About this Session
Join us in August as Broadway Sessions celebrates their FIRST birthday! This will be a night you will not want to miss! Many more details to come, but we’ll be sure to be celebrating the big O-N-E in style!
Doors open at 6pm and there are beverages (and food) available from the bar all night. Full meals are available from the main dining room in the adjacent Norwood Hotel, but smaller bar food will be available in the venue itself too.
Amity is the writer and composer of Mother, Wife and the Complicated Life, which was created in Adelaide and has gone on to be a national success story. It was an invited show at the New York Musical Theatre Festival, has been translated into Norwegian to play a season in Norway, has played at the United Nations and 54 Below in New York and staged a 43 show national tour last year. She is currently developing her second musical, Famous which gives an inside look into reality TV and instant fame. Famous was recently workshopped here in Adelaide with Broadway Sessions' Peter Johns Md'ing and quite a few of our Broadway Sessions regulars taking part in the workshop. Amity has also had a top 10 pop album, The Lighthouse and has featured on two series of The Block.
Andrew James Crispe
Andrew is an established freelance performer and vocal coach who has performed professionally in and around Adelaide. He has been a member of the State Opera of SA’s Chorus since 2009. Andrew‘s first foray into the world of Music Theatre was in 2000, when he was encouraged to audition for the Gilbert & Sullivan Society’s back-to-back production of HMS Pinafore and Trial By Jury, and since then he has not looked back!
Andrew won his first leading role in 2006, and has gone on to play a large number of leading and supporting roles throughout Adelaide’s community theatre. Andrew has been nominated for Best Male Performance by the Critics Circle Awards for his role as Don Lockwood in Singin’ In The Rain, and by the Adelaide Theatre Guide for the same role, as well as his portrayal of The Beast in Disney's Beauty And The Beast. For one of his most recent productions Andrew won the TASA Best Male Performance Award for his portrayal of Edward Bloom in BIG FISH – a show which also won the TASA MusiCal Award. Andrew co-wrote and performed in the sold-out season of Villain-Ville: A Musical Exploration of Villainy and Evil in the 2015 Fringe Festival. His most recent appearances this year include a return to the role of Curly McLain (for the third time) in an outdoor production of Oklahoma (On A Farm) with Emma Knights Productions, The Preacher in Davine Interventionz production of Violet, a return to the role of the Major General in Emma Knights Productions’ fourth season of Pirates On The Popeye, and lastly as Pontius Pilate in Jesus Christ Superstar.
Andrew played the role of Marius in both seasons of Les Misérables with the Gilbert & Sullivan’s Society in 2008 and 2009, and he is overjoyed to be coming back for yet another season with them only this time as the infamous Javert – a role he has coveted since he was little!
Casmira Lorien (she/her)
Casmira is an experienced performer and teacher with a great passion for storytelling. Highlights have included performing the role of ‘Violet’ in Davine Productions’ Violet (for which she won the TASA award for Best Female Performance 2017) and 'Fantine' in the G&S Society's production of Les Misérables (for which she was nominated for a Curtain Call: Best Female Performance 2018).
In 2018 she performed in Edges with Irregular Productions for the Adelaide Fringe, ‘Shelby’ in Steel Magnolias with IpSkip,'The Lady of the Lake' in Spamalot with Marie Clark (winner of Best Ensemble Curtain Call 2018), and the ‘Sour Kangaroo’ in Seussical with Northern Light. In 2019 Casmira played nine characters in Judge Jackie: Disorder in the Court with Davine Productions (which won Best Ensemble and Best Musical at the 2019 Curtain Call Awards, as well as the TASA for Best Musical) and Lynette ‘Squeaky’ Fromme in Assassins for Hills Musical Company.
Professionally, Casmira has acted and provided voices for several short films and children’s productions. She also spent many years directing and music directing musicals for Adelaide Theatre Academy, including Snow White and Alice in Wonderland for the Festival Centre’s ‘Something on Saturday’ program. Her fondest memories are working with Peter Combe in directing and choreographing his Adelaide Fringe shows from 2013-2015.
