing and dancing skills for 13 years and has now begun focusing on her passion for musical theatre. Scarlett graduated Concordia College in 2017 as the Dux of Solo Vocal Performance where she was and will continue to be taught by her singing teacher Rosie Hosking.
With 18 years of combined performing experience, Scarlett's love for the stage has never ceased, with her previous roles including Amber Von Tussle in Hairspray, and Campbell Davis in Pelican Production's production of Bring It On the Musical's first season and its 2018 return season - for which she received a TASA nomination for 'Best Youth Female Actor'. Her most recent musical accreditation included a performance season of Godspell with Lydian Productions and Irregular Productions. In addition to this, she was also selected to perform as a featured soloist at the nationally televised 2018 Elder Park Carols By Candlelight. Her professional accolades in Adelaide have also included working with Ding Productions and Shane International each year for varying statewide productions. She has also been contracted with Royal Caribbean International (Miami) as a featured lead vocalist since January 2019 and has recently returned from a 10 month LA season with them. She’s set to resume her overseas work with them for another year, beginning in October 2022.
Tayla Alexander is a passionate 19 year old South African performer who is commencing her Music theatre dreams at the Elder Conservatorium of Music at the University of Adelaide in 2022.
While at Redhill High School in Johannesburg, Tayla landed the lead roles of Tracy Turnblad in Hairspray and Elle Woods in Legally Blonde, as well as the supporting role of Rusty in Footloose.
She also took part in professional Cabaret productions, such as Love Stage, and was awarded with Trinity College of London’s Exhibition award for her Grade 8 Musical Theatre examination, as she achieved the highest mark in the country of 97% in 2019. She was awarded her South African Colours and was selected to represent South Africa at the World Championships of Performing Arts in Los Angeles in 2018.
Her dream is to pursue a career in Music theatre and she is excited to explore her new home of Adelaide and the opportunities it may hold.
Trish comes from a musical family. Dad, Ted Spence, was a well-known pianist around town often playing in the Wonderland Ballroom in its heyday and with the Penny Rockets. Mum, Faye, is a life member of the Adelaide Harmony Choir and her sisters Joanne and Margot also have talents of their own with Margot still even now playing the piano beautifully and Joanne singing in the shower! Trish reckons Joanne could have had quite the career in music theatre if she wanted to!
Trish has been lucky enough to play a wide range of roles in many musicals for lots of different companies. Music teacher by day and performer by night, Trish can be found regularly performing in cabaret performances, rocking out with the Jus-Fa-Fun band and in local music theatre....and she’s looking forward to things returning to normal soon!
She is also an accomplished director and musical director. Favourite stage roles have included Maria (The Sound of Music), The Witch (Into the Woods), Mrs Lovett (Sweeney Todd), Marmee (Little Women), Annie Oakley (Annie Get Your Gun), Dolly Levi (Hello Dolly) and Donna Sheridan (Mamma Mia) to name a few. Even though Trish loves the stage, it’s the friends she has made on stage, in the pit, backstage and in the audience that mean the most.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max Ziliotto has been performing since 2004, from concert bands, drumline and big band, to orchestral works and musical theatre. Prior to his acceptance as a Casual Percussionist with the Adelaide Symphony Orchestra, he completed his Bachelor of Music in 2013 at the University of Adelaide’s Elder Conservatorium of Music under the tutelage of Amanda Grigg.
Born in Adelaide, Max began his musical journey under the guidance of Peter Matzick. Attending Marryatville High School, Max gained a wealth of performance opportunities including the Generations in Jazz festival in Mount Gambier. During his Undergraduate studies, Max won first place in the Melbourne Symphony Orchestra Snare Drum Award in 2011.
Max has been performing with the Elder Conservatorium's Music Theatre students' productions since 2021, most notably playing the drum score for Legally Blonde, directed by Broadway's Nikki Snelson in 2022.
Max was also an active member of the Raiders Drum Corps from 2006-2019, performing numerous times in the city's Christmas Pageant, and on stage with them at Australian Ultimate Drummers Weekend in Melbourne 2015. He has tutored at South Australian Music Camp multiple times, and has been in the house band of Broadway Sessions since its inception in 2015.