About this Session
So you know how there’s New Years Eve (soo overhyped, amiright?) and then we popularised the concept of New Years Eve Eve? Well this year, we are going one step further, trailblazers that we are, and holding New Years Eve Eve EVE!
NYEEE (say it fast and it sounds like you’re squealing with delight) has everything a great NYE celebration has – food, drinks, the inevitable Broadway singalongs, HOWEVER – there are no fireworks that scare puppies. At Broadway Sessions, we are all about thinking about puppy welfare. Therefore, our celebration is superior.
Performers can sing anything they like, as long as it fits the Broadway Sessions criteria – a song from a musical or by an established music theatre composer/writer. Let’s celebrate the end of a decade in true puppy loving, broadway belting, glory! NYEEEEE!
Doors open at 5:45pm. Food and beverages are available from the bar.
Pre-purchase single tickets and tables today to secure your spot. Tickets remain available online until 15 minutes before doors. Any remaining tickets will be available at the door.
For the opportunity to perform, visit our registration page and submit two song options to be part of the fun. Registrations open at 9pm on Sunday 24 November and close on Sunday 15 December.
Lindsay Prodea (he/him)
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Aled has been performing in community theatre productions since 2013, predominantly musical productions but with ever increasing dips into less musical waters. He has been worked himself overtime this performance season, currently in A Man For All Seasons with IpSkip Productions which will be on stage mid January 2020, and he was just recently in the cast of Vintage Hitchcock with Tea Tree Players and was the Minstrel in Once Upon a Mattress with Marie Clark. Some of his production highlights include playing Inspector Kemp in Marie Clark's 2014 production of Young Frankenstein, Joe Vegas in Marie Clark's 2015 production of Fame, Sir Bors/Dancing Nun/Ensemble in Marie Clark's 2018 production of Spamalot, and William Featherstone in Galleon Theatre's 2018 production of How the Other Half Loves.
Outside of theatrical endeavours, Aled has completed Certificates II, III and IV in Music at TAFE SA and a BA in Music at Tabor College, is the current president of The Little Para Singers community choir which he has been in since 2011, and has just reached his 16 month moustache anniversary.
Blake has been performing in the South Australian musical theatre scene since his debut in Therry society's production of Big Fish in 2016. Since then he has worked with HMC on the two productions and three State Opera of South Australia and Elder Conservatorium collaborations being Die Fledermaus, Don Pasquale and Dido and Aeneas. In 2020 Blake took part in Shane Warne the Musical, presented by Segue Productions at the Adelaide Fringe Festival. Recently Blake performed as Cinderella's Prince and the Wolf in Into the Woods.
Blake has just completed his debut cabaret season in the 2021 Adelaide Fringe Festival with great success.
Danielle Greaves (she/her)
Danielle started performing at age 5 within her school and also in the Australian Girls Choir. She landed her first lead role in a musical at age 6 starring as Henny Penny in the year 1 & 2 production of The Sky is Falling, where she was seen pulling actors into their correct spots and mouthing everyone's lines. Nothing much has changed... You may have seen Danielle recently, since returning to theatre after havinga child, in Northern Lights Les Misérables playing a crazy lady of the night who quite partial to a porcelan doll, asleep throughout G&S's Into the Woods as Sleeping Beauty, or in Northern Lights Catch Me If You Can in the Ensemble. You will next be able to see her belting out some pop bangers as a Diva in G&S's Priscilla, Queen of the Desert in September 2023.
Dione Baker, Adelaide’s pocket power house, is known among the Adelaide theatre circle as the "diva"... but in a good way! Since the age of 16 Dione has performed for many amateur and professional companies including Co Opera and State Opera of South Australia. Dione was also a member of team Ricky Martin on 2015's season of The Voice Australia. Some of her most cherished roles have been Carlotta in The Phantom of the Opera for Matt Byrne Media (2013), Suor Angelica and Cio Cio San (Madame Butterfly) for Co Opera (2012 and 2015).
Most recently Dione was selected to be a member of the State Opera SA Chorus for 2019 and looks forward to working with them again soon. Dione is a versatile singer and performer as she covers many styles from pop to opera and was also a part of the amateur premiere of We Will Rock You with Matt Byrne Media in July 2018 where she played the jumping Suzi Quattro. Dione performed again with the State Opera chorus in Boheme on the Beach, returned to her SALOS roots to sing the roles of Julie (The New Moon 2021) and Casilda (Gondoliers 2021), understudied the role of Donna Elvira for The Elephant in the Room Productions of Don Giovani, and will join her fist Met show this year as a nurse nun in the comedy musical Nunsense.
