About this Session
This month the Broadway Sessions band welcomes back Max Garcia-Underwood (on guitar) and Martin Cheney (on keys) to help us rock out, Broadway-style. Choose your favourite rock musical (or rock-style song, from any musical) and let’s amp up the volume! As we don’t normally have a guitarist, this is the perfect month for any song that features a guitar (both electric and acoustic), so consider this when making your song choices.
Rock Night at Broadway Sessions is always a fan favourite, so get in quick to secure your spot and ensure you don’t miss out!
Your Session Host
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Aimee is an avid music lover and an aunty. She currently attends Tutti Arts and participates in their music program 3 days a week. Aimee loves performing and will take each opportunity to do so, participating in the performing arts group No Strings Attached, sings with the Tutti Choir and Poco Choir, and is also a member of the worlds first all girl disability music group The Sisters of Invention. The Sisters of Invention, have seen Aimee perform at numerous events such as The Special Olympics Closing Ceremony, Womad and The Fringe Festival. Aimee and her music group The Sisters of Invention are recording their new album which should be released later this year. Aimee and her music group recently appeared on ABC iView Get Crackin.
In addition, she is in a new group called TGIF (Thank God It's Friday), and will be performing at the Highway Hotel on the 3rd of November. She is also performing in the Adelaide Christmas Pageant with TGIF, and performing in a show with No Strings Attached on 7th & 8th of November.
Blake has been performing in the South Australian musical theatre scene since his debut in Therry society's production of Big Fish in 2016. Since then he has worked with HMC on the two productions and three State Opera of South Australia and Elder Conservatorium collaborations being Die Fledermaus, Don Pasquale and Dido and Aeneas. In 2020 Blake took part of Shane Warne the Musical, presented by Segue Productions at the Adelaide Fringe Festival. this was his last credit before this COVID-19 business went and ruined everything
Cailene Kilcoyne came to Adelaide from San Diego, California. She has performed regionally around the States as well as internationally on a cruise ship. She is super excited to announce that she will be playing the role of "Marcy" in Emma Knights upcoming production of I Love You Because, which will be her Australian debut!
Carmine is a work in progress, as is her bio. Maintaining the mystery.
Christopher's inclination toward the performing arts became apparent during his high school career, appearing in an abundance of school shows, such as The Wizard of Oz, Pippin, Joseph and the Amazing Technicolour Dreamcoat, and The Importance of Being Earnest. Upon graduation, Christopher ventured further into the amateur theatre scene, with notable appearances in The Producers, Hairspray, Hamlet, A Midsummer Night’s Dream, and most recently the South Coast Choral and Arts Society's 2018 production of Les Misérables.
Cordelia first started singing at the young age of six as part of Young Adelaide Voices in 2004 and has yet to stop. Her first introduction to musical theatre was at Pelican Productions Music Theatre Camp in 2010, where she fell in love with musicals and the theatre. Since then she has auditioned for as many roles as possible, landing her first role, and dream role, of Nancy in Now Productions Oliver! in 2016.
Cordelia's roles also include Brigitta in The Sound of Music, Aunt Em/Glinda in The Wizard of Oz, the Narrator in Joseph and the Amazing Technicolor Dreamcoat and Jenny Lind in Barnum. She also enjoys working as a crew member on shows and feels that every person who does theatre should work backstage at least once! Cordelia has just completed a diploma in Film and TV at MAPS Film School.
Danielle started performing at age 5 within her school and also in the Australian Girls Choir. She landed her first lead role in a musical at age 6 starring as Henny Penny in the year 1 & 2 production of The Sky is Falling, where she was seen pulling actors into their correct spots and mouthing everyone's lines. In High School (Norwood Morialta High School) Danielle played leads across multiple musicals, 2008 - Rizzo in Grease, 2010 - Lumiere in Beauty and the Beast and 2011 - Anna in The King and I. Additionally, in 2010 Danielle was part of the High School Cabaret Show, directed by David Campbell during the Adelaide Cabaret Festival.
Since high school, Danielle pursued a basketball career playing Premier League basketball for 8 years, which prevented her from performing. Since retiring in late 2017, she has been trying to crack back into musical theatre, auditioning for musicals. Last year Danielle was lucky enough to play Scaramouche in Matt Byrne Media's We Will Rock You. Recently you may have seen Danielle in NLTC's Dusty as a Nevada, and in G&S Society's Kinky Boots where she sang the words "What a Man" over and over again like an annoying broken record.
