About this Session
Sick of the bad news cycle? Then have we got the cure for you!
Broadway Sessions is BACK baby.
We will be streaming from the Ghost Light Bunker, run by MosaicAV. The band will be live, the hosts will be live, and the performers will be live too – but the audience gets to do it all from the comfort of their own home.
To watch the live stream you will still need to purchase a ticket. This is so we can cover the costs involved in putting the event on (including supporting the artists on our team who have lost their income stream). Therefore, spread the word and invite your friends and family to watch and support your local artists!
There’s a lot we can’t control right now, but we can be flexible and find ways to still bring joy into our everyday. We hope you’re as excited as we are to try out this new and exciting format for Broadway Sessions.
Registrations are now open. For the opportunity to perform, visit our registration page and submit two song options (from a musical or by an established music theatre writer) to be part of the fun. Registrations are open until 5pm Thursday. Please note: performers will still be required to attend our livestream bunker (the Ghost Light Bunker) on the night of the Session. Only audience members get to watch from home!
A note on safety:
- Every possible step is being taken to ensure the health of all performers and team members, and to comply with SA social distancing rules.
- All surfaces are disinfected with hospital grade products before and after use – this includes all cables, stands, microphones and all other equipment that is used. Plus, no microphones are shared – each performer will have their own microphone.
- Performer’s arrival times will be staggered and we will be working within the current social distancing and mass gathering guidelines for South Australia.
Your Session Hosts
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Mark is a respected opera, cabaret and concert singer, with a passion for music theatre. He has toured South Australia with State Opera, SINGular productions and the Adelaide Art Orchestra. Mark produced and performed in his own sell out swing show – Mark Oates and the Daniel Brunner Pretty Big Band – for the 2009 and 2011 Adelaide Fringe Festivals. For the Adelaide Festival, Mark sung the roles of Ruffiak in Ligeti’s Le Grande Macabre and Street Singer in Leonard Bernstein’s Mass.
For State Opera SA, Mark premiered the role of “the Cantor” in Astor Piazzolla’s Maria de Buenos Aires, a co-production with Leigh Warren and Dancers which was reprised for the 2011 Brisbane Festival. He also performed Joe in The Station (Howard Blake), and John Styx in Orpheus in the Underworld (Offenbach). Last year Mark performed in the world premiere of the full Philip Glass trilogy for State Opera SA, including the role of Arjuna in Satyagraha. In the two weeks prior to the opening night of Broadway Sessions, Mark will be part of the State Opera SA chorus in Faust and the Verdi Requiem before travelling to Canberra for two concerts with the Canberra Symphony Orchestra.
Mark has also worked with many Adelaide based musical theatre companies. He was an Oscart and Curtain Call winner and Critic’s Circle nominee for his portrayal of Jean Valjean in The G&S Society’s Les Misérables. For The G&S Society Mark has also played the Baker in Into the Woods and the Pirate King in The Pirates of Penzance. He premiered Horton the Elephant in the award winning Seussical the Musical and portrayed Utterson in Jekyll and Hyde for The Hills Musical Company. Other roles include Jesus in Jesus Christ Superstar for Northern Light Theatre Company, Archibald Craven in The Secret Garden for both The Therry Dramatic Society and The G&S Society, Enoch Snow in Carousel for Swell Productions/MS Society and was part of the original cast of It’s A Dad thing for SINGular productions. Mark has also played “man” in several productions, including Songs for a New World and I Love you, You’re Perfect, Now Change!
Alana is 17 years old and started singing with the school choir, then moved to Musical Theatre at age 10. Alana has enjoyed success with lead roles in productions by Adelaide Youth Theatre, Pelican Productions, March Productions and work with Promise Adelaide. Her highlights include Class of Cabaret and working with New York producers/directors. She is passionate about all genres of music and loves to sing, act and dance. She owes much of her success to working with many accomplished teachers and performers.
Amber Fibrosi has recently played the role of ‘Wendy’ in Adelaide Theatre Academy’s Fringe show of Peter Pan along with being a soloist in another fringe show Musical Moments. Last year Amber was a featured ‘Defying Gravity’ soloist in the Catholic Schools Music Festival and since graduating from school has been gaining further experience in the musical theatre and overall music industry, having always had a strong passion in the field.
Anjali is a performing arts teacher who loves to sing. She has performed on stage in musicals, The Voice, and recorded for various productions. Anjali was the first in Adelaide to sing with Idina Menzel and although she forgot her own name, she didn’t forget the lyrics! Anjali used to sing at Cabaret Live, but this is her first time singing at Broadway Sessions.