David Gauci (he/him)
David Gauci, proudly from Adelaide’s western suburbs, wouldn’t stop singing from an early age – so much so that the Sisters of St Joseph at primary school wished he’d just shut up and do maths.
At Woodville High, teachers and parents suggested – after David showed interest in acting or journalism – a career in accounting. He did study accountancy but also theology and music (Elder Conservatorium). David was introduced to opera and classical singing but went down the dark path of corporate functions, cabaret and music theatre. He worked in piano bars for 20 years in Adelaide, Darwin, Melbourne, Sydney and Townsville.
David wrote cabaret shows New York According to Bernstein, The Sinatra Show and The Broadway Show, performed with co-writer and accompanist Matthew Carey in Adelaide, Sydney, Melbourne, Townsville and Darwin.
He performed at the inaugural Adelaide Cabaret Festival and again in 2016 when he returned with the award-winning It was Worth the Weight. David also wrote and performed in The Big Book of Broadway, Cole’s Girls, Leading Men I’ll Never Play and Wireless.
He was equal winner in the 2015 Australian Cabaret Competition Adelaide final and most recently performed in the Australian Touring production of Hairspray as understudy to the role of Edna Turnblad – adding to professional stage roles in Adelaide, Melbourne and Sydney
David’s also appeared in TV commercials and films, e.g. The Brush Off, directed by Sam Neill.
This led to forming his own Davine Interventionz Productions in 2013 with a string of shows he’s produced, directed and/or designed to glowing reviews and a welter of awards. And David’s still singing!
Ellis Dolan (he/him)
Ellis Dolan toured as Eddie/Dr. Scott in The Rocky Horror Show, and with the company of School of Rock as an Understudy for Dewey Finn and as a Swing – travelling all over Australia, China, and New Zealand.
He spent 2017 studying Musical Theatre at NIDA; appearing in the Sydney Theatre Company production of Chimerica as part of the NIDA Ensemble.
He has appeared in several productions around Adelaide, including Evita (The Met) in which he portrayed Che; The Producers (HMC) as the Stormtrooper; Oliver! (Shane Davidson Presents) as Bill Sykes; as well as ensemble roles in Sweeney Todd: The Demon Barber of Fleet Street (HMC) and Jesus Christ Superstar (G&S Society). Off-stage, he acted as Assistant Director for You’re A Good Man, Charlie Brown and Smokey Joe's Cafe (HMC).
He also toured across Australia, portraying the role of Peter Dutton, as part of Abbott: The Musical (George Glass Productions), performing as part of the Canberra Comedy Festival and Melbourne International Comedy Festival, as well as a sell-out run in the Adelaide Fringe Festival.
Outside of performing, Ellis is a writer – having completed his Honours in Creative Arts: Creative Writing at Flinders University. He’s currently struggling through the third draft of a novel and is constantly side-tracked by wanting to write reviews and film analysis; because of this, nothing seems to get done, but he has a lot of fun doing it.
He made his directorial debut with Edges as part of the 2018 Adelaide Fringe Festival and loved every second of working with such fine people.
Born into a family with a background in the performing arts, Emma has been immersed in the world of theatre ever since she can remember. Her introduction to Adelaide amateur theatre came when she joined the ensemble of G&S’s Oliver! in both 2013 and 2014, and was involved in the society’s production of Thoroughly Modern Millie in 2016. In 2017, Emma fulfilled her lifelong dream to perform the role of Cosette in Les Misérables, also with G&S, and in 2019 joined the cast of Therry's The Pirates of Penzance as Edith. Emma graduated from her Bachelor of Arts at Adelaide University in 2019.