22-year-old Dylan Rufus has been in the South Australian theatre community since 2011; assuming many roles: including audio-visual design and technician, stagehand and stage manager, musician and musical director, actor, writer and composer—with his recently contribution in the University of South Australia’s self-written production of Behind Closed Doors in 2018. Dylan’s onstage work has seen him in musicals such as Grease, West Side Story, Oklahoma, Jesus Christ Superstar, Sweeney Todd, and Spring Awakening, amongst other plays and pantomimes.
2018 saw Dylan as Orin Scrivello D.D.S. in Little Shop of Horrors (Adelaide Theatre Academy), Giles/Angel/Dr Cullen in Emma Wiley’s Buffy Kills Edward (Emma Knights Productions), and the Newcomer in Avenue Q (Hills Musical Company). Dylan’s recently portrayed Principal Gowan/Veronica’s Dad/Kurt’s Dad in Segue Productions’ Heathers: The Musical and will be playing John Hinkley, Jr. in Hills Musical Company’s Assassins in November.
Outside of the theatre, Dylan is completing his MMET Master of Teaching in Secondary Education through the University of South Australia, and the Associate Performers Diploma in Pianoforte through Australia and New Zealand Cultural Arts (ANZCA).
A Tasmanian ex-pat, Grace has been treading the boards of the theatre since the tender age of two. Originally trained in classical ballet at the Tasmanian Academy of Dance, Grace naturally fell into musical theatre through the vocal tutelage of Patrice Sargison. A triple threat, Grace has performed as a member of the ensemble for CATS and Fiddler on the Roof, also taking on the roles of “Kate” in Annie (which she revisited as an adult as a Boylan Sister/Featured Vocalist & Dancer) for Encore Theatre, “Ronette” in Little Shop of Horrors, “Natalie Haller” in All Shook Up, “Tiffany” in Back to the 80s and Cecily in The Importance of Being Earnest for Scotch Oakburn College. Whilst studying, she performed annually in the Little Theatre for the Uni of Adelaide’s infamous Law Revue. Now a graduate lawyer, Grace is looking forward to utilising her love of theatre (read: ability to curb crippling nerves in front of an audience) in the courtroom!
Gus has been performing theatre in Adelaide with several companies continually since 2003, but did his first show in 2001. That one took him two years to recover from! The talent level in Adelaide theatre has always been good, but currently every show seems to be bursting at the seams with talent on & off stage. A great position for our community to be in. Whilst he loves performing onstage, cabaret performance is not as common for him so his first time mic in hand at Broadway Sessions will be an experience...for everyone ;)
Jen is a recent amateur theatre actor, her last gig in the ensemble of Dusty the Musical. She loves to sing soul and jazz but prefers to dance to disco! Audience participation is a fun part of performing so expect some opportunities to sing with her!
Joseph has been doing theatre since childhood, though not properly hitting the Adelaide scene until Marie Clark's Jekyll and Hyde in 2017 as a member of the ensemble. Since then, he has played roles such as Mitch Mahoney in Spelling Bee, Marius in Les Misérables, Prince Eric in The Little Mermaid, and is currently in Marie Clark's Anything Goes. When not singing, dancing, or delivering a dramatic monologue, he's usually pouring something alcoholic (whether for a customer or himself remains to be seen).
Karen has been involved with a number of theatre companies in Adelaide over the last 15 years. Some of her stage highlights include Oliver, Into the Woods, Beauty and the Beast, Avenue Q and Spamalot. She hasn't been on stage in a show since 2014 because the role of "Mother of Two" keeps her busy these days. Therefore, Karen loves being able to perform at Broadway Sessions as often as possible.
Kate is known by her friends and family as a jack-of-all-trades. She is a qualified Science teacher, who also teaches English, Drama, Music, Visual Arts and Physical Education and is currently the Director of Basketball and Head Coach at Mercedes College. In her ‘spare time’ she indulges in the arts by performing or painting, and is currently building a profile as a singer/songwriter and working on an EP. Stage credits include Gigi in Miss Saigon with MCMT in 2011, Les Misérables with Shane Davidson in 2012 and MCMT’s RENT in 2016. She is excited to return to the stage with Matt Byrne’s Strictly Ballroom playing the ingenious, Fran.
Kristin has always lived and breathed music, but it wasn't until 2009 that she discovered musical theatre. After accompanying her first show she thought, "Hey, this looks like fun!" and auditioned for the next show that came around. The rest, as they say, is history. She has accompanied and music directed, but she truly feels alive on the stage. Favourite roles include Smitty in How To Succeed in Business Without Really Trying (Marie Clark Musical Theatre 2013), Inga in Young Frankenstein (Marie Clark Musical Theatre 2014), Clara in The Light In The Piazza (Davine Interventionz 2016), Cathy in The Last Five Years (Segue Productions 2017), Elizabeth/Liz/Beth in If/Then in September (Segue Productions 2018), and Simone in Shane Warne The Musical (Segue Productions 2020). Eventually, she will hopefully have the chance to perform with the Met as Vivienne in Legally Blonde the Musical!
