About this Session
October Session means the very first of our themed nights – Gender Swap! That’s right! Gender swap! To take part you will need to sing a song that is normally performed by someone of another gender. This is going to be a fun one, and will be a great opportunity to get to sing a song that is normally taboo (at least in a proper performance sense). You likely already have at least one song in your repertoire that belongs to another gender, and this is your chance to share it with the world!
The October Session will also include a performance from the cast of the Off-Broadway musical, The Story Of My Life, which opens at the Star Theatre in November as part of the Adelaide Feast Festival.
Jeri Williams (she/her)
Originally from the US, Jeri Williams immigrated to Adelaide in 2011. She’s a born performer, growing up singing in choirs, glee club, a pop/R&B girl group, and musical theatre. She got her start in theatre performing in the ensemble of How To Succeed in Business Without Really Trying at age 16. After school, Jeri got a job singing in an acapella group at a theme park in Florida, which led to being cast as Wendy Darling by Disney Cruise Line. Jeri spent her early 20s working and performing on various cruise ships with her husband.
Since making Adelaide her home, Jeri has delved into the local theatre scene on a few occasions, being cast in leading roles in NLTC’s Into The Woods (2012) as the Baker’s Wife; G&SSA’s Guys & Dolls (2015) as Adelaide and NLTC's Mack and Mabel (2016) as Mabel.
When life gets too busy for a full show schedule, Jeri enjoys singing with the Civic Park Carols Choir and joining in for a sing at Broadway Sessions as often as possible.
Amelie Peters is an award winning, classically trained vocalist, international performer, songwriter and BAST accredited vocal coach.
Amelie holds a Bachelor of Music in Classical Voice (Performance and Pedagogy) from the Elder Conservatorium of Adelaide. Her professional performance work includes Carmen (2019) and Carmina Burana (2020) with the State Opera of South Australia as well as successful tours in Australia and the US, where Amelie was invited to sing at the Soho Playhouse in New York City. Her credits as a vocal director for youth theatre include High School Musical 2 (2016), Hairspray the Musical (2018) and Mary Poppins the Musical (2019.) Amelie has also produced and performed original music in Cabernet the Cabaret (2019) and Cabernet Refined (2020) at the Adelaide Fringe Festival.
While she specialises in classical voice, Amelie also has a strong background in musical theatre, jazz and contemporary music. She has worked with renowned opera singers, musical theatre composers and Broadway stars from around the world.
Amelie’s ability to inspire, guide and nurture talent has led to consistently outstanding results for her private students and vocal ensembles, making Amelie one of the most sought after young vocal coaches in Adelaide.
Callum has been doing musical theatre for 10 years. He has been is shows such as The Addams Family, Mary Poppins, Footloose, Hairspray and many more. Callum got his Diploma of Music last year from TAFESA and has a strong passion for music. He has had vocal lessons with David Gauci and Naomi Eyers and is hoping to continue study interstate next year. His inspirations are John Barrowman, Nathan Lane and George Hearn, and would love to do such shows as It Shoulda Been You, DogFight and Ordinary Days.
Cara is an international choral and theatre performer with her feet firmly planted in musical theatre. She started on stage in the days before mobile phones and microphones for amateur performers. Should you know her, it explains a lot!
Cara has appeared in various television shows and films as well as a panellist for The Project (Ch 10). Cara is also a stagecraft, character development and movement for stage teacher through her own studio as well as producing successful burlesque shows for Adelaide Fringe and a variety of charity nights around Adelaide. She has participated in over 21 years of Adelaide Fringes and has been performing, in total, for over 30 years. She now produces cabaret shows with her company Burly Q Events.
Cara's hobbies include handicrafts, costuming and destroying bigots on the internet. She likes playfully teasing sopranos and intends to clean her room soon.
Chelsea McGuinness (she/her)
At just 24 years old, Chelsea is already making waves in the professional music industry, working as a songwriter, specialist vocal coach and speech pathologist. Chelsea graduated from the Elder Conservatorium Jazz degree in 2019 with some the highest marks in her cohort, having been selected by James Morrison as a Vocal Jazz Scholarship finalist in 2018 & 2019. Chelsea has since completed a Master of Speech Pathology, recently travelling to Sydney to present her research on perfectionism in the professional performer at the Australian Voice Association National Conference. In 2022, she also travelled to Los Angeles to attend an Artist Development Program, meeting some of the music industry's leading songwriters and industry experts, including those that work with the likes of Beyonce, Justin Bieber, Tori Kelly and more. Chelsea is passionate about empowering performers through holistic and evidence-based voice science and hopes continue travelling around the world engaging in leading research and working with professional performers. With a strong background in Music Theatre and after a long hiatus from Broadway sessions, Chelsea is grateful to be sharing the stage with some of the best!