Iman has been a musician for 10 years playing bass in several local bands throughout that time and also having completed a diploma in music. Always having a natural knack for the arts he always wanted to explore the side of acting and dancing, and was given the opportunity in 2015 when he first entered the Adelaide musical theatre scene in JamaeRaws adaptation of the musical Grease, portraying the role of Danny Zuko. He has since been in Wicked (Matt Byrne Media) and Anything Goes (JamaeRaw) playing Moonface Martin and most recently MBM's Saturday Night Fever as Bobby C. Iman has been enjoying his experiences and developing his stage skills and is excited to see where it will take him.
Kate Hodges (She/Her)
Kate is an established performer and a regular with NLTC having played roles such as Liesl in The Sound of Music, The title role in Cinderella, Belle in Beauty and the Beast, Truly Scrumptious in Chitty Chitty Bang Bang and most recently Fantine in this year's production of Les Miserables to name a few. Kate loves the Adelaide theatre community and has performed with a number of other companies across SA including MBM, The MET, Marie Clarke, Therry, The Hills Musical Theatre Company and G&S Society. Highlights for Kate include playing the puppet Kate Monster for The Hills Musical Theatre Company's production of Avenue Q in 2018 and the roller-skating Goddess Kira/Clio in Davine Interventionz' production of Xanadu in 2014.
Kate was first nominated for an Adelaide Theatre Guide Awards for "Best Female Performance" at 15 for her role as Dorothy in the Wizard of Oz with NLTC. Ten years later Kate was nominated again and won ATG's "Best Female Performance" for her role in or Kira/Clio in Xanadu. In the real world Kate is a Speech Pathologist, Voice Therapist, Vocal Coach and Mum to two young children.
Hailing from Balaklava, Kelly has a great passion for the Arts in her local community of Balaklava, where she has been President of the Balaklava Community Arts for 18 years. Kelly has performed, directed, choreographed, stage managed etc in over 30 of their productions, including Leader of the Pack (2017 Darlene Love), Seussical (2016 Director), The Addams Family (2015 Morticia), and has just recently Directed Shrek the Musical, as well as playing the 'Dragon'. When not banging sets together or rehearsing lines, she works as Executive Assistant at Horizon Christian School, and is a wife and mother.
Born and raised in Johannesburg, South Africa, Lauren Renée got an early taste of performing, putting on visionary "plays" in her parent's lounge-room. The love affair continued as Lauren sang in several choirs and performed in musicals throughout her high-school career, training in Classical Voice and culminating in a performance as Betty Rizzo in St Andrew's School's 2006 production of Grease.
After a sabbatical, Lauren made her return to the musical stage playing romantic lead Amalia Balash in Therry Dramatic Society's She Loves Me in 2014. She also appeared with the Metropolitan Musical Theatre Company of South Australia in their 2014 production of My Fair Lady, capping off the year playing Gracie in Soul Factor Gospel Choir's Christmas musical, For Unto Y'all.
In July 2015, Lauren appeared as the title character in the SA Premiere of Disney's and Cameron Mackintosh's Mary Poppins: The Broadway Musical produced by Matt Byrne Media. She was also very excited to take on some of Stephen Sondheim's most famous work in the acclaimed Hills Musical Company production of Company later that year, and the chance to capture another childhood icon in a tip to Katharine Hepburn's Tracy Lord in Therry Dramatic Society's The Philadelphia Story in 2016. Both shows were nominated for Adelaide Theatre Guide Curtain Call Awards 2016.
Lauren is now embarking on her first major project for 2017, as Rita - a lively Liverpudlian hairdresser - in IpSkip Productions' upcoming version of Willy Russel's Educating Rita.
At 18, Leah is trained in Musical Theatre, dance and has private singing tuition with Kirsty Roberts. The Met’s The King & I was Leah’s first musical at eight years old whereby she played the role of Princess Ying Yaowalack and some ten years on Leah was very excited to accept the beautiful role of Tuptim with The Met – shows start 13th October at the Arts Theatre.
