It’s a Roaring 20s Broadway Sessions.
It’s a brand new decade, and what better way to Charleston into the 20s than with a roaring 20s theme for Broadway Sessions in January! The 1920s was all about jazz, bootleg gin, excess and celebrating being alive in a period between two world wars and one Great Depression. While many of us are finding it difficult to celebrate this new year at the moment, perhaps being together and sharing the joy of music is just what we need! And by golly, what a sockdollager!
Want to register? We’re looking for songs from 1920s musicals or musicals written in the style of the 20s. Think Chicago, The Wild Party, The Drowsy Chaperone, The Boyfriend, The Grand Hotel, Nice Work If You Can Get It (or anything else by Gershwin), or Thoroughly Modern Millie, just to name a few. Broadway is lousy with options! Head to www.broadwaysessions.com.au/register now! Registrations close at midday on Thursday 16 January.
Want to come along as an audience member and be part of the fun? We’d still love you to embrace the theme! Rock up to your local speakeasy (Norwood Live) slip us a 20 to gain access, grab a giggle water and channel your best flapper/gangster/flagpole dancer/Art Deco building. Want to ensure you have exclusive access to the hotsiest-totsiest party in town? Book a table or tickets on the website instead: www.broadwaysessions.com.au/tickets.
Don’t be a bluenose – we’re all one year closer to the big sleep; so let’s blouse! It’ll be the bees knees!
Doors open at 5:45pm. Food and beverages are available from the bar.
Pre-purchase single tickets and tables today to secure your spot. Tickets remain available online until 15 minutes before doors. Any remaining tickets will be available at the door.
Your Session Host
Mark is a respected opera, cabaret and concert singer, with a passion for music theatre. He has toured South Australia with State Opera, SINGular productions and the Adelaide Art Orchestra. Mark produced and performed in his own sell out swing show – Mark Oates and the Daniel Brunner Pretty Big Band – for the 2009 and 2011 Adelaide Fringe Festivals. For the Adelaide Festival, Mark sung the roles of Ruffiak in Ligeti’s Le Grande Macabre and Street Singer in Leonard Bernstein’s Mass.
For State Opera SA, Mark premiered the role of “the Cantor” in Astor Piazzolla’s Maria de Buenos Aires, a co-production with Leigh Warren and Dancers which was reprised for the 2011 Brisbane Festival. He also performed Joe in The Station (Howard Blake), and John Styx in Orpheus in the Underworld (Offenbach). Last year Mark performed in the world premiere of the full Philip Glass trilogy for State Opera SA, including the role of Arjuna in Satyagraha. In the two weeks prior to the opening night of Broadway Sessions, Mark will be part of the State Opera SA chorus in Faust and the Verdi Requiem before travelling to Canberra for two concerts with the Canberra Symphony Orchestra.
Mark has also worked with many Adelaide based musical theatre companies. He was an Oscart and Curtain Call winner and Critic’s Circle nominee for his portrayal of Jean Valjean in The G&S Society’s Les Misérables. For The G&S Society Mark has also played the Baker in Into the Woods and the Pirate King in The Pirates of Penzance. He premiered Horton the Elephant in the award winning Seussical the Musical and portrayed Utterson in Jekyll and Hyde for The Hills Musical Company. Other roles include Jesus in Jesus Christ Superstar for Northern Light Theatre Company, Archibald Craven in The Secret Garden for both The Therry Dramatic Society and The G&S Society, Enoch Snow in Carousel for Swell Productions/MS Society and was part of the original cast of It’s A Dad thing for SINGular productions. Mark has also played “man” in several productions, including Songs for a New World and I Love you, You’re Perfect, Now Change!
Adam began performing in musical theatre in 2017, debuting with the Met in 9 to 5: The Musical. Despite not really knowing what he was doing, Adam enjoyed the process so much that he's hardly stopped performing since, appearing in plays and musicals with a number of Adelaide's great selection of theatre companies including Blackwood Players, Therry and St Judes.
Aimee is an avid music lover and an aunty. She currently attends Tutti Arts and participates in their music program 3 days a week. Aimee loves performing and will take each opportunity to do so, participating in the performing arts group No Strings Attached, sings with the Tutti Choir and Poco Choir, and is also a member of the worlds first all girl disability music group The Sisters of Invention. The Sisters of Invention, have seen Aimee perform at numerous events such as The Special Olympics Closing Ceremony, Womad and The Fringe Festival. Aimee and her music group The Sisters of Invention are recording their new album which should be released later this year. Aimee and her music group recently appeared on ABC iView Get Crackin.