Cailene Kilcoyne came to Adelaide from San Diego, California. She has performed regionally around the States as well as internationally on a cruise ship. She is super excited to announce that she will be playing the role of "Marcy" in Emma Knights upcoming production of I Love You Because, which will be her Australian debut!
Casmira loves stories, diverse and supportive communities, wigs, glitter, and belting as a way of dealing with too many emotions. Luckily, she found theatre!
Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Casmira’s professional credits include performing in The Teddy Bears Picnic for The Garden of Unearthly Delights, directing and performing in several children’s theatre productions for the Something On Saturday Program with Adelaide Festival Centre, and providing the voice for ‘Poppy Platypus’ in Lupa Entertainment’s popular app for children: Hip Hop Kangaroo and Friends.
Catherine established a passion for performing arts in Adelaide, appearing in multiple amateur productions including Jo March in Little Women (Therry Dramatic Society 2013), Eponine in Les Misérables (Shane Davidson Presents 2012), Tammy in Hairspray (Matt Byrne Media 2012) and Pegeen in The Playboy of the Western World (Independent Theatre Inc 2013). Catherine then moved to Melbourne in 2014 to pursue musical theatre full time at APO Arts Academy.
During her 2 year training, she landed her first professional gig in Spiegelicious and in 2015 was a semi-finalist in the Rob Guest Endowment. Since graduating Catherine has appeared in numerous TVCs and local musical theatre productions in Melbourne. In 2017 she performed the role of Maureen in WMTC’s production of RENT and in October 2018 she performed the role of Emma Carew in CLOC’s production of Jekyll and Hyde.
Catherine joined the corporate trio The Cover Girls in 2017 and regularly performs with them on various cruise ships around Australia. Catherine last performed at Broadway Sessions in November 2016 and is thrilled to be back thanks to COVID19 forcing her so isolate back home in Adelaide for the time being!
One of Chloe's earliest memories is twirling and singing in an Adelaide Crows football guernsey. Following this passion, she landed her first professional role in the touring production of Turandot in 2008, as well as starring as Ariel in the 2013 Australian premiere of The Little Mermaid. Chloe loved being part of Big Dreams – a 2019 Book Week show.
Throughout her time at WAAPA, Chloe has had the opportunity to play Cora in Atlantis (Matthew Robinson. Workshop) and Diane Lorimer in 42nd Street (dir. Jason Langley) as well as being a featured soloist in both Rent (dir. Adam Mitchell) and Chicago (dir. Crispin Taylor). Chloe filmed Vivid ‘magination, a music video with WASA where she played female lead Drew which was released in 2018.
Most recently Chloe returned from performing in Disney’s PJ Masks live show in Singapore with Marilla productions.
I have two arms and feet. But my feet are not at the end of my arms. That would just be plain silly. I like to sing, especially in other people's showers. But not while showering - that would just be weird. I have been singing since before fire, but not long after the wheel. I trained under a number of singing teachers but as a result of claustrophobia I found it better to stand next them instead. As a child I would spontaneously sing in class, as an accountant I would spontaneously sing in the office. I was soon sent back to class. I love chocolate.
Growing up performing in the Scouts’ Gang Show: Comedy Capers, David developed a love for musical theatre from a young age. Trained at the Centre for the Performing Arts; David has enjoyed performing Shakespeare with the State Theatre, Lightning Strike and Chopt Logic Theatre Companies and has toured in the past with Splash Theatre Company. Turning from professional acting to focus his energy on his family and work for the Anglican Church as a priest, David chooses to do shows that he loves.
It was in Marie Clark's production of Paris in the titular role that David hit the Adelaide scene in musical theatre. David has since performed with Marie Clark Musical Theatre in Miss Saigon (John) and as Carl Hanratty in the 2016 production of Catch Me if You Can. He has worked with Northern Light Theatre Company as Frederick in Pirates of Penzance and Seymour in Little Shop of Horrors. David also performed at the Adelaide Fringe Festival in 2015 with Lazy Saturday Productions' Australian premiere of Darkle. 2017 was a big year of theatre for David starting with Pale Ale Tales, a new work by local writer, Jason Hendy in the 2017 Adelaide Fringe, Jekyll and Hyde with Marie Clark and finishing with Les Misérables as Enjolras with G&S Society. Most recently David performed with the Hills Musical Company in Assassins as John Wilkes Booth.
David is thankful to his wife for her love and support, and for letting him play.
Ellis Dolan is currently touring with the company of 'School of Rock' as an Understudy for Dewey Finn and as a Swing – recently returning from a four-month tour of China. He spent 2017 studying Musical Theatre at NIDA; appearing in the Sydney Theatre Company production of Chimerica as part of the NIDA Ensemble.