In the ten year gap Leah has performed for both professional and amateur companies in varying lead and support roles: Adelaide Youth Theatre – Into The Woods (Cinderella), Seussical (Gertrude), Hairspray (Nicest Kid), High School Musical (Taylor McKessie), You’re a Good Man Charlie Brown (Sally u/s), G&S Society – Les Misérables (Young Cosette), Swell Productions – Thoroughly Modern Millie (Bun Foo), Into the Woods (Rapunzel), Beauty & The Beast (Le Fou), Seussical (Jo-Jo), … just to name a some of the shows. Leah extended her CV to include directing with AYT giving her the opportunity to direct her first musical Aladdin Jr. earlier this year – a fantastic experience which she loved.
Leah has performed overseas in Disneyland Hong Kong & Paris and on the West End in London with the Australian Youth Performing Arts Team and has sung at many previous Broadway Sessions. Leah hopes to go on and study and teach in the Arts Industry.
Lindsay Prodea (he/him)
Lindsay has performed over the past decade in both musical theatre and cabaret, having enjoyed success in various genres: classical roles such as John Brooke in Little Women (The Musical) (Therry Dramatic Society 2013) and Cinderella's Prince in Into the Woods (Northern Light Theatre Company 2012); to contemporary roles such as Abraham in the Adelaide premiere of Altar Boyz (Davine Interventionz 2013), Sonny Malone in Xanadu (The Musical) (Davine Interventionz 2014), George in The Drowsy Chaperone (Hills Musical Company 2013), Kyle the UPS Delivery guy in Legally Blonde (HMC 2014) and most recently Elliott Garfield in The Goodbye Girl (Therry 2015). Lindsay has also appeared in countless other shows, favourites including Urinetown, 42nd Street, Crazy for You & Les Misérables. Most recently he premiered in Adelaide the role of Fabrizio for Davine Interventionz's 2016 Adelaide Fringe Show, The Light In The Piazza.
Aside from musical theatre, Lindsay has a keen passion for cabaret, having written, co-produced and performed at numerous cabaret events over the years. Stepping out side his usual genre, Lindsay played the role of Jay Gatsby in The Great Gatsby (old sport), produced by Independent Theatre.
Lisa has been singing since a very young age and has been receiving singing tuition since the age of 14 – most recently with David Gauci. Lisa has also been a vocal coach & singing teacher for almost 9 years and became involved in Adelaide community theatre around this time. Since then Lisa has gone on to be involved in many shows – some of her favourite roles include Ellie Greenwich in Leader of the Pack (NLTC, 2011), Mrs Potts in Disney's Beauty & the Beast (2011), Motormouth Maybelle in Hairspray (MBM 2012) and most recently Mama Cass Elliott in the South Australian premiere of Flower Children (Davine Interventionz, 2015).
Lisa has also had the opportunity to be involved with performing in the Adelaide Fringe Festival (Michelle & the Gentleman's Club, 2013 & Flower Children, 2015) & several workshops & masterclasses during the Adelaide Cabaret Festival (with Jason Robert Brown, Adam Guettel, Matthew Robinson & Scott Evan Davis). She was also recently in New York this year in July and was lucky enough to have a one on one class with Adam Guettel (lyrical writter for Light in the Piazza). By night she is a performer but by day works as a midwife at the Women's & Children's Hospital, where the song of choice is 'Happy Birthday' for all the new babies she gets to welcome into the world!
Mark Oates (he/him)
Mark is an award winning South Australian performer whose credits include the Adelaide and Brisbane Festivals, State Opera South Australia, SINGular Productions, Co Opera, Various People, Aerial Artists Australia, and MOatesArt Productions.
In 2022 Mark was nominated for an Adelaide Critic's Circle Award for his body of work. He premiered the dual roles of Ian Duncan and Don Dunstan in Neil Armfield's Ruby Award-winning Watershed: The Death Of Dr Duncan for the Adelaide Festival – while for State Opera South Australia he performed Lt Tom in Voss and Gastone in La Traviata, as well as embarking on a national tour of Love Burns, completing the first orchestration workshop of When The Rain Stops Falling and appearing in Bright Lights, Big Dreams.