Dylan Rufus (He/him)
24-year-old Dylan Rufus has been part of the South Australian theatre community since 2011, assuming various roles onstage, offstage, and within production teams. Dylan’s onstage work has seen him in productions of Grease, West Side Story, Oklahoma, Jesus Christ Superstar, Sweeney Todd, and Spring Awakening, amongst other plays and pantomimes. Previous personal standout roles include Orin Scrivello D.D.S. in Little Shop of Horrors (2018, Adelaide Theatre Academy), Principal Gowan/Veronica’s Dad/Kurt’s Dad in Heathers (2019, Segue Productions), and John Hinkley, Jr. in Assassins (2019, Hills Musical Company). Lately, Dylan has been contributing to the musician side of musical theatre, playing guitar for Beautiful: The Carole King Musical (2020/2021, Davine Productions) and Mamma Mia! (2021, Northern Light Theatre Company).
Outside of theatre, Dylan has recently completed his Bachelor of Arts (Hons.) in English (University of Adelaide), as well as a Masters in Teaching (Secondary) (University of South Australia).
Eilish Webb (they/she)
Eilish Webb is an emerging Australian classical soprano and actress who is currently studying their Bachelor of Music Performance (Classical Voice) at the Western Australian Academy of Performing Arts (WAAPA). Eilish has a passion for classical musical theatre, operetta and pantomime. They love to perform in a diverse range of roles. Eilish has performed in lead roles such as: Sarah Brown (Guys and Dolls), Wendy Darling (Peter Pan), Little Red Riding Hood (Into the Woods), and Miss Hannigan (Annie) to name a few. They made their directorial debut in 2019 when they directed and stage-managed their own production of The Pajama Game. Alongside their theatrical performing, Eilish maintains their experience for their other passion makeup artistry. They completed their Diploma in Screen and Media Makeup in 2020. Upon completion of their Bachelor, they would love to build their career as a performer and perform in classical or Golden Age musicals and operas in London and New York.
Eloise Quinn-Valentine loves to tell stories on stage, and has performed in a variety of musicals, plays, cabarets, and choirs from a young age. Recent highlights include Othello and Seagull (Independent Theatre, 2022), The Hello Girls (Therry Theatre, 2021), Beautiful: The Carole King Musical (Davine Productions, 2020), Jerusalem (University of Adelaide Theatre Guild, 2019), It’s Only Life (Davine Productions, 2018), Violet: a musical (Davine Productions, 2017), and The Crucible (Royal Holloway University of London Drama Society, 2017). Eloise works and volunteers as an educator across a variety of disciplines and contexts, and particularly loves teaching others about faith, storytelling, compassion, and justice.
12 year old Emma Good has had a busy 2021 doing shows with Peter Combe at the Adelaide Fringe Festival, Marion Cultural Centre and Capri Theatre as well as various performances with the South Australian Public Primary Schools (SAPPS) Choir. She is excited to be playing Maddison in School of Rock with Pelican Productions in August and Gertie Blossom in Dr Dolittle Jr with Adelaide Theatre Academy in October.
As a graduate from King's Baptist Grammar School, with a strong passion for performing arts, Erin is looking forward to take her next steps in her musical career at the Elder Conservatorium. Throughout her schooling, she has studied Music, Drama and Creative Arts, was the Year 12 Music Captain. She has mentored and led multiple strings and vocal ensembles. Erin has received the Performing Arts award from 2013 to 2019.
Erin has had vocal training with Dianne K Lang since 2017, and has been a member of her school’s senior vocal ensemble “Harmony”; who won the 2019 Glee State Final Small Team competition. She has studied violin since 2010 and has been a part of the Senior Strings ensemble during this time.
Erin has performed in school musicals from 2013 until 2019, starring as Vivienne Kensington in Legally Blonde Jr, and Eileen in Back to the 80’s. She made her amateur theatre debut as Taylor McKessie in Adelaide Youth Theatre's 2019 production of High School Musical Jr.
Gemma has been performing in musicals since she was very young. Despite being busy with university, she tries to keep up this passion as much as she can. Some of her recent shows have been If/Then (Segue Productions), Little Shop of Horrors (Adelaide Theatre Academy) and Singin' In The Rain Jr (Adelaide Theatre Academy).
Grace Mackenzie (She/Her)
Grace is now a post-graduate medicine student and still passionate about performing and honing in on her musical theatre vocal skills. She loves being apart of the Broadway sessions stage and has performed in past Productions as Penny in Hairspray and Gertrude McFuzz in Seussical.