In addition, she is in a new group called TGIF (Thank God It's Friday), and will be performing at the Highway Hotel on the 3rd of November. She is also performing in the Adelaide Christmas Pageant with TGIF, and performing in a show with No Strings Attached on 7th & 8th of November.
Amelie Peters is an award-winning, classically trained vocalist, international performer and vocal coach. After successful performances in Perth, Adelaide, and Melbourne, Amelie was invited to perform at the Soho Playhouse in New York City as a soul/jazz singer in the burlesque Fringe show Fafi D’Alour & the Delinquents in 2017. She holds a Bachelor of Music in Classical Voice Performance and Pedagogy from the Elder Conservatorium of Adelaide.
Her knowledge of the voice has been largely extended with her most recently completed BAST training. With this education, Amelie feels she can give the appropriate guidance and nurturing tailored to each individual’s voice. While she specialises in classical voice, Amelie has a strong background in musical theatre, jazz, and contemporary music.
Extensively trained by Kirsty Roberts, Amelie has also studied with renowned opera singers and Broadway stars from around the world. She has vocal directed the entire casts of High School Musical 2 (2016) and Hairspray the Musical (2018) for Shane Davidson Presents. Amelie's students consistently achieve outstanding results in competitions & exams, along with her junior vocal ensembles, vocal trio and adult vocal ensemble.
Amy has been a performer since she was 3 years old. Having danced and sung her way through her teenage years and early 20’s, she gained lead roles in musicals, dance productions and even a couple of TV commercials. More recently Amy has showcased her talents hosting Karaoke Nights on the Eyre Peninsula and performing at various events including the main stage at Tunarama in Port Lincoln!
Although theatre has always been her passion and strength it hasn’t stopped her from branching into the acoustic gig scene and over the last 3 years music tutoring (voice and piano). Now, on maternity leave, with a family of 6 at home to maintain she escapes occasionally to sing something more interesting than The Wiggles!
Blake has been performing in the South Australian musical theatre scene since his debut in Therry society's production of Big Fish in 2016. Since then he has worked with HMC on the two productions and three State Opera of South Australia and Elder Conservatorium collaborations being Die Fledermaus, Don Pasquale and Dido and Aeneas. In 2020 Blake will be a part of Shane Warne the Musical, presented by Segue Productions at the Adelaide Fringe Festival.
Caroline has been involved in Musical theatre since school days, she was a member of the Gilbert and Sullivan Society of SA and other amateur companies in Adelaide. For the past nine years, Caroline has been living in the UK, where she studied musical theatre at KSA Academy of Performing arts. Since graduating, she has been performing with Croydon Operatic and Dramatic Association, which have included roles in Pirates of Penzance, Into The Woods, and The Producers.
Charlotte is an extremely shy young lady but a very passionate writer, musician and Broadway enthusiast. She loves musicals, and her current obsessions are Hamilton, Dear Evan Hansen, Come from Away and Heathers. She is part of the Adelaide Theatre Academy, where she learns under the guidance of Georgia Parisotto, Cassandra Robb and Jemma Allen, and was part of Theatre Bugs when she was that age. She’s found music, Broadway and poetry to be her way of expressing herself through her struggles. She has always been shy and never connected with her peer group, so has been isolated a lot.
She has struggled with anxiety around public speaking and performing but she is willing to expand her comfort zone and progress into performer life. She was a dancer, gymnast and figure skater in her earlier years but left those behind. Up until now, Charlotte has never had the confidence to go further with performing arts but as she’s aged near adulthood, she is keen to get out there and express herself through the songs she loves. She is a gifted musician who has been part of the music department at school for 11 years. She started on violin at age 6 and is currently learning from her fifth teacher. She began clarinet at age 8 and has been learning under the guidance of Mary Waterhouse for the past eight years.
Charlotte only began vocal lessons recently, with Ros Lock in 2018, Jo Tropeano in 2019 and will learn from Jemma 2020. She was part of the Adelaide Youth Sinfonia for 2019 and is part of her school’s Senior String Orchestra and Senior String Quartet. She learned dance at Centre Stage Academy, and then taught kinder ballet alongside Cheryl Bradley. She sings soprano in her school’s main choir, and in one of the auditioned choirs. In 2019, she returned from Europe having competed and performed on voice and clarinet through a number of countries, with her choir and chamber ensemble winning gold. In 2019, Charlotte is playing an ensemble role in her company’s production of Waving Through a Window from Dear Evan Hansen and is a soloist in the song Lanterns.