Since his first taste of performing on stage when he was 11 in a Primary School production of 'A Kidsummer Night's Dream', Daniel has thoroughly enjoyed being in the spotlight. His first appearance on the ammeter theatre scene was in NLTC's The Pirates of Penzance as a Pirate/Police in 2012. This was followed by 3 more NLTC shows: Little Shop of Horrors (Ensemble, 2013), Euröbeat: Almost Eurovision (Estonia/Russia/Sweden, 2013) and Happy Days (Bully/Ensemble, 2015). Daniel recently appeared in MBM's Mary Poppins as Punch/Tap Ensemble and also in MBM's Alfie as Perc; both in 2015. Daniel is currently studying Web Technologies and is a massive Survivor fan. He also loves Beyoncé and just happens to have the same last name as her (Knowles). He is looking forward to his first Broadway Sessions performance!
When David is not performing in local musical theatre and cabaret, you can catch him busking at Adelaide's beaches and surrounding suburbs with his ukulele, performing puppets for children, and enjoying singalongs at old folks homes. His recent credits include playing Peter Allen in the Met's Boy from Oz, Princeton in Matt Byrne Media's Avenue Q. as well as leads in Dirty Rotten Scoundrels for Opus, Little Shop of Horrors for Northern Light Theatre Company, and the local cabaret showcases Sing on Through Tomorrow and Homemade Fusion.
David recently played the role of Denny Doherty in the Davine Interventionz sell out season production of Flowerchildren – The Mamas and Papas Story after performing in Davine's 2013 production of Altar Boyz.
Since the time she was just 4 years old, Emma has loved performing. She first realised her passion for musical theatre when she participated in her high school’s production of Grease as an eager year 8 student. As a now just as eager 21-year-old, she has since proudly been a part of many great shows. Some of her favourites include the roles of Tracy and Elle Woods in her school's productions of Hairspray and Legally Blonde, Lily St. Regis in Adelaide Youth Theatre’s Annie, Ruth in G & S society’s Thoroughly Modern Millie, Melita in Spring Awakening by HMC and most recently Girl Bad Idea Bear in HMC's Avenue Q. Emma is also very excited to be a member of the Elder Conservatorium's brand new musical theatre course and cannot wait to see where it leads her.
Harry Nguyen is usually known as the ‘Krispy Kreme’ guy, mainly because he brings donuts to any shows that he is apart of. Falling in love with theatre from his first show in 2013 (High School Musical, AYT), Harry has immersed himself in shows including Hairspray (AYT), Fame (Marie Clark), Into the Woods (AYT), Rent (Marie Clark), and Thoroughly Modern Millie (G&S). Harry is currently working towards getting into theatre schools, but in the meantime you can catch him working at Krispy Kreme and giving free glazed donuts to anyone he knows.
Leah Gauthier (nee Potter) has been involved in theatre in some form for as long as she can remember. She completed a Bachelor of Performing Arts at Tabor College in 2010 and has since then taken part in various productions around Adelaide. Some of her roles have included Dorothy (The Wizard of Oz, Therry Dramatic Society, 2012), Little Red Ridinghood (Into The Woods, Northern Lights Theatre Company, 2012), Susan Pevensie (The Lion, The Witch and The Wardrobe, Influencers, 2013), Katie Brown (Calamity Jane, Marie Clark Musical Theatre, 2014) and Edith in the Bailey Dolls, a musical she co-wrote and directed for the Adelaide Fringe in 2011 and 2012.
In addition to that lengthy list, Leah also spent her time musical directing Tyndale Christian School's Middle School musicals for the past 6 years. After taking a break from the theatre scene to complete her teaching degree and get married, she returns with a name change and an excitement to perform again.
Lindsay Prodea (he/him)
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Mark Oates (he/him)
Mark is an award winning South Australian performer whose credits include the Adelaide and Brisbane Festivals, State Opera South Australia, SINGular Productions, Co Opera, Various People, Aerial Artists Australia, and MOatesArt Productions.