Jasmin has been in and around Adelaide’s vibrant arts scene for many years. She got her first foot in the door performing alongside the likes of Humphrey B. Bear, on Channel 9’s ‘Here’s Humphrey’, and renowned Australian children’s entertainer, Peter Combe.
Since then, she has been cast in multiple soloist and lead roles, both in high school and with youth theatre companies, including ‘Chip’ in Beauty & the Beast, ‘Rumpleteaser’ in Cats (Loreto College) and Chitty Chitty Bang Bang (Pelican Productions). Some of her more recent highlights onstage include performing as ‘Kendra’ in 13 the Musical, ‘Gingy’ in Shrek the Musical (Adelaide Youth Theatre) and ‘Carla’ in In the Heights (Pelican Productions). Earlier this year, she also made her choreographic debut at the Adelaide Festival Centre’s ‘Something on Saturday’ program, with Theatre Bugs’ production of Porridge.
Jasmin formally studied drama in high school and has trained and competed in all styles of dance. She also continues her vocal training under the tuition of Tania Savelli.
Offstage, she is currently studying a Bachelor of Journalism and Professional Writing at the University of South Australia.
Jemma is originally from the UK where she trained professionally in Musical Theatre at The Brit School, The Betty Wivell Academy and Bird College in London. Jemma has Advanced Diploma’s in both Musical Theatre and Music and was also selected by the BBC (in London) for a young performer's bursary for outstanding achievement in Musical Theatre whilst she was studying. Jemma has been fortunate enough to have performed in various Musical Theatre concerts and workshops in London’s West End and even one in Broadway!
Jemma is relatively new to Adelaide - only having moved here last year. She has just finished playing the role of Carole King in Beautiful: The Carole King Musical with Davine Productions for the Adelaide Fringe Festival 2020. This was the best experience she has ever had on stage - she loved every minute of it!! Jemma also performed in Kinky Boots with The G&S Society in which she played the role of Lauren. Jemma’s other roles in Theatre have included Ellen in Miss Saigon (The Met), Charity in Sweet Charity, Nancy in Oliver!, Mary in Mary Poppins and Ariel in Footloose.
Having been singing since the age of 5, Jordan has been involved in music for almost his entire life. He has been involved in many choirs, musicals and other music events throughout his time at school, such as the Generations in Jazz festival, playing Kurt in The Sound of Music, and Jesus in Godspell. Now at University, Jordan seeks to involve himself further in the music scene in Adelaide.
Joshua Angeles is a 22 year old singer/performer with a passion for musical theatre and storytelling. He has been singing for as long as he can remember, starting at a very young age singing in church. Performances he is most recently known for include In The Heights (Pelican Productions) as Usnavi and Latin Choreographer, Les Misérables (G&S) as Marius, Godspell (Lydian/Irregular Productions) as Judas, and Judge Jackie (Davine Productions) as Duane.
Outside of theatre, Josh is a Systems Engineer working for an Electrical/Energy company. He is also Salsa performer/instructor. In his spare time, he loves playing guitar, songwriting and spending time with family and friends.
Kaitlyn played her dream role of Christine Dae in Phantom of The Opera at just 16 years old. She also travelled around Europe for her final year of high school singing as the lead soprano and soloist, and on her travels through Italy she performed in the Vatican. Recently, Kaitlyn has spent her year traveling around Australia working with Opera Australia and has been focusing on her theatre management. She loves having the chance to perform when she can.
Lucy has been singing for around 20 years, and has been involved in musicals for the last 15 years. Lucy has previously played roles such as Ms Pennywise in Urinetown, Velma Kelly in Chicago, Jolene in Dirty Rotten Scoundrels and performed one of the roles in Godspell. Since moving to Adelaide 10 years ago, Lucy has performed a number of shows with the Gilbert and Sullivan society including Thoroughly Modern Millie, The Sound of Music, The Gondoliers, Princess Ida and has had the opportunity to play Queen Aggravain in Marie Clark Musical Theatre's Once Upon a Mattress. Most recently, Lucy has performed the role of Ulla in the MCMTs 2021-2022 productions of The Producers.