In 2020, Charlotte will audition for an AYPAT (tour in the USA) for 2021/22, and will look at arts programs in Boston. Charlotte finds theatre the way to connect with people her age, which is something she struggles with. Charlotte intends to study music at the Adelaide Music Conservatory paired with a Bachelor of Arts, majoring in English (minoring in creative writing or poetry), and then returning for a double degree of Education as well as the new Music Theatre degree offered at Adelaide University. Overall, Charlotte is a passionate performer and a gifted musician and writer.
Cordelia first started singing at the young age of six as part of Young Adelaide Voices in 2004 and has yet to stop. Her first introduction to musical theatre was at Pelican Productions Music Theatre Camp in 2010, where she fell in love with musicals and the theatre. Since then she has auditioned for as many roles as possible, landing her first role, and dream role, of Nancy in Now Productions Oliver! in 2016.
Cordelia's roles also include Brigitta in The Sound of Music, Aunt Em/Glinda in The Wizard of Oz and the Narrator in Joseph and the Technicolor Dreamcoat. She has performed in the Adelaide Fringe Festival in Smells Like Teen Spirit in 2018, her first non-musical show since high school, and Jenny Lind in Barnum with Now Productions in 2019. She is currently studying Film and TV at MAPS film school.
Growing up performing in the Scouts’ Gang Show: Comedy Capers, David developed a love for musical theatre from a young age. Trained at the Centre for the Performing Arts; David has enjoyed performing Shakespeare with the State Theatre, Lightning Strike and Chopt Logic Theatre Companies and has toured in the past with Splash Theatre Company. Turning from professional acting to focus his energy on his family and work for the Anglican Church as a priest, David chooses to do shows that he loves.
It was in Marie Clark's production of Paris in the titular role that David hit the Adelaide scene in musical theatre. David has since performed with Marie Clark Musical Theatre in Miss Saigon (John) and as Carl Hanratty in the 2016 production of Catch Me if You Can. He has worked with Northern Light Theatre Company as Frederick in Pirates of Penzance and Seymour in Little Shop of Horrors. David also performed at the Adelaide Fringe Festival in 2015 with Lazy Saturday Productions' Australian premiere of Darkle. 2017 was a big year of theatre for David starting with Pale Ale Tales, a new work by local writer, Jason Hendy in the 2017 Adelaide Fringe, Jekyll and Hyde with Marie Clark and finishing with Les Misérables as Enjolras with G&S Society. Most recently David performed with the Hills Musical Company in Assassins as John Wilkes Booth.
David is thankful to his wife for her love and support, and for letting him play.
Eloise Quinn-Valentine is known in the Adelaide musical theatre community by a number of names including 'Eloise QV', and the more enigmatic 'Boise Q'. Eloise has performed in musicals, plays, in choirs and at events around Adelaide with companies such as Davine Productions, Adelaide Conservatorium Chorale, University of Adelaide Theatre Guild, Independent Theatre, Therry Dramatic Society and Young Adelaide Voices. She also took up the opportunity to perform the role of Betty in The Crucible while on exchange at Royal Holloway, University of London in 2017.
Recent highlights include playing Vivie Warren in Mrs Warren's Profession (Independent Theatre), Phaedra in Jerusalem (University of Adelaide Theatre Guild), Sister Sophia in an immersive production of The Sound of Music (Emma Knights Productions), Young Violet in Violet: a musical (Davine Productions), and in Its Only Life (Davine Productions, ft. John Bucchino). Eloise is looking forward to performing in Davine Productions sold-out season of Beautiful - The Carole King Musical in the 2020 Adelaide Fringe Festival.
As well as loving to tell stories on stage, Eloise recently completed her Honours in English Literature at Flinders University.
At 23, Georgia is still exploring Adelaide's theatre community with wide eyes. With a later start than some, Georgia began performing with Pelican Productions at 14, and continued to do so for six years. Her most recent feat with the company was in 2017 in Bring it On: The Musical, where she played the part of Bridget, earning her a nomination for best youth perfomer.
Georgia has spread her love of the performing arts overseas, by working as a drama instructor in a summer camp in Arizona. She has just completed her Bachelor of International Tourism at Flinders University and most recently starred in the MET's production of High Society as the precocious Dinah Lord. Up next, Georgia will be performing in Davine Productions Beautiful: The Carole King Musical in the 2020 Adelaide Fringe Festival.