He has appeared in several productions around Adelaide, including Evita (The Met) in which he portrayed Che; The Producers (HMC) as the Stormtrooper; Oliver! (Shane Davidson Presents) as Bill Sykes; as well as ensemble roles in Sweeney Todd: The Demon Barber of Fleet Street (HMC) and Jesus Christ Superstar (G&S Society). Off-stage, he acted as Assistant Director for You’re A Good Man, Charlie Brown and Smokey Joe's Cafe (HMC).
He also toured across Australia, portraying the role of Peter Dutton, as part of Abbott: The Musical (George Glass Productions), performing as part of the Canberra Comedy Festival and Melbourne International Comedy Festival, as well as a sell-out run in the Adelaide Fringe Festival.
Outside of performing, Ellis is a writer – having completed his Honours in Creative Arts: Creative Writing at Flinders University. He’s currently struggling through the first draft of a novel and is constantly side-tracked by wanting to write reviews and film analysis; because of this, nothing seems to get done, but he has a lot of fun doing it.
He made his directorial debut with Edges as part of the 2018 Adelaide Fringe Festival and loved every second of working with such fine people.
Jemma is originally from the UK where she trained professionally in Musical Theatre at The Brit School, The Betty Wivell Academy and Bird College in London. Jemma has Advanced Diploma’s in both Musical Theatre and Music and was also selected by the BBC (in London) for a young performer's bursary for outstanding achievement in Musical Theatre whilst she was studying. Jemma has been fortunate enough to have performed in various Musical Theatre concerts and workshops in London’s West End and even one in Broadway!
Jemma is relatively new to Adelaide - only having moved here last year. She has just finished playing the role of Carole King in Beautiful: The Carole King Musical with Davine Productions for the Adelaide Fringe Festival 2020. This was the best experience she has ever had on stage - she loved every minute of it!! Jemma also performed in Kinky Boots with The G&S Society in which she played the role of Lauren. Jemma’s other roles in Theatre have included Ellen in Miss Saigon (The Met), Charity in Sweet Charity, Nancy in Oliver!, Mary in Mary Poppins and Ariel in Footloose.
Originally from Adelaide, Jessica graduated from the Queensland Conservatorium in 2016 with a Bachelor of Musical Theatre. She made her professional debut early 2017 with The 7 Sopranos: Songs from Stage and Screen, with whom she has since toured internationally. Most recently, Jessica enjoyed working for Opera Australia in Don Giovanni and the Australian premiere of Il Viaggio a Reims (2020 Green Room Award for Best Production - Opera). Other stage credits include Ensemble/cover Mary - The Beautiful Game (Manilla Street Productions, 2019), Treasure Hunt! (Perform Education, 2018), and Aurora - Sleeping Beauty (Tivoli, 2017). Jessica would like to thank her family and Active Artists Management for their support.
Jethro enjoys being in isolation... Human interaction outside of his immediate family is overrated. He spent last week picking up his guitar again, completed a puzzle, played hours of FIFA, taught his son to play catch and then spent the other six days, for comedic purposes, twiddling his thumbs... in reality, chasing a toddler.
Jethro's greatest ambition is to be a turtle farmer from Antigua... or a leopard... Leopards are so cool.
Kristin has always lived and breathed music, but it wasn't until 2009 that she discovered musical theatre. After accompanying her first show she thought, "Hey, this looks like fun!" and auditioned for the next show that came around. The rest, as they say, is history. She has accompanied and music directed, but she truly feels alive on the stage. Favourite roles include Smitty in How To Succeed in Business Without Really Trying (Marie Clark Musical Theatre 2013), Inga in Young Frankenstein (Marie Clark Musical Theatre 2014), Clara in The Light In The Piazza (Davine Interventionz 2016), Cathy in The Last Five Years (Segue Productions 2017), Elizabeth/Liz/Beth in If/Then in September (Segue Productions 2018), and Simone in Shane Warne The Musical (Segue Productions 2020). Eventually, she will hopefully have the chance to perform with the Met as Vivienne in Legally Blonde the Musical!
Kristin music directed Heathers the Musical for Segue Productions in September 2019. She is also a founding member of the new Adelaide based theatre company Segue Productions. When she's not at rehearsals or the theatre, she teaches voice and piano, and often dances around the house with her awesome preschooler (usually to the Frozen soundtrack...).
Madeleine Schroeter is 9 years old. Maddy loves to sing and has had lessons with Mim Sarre since the start of 2019. Maddy's 2020 got off to a busy start where she played the part of Cosette in Pelican Productions MTC. She participated in Musical Moments with Promise Adelaide and also performed with Peter Combe, both in the Adelaide Fringe Festival. When Maddy isn't singing, she loves to dance and is part of her school aerobics team. Maddy is excited to be performing again at Broadway Sessions.