Matilda Boysen (she/her)
Matilda Boysen is 21 years old, and a recent graduate from Adelaide College of the Arts. Throughout her younger years, Matilda has performed at various festivals and events as a musician, dancer, and a singer. These passions introduced her to the acting world in 2018 when she performed in her first musical, 'Wicked'. She then went on to play Wendy Darling in 'Peter Pan', Scaramouche in 'We Will Rock You', Margot in 'Legally Blonde', Heather Duke in 'Heathers the Musical', and Princess Fiona in Shrek the Musical. She has most recently performed in plays such as 'Spring Awakening' directed by David Mealor, 'The Rover' directed by Nescha Jelk, 'Meta-Metamorphosis' directed by Jo Stone, and 'Three Sisters' directed by Nicholas Garsden. She is now starting to explore her passion for film, and hopes to have a long, and exciting career in the arts.
Originally from Adelaide, Matthew moved interstate to Melbourne to study Music Theatre at the VCA. After completing his BFA, Matthew made his professional debut in the Australian tour of Jersey Boys (New Theatricals). Since returning to Melbourne, he has performed in The Production Company's Thoroughly Modern Millie, Manilla Productions The Beautiful Game and most recently played the role of Jimmy in the production of Bright Star (Pursued by Bear).
Mim Sarre (she/her)
Millicent Sarre (Mim) is a cabaret artist, singer-songwriter, vocal coach, and musical theatre performer, brought up and working on Kaurna Land. She has toured her original cabaret works Australia-wide; her most recent show Millicent Sarre is Opinionated won ‘Best Cabaret’ of the Adelaide Fringe 2023, and the album of the original songs from the show was released in February 2023. Previous musical theatre roles include Mrs Lovett in Sweeney Todd (ECMT, dir. James Millar), Hildy in On the Town (ECMT, dir. Erin James), Rona Lisa Peretti in The 25th Annual Putnam County Spelling Bee (ECMT, dir. Joseph Simons), and Ivy in the Australian premiere of Ivy + Bean: The Musical (The Gemini Collective, dir. Sarah Williams). Mim will graduate with a Bachelor of Music Theatre from the Elder Conservatorium in 2023.
Nava is a dedicated, versatile and passionate performer. With Persian and Dutch-Australian heritage, she is truly a multicultural artist. Nava’s most recent credits include performing as a headline artist at Adelaide Oval and on Channel 9 as part of the Adelaide Christmas Pageant, Ali/Sophie cover in Mamma Mia! with The Show Co., Teen Angel and Sandy/Rizzo cover in Grease at the Lyric Theatre, QPAC and touring Queensland as Marley/Team leader in Story Quest with Perform! Education. Nava hopes to work for greater unity in diversity through her career, transforming culture through the power of the arts.
Since diving into his passion for drama and musical theatre in high school, Nick hasn't stopped! He's performed in a number of plays and through he enjoys traditional theatre, his heart rests with singing. He will never forget his first musical Legally Blonde and has since performed twice at the Adelaide Fringe Festival. He never lets his studies get in the way of strengthening his skills and he enjoys pushing his limits. His 2019 highlights include a radio play of It's a Wonderful Life with Wings2Fly Theatre where he performed several roles, and Heathers The Musical with Segue Productions in the ensemble role of Preppy Stud.
Rachel Bruerville is a composer, arranger, cellist, singer, and writer, who is very proud to call Adelaide her home, and will not be moving away anytime soon! She has a cat named Larry, and when she’s not in a rehearsal, you might find her hanging out in the Hufflepuff common room. Rachel’s main performing activity is in her role as a core alto member of the Adelaide Chamber Singers, as well as playing the cello in various situations, including in Adelaide theatre pits.
Career highlights include being commissioned by The Hush Foundation for the 2018 album 'Collective Wisdom', writing music to reduce stress in children's hospital environments; a nomination for 'Vocal/Choral Work of the Year' in the APRA AMCOS / Australian Music Centre 2019 Art Music Awards for her piece In Due Season, commissioned by the Adelaide Chamber Singers; and singing solo with the Adelaide Symphony Orchestra and Paul Rissmann, Festival of Learning 2017-18, as well as being contracted for the same in 2020!
Ruby Pinkerton (she/her)
Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Recently, Ruby played Rose in Dogfight with St Jude’s Players, Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots and was the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. She also performed as Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Beautiful: The Carole King Musical witih Davine Productions, Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society, and in 2023 Kiss Me Kate with Hills Musical Company.
At 23, Scarlett has been passionate about performing since she was young. She began dancing at Barbara Jayne Dance Centre when she was 3 years old where she developed her singing and dancing skills for 13 years and has now begun focusing on her passion for musical theatre. Scarlett graduated Concordia College in 2017 as the Dux of Solo Vocal Performance where she was and will continue to be taught by her singing teacher Rosie Hosking.