In 2022 Mark was nominated for an Adelaide Critic's Circle Award for his body of work. He premiered the dual roles of Ian Duncan and Don Dunstan in Neil Armfield's Ruby Award-winning Watershed: The Death Of Dr Duncan for the Adelaide Festival – while for State Opera South Australia he performed Lt Tom in Voss and Gastone in La Traviata, as well as embarking on a national tour of Love Burns, completing the first orchestration workshop of When The Rain Stops Falling and appearing in Bright Lights, Big Dreams.
Previous Adelaide Festival appearances are Mozart Requiem (2020), Bernstein Mass – featured Street Singer (2012) and Le Grande Macabre - Ruffiak (2010).
In State Opera of South Australia's 2023 season Mark will be appearing as the Defendant in Trial by Jury and in Pirates of Penzance and HMS Pinafore, as well as hosting the Tra La La Bar for the Gilbert and Sullivan Festival, with further exciting projects to be announced. In 2021, Mark appeared as Beadle Bamford in Sweeney Todd and Jack in Love Burns, and opened the year in Carousel. Further highlights with the company include Njegus in The Merry Widow, Arjuna in Satyagraha, John Styx in Orpheus in the Underworld, The Cantor in Maria de Buenos Aires (co production with Leigh Warren Dancers – Adelaide Festival Centre Playhouse and Brisbane Festival). Mark is a proud and long-standing State Opera South Australia artist, both as a chorister and a principal performer.
Well known and regarded on the concert stage, Mark also mentors Class of Cabaret for the Adelaide Cabaret Festival, works extensively with Primary Schools Music Festival and regularly tours with Aerial Artists Australia in Le Aerial, including Perth Fringeworld, Adelaide Fringe, Auckland Fringe, Sydney Opera House, Melbourne Arts Centre and Port Douglas. Mark is Associate Producer and regular host of Broadway Sessions, Adelaide's long running monthly music theatre focussed, curated open mic night.
Mark Stefanoff (he/they)
Mark has trained throughout Australia and New York studying Musical Theatre at Schools including The Victorian College of the Arts (VCA Bachelor of Musical Theatre), APO Arts Academy (Advanced Diploma Musical Theatre), and Broadway Dance Centre (Scholarship Program). Mark is most well known from his appearances on The Voice, most recently in this years series making his way on to Team Ricky!
This ignited that theatre bug which led Mark to tour Australia, Asia, America and Europe with multiple musicals/productions including Kinky Boots (Australian Tour), Godspell (Australian Revival), Hello, Dolly! (Australian Revival), Hairspray Arena Spectacular (Tour), Priscilla Queen of the Desert (NCL European Tour), and Magic to do – Stephen Schwartz (USA/Euro Princess tour 3.0). Mark is proudly represented by Emma Raciti Management, and is excited by the opportunities that are popping up within South Australia in the Arts!
Most recently Mark has been working with the Queensland Symphony Orchestra as the vocal captain for Disco Wonderland for the Brisbane Festival. Mark is about to head out on tour for the Japanese and Australian tour of Burn The Floor as their lead vocalist.
Mim Sarre (she/her)
Millicent Sarre (Mim) is a cabaret artist, singer-songwriter, vocal coach, and musical theatre performer, brought up and working on Kaurna Land. She has toured her original cabaret works Australia-wide; her most recent show Millicent Sarre is Opinionated won ‘Best Cabaret’ of the Adelaide Fringe 2023, and the album of the original songs from the show was released in February 2023. Previous musical theatre roles include Mrs Lovett in Sweeney Todd (ECMT, dir. James Millar), Hildy in On the Town (ECMT, dir. Erin James), Rona Lisa Peretti in The 25th Annual Putnam County Spelling Bee (ECMT, dir. Joseph Simons), and Ivy in the Australian premiere of Ivy + Bean: The Musical (The Gemini Collective, dir. Sarah Williams). Mim will graduate with a Bachelor of Music Theatre from the Elder Conservatorium in 2023.
Nathan has been performing onstage since the age of six starting as a tiny, little magician alongside his mother. Since then he has worked his way up the ranks of Scout Shouts Youth Theatre as performer and Young Director for several years (2007-2014). Pirates of Penzance (Ensemble/2012) marked his amateur theatre debut and he has since appeared in Little Shop of Horrors (Ensemble/2013), Eurobeat: Almost Eurovision (Russia, Estonia, Italy/2013), Seven Brides for Seven Brothers (Frank Pontipee/2014), White Christmas (Broadway Chorus/2014), Happy Days (Richie Cunningham/2015), all with the Northern Light Theatre Company, Mary Poppins (Bear, Tap Ensemble/2015) with Matt Byrne Media, and Guys and Dolls (Rusty Charlie/2015) with the G&S Society of SA. He now serves on the Northern Light committee as Publicity Officer. Nathan has enjoyed singing in fundraising cabarets for NLTC, ADSSA and Riding for the Disabled, his ability in which has grown through singing tuition over the past four years.