In reception, Jemma was spotted lip-syncing the year 7s' lines in their school musical, and she has been working to steal the spotlight ever since. She is very versatile, and over the years has 'played drums' in Fame, kissed her ex boyfriend (ew) in Bye Bye Birdie, whinged in Blithe Spirit, fake tapped in Big Fish, been awkward in Smokey Joe's Cafe, spun plates in Chicago, been angsty in Spring Awakening, been both 7 and 11 y.o. in Ivy + Bean, and belted and riffed in Godspell. She just finished the sell out season of Friendly Feminism for the Mild Mannered, and is currently studying a Bachelor of Music Theatre at the Uni of Adelaide, where she will be reprising the role of Ilse in Spring Awakening Nov 22nd and 24th. Tickets are available through BASS. Hint hint.
Jemma is originally from the UK where she trained professionally in Musical Theatre at The Brit School, The Betty Wivell Academy and Bird College in London. Jemma has Higher Diploma’s in both Musical Theatre and Music and was also selected by the BBC (in London) for a young performers bursary for outstanding achievement in Musical Theatre whilst she was studying. Jemma has been fortunate enough to have performed in various Musical Theatre concerts and workshops in London’s West End and even one in Broadway! Jemma is relatively new to Adelaide - only having moved here last year. She is currently rehearsing for Kinky Boots with The G&S Society in which she will play the role of Lauren - she is extremely excited to be playing such a brilliant and fun role and is having a blast with the awesome cast and creative team! Jemma’s favourite roles to date have been Ellen in Miss Saigon (The Met), Charity in Sweet Charity, Nancy in Oliver, Mary in Mary Poppins and Ariel in Footloose.
Jemma has also just received some very exciting news, that she has been given the privilege of taking on the role of Carole King in Beautiful: The Carole King Musical with Davine Productions for the 2020 Adelaide Fringe Festival!
John is a performer from Perth who has moved to Adelaide to study at the new Bachelor of Musical Theatre at the Elder Conservatorium. Previously he completed a Bachelor of Classical Voice at the University of Western Australia, a Certificate in Musical Theatre at WAAPA, and was accepted to the prestigious Stella Adler Studio in NYC for their Musical Theatre Intensive.
Born in Melbourne, Joshua has been performing since a young age, and followed that passion to graduate with a Bachelor of Arts in Music Theatre from the University of Ballarat. He appeared in the Australian premiere performance of When Midnight Strikes in the role of Alex, with other roles including Clifford Bradshaw in Cabaret, as well as writing his own performance for the Melbourne Cabaret Festival, Doomed. From there, he took his performance career abroad, appearing in premiere performances of Elegy for an Echo at the Edinburgh International Fringe Festival, as well as working with the Edinburgh International Science Festival, performing across Scotland, before two tours of the United Arab Emirates. Since living in Adelaide, he teamed up with Blackwood Players in The Odd Couple, before touring Emma Knight’s Production of Buffy vs Edward and Sex and the Musical to Melbourne.
Karen is no stranger to the stage in Adelaide. She has worked with various theatre companies over the last 10 years. Some of the highlights including, Oliver!, Into the Woods, Beauty and the Beast, Avenue Q and Spamalot. Although Karen hasn’t been on stage in a show since 2014 (because she has been living the Mum life), she really enjoys being able to still perform at Broadway Sessions as often as possible.
Kristin has always lived and breathed music, but it wasn't until 2009 that she discovered musical theatre. After accompanying her first show she thought, "Hey, this looks like fun!" and auditioned for the next show that came around. The rest, as they say, is history. She has accompanied and music directed, but she truly feels alive on the stage. Favourite roles include Smitty in How To Succeed in Business Without Really Trying (Marie Clark Musical Theatre 2013), Inga in Young Frankenstein (Marie Clark Musical Theatre 2014), Clara in The Light In The Piazza (Davine Interventionz 2016), and Cathy in The Last Five Years (Segue Productions 2017). She was recently in the ensemble of Spamalot (MCMT) and played Elizabeth/Liz/Beth in If/Then in September (Segue Productions).
Kristin is excited to be music directing again, with Heathers for Segue Productions in September 2019. Kristin is also a founding member of the new Adelaide based theatre company Segue Productions. When she's not at rehearsals or the theatre, she teaches voice and piano, and often dances around the house with her awesome preschooler (usually to the Frozen soundtrack...).