Previous Adelaide Festival appearances are Mozart Requiem (2020), Bernstein Mass – featured Street Singer (2012) and Le Grande Macabre - Ruffiak (2010).
In State Opera of South Australia's 2023 season Mark will be appearing as the Defendant in Trial by Jury and in Pirates of Penzance and HMS Pinafore, as well as hosting the Tra La La Bar for the Gilbert and Sullivan Festival, with further exciting projects to be announced. In 2021, Mark appeared as Beadle Bamford in Sweeney Todd and Jack in Love Burns, and opened the year in Carousel. Further highlights with the company include Njegus in The Merry Widow, Arjuna in Satyagraha, John Styx in Orpheus in the Underworld, The Cantor in Maria de Buenos Aires (co production with Leigh Warren Dancers – Adelaide Festival Centre Playhouse and Brisbane Festival). Mark is a proud and long-standing State Opera South Australia artist, both as a chorister and a principal performer.
Well known and regarded on the concert stage, Mark also mentors Class of Cabaret for the Adelaide Cabaret Festival, works extensively with Primary Schools Music Festival and regularly tours with Aerial Artists Australia in Le Aerial, including Perth Fringeworld, Adelaide Fringe, Auckland Fringe, Sydney Opera House, Melbourne Arts Centre and Port Douglas. Mark is Associate Producer and regular host of Broadway Sessions, Adelaide's long running monthly music theatre focussed, curated open mic night.
Mim Sarre (she/her)
Millicent Sarre (Mim) is a cabaret artist, singer-songwriter, vocal coach, and musical theatre performer, brought up and working on Kaurna Land. She has toured her original cabaret works Australia-wide; her most recent show Millicent Sarre is Opinionated won ‘Best Cabaret’ of the Adelaide Fringe 2023, and the album of the original songs from the show was released in February 2023. Previous musical theatre roles include Mrs Lovett in Sweeney Todd (ECMT, dir. James Millar), Hildy in On the Town (ECMT, dir. Erin James), Rona Lisa Peretti in The 25th Annual Putnam County Spelling Bee (ECMT, dir. Joseph Simons), and Ivy in the Australian premiere of Ivy + Bean: The Musical (The Gemini Collective, dir. Sarah Williams). Mim will graduate with a Bachelor of Music Theatre from the Elder Conservatorium in 2023.
Mitchell is so excited to be back at Broadway Sessions for the first time since almost 3 years living in Melbourne. Favourite past roles include Melchior in Spring Awakening (HMC), Marius in Les Misérables (PLOS - Melbourne), Jimmy in Thoroughly Modern Millie (G&S), and Monty in Violet (Davine). He currently works as a paediatric podiatrist in the public sector in Victoria and is so grateful to be able to get across the border (and hopefully back) to sing tonight.
Ruby Pinkerton (she/her)
Ruby’s passion for musical theatre began at a young age, receiving voice and acting training from industry professionals. Recently, Ruby played Rose in Dogfight with St Jude’s Players, Nicola in the Gilbert and Sullivan Society's 2019 production of Kinky Boots and was the ‘Turn Back, O Man’ soloist in Godspell, produced by Irregular Productions and Lydian Productions. She also performed as Hodel in the Therry Dramatic Society's production of Fiddler on the Roof, and understudied the title role and performed in the ensemble for Davine Productions’ Violet. Her performing credits also include Beautiful: The Carole King Musical witih Davine Productions, Thoroughly Modern Millie and Les Misérables produced by The Gilbert and Sullivan Society, and in 2023 Kiss Me Kate with Hills Musical Company.
