So! You’re a performer! A pretty amazing one at that, right? A triple threat with a killer range that can do anything we throw at you. Well. Almost anything.
There’s that one sore spot. That one role you’ve coveted your whole life…
If you know in your heart of hearts that you would walk into an audition room and blow the socks off that panel with your rendition of ‘Tomorrow’, if only you weren’t a hairy 6ft7 man with sleeve tats from Glasgow, then Broadway Sessions – Miscast is for you!
This month we are giving you, yes YOU, the opportunity to play that part you’ve always wanted to play but are so completely, entirely, unbelievably, wrong for. This is your CHANCE to finally break free from the suffocating limitations of casting briefs and transcend all expectations. All you have to do is register your song choice and get ready to send shockwaves through the musical theatre world.
How would the story change? What new perspective or understandings will arise? It’s a super fun evening where dreams come true!
Doors open at 5:45pm. Food and beverages are available from the bar.
Pre-purchase single tickets and tables from Adelaide Fringe to secure your spot. Any remaining tickets will be available at the door.
For your chance to perform, visit our registration page and submit two song options (from a musical or by an established music theatre writer) to express your interest. Registrations open on Thursday 28 November and close on Sunday 9 February.
Norwood Live, at the Norwood Hotel
Corner The Parade and Osmond Terrace, Norwood
(Access via Osmond Terrace external entrance)
On-street parking is available around Osmond Terrace and surrounding streets, or in the Norwood Hotel carpark directly behind the venue. Some areas may require a ticket, but generally on Sunday parking is available in this area at little or no cost. Please check the signs appropriate to the area in which you are parking.
Enter Norwood Live from Osmond Terrace, where there is an external door providing direct access. You should not have to access the venue through the Norwood Hotel itself. The performance space is at ground level, and our front of house staff will be available to meet you at the entrance of the venue. Wheelchair access is provided at Norwood Live.
Your Session Hosts
Casmira Hambledon loves stories, diverse and supportive communities, wigs, glitter, and belting as a way of dealing with too many emotions. Luckily, she found theatre!
Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Casmira’s professional credits include performing in The Teddy Bears Picnic for The Garden of Unearthly Delights, directing and performing in several children’s theatre productions for the Something On Saturday Program with Adelaide Festival Centre, and providing the voice for ‘Poppy Platypus’ in Lupa Entertainment’s popular app for children: Hip Hop Kangaroo and Friends.
Mark is a respected opera, cabaret and concert singer, with a passion for music theatre. He has toured South Australia with State Opera, SINGular productions and the Adelaide Art Orchestra. Mark produced and performed in his own sell out swing show – Mark Oates and the Daniel Brunner Pretty Big Band – for the 2009 and 2011 Adelaide Fringe Festivals. For the Adelaide Festival, Mark sung the roles of Ruffiak in Ligeti’s Le Grande Macabre and Street Singer in Leonard Bernstein’s Mass.
For State Opera SA, Mark premiered the role of “the Cantor” in Astor Piazzolla’s Maria de Buenos Aires, a co-production with Leigh Warren and Dancers which was reprised for the 2011 Brisbane Festival. He also performed Joe in The Station (Howard Blake), and John Styx in Orpheus in the Underworld (Offenbach). Last year Mark performed in the world premiere of the full Philip Glass trilogy for State Opera SA, including the role of Arjuna in Satyagraha. In the two weeks prior to the opening night of Broadway Sessions, Mark will be part of the State Opera SA chorus in Faust and the Verdi Requiem before travelling to Canberra for two concerts with the Canberra Symphony Orchestra.
Mark has also worked with many Adelaide based musical theatre companies. He was an Oscart and Curtain Call winner and Critic’s Circle nominee for his portrayal of Jean Valjean in The G&S Society’s Les Misérables. For The G&S Society Mark has also played the Baker in Into the Woods and the Pirate King in The Pirates of Penzance. He premiered Horton the Elephant in the award winning Seussical the Musical and portrayed Utterson in Jekyll and Hyde for The Hills Musical Company. Other roles include Jesus in Jesus Christ Superstar for Northern Light Theatre Company, Archibald Craven in The Secret Garden for both The Therry Dramatic Society and The G&S Society, Enoch Snow in Carousel for Swell Productions/MS Society and was part of the original cast of It’s A Dad thing for SINGular productions. Mark has also played “man” in several productions, including Songs for a New World and I Love you, You’re Perfect, Now Change!