Kristin music directed Heathers the Musical for Segue Productions in September 2019. She is also a founding member of the new Adelaide based theatre company Segue Productions. When she's not at rehearsals or the theatre, she teaches voice and piano, and often dances around the house with her awesome preschooler (usually to the Frozen soundtrack...).
Kurt debuted in the Adelaide musical theatre scene in 2017, where he played in the ensemble and Cesar Rodriguez in Saturday Night Fever with MBM, Hugo Peabody in Bye Bye Birdie with the Met, as well as ensemble and the Pied Piper in Shrek the Musical with AYT in January of 2018. Taking a small hiatus after Shrek to work on his newly developing singing and acting skills, as well as continuing work on his dance training of many years, Kurt has made a return to the theatre scene – playing the role of Scott Hastings in MBM's Strictly Ballroom in 2019.
Millicent Sarre is a singer-songwriter, musical theatre performer, cabaret artist, singing teacher, and all-round vocal nerd. Having studied music and theatre at Graceland University in the United States, she can now be found on the Adelaide musical theatre scene, having worked with Irregular Productions, Hills Musical Company, The Gemini Collective, Segue Productions and many more. Her favourite roles to date include Veronica Sawyer in Heathers (Segue 2019), Wendla Bergmann in Spring Awakening (Hills Musical Company 2017 – ATG Award for Best Musical), Ivy in Ivy + Bean: The Musical (The Gemini Collective 2018 – Australian Premiere), Sally Brown in You’re a Good Man, Charlie Brown (HMC 2015) and Audrey in Little Shop of Horrors (Graceland University 2013).
In June 2019 she debuted her self-devised and self-produced cabaret show Friendly Feminism for the Mild Mannered in a sell-out season in the Adelaide Cabaret Fringe Festival. She is currently Artist in Residence at Slingsby Theatre Company where she is writing her next show.
Mim is a singing and performing arts teacher at Theatre Bugs and Adelaide Theatre Academy, and has musically directed their productions of Little Shop of Horrors (2018), Xanadu Jr (2018) and Porridge (for ‘Something on Saturday’ at the Dunstan Playhouse, 2019), and co-musically directed 13 The Musical (2019).
Since diving into his passion for drama and musical theatre in high school, Nick hasn't stopped! He's performed in a number of plays and through he enjoys traditional theatre, his heart rests with singing. He will never forget his first musical Legally Blonde and has since performed twice at the Adelaide Fringe Festival. He never lets his studies get in the way of strengthening his skills and he enjoys pushing his limits. His 2019 highlights include a radio play of It's a Wonderful Life with Wings2Fly Theatre where he performed several roles, and Heathers The Musical with Segue Productions in the ensemble role of Preppy Stud.
Nikki is a performer who’s love for the stage started at a very young age, starting with SAPPS Choir in primary school, and being part of the mass ensemble in the Grease Arena Spectacular.
In 2018 Nikki completed her training at Australian Company of Performing Arts with a Certificate IV in Dance where she trained in dance, singing and acting. She performed in two shows as part of the course, including playing Rapunzel in the pantomime Once Upon a Time, where she also discovered a love of performing for children. Nikki is continuing her studies at The University of Adelaide doing the Bachelor of Music Theatre.
Nikki made her Adelaide theatre debut as Heather Chandler in Segue Productions’ Heathers in 2019.
Oliver is 18 years old and has been performing in musical theatre since 2008. He worked at Adelaide Theatre Academy as a performing arts/singing teacher, and participates in many musical productions. He has performed as Buddy in Elf Jr. (Theatre Bugs), Reverend Shaw Moore in Footloose (The Parks Theatre), and Lumiere in Beauty and the Beast Jr. (Theatre Bugs). In 2018, Oliver got to play one of his dream roles; Seymour Krelborn in Adelaide Theatre Academy's production of Little Shop of Horrors in the Adelaide Fringe Festival.
Oliver then starred as Sonny Malone in Xanadu Jr. with ATA in September 2018, Boq in Adelaide Youth Theatre’s December production of Wicked in 2018, and James Bailey in Barnum with March Productions in the 2019 Adelaide Fringe Festival. Most recently, Oliver was featured in the ensemble of Segue Productions' Heathers the Musical in September 2019.