Scott Lorien (he/him)
Scott has always had a love of the theatre, but his real obsession began in high school, with performances as the Foreman, Pimp and a Student in Les Misérables, Priam in Paris and Action in West Side Story. Since completing high school he performed non-stop for a number of years, starting with Gerald Bolingbroke in Me and My Girl, an Apostle in Jesus Christ Superstar and Ugly in Honk! (Marie Clark Musical Theatre). After playing Cornelius Hackl in Hello, Dolly! and Asher and the Butler in Joseph and the Amazing Technicolor Dreamcoat (Metropolitan Musical Theatre Company of SA), Scott joined Northern Light Theatre Company’s production of Disney’s Beauty and the Beast as Monsieur D’Arque to round out 2011. The following year started with an incredible experience: Scott won the role of Henry in Six Foot Something’s pro-am Production of Next to Normal. After a mild performance hiatus in more recent times, Scott starred as Hunter in Irregular Productions sell out 2015 Adelaide Fringe season of [title of show].
If there’s one thing he regrets, it’s not starting singing and performing (publicly of course) at an earlier age. Off-stage (but in the theatre) Scott enjoys both sound and lighting design, and the challenges each of these areas brings to his knowledge of design in the digital world. Broadway Sessions is certainly the start of a new chapter, bringing together many ongoing stories and plot lines, but allowing the love of theatre (musical theatre in particular) to continue in new and exciting ways.
When not strutting his stuff on stage, or manically helping out backstage or in the roof of a theatre, Scott is a web designer & developer, creating sites like this one! You can see more of his work at www.scottreynolds.com.au.
Serena began performing with the Adelaide Youth Theatre in 2011 and since, has played many roles for the youth theatre such as Tracy in Hairspray, Mrs Potts in Beauty and the Beast, The Baker’s Wife in Into the Woods, Dragon in Shrek the Musical and most recently as Elphaba in their production of Wicked. Serena has also performed in many shows for Emma Knights Productions, including as Ado Annie in Oklahoma: On a Farm!, Buffy in Buffy Kills Edward and as New York Woman in I Love You Because.
Recently, Serena performed the role of Christine in The Phantom of the Opera for the G&S Society of SA, and has played Elphaba in Wicked and Mabel in The Pirates of Penzance. Serena has also performed many roles professionally for companies such as The Entertainment Store and Heaps Good Productions, most recently in the successful season of Snowmageddon at the South Australian Maritime Museum. In addition to musical theatre, Serena performs regularly with The Three Little Sisters, an Andrews Sisters tribute show, and performs in and directs The Honey-Bees, a 60s-tribute show.
Zak is currently in his third year at the Victorian College of the Arts studying a Bachelor of Fine Arts (Music Theatre). He has been passionate about theatre for as long as he can remember, undertaking both on and offstage roles for a variety of productions. He has completed a Certificate IV in Commercial Dance at Gravity Dance, specialising in tap, hip hop, jazz, contemporary, ballroom and ballet.
Zak’s choreography credits include Singin’ in the Rain JR (2017, TB Arts, Fringe Festival), A Peter Combe Extravaganza! (2017, Something on Saturday) and A Night on Broadway (2014, Glenunga High School). Zak made his professional debut with State Opera of South Australia’s production of Hansel and Gretel. Since then, he has played many memorable roles such as Boq in Wicked the Musical (2016, Matt Byrne Media), Mary Sunshine in Chicago (2017, Emma Knights Productions), The Tinman in The Wiz (2013, GIHS), Danny in Grease (2014, GIHS), Bert in Mary Poppins (2014, GIHS) and also appeared as a featured dancer in Thoroughly Modern Millie (2016, G&S Society of SA).
An avid performer, he has entertained at many events around Adelaide, such as the Adelaide Fringe Festival, the Royal Adelaide Show and Adelaide's Clipsal 500, as well as at private functions, weddings and parties. Zak also works as an entertainer for Nickelodeon and Showtime Attractions and has performed in many children’s shows with them.
Peter Johns (Piano/Musical Director)
Peter is a music director, accompanist, repertoire coach, and the founder of Irregular Productions - one half of the brains behind Broadway Sessions.