Maya’s love of all things musical theatre began at an early age. Her journey in performance began with Pelican Productions, where she participated in numerous Music Theatre Camps, as well as productions of Grease and The Little Mermaid Jr. After taking a short break to complete her university studies, Maya has since appeared in the Gilbert & Sullivan Society’s production of Thoroughly Modern Millie in 2016, and their 2017 sell-out production of Les Misérables. Maya then performed in Lydian Productions and Irregular Production's Godspell in May 2018 as the "By My Side" soloist, and Marie Clark's Anything Goes as Hope Harcourt in May 2019. She most recently appeared in Segue Productions' Heathers as Heather McNamara.
Maya is a primary school Dance/Drama teacher, which she immensely enjoys – especially when she is able to share her love of performing arts with her students.
Millicent Sarre is a singer-songwriter, musical theatre performer, cabaret artist, singing teacher, and all-round vocal nerd. Having studied music and theatre at Graceland University in the United States, she can now be found on the Adelaide musical theatre scene, having worked with Irregular Productions, Hills Musical Company, The Gemini Collective, Segue Productions and many more. Her favourite roles to date include Veronica Sawyer in Heathers (Segue 2019), Wendla Bergmann in Spring Awakening (Hills Musical Company 2017 – ATG Award for Best Musical), Ivy in Ivy + Bean: The Musical (The Gemini Collective 2018 – Australian Premiere), Sally Brown in You’re a Good Man, Charlie Brown (HMC 2015) and Audrey in Little Shop of Horrors (Graceland University 2013).
In June 2019 she debuted her self-devised and self-produced cabaret show Friendly Feminism for the Mild Mannered in a sell-out season in the Adelaide Cabaret Fringe Festival. She is currently Artist in Residence at Slingsby Theatre Company where she is writing her next show.
Mim is a singing and performing arts teacher at Theatre Bugs and Adelaide Theatre Academy, and has musically directed their productions of Little Shop of Horrors (2018), Xanadu Jr (2018) and Porridge (for ‘Something on Saturday’ at the Dunstan Playhouse, 2019), and co-musically directed 13 The Musical (2019).
Nicole is no stranger to the stage. Her passion began in Singapore; as President and Production Manager in the Drama Club, lead roles in her school's productions and involvement in the Literature Festival and Singapore Youth Festival. Moving to Australia, her love for musical theatre and dancing grew with ensemble roles, lead roles and as Choreographer for Seussical and The Lion King Jr. She then joined Harvest Rain's Adelaide arena tours for Hairspray and Grease as well. Currently, Nicole studies with the University of Adelaide's Elder Conservatorium, studying Music Theatre. Nicole is thrilled to perform at Broadway Sessions!
Zachary is 19 years old and he is aiming to become an entertainer of the performing arts (mainly acting and singing). He has been performing in theatre since a very young age with his earliest memory being in Di Mason’s youth theatre troupe, Stars on Stage.
He regularly had performances with various performing arts schools such as Theatrebugs, Mighty Good Productions and he recently finished his training in 2019 with Actors Ink. (to which he was referred to go and train with by Australian television and radio personality, Anne "Willsy" Wills).
Through his training with Actors Ink., Zachary performed in his first musical theatre show with The Parks Youth Theatre in their first Broadway Bootcamp showcase in January 2017 and continued to perform in their later productions of Grease (April 2017) as ensemble, Footloose the Musical (October 2017) as Garvin, Seussical (April 2018) as The Grinch, Legally Blonde The Musical JR (April 2019) as Professor Callahan (which was also his first lead role in a musical), Alice in Wonderland (October 2019) as The Mock Turtle and in their pantomime, The Dragon of Wantley with the Parks Daytime Theatre Program in December 2019.
After performing in The Parks Youth Theatre’s production of Seussical, Zachary got cast as The Grinch in the Northern Light Theatre Company’s October 2018 production of Seussical. Whilst rehearsing for Seussical with NLTC, Zachary appeared in his first film created by students of Flinders University in their short film called Plastic Aeroplane. In 2019, he appeared in two other short films called To Arnold’s Daughter (by Joshua Tse and team) and Rock, Paper, Scissors (by Melanie Čubelić and team).
In 2020, Zachary will be performing in three French musicals in a row: Beauty and the Beast (February 2019) as Lefou, The New Moon (April 2020) as Alexander and Les Misérables (July 2020) as one of his ultimate dream roles in theatre, Javert.