Madison has performed around Australia and the world as a singer, dancer, actor and musician. After graduating from the Queensland Conservatorium of Music with a BMus (Musical Theatre) in 2014, Madison made her professional musical theatre debut in the original cast of Georgy Girl - The Seekers Musical understudying and performing the lead role of Judith Durham throughout the production’s 2015/2016 Australian tour. Her other credits include Alysha in the original Australian cast of Green Day’s American Idiot (shake&stir), Jennyanydots in the 2017/2018 Asia Tour of Cats (RUG/GWB) and Franca in The Light in the Piazza at The Arts Centre Melbourne (Life Like Company), the latter earning her a Green Room Award Nomination for Best Featured Actress in a Musical. Most recently, Madison has been seen as Cherry in the 2019/2020 Australian Tour of Charlie And The Chocolate Factory (GFO).
Millicent Sarre is a singer-songwriter, musical theatre performer, cabaret artist, singing teacher, and all-round vocal nerd. Having studied music and theatre at Graceland University in the United States, she can now be found on the Adelaide musical theatre scene, having worked with Irregular Productions, Hills Musical Company, The Gemini Collective, Segue Productions and many more. Her favourite roles to date include Veronica Sawyer in Heathers (Segue 2019), Wendla Bergmann in Spring Awakening (Hills Musical Company 2017 – ATG Award for Best Musical), Ivy in Ivy + Bean: The Musical (The Gemini Collective 2018 – Australian Premiere), Sally Brown in You’re a Good Man, Charlie Brown (HMC 2015) and Audrey in Little Shop of Horrors (Graceland University 2013).
In June 2019 she debuted her self-devised and self-produced cabaret show Friendly Feminism for the Mild Mannered in a sell-out season in the Adelaide Cabaret Fringe Festival. She is currently Artist in Residence at Slingsby Theatre Company where she is writing her next show.
Mim is a singing and performing arts teacher at Theatre Bugs and Adelaide Theatre Academy, and has musically directed their productions of Little Shop of Horrors (2018), Xanadu Jr (2018) and Porridge (for ‘Something on Saturday’ at the Dunstan Playhouse, 2019), and co-musically directed 13 The Musical (2019).
Nava Revalk is an 18-year-old singer, actress, dancer and pianist, who has been performing since the age of 3. Nava has played lead roles in musicals with South Australian youth theatre groups and has received many accolades and awards for her performances.
At the beginning of 2019, she relocated to Brisbane to follow her passion, gaining a place in the highly competitive Bachelor of Musical Theatre course at the Queensland Conservatorium.
Nava has performed around the world. She has toured Japan as a lead vocalist with her high school, Concordia College in 2016. Additionally, she toured the US in 2017 and 2019 with the Australian Youth Performing Arts Team, singing solos in Disneyworld and Universal Studios, Orlando and Disneyland and Universal Studios, LA.
Nava’s goal is to make a splash in the musical theatre scene, following her degree, and to bring people together through performing professionally, internationally.
At 20, Scarlett has been passionate about performing since she was young. She began dancing at Barbara Jayne Dance Centre when she was 3 years old where she developed her singing and dancing skills for 13 years and has now begun focusing on her passion for musical theatre. Scarlett graduated Concordia College in 2017 where she was and will continue to be taught by her singing teacher Rosie Hosking.
With 16 years of combined performing experience, Scarlett's love for the stage has never ceased, with her previous roles including Amber Von Tussle in Hairspray, and Campbell Davis in Pelican Production's production of Bring It On the Musical's first season and its 2018 return season - for which she received a TASA nomination for 'Best Youth Female Actor'. Her most recent musical accreditation included a performance season of Godspell with Lydian Productions and Irregular Productions. In addition to this, she was also selected to perform at the nationally televised 2018 Elder Park Carols By Candlelight. Her professional accolades in Adelaide have also included working with Ding Productions and Shane International each year for varying statewide productions. She has recently been contracted for 8 months as a lead vocalist for Royal Caribbean International Cruise Lines beginning January until August 2019 and is currently employed with Royal Caribbean again during their 2020 season beginning in January until November.
Sophie is fortunate enough to be studying a Bachelor of Fine Arts (Music Theatre) at the Victorian College of the Arts. Before moving to Melbourne, Sophie was heavily involved in the Adelaide theatre scene. She began dancing at the age of 6 which naturally progressed to discovering the allure of music theatre. She has been involved in a variety of cabarets, competitions and musicals including Rent (MCMT), The Little Mermaid as Ariel (AYT), Beauty and the Beast as Belle/Babette (AYT) and The Wizard of Oz as Dorothy (AYT and Gleeson College).