Scott Lorien (he/him)
Scott has always had a love of the theatre, but his real obsession began in high school, with performances as the Foreman, Pimp and a Student in Les Misérables, Priam in Paris and Action in West Side Story. Since completing high school he performed non-stop for a number of years, starting with Gerald Bolingbroke in Me and My Girl, an Apostle in Jesus Christ Superstar and Ugly in Honk! (Marie Clark Musical Theatre). After playing Cornelius Hackl in Hello, Dolly! and Asher and the Butler in Joseph and the Amazing Technicolor Dreamcoat (Metropolitan Musical Theatre Company of SA), Scott joined Northern Light Theatre Company’s production of Disney’s Beauty and the Beast as Monsieur D’Arque to round out 2011. The following year started with an incredible experience: Scott won the role of Henry in Six Foot Something’s pro-am Production of Next to Normal. After a mild performance hiatus in more recent times, Scott starred as Hunter in Irregular Productions sell out 2015 Adelaide Fringe season of [title of show].
If there’s one thing he regrets, it’s not starting singing and performing (publicly of course) at an earlier age. Off-stage (but in the theatre) Scott enjoys both sound and lighting design, and the challenges each of these areas brings to his knowledge of design in the digital world. Broadway Sessions is certainly the start of a new chapter, bringing together many ongoing stories and plot lines, but allowing the love of theatre (musical theatre in particular) to continue in new and exciting ways.
When not strutting his stuff on stage, or manically helping out backstage or in the roof of a theatre, Scott is a web designer & developer, creating sites like this one! You can see more of his work at www.scottreynolds.com.au.
Sophie's passion for theatre began at the age of 11 years old in Northern Light Theatre Company's Beauty and the Beast. Since then she has played many of her favourite roles such as Audrey in Little Shop of Horrors, Skylar in Bring it On, Brooke Wyndam in Legally Blonde and most recently Hedy La Rue in How to Succeed in Business Without Really Trying.
Stacey is a Special Education Teacher with a love for all things musical. After eight years of study and completing a Masters degree she is back to focusing on her musical passion.
BJ Peake (He/Them)
As a child, you could always find BJ screaming into his SingStar microphone and dancing to High School Musical. These habits evolved into BJ's love for singing and dancing.
BJ Has been floating around the Adelaide Theatre scene for a short while now, but in his short career he has had the opportunity to participate in several shows and portray a variety of characters such as Angry Man #1, Rich Man, And Scared Man #2 in Jekyll and Hyde, Male Ensemble Member in Hello Dolly!, Reverend Henry T Dobson in Anything Goes, and Prince Dauntless the Drab in Once Upon A Mattress.
In 2021 BJ completed his Bachelors of Music Education and Pedagogy at the Adelaide Conservatorium, and is currently putting his skills to use as Assistant Music Director for Marie Clarke Music Theatres upcoming show I Love You, You're Perfect, Now Change.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max Ziliotto has been performing since 2004, from concert bands, drumline and big band, to orchestral works and musical theatre. Prior to his acceptance as a Casual Percussionist with the Adelaide Symphony Orchestra, he completed his Bachelor of Music in 2013 at the University of Adelaide’s Elder Conservatorium of Music under the tutelage of Amanda Grigg.
Born in Adelaide, Max began his musical journey under the guidance of Peter Matzick. Attending Marryatville High School, Max gained a wealth of performance opportunities including the Generations in Jazz festival in Mount Gambier. During his Undergraduate studies, Max won first place in the Melbourne Symphony Orchestra Snare Drum Award in 2011.
Max has been performing with the Elder Conservatorium's Music Theatre students' productions since 2021, most notably playing the drum score for Legally Blonde, directed by Broadway's Nikki Snelson in 2022.
Max was also an active member of the Raiders Drum Corps from 2006-2019, performing numerous times in the city's Christmas Pageant, and on stage with them at Australian Ultimate Drummers Weekend in Melbourne 2015. He has tutored at South Australian Music Camp multiple times, and has been in the house band of Broadway Sessions since its inception in 2015.