Oliver travelled to the United States in January 2019 with a select group of Adelaide Youth Theatre performers to compete in the Junior Theatre Festival in Atlanta. They performed a version of Madagascar: A Musical Adventure Jr in which Oliver starred as Marty the Zebra, and worked with Broadway professionals in New York. Oliver was also lucky enough to be a part of the 2019 Class of Cabaret programme. After months of mentorship from industry professionals Michael Griffiths and Amelia Ryan, Oliver performed a cabaret set in June as a part of the Adelaide Cabaret Festival. Professionally, Oliver performed in the kids' production Snowmageddon: Penguins of Antarctica in July 2018 with Heaps Good Productions.
Robyn has been performing and teaching for over 20 years in various guises. After completing her Bachelor of Music, the stage wooed her and she has since performed with the Hills Musical Company, Northern Light Theatre and Matt Byrne Media. Her favourite performances have included; Rita in The 25th Annual Putnam County Spelling Bee with Matt Byrne Media; Mrs Johnstone in Blood Brothers and Vera in Stepping Out, for the Hills Musical Company; Sukie in The Witches of Eastwick and Kathy in Singing in the Rain with Northern Light theatre company.
Over the past three years, she has been the lead vocalist for the 60’s band, The Highlights, performed in the 60s Down Under matinee series, and worked as a backing vocalist for the 2017 Adelaide Fringe show, A Tribute to George Harrison. With a background in jazz music, she was also given the opportunity to sing with the Lindy Hip Big Band for two years, and features on their CD.
Robyn has just completed Northern Light Theatre's season of Dusty the Musical, playing the lead role of Dusty Springfield.
Music has always been part of Ron’s life. As part of Novo Concertante Manila, an international award-winning chamber choir in the Philippines, Ron travelled to Europe and Asia performing a wide range of A Cappella music of various genres in competitions and concerts. Since moving to Adelaide in 2010, he found his passion for music theatre in both amateur and professional productions. Ron has done shows including Miss Saigon (MCMT 2011 & MMTC 2019), Bernstein Mass & Ennio Morriconne Live (ASO 2012), Forbidden Broadway (MCMT 2012), The Cross (ACTS 2013 & 2014), Chorus for Andrea Bocelli (ASO 2014), Rent (MCMT 2016), Godspell (IP & LP 2018).
Ron had a fabulous time with G&S' Kinky Boots in his first lead role as Lola in September 2019. Weeks after KB, Ron is covered up from head to toe as Sr Mary Amnesia in MBM’s production of Nunsense A-Men! Ron secretly wishes that like Hamilton, more shows and production outfits will now start to be inclusive and recognise talent over race and culture, to play roles not usually given to people of colour. In February 2016, Ron first took part in Broadway Sessions and is again thrilled to take part in this month's session.
Shane has been doing amateur theatre for the last few years. Being in the ensemble all the time, he has always been searching for opportunities to sing and perform. Recently just got his very first chance to sing in The Met's production Miss Saigon, playing the role of Thuy. He now is more confident to sing and looking forward to sharing more stories with the audience.
Simon first developed a taste for performing through high school drama and Scout theatre, but left that passion dormant for many years before rediscovering it in the ensemble of HMC's Sideshow (2018). Since that, he appeared in the Met's Can-Can (2018) as Theophile, as well as The Pirates of Penzance (Therry 2019), Assassins (HMC 2019), Nell Gwynn (Stirling Players 2019) and as Kurt Kelly in Heathers (Segue 2019). Most recently, he played the chronically bashful Charlie Marlow in Blue Sky Theatre's Production of She Stoops to Conquer (2020). When he's not performing, Simon studies and teaches economics.
Warren Logan is a Music Theatre graduate of the University of Ballarat Arts Academy. Highlights from drama school include Oklahoma! (Jud Fry), Rhinoceros (Jean), and his self-devised cabaret Fat Boys Don't Cry performed at Melbourne's renowned cabaret venue, The Butterfly Club. Since graduating, Warren has acted in music videos for Australian artists Something for Kate, Simon Imrei and Michael Waugh. Other stage highlights include A Streetcar Named Desire (Stanley Kowalski), When the Rain Stops Falling (Gabriel Law/Andrew Price), The Glass Menagerie (The Gentleman Caller), The Plow and the Stars (The Covey), The Shape of Things (Adam Sorenson), The Producers (Franz Liebkind) and Footloose (Willard Hewitt) - the latter two performances earning him Music Theatre Guild of Victoria and Lyrebird award nominations.
As a newcomer to Adelaide, Warren made his South Australian theatre debut in 2018 performing the role of Jud Fry in Oklahoma! On a Farm for Emma Knights Productions. He also recently performed the role of Nicky in Hills Musical Company's award winning production of Avenue Q.
Warren is the Artistic Director of Not The Worst Productions.