With 18 years of combined performing experience, Scarlett's love for the stage has never ceased, with her previous roles including Amber Von Tussle in Hairspray, and Campbell Davis in Pelican Production's production of Bring It On the Musical's first season and its 2018 return season - for which she received a TASA nomination for 'Best Youth Female Actor'. Her most recent musical accreditation included a performance season of Godspell with Lydian Productions and Irregular Productions. In addition to this, she was also selected to perform as a featured soloist at the nationally televised 2018 Elder Park Carols By Candlelight. Her professional accolades in Adelaide have also included working with Ding Productions and Shane International each year for varying statewide productions. She has also been contracted with Royal Caribbean International (Miami) as a featured lead vocalist since January 2019 and has recently returned from a 10 month LA season with them. She’s set to resume her overseas work with them for another year, beginning in October 2022.
Simon Barnett (he/him)
Simon has been a regular on Adelaide amateur stages since appearing in the ensemble of HMC's Sideshow (2018), appearing in both plays and musicals. Highlights include Kurt in Heathers (Segue Productions, 2019), Charlie Marlow in She Stoops to Conquer (Blue Sky Theatre, 2020), Warner in Legally Blonde (The Met, 2021) and Boland in Dogfight (St Judes Players, 2022). Simon will next be appearing as Tommy in Carrie with HMC. Simon tries to balance theatre with his other hobbies of cycling and running, usually without success.
Music has always been a large part of Simone Brock's life, singing from an early age and learning piano from the age of six, which she now teaches. Simone was a part of the Special Interest Music Program at Brighton Secondary School, where she had the experience of singing at Generations in Jazz with the school’s Concert Choir, and also had the wonderful opportunity to perform a duet with Kate Ceberano in year twelve. Simone is also involved with the Flinders University Performing Arts Society and the Flinders Acapella group. Simone has just completed her Bachelor of Arts/Master of Teaching (Secondary) degree at Flinders University and now teaches high school music and drama.
Stephanie Andrejewskis (She/Her)
Steph's love for musical theatre started in 2017 when she was part of Adelaide Theatre Academy's performance of Singin' In The Rain. She has worked with theatre companies such as Adelaide Theatre Academy and Pelican Productions, performing in many shows such as The Lion King Jr, Moana Jr, and Pelican Production's Music Theatre Camp. Steph is also heavily involved in drama and the arts at Pembroke School, recently understudying Donna in their production of Mamma Mia. She has been taking singing lessons since 2015 and dance and acting classes since 2018. Steph hopes to continue in theatre and performing onstage in the future.
At 22, Stephanie has been singing, dancing and acting for most of her life. Her love for theatre began in The Fairies when she was 9 and she has since had the opportunity to play some amazing roles, such as 'Calamity' in Calamity Jane (Trinity College), 'Millie' in Thoroughly Modern Millie (Swell Productions) and 'Rizzo' in Grease, 'Ariel' in The Little Mermaid and 'Danielle' in Bring It On (Pelican Productions). Stephanie has been passionate about singing most of her life, performing at many events over the years, including the Elder Park Carols and SANFL grand finals. She now is in her 3rd year of vocal coaching with her certificate in Stage 1 & 2 of Estill Voice Training. Apart from musicals, she is also passionate about leading youth and music at her church. Stephanie is looking forward to getting more involved in musical theatre in the future.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max Ziliotto has been performing since 2004, from concert bands, drumline and big band, to orchestral works and musical theatre. Prior to his acceptance as a Casual Percussionist with the Adelaide Symphony Orchestra, he completed his Bachelor of Music in 2013 at the University of Adelaide’s Elder Conservatorium of Music under the tutelage of Amanda Grigg.
Born in Adelaide, Max began his musical journey under the guidance of Peter Matzick. Attending Marryatville High School, Max gained a wealth of performance opportunities including the Generations in Jazz festival in Mount Gambier. During his Undergraduate studies, Max won first place in the Melbourne Symphony Orchestra Snare Drum Award in 2011.
Max has been performing with the Elder Conservatorium's Music Theatre students' productions since 2021, most notably playing the drum score for Legally Blonde, directed by Broadway's Nikki Snelson in 2022.
Max was also an active member of the Raiders Drum Corps from 2006-2019, performing numerous times in the city's Christmas Pageant, and on stage with them at Australian Ultimate Drummers Weekend in Melbourne 2015. He has tutored at South Australian Music Camp multiple times, and has been in the house band of Broadway Sessions since its inception in 2015.