He has been a theatre music director since 2005, with a number of his shows winning local awards. Theatre Credits include: (as Music Director) Beautiful, Mamma Mia, Les Misérables, Next to Normal, Violet, The Story Of My Life, Songs For A New World, The Light In The Piazza, You're A Good Man Charlie Brown, Into the Woods, Disney's Beauty and the Beast, [title of show], Edges, Avenue Q, Bring It On, Singing In The Rain, Fiddler on the Roof, Oliver!, Monty Python’s Spamalot, Chicago, Sweeney Todd, The Sound of Music, Urinetown the Musical, Scrooge, The Witches of Eastwick, Little Shop of Horrors, Seussical the Musical, Grease, Once Upon a Mattress; (as Associate Music Director) Kinky Boots; (as Conductor) City of Angels, The Addams Family; (as Associate Conductor) Rent; (as Assistant Music Director) Jesus Christ Superstar, Godspell, South Pacific, Copacabana; as well as playing keyboard in over 25 other productions.
Besides co-producing Broadway Sessions, Irregular Productions has also staged the South Australian premieres of Songs for a New World, [title of show] and Edges, as well as a new production of Godspell (with Lydian Productions).
Peter is also the music director for Civic Park Carols, Australia's second-largest candlelight carols event, working with some of Adelaide’s finest musician’s and performers, as well as artists such as Justine Clarke, Guy Sebastian, Rachel Beck, and Jimmy Giggle.
Louis Cann (Bass)
Louis has been playing both double bass and bass guitar as long as he can remember. Beginning with lessons at the age of 7, he quickly developed his skills and decided that music was the career for him. Louis began playing for Musical Theatre shows in 2011, with the Northern Lights Theatre Company’s production of Beauty and the Beast, which coincidentally, was the beginning of a long-standing working relationship with Musical Director, Peter Johns! Since, Louis has played for many theatre companies around Adelaide, including Adelaide Youth Theatre, Lydian Productions, Pelican Productions, Davine Productions, Irregular Productions, Marie Clarke Musical Theatre, The Gilbert & Sullivan Society of South Australia, and Hills Musical Company. Some of his favourite shows to play for have been In the Heights, for Pelican Productions in 2019, and Beautiful: The Carol King Musical, for Davine Productions in 2020. In 2018, Louis had the privilege of playing in the pit for the Gordon Frost Organisation’s touring production of The Wizard of Oz. Louis graduated from the Elder Conservatorium of Music in 2016, with a Bachelor of Music (Classical Performance.) That same year, he began performing as a casual member of the Adelaide Symphony Orchestra - some of his favourite performances include Harry Potter and the Goblet of Fire in Concert at the Adelaide Entertainment Centre, and Last Night of the Proms at the Adelaide Festival Centre.
Max Ziliotto (Drums/Percussion)
Max Ziliotto has been performing since 2004, from concert bands, drumline and big band, to orchestral works and musical theatre. Prior to his acceptance as a Casual Percussionist with the Adelaide Symphony Orchestra, he completed his Bachelor of Music in 2013 at the University of Adelaide’s Elder Conservatorium of Music under the tutelage of Amanda Grigg.
Born in Adelaide, Max began his musical journey under the guidance of Peter Matzick. Attending Marryatville High School, Max gained a wealth of performance opportunities including the Generations in Jazz festival in Mount Gambier. During his Undergraduate studies, Max won first place in the Melbourne Symphony Orchestra Snare Drum Award in 2011.
Max has been performing with the Elder Conservatorium's Music Theatre students' productions since 2021, most notably playing the drum score for Legally Blonde, directed by Broadway's Nikki Snelson in 2022.
Max was also an active member of the Raiders Drum Corps from 2006-2019, performing numerous times in the city's Christmas Pageant, and on stage with them at Australian Ultimate Drummers Weekend in Melbourne 2015. He has tutored at South Australian Music Camp multiple times, and has been in the house band of Broadway Sessions since its inception in 2015.